Download or read book The Hollywood Film Music Reader written by Mervyn Cooke and published by Oxford University Press, USA. This book was released on 2010-11-04 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging, stimulating, and entertaining anthology of writings about the experiences of composers working in the high-pressure environment of the US film industry from the silent era to the present day includes both vivid first-hand accounts from the composers themselves and a representative selection of contemporaneous criticism and commentary.
Download or read book The Hollywood Film Musical written by Barry Keith Grant and published by John Wiley & Sons. This book was released on 2012-04-23 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revealing history of the American film musical synthesizes the critical literature on the genre and provides a series of close analytical readings of iconic musical films, focusing on their cultural relationship to other aspects of American popular music. Offers a depth of scholarship that will appeal to students and scholars Leads a crucial analysis of the cultural context of musicals, particularly the influence of popular music on the genre Delves into critical issues behind these films such as race, gender, ideology, and authorship Features close readings of canonical and neglected film musicals from the 1930s to the present including: Top Hat, Singin' in the Rain, Woodstock, Gimme Shelter, West Side Story, and Across the Universe
Download or read book Hollywood Musicals the Film Reader written by Steven Cohan and published by Psychology Press. This book was released on 2002 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores one of the most popular genres in film history. Combining classic and recent articles, each section explores a central issue of the musical, including: the musical's significance as a genre; the musical's own particular representation of sexual difference; the idea of camp, both through stars such as Judy Garland and Carmen Miranda and musicals themselves; and the displacement of race in Hollywood's representations of entertainment. Each section features an editor's introduction setting debates in context.
Download or read book Hollywood and War The Film Reader written by J. David Slocum and published by Taylor & Francis. This book was released on 2023-04-28 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films. Topics covered include: the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.
Download or read book The Classical Hollywood Reader written by Steve Neale and published by Routledge. This book was released on 2012-11-12 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. In doing so, it also deals with film making practices, aspects of style, the changing roles played by women in an increasingly business-oriented environment, and the different audiences in the US for which Hollywood sought to cater. Part 2 covers the period between the coming of sound in the mid 1920s and the beginnings of the demise of the `studio system` in late 1940s. In doing so it deals with the impact of sound on films and film production in the US and Europe, the subsequent impact of the Depression and World War II on the industry and its audiences, the growth of unions, and the roles played by production managers and film stars at the height of the studio era. Part 3 deals with aspects of style, censorship, technology, and film production. It includes articles on the Production Code, music and sound, cinematography, and the often neglected topic of animation. Part 4 covers the period between 1946 and 1966. It deals with the demise of the studio system and the advent of independent production. In an era of demographic and social change, it looks at the growth of drive-in theatres, the impact of television, the advent of new technologies, the increasing importance of international markets, the Hollywood blacklist, the rise in art house imports and in overseas production, and the eventual demise of the Production Code. Designed especially for courses on Hollywood Cinema, the Reader includes a number of newly researched and written chapters and a series of introductions to each of its parts. It concludes with an epilogue, a list of resources for further research, and an extensive bibliography.
Download or read book Saying It With Songs written by Katherine Spring and published by Oxford University Press. This book was released on 2013-11 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood's conversion from silent to synchronized sound film production not only instigated the convergence of the film and music industries but also gave rise to an extraordinary period of songs in American cinema. Saying It With Songs considers how the increasing interdependence of Hollywood studios and Tin Pan Alley music publishing firms influenced the commercial and narrative functions of popular songs. While most scholarship on film music of the period focuses on adaptations of Broadway musicals, this book examines the functions of songs in a variety of non-musical genres, including melodramas, romantic comedies, Westerns, prison dramas, and action-adventure films, and shows how filmmakers tested and refined their approach to songs in order to reconcile the spectacle of song performance, the classical norms of storytelling, and the conventions of background orchestral scoring from the period of silent cinema. Written for film and music scholars alike as well as for general readers, Saying It With Songs illuminates the origins of the popular song score aesthetic of American cinema.
Download or read book A History of Film Music written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2008-09-25 with total page 627 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.
Download or read book Overtones and Undertones written by Royal S. Brown and published by Univ of California Press. This book was released on 1994 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film music, how it is used and how it is created.
Download or read book Movie Music the Film Reader written by Kay Dickinson and published by Psychology Press. This book was released on 2003 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.
Download or read book Understanding the Leitmotif written by Matthew Bribitzer-Stull and published by Cambridge University Press. This book was released on 2015-05-14 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.
