Download or read book Theatre and Politics in Nineteenth Century Spain written by and published by Cambridge University Press. This book was released on with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre and Politics in Nineteenth Century Spain written by David Thatcher Gies and published by Cambridge University Press. This book was released on 1988-02-26 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Frenchman Juan de Grimaldi was instrumental in the development of the Spanish theatre in the 1820s and 30s, at a time when censorship, repression, and economic chaos had left it in a state of stagnation. As impresario and stage director, he trained actors in the new style of declamation, made physical changes in sets and lighting, translated recent French plays into Spanish, and encouraged the writing of original Spanish plays. His own magical comedy, La Pata de Cabra (1829), was outstandingly successful. Grimaldi was also a wealthy businessman and newspaper editor, and the patron of many important Spanish Romantic writers. He was active in politics, vigorously defending the moderate policies of the Queen Regent, María Cristina, and of Prime Minister Ramón de Nerváez. Even after his return to Paris, Grimaldi continued to work secretly as an agent of the Spanish government. Based on original archival materials, this is the first in-depth study of Grimaldi's involvement in the literary and political progress of nineteenth-century Spain.
Download or read book The Theatre in Nineteenth Century Spain written by David Thatcher Gies and published by Cambridge University Press. This book was released on 1994-08-11 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive study of the theater of nineteenth-century Spain, a country that produced more than 10,000 plays in the course of the century. David Thatcher Gies reevaluates the canon of texts, uncovering dozens of plays and authors previously ignored by critics, and placing them in the social and political context of their times. His book provides a readable overview of the known and unknown elements of Spanish nineteenth-century drama, and stresses the vitality of the theater at that time and the strong reactions it aroused in its audiences.
Download or read book The Frightful Stage written by Robert Justin Goldstein and published by Berghahn Books. This book was released on 2009 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class's time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.
Download or read book David Thatcher Gies Theatre and Politics in Nineteenth century Spain Juan de Grimaldi as Impresario and Government Agent written by John Dowling and published by . This book was released on 1988 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Theatre in Spain written by Maria M. Delgado and published by Cambridge University Press. This book was released on 2015-07-09 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading theater historians and practitioners map a theatrical history that moves from the religious tropes of Medieval Iberia to the postmodern practices of twenty-first-century Spain. Considering work across the different languages of Spain, from vernacular Latin to Catalan, Galician and Basque, this history engages with the work of actors and directors, designers and publishers, agents and impresarios, and architects and ensembles, in indicating the ways in which theater has both commented on and intervened in the major debates and issues of the day. Chapters consider paratheatrical activities and popular performance, such as the comedia de magia and flamenco, alongside the works of Spain's major dramatists, from Lope de Vega to Federico García Lorca. Featuring revealing interviews with actress Nuria Espert, director Lluís Pasqual and playwright Juan Mayorga, it positions Spanish theater within a paradigm that recognizes its links and intersections with wider European and Latin American practices.
Download or read book The Nineteenth Century Theatre in Spain written by Margaret A Rees and published by Routledge. This book was released on 2018-10-24 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. The present volume forms part of a major Bibliography of the Hispanic Theatre, forthcoming in several volumes by different specialists. As such, it is one of the products of a still larger computer-assisted Project of Hispanic Research Bibliographies. The aim has been to give as wide a coverage to the area as possible, listing not only books and articles in periodicals but also data of a documentary character such as items on playbills and the local regulation of theatres. Annotation is confined to information, and critical appraisal is excluded.
Download or read book The Frightful Stage written by Robert Justin Goldstein and published by Berghahn Books. This book was released on 2009-03-01 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class’s time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.
Download or read book Music Theater and Popular Nationalism in Spain 1880 1930 written by Clinton D. Young and published by LSU Press. This book was released on 2016-01-11 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its earliest appearance in the mid-1600s, the lyric theater form of zarzuela captivated Spanish audiences with its witty writing and lively musical scores. Clinton D. Young’s Music Theater and Popular Nationalism in Spain, 1880–1930 persuasively links zarzuela’s celebration of Spanish history and culture to the development of concepts of nationalism and national identity at the dawn of the twentieth century. As a weak Spanish government focused its energy on preventing a recurrence of mid-nineteenth-century political upheavals, the project of articulating a national identity occurred at the popular level, particularly in cultural venues such as the theater. Zarzuela suited this aim well, depicting the lives of everyday citizens amid the rapidly changing norms brought about by industrialization and urbanization. It also integrated regional differences into a unified vision of Spanish national identity: a zarzuela performance set in Madrid could incorporate forms of music and folk dancing native to areas of the country as far distant as Andalucía and Catalonia. A true “music of the people” (música popular), zarzuela offered its audiences an image of what a more modern Spain might look like. Zarzuela alone could not create a unified concept of Spanish identity, particularly with competition from new forms of mass culture and the rise of the Primo de Rivera dictatorship in the 1920s. Yet, as this riveting study shows, it made an indelible contribution to popular culture and nationalism. Young’s history brings to life the stories, songs, and evolving contexts of a uniquely Spanish art form.
