Download or read book Theatrical Representation Public Performance and the Cultural Garrisoning of Colonial Ireland written by Patrick B. Tuite and published by . This book was released on 2000 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Between Spenser and Swift written by Deana Rankin and published by Cambridge University Press. This book was released on 2005-06-10 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of English writing in seventeenth-century Ireland, and its connections to Shakespeare, Sidney and Milton.
Download or read book Making Ireland English written by Jane Ohlmeyer and published by Yale University Press. This book was released on 2012-06-26 with total page 708 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking book provides the first comprehensive study of the remaking of Ireland's aristocracy during the seventeenth century. It is a study of the Irish peerage and its role in the establishment of English control over Ireland. Jane Ohlmeyer's research in the archives of the era yields a major new understanding of early Irish and British elite, and it offers fresh perspectives on the experiences of the Irish, English, and Scottish lords in wider British and continental contexts. The book examines the resident peerage as an aggregate of 91 families, not simply 311 individuals, and demonstrates how a reconstituted peerage of mixed faith and ethnicity assimilated the established Catholic aristocracy. Tracking the impact of colonization, civil war, and other significant factors on the fortunes of the peerage in Ireland, Ohlmeyer arrives at a fresh assessment of the key accomplishment of the new Irish elite: making Ireland English.
Download or read book Dissertation Abstracts International written by and published by . This book was released on 2006 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ireland s National Theaters written by Mary Trotter and published by Syracuse University Press. This book was released on 2001-04-01 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the annals of Irish studies and theater history much has been written about the Abbey Theatre. Now, Mary Trotter not only sheds new Light on that company's history but also examines other groups with a range of political, religious, gender, and class perspectives that consciously used performance to promote ideas about nationalism and culture in Ireland at the turn of the last century. This innovative, interdisciplinary work details how different nationalist organizations with diverse political and artistic goals employed theater as an anticolonial tool. In Dublin's turbulent cultural and political arena during the first decades of the twentieth century, nationalist audiences read popular Irish melodramas in subversive ways; the Daughters of Erin staged tableaux of great women heroes; and the Abbey players earned both acclaim and apprehension within the nationalist community. Here is a compelling analysis of these and other groups' prominent role in Irish nationalism in the years before Easter 1916, and the way these political theaters gave birth to modern Irish drama.
Download or read book Buffoonery in Irish Drama written by Kathleen Heininge and published by Peter Lang. This book was released on 2009 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Generations of Irish playwrights have tried to assert the reputation of the stage Irish figure as other than comic, but each effort was in its turn assailed as buffoonery. Using post-colonial and performative theory, Buffoonery in Irish Drama demonstrates the ways the Irish struggled to create a sense of identity in a colonial structure, and it explores the distortion and appropriation of that new identity that elicit further calls to eradicate negative stereotypes. Demonstrating the pervasiveness of the reclamation efforts, Buffoonery in Irish Drama covers a wide range of well-known and obscure plays to show the trajectory of twentieth-century drama that brings us into a globalized twenty-first-century Ireland.
Download or read book Ireland Memory and Performing the Historical Imagination written by Mary P. Caulfield and published by Springer. This book was released on 2014-12-09 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the performance of Irish collective memories and forgotten histories. It proposes an alternative and more comprehensive criterion of Irish theatre practices. These practices can be defined as the 'rejected', contested and undervalued plays and performativities that are integral to Ireland's political and cultural landscapes.
Download or read book Theatre and the State in Twentieth Century Ireland written by Lionel Pilkington and published by Routledge. This book was released on 2002-01-22 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This major new study presents a political and cultural history of some of Ireland's key national theatre projects from the 1890s to the 1990s. Impressively wide-ranging in coverage, Theatre and the State in Twentieth-Century Ireland: Cultivating the People includes discussions on: *the politics of the Irish literary movement at the Abbey Theatre before and after political independence; *the role of a state-sponsored theatre for the post-1922 unionist government in Northern Ireland; *the convulsive effects of the Northern Ireland conflict on Irish theatre. Lionel Pilkington draws on a combination of archival research and critical readings of individual plays, covering works by J. M. Synge, Sean O'Casey, Lennox Robinson, T. C. Murray, George Shiels, Brian Friel, and Frank McGuinness. In its insistence on the details of history, this is a book important to anyone interested in Irish culture and politics in the twentieth century.
Download or read book Riotous Performances written by Helen M. Burke and published by . This book was released on 2003 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Riotous Performances is a thorough and daring analysis of the theater as a cultural space. Through this work Burke recovers the voices of the dispossessed Irish and the non-elite members of the Dublin audience. I think it will be essential reading for those interested in Irish Studies and eighteenth-century English literature." --Christopher Wheatley, Catholic University of America Riotous Performances explores the significance of theater "riots" and other disruptive practices that occurred in Dublin playhouses between 1712 and 1784. Helen Burke's study reveals that during this period Irish theater was a site of struggle between different ethnic, religious, and class factions competing for power in eighteenth-century Ireland. Key players in this drama included Irish Protestant patriots, an emerging Catholic middle class, a dispossessed native gentry, and an increasingly politicized Dublin "mob." Burke contends that these groups expressed their resistance to the ruling British culture through explosive acts as well as through more subtle counter-cultural behaviors such as wearing Irish manufactured clothing, singing Irish songs, and opposing the Theater Royal. Using a wide array of primary materials, including dramatic texts, newspaper accounts, pamphlets, broadsides, and songs, Burke places the riotous performances she describes in their social and political context. Her analysis reveals that in the 1740s and 1750s the theater was the focus of intense struggles between Catholic-identified gentry reformers and Protestant-identified populist reformers. But by the1780s new, united Irish themes were emerging in Dublin playhouses. She argues that the Irish Parliament passed the first Irish Stage Act in 1786 to contain these revolutionary theatrics. Riotous Performances demonstrates that eighteenth century Irish theater was not a static colonial institution, but rather a deeply contested arena of intense ethnic, religious, and class struggle.