Download or read book Film Music a Very Short Introduction written by Kathryn Kalinak and published by Oxford University Press. This book was released on 2023 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--
Download or read book The Hollywood Musical written by Jane Feuer and published by Indiana University Press. This book was released on 1993 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: ... both fresh and informed, as well as a pleasure to read. --Film Quarterly Since 1982, when this book first appeared, the Hollywood musical has undergone a rebirth, with the rise of teen musicals such as Dirty Dancing and Flashdance. In a chapter written especially for this second edition of her well-known study, Jane Feuer shows how this new development in the genre relates to important changes in the cinema audience itself. It is the text for the study of Hollywood musicals.
Download or read book Hollywood Harmony written by Frank Lehman and published by Oxford University Press. This book was released on 2018 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film music often tells us how to feel, but it also guides us how to hear. Filmgoing is an intensely musical experience, one in which the soundtrack structures our interpretations and steers our emotions. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology in this first ever book-length analytical study of this culturally central repertoire. Harmony, and especially chromaticism, is emblematic of the "film music sound," and it is often used to evoke that most cinematic of feelings-wonder. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Riemannian theory, a recently developed and versatile method of understanding music as a dynamic and transformational process, rather than a series of inert notes on a page. This application of neo-Riemannian theory to film music is perfect way in for curious newcomers, while also constituting significant scholarly contribution to the larger discipline of music theory. Author Frank Lehman draws from his extensive knowledge of cinematic history with case-studies that range from classics of Golden Age Hollywood to massive contemporary franchises to obscure cult-films. Special emphasis is placed on scores for major blockbusters such as Lord of the Rings, Star Wars, and Inception. With over a hundred meticulously transcribed music examples and more than two hundred individual movies discussed, Hollywood Harmony will fascinate any fan of film and music.
Download or read book The Synergy of Film and Music written by Peter Rothbart and published by Rowman & Littlefield. This book was released on 2013 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although writers on film music frequently allude to specific parts of scores, comprehensive examinations of entire scores are rare. In addition, most analyses of scores composed for the screen are discussed outside their cinematic context. To best understand the role music plays in the production of a motion picture, however, it benefits the viewer to consider all of the elements that comprise the film experience. In The Synergy of Film and Music: Sight and Sound in Five Hollywood Films, Peter Rothbart considers the aural and visual aspects of five representative films: West Side Story, Psycho, Empire of the Sun, Altered States, and American Beauty. For each film, the author demonstrates how a variety of elements work together to create a singular experience. After reviewing the various roles that music can serve in a film, as well as providing an overview of the film scoring process, Rothbart looks at each film, examining them one musical cue at a time, so the reader can watch the film while reading about each cue. In these analyses, timecode markings from commercial DVDs are provided in the margins alongside the text, which allow the reader to correlate the on-screen drama to the second. Rothbart explains how music is used in a specific cue and why the decision was made to use that particular musical idea at that moment. Consequently, film music aficionados--as well as students and composers of film music--can gain real-world perspective of how music is used in conjunction with other elements. In this way, the author raises awareness of music's relationship to virtually every other aspect of cinema--dialogue, sound effects, costuming, set design, and cinematography--to deepen the viewer's experience. Written in a deliberately nontechnical way, this book is intended for anyone interested in film to easily follow along. At the same time, the information can benefit professional filmmakers or composers because they can see with great detail how each cue unfolds along with all of the visual elements of the film. This unique analysis makes The Synergy of Film and Music a fascinating and instructive volume that both casual viewers and students of cinema will appreciate.
Download or read book Play the Way You Feel written by Kevin Whitehead and published by Oxford University Press. This book was released on 2020-04-01 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years--from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington's social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese's improvisatory method on the set of New York, New York. Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR's Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts.
Download or read book Aaron Copland s Hollywood Film Scores written by Paula Musegades and published by Eastman Studies in Music. This book was released on 2020 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.
Download or read book Music on Demand written by Shmuel N. Eisenstadt and published by Routledge. This book was released on 2017-09-29 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this remarkable study, Robert R. Faulkner shows that the Hollywood film industry, like most work communities, is dominated by a highly productive and visible elite who exercise major influence on the control of available resources, career chances, and access to opportunity. Faulkner traces a network of connections that bind together filmmakers (employers) and composers (employees) and reveals how work is allocated among composers and the division of labor within the Hollywood film community, using statistical analysis and highly revealing personal interviews. One of the very first empirical studies in the ""new economic sociology,"" Music on Demand shows the dynamics of markets constituted by the interaction between buyers and artistic talent (the producers and directors of feature films) and the sellers of artistic talent (the composers of film scores).Faulkner's interviews with those composers considered to be elite and those on the industry's periphery reveal how they perceive their careers, how they define commercial artistic success, and how they establish, or try to establish, those vital connections with filmmakers. Now available in paperback, this pioneering study will be of compelling interest to researchers in culture studies as well as readers interested in learning more about this little-known world.
