Download or read book Russian Theatre In The Age Of Modernism written by Andrew Barratt and published by Springer. This book was released on 1990-06-14 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Russian Theatre in the Age of Modernism written by Robert Russell and published by Palgrave Macmillan. This book was released on 1990 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mamontov s Private Opera written by Olga Haldey and published by Indiana University Press. This book was released on 2010-06-16 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Moscow Private Opera, founded, sponsored, and directed by Savva Mamontov (1841--1918), was one of Russia's most important theatrical institutions at the dawn of the age of modernism. It presented the Moscow premieres of Lohengrin, La Bohà ̈me, and Khovanshchina, among others; launched the career of Feodor Chaliapin; gave Sergei Rachmaninov his first conducting job; employed Vasily Polenov, Victor Vasnetsov, Valentin Serov, Konstantin Korovin, and Mikhail Vrubel as set designers; and served as a model for Diaghilev's Ballets Russes. Part commercial enterprise, part experimental studio, Mamontov's company revolutionized opera directing and design, and trained a generation of opera singers. Drawing on a wealth of unpublished primary sources and evidence from art and theater history, Olga Haldey paints a fascinating portrait of a railway tycoon turned artiste and his pioneering opera company.
Download or read book Russian Literature Modernism and the Visual Arts written by Catriona Kelly and published by Cambridge University Press. This book was released on 2000-03-09 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations between writers, artists, designers, and theatre and cinema directors took place more intensively and productively than ever before or since. Equally striking was the incursion of spatial and visual motifs and structures into verbal texts. Verbal and visual principles of creation joined forces in an attempt to transform and surpass life through art. Yet willed transcendence of the boundaries between art forms gave rise to confrontation and creative tension as well as to harmonious co-operation. This collection of essays by leading British, American and Russian scholars, first published in 2000, draws on a rich variety of material - from Dostoevskii to Siniavskii, from writers' doodles to cabarets, from well-known modernists such as Akhmatova, Malevich, Platonov and Olesha to less well-known figures - to demonstrate the creative power and dynamism of Russian culture 'on the boundaries'.
Download or read book Russian and Yugoslav Culture in the Age of Modernism written by Cynthia Marsh and published by Astra Publishing. This book was released on 1991 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modern Theatre in Russia written by Stefan Aquilina and published by Bloomsbury Publishing. This book was released on 2020-07-09 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes? The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission – training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories – contribute to the formation and consolidation of theatre traditions. Through English translations of rare Russian sources, the book expounds on: *side-lined material on Stanislavsky, including his relationship with German actor Ludwig Barnay, use of improvisation at the First Studio, and rehearsal practices for Artists and Admirers (1933); *Valentin Smyshlaev's acting manual The Technique to Process Stage Performance and the creation of hybrid practices; *proletarian theatre as an amateur-professional combination and force in the transformation of everyday life, as seen in the Proletkult's volume Art at the Workers' Clubs; *Meyerhold's Borodin Studio as an early example of Practice as Research, his European tour of 1930, and international persona as depicted in newspapers published in the West; and *Asja Lacis's work with children, which contributes to current efforts to address the gender imbalance that is often characteristic of modernism. This historical-theoretical investigation is combined with practical exercises that provide a more experiential understanding of the modern performance realities involved. In this way, the book speaks not only to theatre scholars and historians, but also to students and practitioners engaged in practical work.
Download or read book A Cultural History of Theatre in the Modern Age written by Kim Solga and published by Bloomsbury Publishing. This book was released on 2019-08-08 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: To call something modern is to assert something fundamental about the social, cultural, economic and technical sophistication of that thing, over and against what has come before. A Cultural History of Theatre in the Modern Age provides an interdisciplinary overview of theatre and performance in their social and material contexts from the late 19th century through the early 2000s, emphasizing key developments and trends that both exemplify and trouble the various meanings of the term 'modern', and the identity of modernist theatre and performance. Highly illustrated with 40 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Download or read book Revolutionary Acts written by Lynn Mally and published by Cornell University Press. This book was released on 2016-11-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.
Download or read book Science and the Stanislavsky Tradition of Acting written by Jonathan Pitches and published by Routledge. This book was released on 2005-09-21 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Russian tradition is a major area of theatre studies Uses a range of historical and archival material, including previously unpublished material from the Michael Chekov archives International market - UK, America. Potential interest in Russia and France
Download or read book Russia in 1913 written by Wayne Dowler and published by Cornell University Press. This book was released on 2010-10-29 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pivotal year in the history of the Russian Empire, 1913 marks the tercentennial celebration of the Romanov Dynasty, the infamous anti-Semitic Beilis Trial, Russia's first celebration of International Women's Day, the ministerial boycott of the Duma, and the amnestying of numerous prisoners and political exiles, along with many other important events. A vibrant public sphere existed in Russia's last full year of peace prior to war and revolution. During this time a host of voluntary associations, a lively and relatively free press, the rise of progressive municipal governments, the growth of legal consciousness, the advance of market relations and new concepts of property tenure in the countryside, and the spread of literacy were tranforming Russian society. Russia in 1913 captures the complexity of the economy and society in the brief period between the revolution of 1905 and the outbreak of war in 1914 and shows how the widely accepted narrative about pre-war late Imperial Russia has failed in significant ways. While providing a unique synthesis of the historiography, Dowler also uses reportage from two newspapers to create a fuller impression of the times. This engaging and important study will appeal both to Russian studies scholars and serious readers of history.
