Download or read book Da Capo Best Music Writing 2001 written by Nick Hornby and published by Da Capo Press. This book was released on 2001-10-03 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new collection of essays and articles about music and its culture covers diverse modern styles--rock, pop, rap, jazz, blues, country, and more--and features works by Rick Moody, Camden Joy, Courtney Love, Richard Meltzer, Whitney Balliett, and other notables.
Download or read book Da Capo Best Music Writing 2005 written by JT LeRoy and published by Da Capo Press. This book was released on 2009-04-27 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Da Capo Best Music Writing has become one of the most eagerly awaited annuals of them all. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues and more, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sort-novelists, poets, journalists, musicians-are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.Past writers have included:Elizabeth MEndez Berry * Ta-Nehisi Coates * Michael Corcoran * Robbie Fulks * Michaelangelo Matos * Alex Ross * Roni Sarig * Joel Selvin * Tour8E * Lynn Hirschberg * Chuck Klosterman * Elizabeth Gilbert * Jay McInerney * Elvis Costello * Susan Orlean * Jonathan Lethem * David Rakoff * Mike Doughty * Lorraine Ali * Greil Marcus * Richard Meltzer * Robert Gordon * Sarah Vowell * Nick Tosches * Anthony DeCurtis * William Gay * Whitney Balliett * Lester Bangs * Rosanne Cash * Eddie Dean * Selwyn Seyfu Hinds * Kate Sullivan * Alec Wilkinson * David Hadju * Lenny Kaye * The Onion * Mark Jacobson * Gary Giddins * John Leland * Luc Sante * Monica Kendrick * Kalefa Sanneh
Download or read book Da Capo Best Music Writing 2006 written by Mary Gaitskill and published by Da Capo Press. This book was released on 2009-04-27 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether you count yourself a member of the hip-hop nation, bang your head yearly at Ozzfest, wear a cowboy hat, or dance to the top twenty, you're sure to find something to love in Da Capo Best Music Writing 2006. Gathering a rich array of writing by music journalists, novelists, and scribes from a wide range of sources-highbrow literary quarterlies to 'zines and blogs--Da Capo Best Music Writing is a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is revealing.
Download or read book Da Capo Best Music Writing written by and published by . This book was released on 2010 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Da Capo Best Music Writing 2005 written by JT LeRoy and published by Da Capo Press. This book was released on 2009-04-27 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Da Capo Best Music Writing has become one of the most eagerly awaited annuals of them all. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues and more, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sort-novelists, poets, journalists, musicians-are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.Past writers have included:Elizabeth MEndez Berry * Ta-Nehisi Coates * Michael Corcoran * Robbie Fulks * Michaelangelo Matos * Alex Ross * Roni Sarig * Joel Selvin * Tour8E * Lynn Hirschberg * Chuck Klosterman * Elizabeth Gilbert * Jay McInerney * Elvis Costello * Susan Orlean * Jonathan Lethem * David Rakoff * Mike Doughty * Lorraine Ali * Greil Marcus * Richard Meltzer * Robert Gordon * Sarah Vowell * Nick Tosches * Anthony DeCurtis * William Gay * Whitney Balliett * Lester Bangs * Rosanne Cash * Eddie Dean * Selwyn Seyfu Hinds * Kate Sullivan * Alec Wilkinson * David Hadju * Lenny Kaye * The Onion * Mark Jacobson * Gary Giddins * John Leland * Luc Sante * Monica Kendrick * Kalefa Sanneh
Download or read book Da Capo Best Music Writing 2000 written by and published by . This book was released on 2000 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Best Music Writing 2011 written by Alex Ross and published by Da Capo Press. This book was released on 2011-11-29 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Best Music Writing has become one of the most eagerly awaited annuals of them all. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sort—novelists, poets, journalists, musicians— are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.
Download or read book Best Music Writing 2009 written by Greil Marcus and published by ReadHowYouWant.com. This book was released on 2010-10-08 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: Best Music Writing has faithfully collected the year's most compelling writing on music for a decade now, so it's appropriate this special edition be guest-edited by one of the best-known writers on music and popular culture, Greil Marcus, author of Lipstick Traces, Mystery Train, Like a Rolling Stone, and other groundbreaking excursions into the very fabric of music, America, and beyond. As always, Series Editor Daphne Carr has culled an impressively wide range of essays, profiles, news articles, interviews, creative non-fiction, fiction, book reviews, long-format reviews, blog posts, and journal articles on music and music culture, from rock and hip-hop to RandB and jazz to pop, blues, and more. Writers who have been published in Best Music Writing include Alex Ross, Jonathan Lethem, Ann Powers, Dave Eggers, Susan Orlean, and more.
Download or read book Da Capo Best Music Writing written by and published by . This book was released on 2007 with total page 762 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Best Music Writing 2010 written by Ann Powers and published by Da Capo Press. This book was released on 2010-11-09 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Best Music Writing has become one of the most eagerly awaited annuals out there. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues and more, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sort—novelists, poets, journalists, musicians—are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.