Download or read book Because We Are Poor written by Victor Merriman and published by Peter Lang Limited, International Academic Publishers. This book was released on 2019-01-18 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the twentieth century, Irish theatre was fully engaged with the pressing questions of independence - how to achieve it, and how the gap between what was desired and what was settled for might be addressed. In Because We Are Poor, Victor Merriman reads Ireland's postcoloniality as a state of critical desire for a postponed project of decolonization in Independent Ireland. He develops insights from Awam Amkpa, Luke Gibbons, Peadar Kirby, Joe Lee, David Lloyd and others to argue that Irish theatre is staged in a neo-colonial social order, dominated by economic analyses and public policies designed to secure the position of indigenous elites, usually at the expense of the majority of Irish people. Theatre emerges as a key site in which the contradictions arising from frustrated but enduring desires are embodied, enacted and enabled. During the 1990s, the state's monopoly on public discourse in Independent Ireland comes under severe pressure, with hitherto marginal concerns appropriating public space and demanding to be heard. Irish theatre responds to the range and diversity of those voices, to the extent that the Review of Theatre in Ireland (1995-1996) envisages a National Theatre in dialogue with a Theatre of the Nation. The expanded theatrical activity of the 1990s is the focus of Because We Are Poor, and the author's intimate involvement in that moment, as scholar, practitioner, and policy-maker makes the analysis offered here especially compelling. This book brings together concerns which the author has worked to articulate in Irish theatre criticism. It critiques contemporary appropriations of the postcolonial, or post-colonial, among scholars of Irish drama, and proposes a nuanced postcolonial critical practice, challenging critical vocabularies applied to Irish drama. The book addresses the role, crises and potential of Irish theatre, as the cultural and political consequences of globalization manifest themselves.
Download or read book Culture War written by Holly Maples and published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Irish National Theatre Society began its centenary in 2004 with ambitious theatrical events at home and abroad. By the end of the year, however, the company was close to financial ruin, culminating in its dissolution and subsequent reestablishment. The financial crisis was only one element of controversy during the centenary year. During this period, the remit of the Abbey Theatre as a house for the performance of Irish identity and new Irish writing was brought into question. While debates unfolded over the artistic and financial crises, many commentators queried the very nature of, or need for, a national theatre in twenty-first-century Ireland. Examining organizational issues such as finance and public policy, as well as wider questions about the representation of Irishness on the national stage and the shaping of collective memory through commemoration, this book questions the way that the private concerns of the Irish National Theatre reflect greater issues within Irish society. Drawing together personal interviews, government documents, media sources and comparative studies from the history of the Republic, the author interweaves current and past crises of the Abbey Theatre with the social, cultural and financial anxieties of an evolving Ireland.
Download or read book Staging Ireland written by Stephen O'Neill and published by . This book was released on 2007 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a comprehensive study of the representation of Ireland in the plays of Shakespeare and his contemporaries. Through a detailed analysis of a range of canonical and less familiar plays, such as The Misfortunes of Arthur, Captain Thomas Stukeley, Sir John Oldcastle and Dekker's The Honest Whore, this book reveals fascinating interconnections between Ireland as it was figured in Elizabethan and early Jacobean drama, and contemporaneous political and cultural anxieties about Ireland and Irish alterity. Exploring how the stage provided a fluid, though licensed, space where such anxieties were negotiated and confronted, this study questions views of the stage Irishman as a static colonialist stereotype. Instead, it demonstrates that dramatic representations of Ireland were dynamic, heterogeneous, and ideologically unstable. Opening up Renaissance drama to its multivalent Irish contexts, Staging Ireland will appeal to scholars and students of Shakespeare and early modern literature; drama and theatre as well as Irish studies.
Download or read book Theatre and Globalization written by Patrick Lonergan and published by Palgrave MacMillan. This book was released on 2009-01-15 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: WINNER OF THE 2008 THEATRE BOOK PRIZE! Globalization is transforming theatre everywhere. As writers seek to exploit new opportunities to produce their work internationally, audiences are seeing the world – and the stage – differently. And, as national borders became more fluid, the barriers between economics and culture are also becoming weaker. In this groundbreaking study, Patrick Lonergan explores these developments, placing them in the context of the transformation of Ireland – the ‘most globalized country in the world’ – since the early 1990s. Drawing on archival material that has never before been published, this study sheds new light on the culture of Celtic Tiger Ireland, focusing on such writers as Brian Friel, Sean O’Casey, Marie Jones, Martin McDonagh, Marina Carr and Conor McPherson. In doing so, it shows how globalization poses difficult questions for authors and audiences – and reveals how we can begin to come to terms with these new developments.
Download or read book Our Irish Theatre written by Lady Gregory and published by . This book was released on 1914 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Our Irish Theatre written by Isabella Augusta Gregory and published by . This book was released on 1972 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Irish Folk Drama written by Alan Gailey and published by . This book was released on 1969 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Culture and Imperialism written by Edward W. Said and published by Vintage. This book was released on 2012-10-24 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.