Download or read book Early Cinema in Russia and Its Cultural Reception written by Yuri Tsivian and published by Routledge. This book was released on 2005-08-12 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Early Cinema in Russia and its Cultural Reception Yuri Tsivian examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. Tsivian traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films, from actors, novelists, poets, writers, and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. Early Cinema in Russia and its Cultural Reception presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. Tsivian's study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.
Download or read book Theatre and Identity in Imperial Russia written by Catherine A. Schuler and published by University of Iowa Press. This book was released on 2009-05-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II. If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.
Download or read book A Soviet Credo Shostakovich s Fourth Symphony written by Pauline Fairclough and published by Routledge. This book was released on 2017-07-05 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.
Download or read book Russian Culture and Theatrical Performance in America 1891 1933 written by V. Hohman and published by Springer. This book was released on 2011-08-29 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.
Download or read book Moscow Theatres for Young People A Cultural History of Ideological Coercion and Artistic Innovation 1917 2000 written by Manon van de Water and published by Springer. This book was released on 2006-04-15 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book shows how the totalitarian ideology of the Soviet period shaped the practices of Soviet theatre for youth. It weaves together politics, pedagogy and aesthetics to reveal the complex intersections between theatre and its socio-historical conditions. It paints a picture of the theatrical developments from 1917 through to the new millennium.
Download or read book Gas Mask Nation written by Gennifer Weisenfeld and published by University of Chicago Press. This book was released on 2023-02-24 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Gas Mask Nation explores Japanese daily life during the widespread culture of civil defense that emerged through fifteen years of war, beginning with Japan's invasion of Manchuria in 1931 and only ending with Japan's decisive defeat in WWII. This fifteen-year period involved intense social mobilization and the militarization of citizens. As in nearly every war since the invention of the airplane, surveillance, secrecy, and physical safety became visual symbols of national preparedness and anxiety. Everybody was vulnerable, always. And everybody had a role to play. Prevailing scholarship tends to portray the war years in Japan as a landscape of privation where consumer and popular culture were suppressed under the massive censorship of the war machine. Weisenfeld claims otherwise: while not denying the horrors of war, she shows that pleasure, desire, wonder, creativity, and humor were all still abundantly present. Even amidst the fear, tasty caramels were sold to children with paper gas masks as promotional giveaways, and popular magazines featured everything from attractive models in the latest civil defense fashions to futuristic wartime weapons. Gas Mask Nation examines the multilayered construction of an anxious yet perversely pleasurable culture of civil air defense through a diverse range of art works and media including experimental and documentary photographs, newsreels, popular magazine illustrations, advertising, cartoons, and state propaganda"--
Download or read book Revolutionary Beauty written by Sabine Kriebel and published by Univ of California Press. This book was released on 2014-02-21 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: "It is difficult to write brilliantly about humor, more difficult to write engagingly about humor and politics, and more difficult still to write with precision about humor, politics, and art. Revolutionary Beauty is indispensable for understanding the singular genius of John Heartfield, the Weimar era avant-garde virtuoso whose photomontages created a new visual language for destabilizing and ridiculing NazismÕs rise and triumph." ÑAnson Rabinbach, Professor of History at Princeton University and author of The Third Reich Sourcebook "Historically precise and theoretically astute, this is by far the most wide-ranging study of John HeartfieldÕs extraordinary project to date. Sabine Kriebel goes beyond a single oeuvre to unearth, patiently but provocatively, the complex visual imaginary of the Left in the darkest moments of its history." ÑFrederic J. Schwartz, author of Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany and The Werkbund: Design Theory and Mass Culture Before the First World War "This book by Sabine Kriebel fills a void in an exemplary mode of critical cultural scholarship, promising to take a major place in the fields of 20th century photography, mass media, European cultural studies and modern art. I laud the unprecedented depth of analysis in her probing of specific images and their particular relation to ever-changing events in this period. Attention to this book will radiate centripetally, engaging the interest of a new generation of avid and often extra-mural dissenters in this age of new crisis, potentially serving as historic handbook for the Occupy generation."ÑSally Stein, Emerita Professor, UC Irvine Ê
