Download or read book Our Ancient National Airs Scottish Song Collecting from the Enlightenment to the Romantic Era written by Karen McAulay and published by Routledge. This book was released on 2016-05-13 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the earliest documented Scottish song collectors actually to go 'into the field' to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 - contemporaneously with the start of James Macpherson's famous but much disputed Ossian project - and it fell to the Revd. Patrick Macdonald to finish and subsequently publish his younger brother's collection. Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections, over the ensuing 130 years. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context and traces links with contemporary attitudes towards such wide-ranging topics as the embryonic tourism and travel industry; cultural nationalism; fakery and forgery; literary and musical creativity; and the move from antiquarianism and dilettantism towards an increasingly scholarly and didactic tone in the mid-to-late Victorian collections. Attention is given to some of the performance issues raised, either in correspondence or in the paratexts of published collections; and the narrative is interlaced with references to contemporary literary, social and even political history as it affected the collectors themselves. Most significantly, this study demonstrates a resurgence of cultural nationalism in the late nineteenth century.
Download or read book Our Ancient National Airs Scottish Song Collecting from the Enlightenment to the Romantic Era written by Karen McAulay and published by Routledge. This book was released on 2016-05-13 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the earliest documented Scottish song collectors actually to go 'into the field' to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 - contemporaneously with the start of James Macpherson's famous but much disputed Ossian project - and it fell to the Revd. Patrick Macdonald to finish and subsequently publish his younger brother's collection. Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections, over the ensuing 130 years. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context and traces links with contemporary attitudes towards such wide-ranging topics as the embryonic tourism and travel industry; cultural nationalism; fakery and forgery; literary and musical creativity; and the move from antiquarianism and dilettantism towards an increasingly scholarly and didactic tone in the mid-to-late Victorian collections. Attention is given to some of the performance issues raised, either in correspondence or in the paratexts of published collections; and the narrative is interlaced with references to contemporary literary, social and even political history as it affected the collectors themselves. Most significantly, this study demonstrates a resurgence of cultural nationalism in the late nineteenth century.
Download or read book Our Ancient National Airs written by Karen Elisabeth McAulay and published by . This book was released on 2013 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Our Ancient National Airs written by Karen E. McAulay and published by . This book was released on 2009 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This thesis explores the musical dimension of Scottish song-collecting between the years c.1760 and 1888. The collections under investigation reflect the general cultural influences that bear on their compilers, starting with those associated with what we now call the Scottish Enlightenment, and continuing with those we associated with developing nineteenth-century romanticism. Building upon the work of Harker on the concept of?fakesong?, and of Gelbart on the developing idea of?folk? versus?art? music, I suggest that the sub-title of James Johnson?s Scots Musical Museum,?Our Ancient National Airs?, has implications which can be traced throughout this period. The nature of the finished collections tells us much about editorial decisions, value-judgements, and intended audiences. The prefaces, other published writings and surviving correspondence have been especially informative. Parallels can be traced between Joseph and Patrick MacDonald?s A Collection of Highland Vocal Airs, and the Ossian works of James Macpherson, embodying an urge to record and preserve the heritage of Highland Scotland?s primitive past. The collaborations of Robert Burns with James Johnson and George Thomson, and the English Joseph Ritson?s Scotish Song, similarly reflect the antiquarian?museum? mentality. However, the drive to record and codify is tempered by Burns?s and Thomson?s wish simultaneously to improve and polish. The?discovery? of the Highlands as a tourist destination, and the appeal of its primitive history, prompted a substantial body of literature, and Alexander Campbell?s output particularly exemplifies this, but the sense of place was as much a motivator for private collectors. It can also be demonstrated that later song-collectors, such as Robert Archibald Smith, were as much motivated to create and improve the repertoire, as were James Hogg and his literary peers. A passion for domestic music-making, and an increased wish to educate and inform, is evidenced in song-collections by George Farquhar Graham, Finlay Dun and John Thomson, but most significantly, this thesis demonstrates a resurgence of cultural nationalism, driven as much by William Chappell?s anxiety to define and defend the English repertoire, as by Andrew Wighton?s and James Davies? passion for the Scottish, with Graham and Laing caught in the crossfire. Thus, even if?Our Ancient National Airs? appeared at different times in different kinds of musical setting, and for differing purposes, it can clearly be demonstrated that published Scottish song-collections of this period can, indeed, be taken to reflect a wider range of contemporary cultural trends than has hitherto been recognised.
Download or read book La Belle Assembl e written by and published by . This book was released on 1811 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Irish melodies National airs Scared songs written by Thomas Moore and published by . This book was released on 1869 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Poetical Works of Thomas Moore Irish melodies National airs Sacred songs written by Thomas Moore and published by . This book was released on 1841 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Understanding Scotland Musically written by Simon McKerrell and published by Routledge. This book was released on 2018-02-15 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.
Download or read book National Patriotic and Typical Airs of All Lands written by John Philip Sousa and published by . This book was released on 1890 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sound and Sense in British Romanticism written by James Grande and published by Cambridge University Press. This book was released on 2023-09-07 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unparalleled exploration reveals how understandings of sound shifted and multiplied in late eighteenth- and early nineteenth-century Britain. Drawing on literary studies, musicology and history, and interrogating how writers of this period thought with and through sound, this book opens up a new chapter in the history of the senses.
Download or read book Figures of the Imagination written by Roger Hansford and published by Routledge. This book was released on 2017-03-16 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.
Download or read book Music in The Girl s Own Paper An Annotated Catalogue 1880 1910 written by Judith Barger and published by Routledge. This book was released on 2016-09-13 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.
Download or read book Cofnodion a chyfansoddiadau buddugol eisteddfod Caernarfon 1894 written by and published by . This book was released on 1896 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambro Briton written by and published by . This book was released on 1821 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music by Subscription written by Simon D.I. Fleming and published by Routledge. This book was released on 2021-12-30 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.
Download or read book Tait s Edinburgh Magazine written by William Tait and published by . This book was released on 1839 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of an Extensive Selection of Books in Various Classes of Literature from the Stock of William Paterson written by and published by . This book was released on 1881 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