Download or read book Da Capo Best Music Writing 2003 written by Mary GAITSKILL and published by . This book was released on with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Da Capo Best Music Writing 2006 written by Mary Gaitskill and published by Hachette UK. This book was released on 2009-04-27 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether you count yourself a member of the hip-hop nation, bang your head yearly at Ozzfest, wear a cowboy hat, or dance to the top twenty, you're sure to find something to love in Da Capo Best Music Writing 2006. Gathering a rich array of writing by music journalists, novelists, and scribes from a wide range of sources-highbrow literary quarterlies to 'zines and blogs--Da Capo Best Music Writing is a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is revealing.
Download or read book Southern Cultures Special Roots Music Issue written by Harry L. Watson and published by UNC Press Books. This book was released on 2010-08-15 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Special Roots Music Issue features: B.B. King on Bukka White's legacy; The Top Ten Folk Singers of All Time; Bob Dylan backstage in '63 and other rare photographic gems; Swamp bluesman Jimmy Anderson's first published interview in the U.S.; Lynyrd Skynyrd vs. the Allman Brothers; Pete, Peggy, & Mike--and all the rest that Charles Seeger gave to the world of music; Willie Lowery--musician, songwriting sensation, and humanitarian; Saxie Dowell, the great saxophonist and war hero; a sneak peek at NASHVILLE CHROME, the sizzling new novel from Rick Bass; and much more. The Roots Music Issue comes with a classic FREE CD full of great roots musicians, including BUKKA WHITE, ETTA BAKER, THE BYRDS' ROGER MCGUINN, WILLIE LOWERY, IDYLL SWORDS, ALABAMA SLIM & LITTLE FREDDIE KING, JIMMY ANDERSON & THE MOJO BLUES BAND, MICHAEL HURLEY, FILTHYBIRD, MEGAFAUN, PRESTON FULP, JOE BROWN, AND MORE OF THE SOUTH'S BEST ROOTS MUSICIANS—old and new. We'll mail the CD separately to our Roots Music e-book customers at no extra charge. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
Download or read book Understanding Popular Music Culture written by Roy Shuker and published by Routledge. This book was released on 2016-01-29 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This extensively revised and expanded fifth edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music, and the debates that surround popular culture and popular music. Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent and sequenced coverage of the field. These updates include: two new chapters entitled ‘The Real Thing’: Authenticity, covers and the canon and ‘Time Will Pass You By’: Histories and popular memory new case studies on artists including The Rolling Stones, Lorde, One Direction and Taylor Swift further examples of musical texts, genres, and performers throughout including additional coverage of Electronic Dance Music expanded coverage on the importance of the back catalogue and the box set; reality television and the music biopic greater attention to the role and impact of the internet and digital developments in relation to production, dissemination, mediation and consumption; including the role of social network sites and streaming services each chapter now has its own set of expanded references to facilitate further investigation. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/shuker), which includes additional case studies, links to relevant websites and a discography of popular music metagenres.
Download or read book Gender in the Music Industry written by Marion Leonard and published by Routledge. This book was released on 2017-10-03 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry. Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest.
Download or read book Who s Afraid of Post Blackness written by Touré and published by Simon and Schuster. This book was released on 2011-09-13 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this provocative book, writer, and cultural critic Touré explores the concept of Post-Blackness: the ability for someone to be rooted in but not restricted by their race. Touré begins his book by examining the concept of “Post-Blackness,” a term that defines artists who are proud to be Black, but don't want to be limited by identity politics and boxed in by race. He soon discovers that the desire to be rooted in but not constrained by Blackness is everywhere. In Who’s Afraid of Post-Blackness? he argues that Blackness is infinite, that any identity imaginable is Black, and that all expressions of Blackness are legitimate. Here, Touré divulges his own intimate, funny, and painful experiences of how race and racial expectations have shaped his life. He explores how the concept of Post-Blackness functions in politics, society, psychology, art, culture, and more. He knew he could not tackle this topic all on his own so he turned to 105 of the most important luminaries of our time for frank and thought-provoking opinions, including the Reverend Jesse Jackson, Cornel West, Henry Louis Gates Jr., Malcolm Gladwell, Michael Eric Dyson, Melissa Harris-Perry, Harold Ford Jr., Kara Walker, Kehinde Wiley, Glenn Ligon, Paul Mooney, New York Governor David Paterson, Greg Tate, Aaron McGruder, Soledad O'Brien, Kamala Harris, Chuck D, Mumia Abu-Jamal, and many others. By engaging this brilliant, eclectic group, and employing his signature insight, courage, and wit, Touré delivers a clarion call on race in America and how we can change our perceptions for a better future. Destroying the notion that there is a correct way of being Black, Who’s Afraid of Post-Blackness? will change how we perceive race forever.
Download or read book Invisible Now Bob Dylan in the 1960s written by John Hughes and published by Routledge. This book was released on 2016-05-06 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.