Download or read book Nineteenth Century Theatre written by and published by . This book was released on 1989 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Copyright and Context written by Lisa Surwillo and published by . This book was released on 2002 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rewriting Theatre written by Charles Ganelin and published by Bucknell University Press. This book was released on 1994 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reception Theory orientation discusses how the recast was received in its time; performance reviews contemporary with the new versions of old plays indicate the controversy elicited between those who believed, on the one hand, that the "classics" should be preserved as they have been handed down, and on the other, that a work of art is never "finished" and is always open to new stagings and interpretations. Lope de Vega, Tirso de Molina, Pedro Calderon de la Barca, and others have been and continue to be reinterpreted in the light of new literary, social, and political orientations.
Download or read book Reception and Renewal in Modern Spanish Theatre 1939 1963 written by John London and published by MHRA. This book was released on 1997 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.
Download or read book Dissonances of Modernity written by Irene Gómez-Castellano and published by UNC Press Books. This book was released on 2021-03-15 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dissonances of Modernity illuminates the ways in which music, as an artifact, a practice, and a discourse redefines established political, social, gender, and cultural conventions in Modern Spain. Using the notion of dissonance as a point of departure, the volume builds on the insightful approaches to the study of music and society offered by previous analyses in regards to the central position they give to identity as a socially and historically constructed concept, and continues their investigation on the interdependence of music and society in the Iberian Peninsula. While other serious studies of the intersections of music and literature in Spain have focused on contemporary usage, Dissonances of Modernity looks back across the centuries, seeking the role of music in the very formation of identity in the peninsula. The volume's historical horizon reaches from the nineteenth-century War of Africa to the Catalan working class revolutions and Enric Granados' central role in Catalan identity; from Francisco Barbieri's Madrid to the Wagnerian's influence in Benito Perez Galdos' prose; and from the predicaments surrounding national anthems to the use of the figure of Carmen in Francoist' cinema. This volume is a timely scholarly addition that contemplates not only a broad corpus that innovatively comprises popular and high culture--zarzuelas, choruses of industrial workers, opera, national anthems--but also their inter-dependence in the artists' creativity.
Download or read book An Introduction to the Politics and Philosophy of Jos Ortega Y Gasset written by Andrew Dobson and published by Cambridge University Press. This book was released on 2009-11-19 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a general survey of the life and work of the Spanish philosopher and essayist Ortega y Gasset (1183-1955), author of the widely read The Revolt of the Masses. Dr Dobson divides his study into sections devoted to Ortega's political thinking and to his philosophy, rooting these in the context of contemporary Spain and discussing the wider implications of their influence. He examines Ortega's position with regard to the Civil War, his ambivalent espousal of socialism, his emphasis on the importance of the select individual in the modernisation of society and creation of a nació vital; the appropriation of his ideas by Primo de Rivera in the cause of fascism. This book is intended to be accessible to both Hispanists and general readers with an interest in literature, history, intellectual and political thought and philosophy.
Download or read book 1812 Echoes written by Stephen G.H. Roberts and published by Cambridge Scholars Publishing. This book was released on 2013-07-26 with total page 455 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book commemorates the bicentenary of the landmark Spanish Constitution of 1812. Drafted by Spanish and colonial Spanish American liberals (and non-liberals) holed up in Cadiz as Napoleon’s troops occupied the surrounding hills, this war-time Constitution set out radically to redefine ‘the Spanish nation’ for a new age. In the event, it divided Spaniards and threw into sharp relief the question of Spain’s legitimacy in her American colonies. Cadiz 1812 is a defining moment in the modern history of the Spanish-speaking world. Bringing together specialists in the history, politics and culture of Spain and Latin America (the Cadiz text was a cultural and ethnic document as much as a politico-legal one), this volume represents the only large-scale commemoration in the UK of one of the world’s first liberal constitutional tracts. The point of the book, however, as of the conference and accompanying exhibition on which it is based, is not solely to reflect on the significance and repercussions of Cadiz 1812 on both sides of the Hispanic Atlantic at the time. The book also considers later interpretations of Cadiz 1812 and examines, in addition, other constitutions in the Spanish-speaking world beyond 1812. Subjects treated include: Spain’s crisis of absolutism; the Inquisition before the Constitution; liberalism and Catholicism; discourses of the 1812 Constitution; the question of sovereignty; political theatre during the Napoleonic invasion; Goya; the Spanish crisis in the British press; Lord Holland and Blanco White; Pérez Galdós’s Cádiz; futuristic literary representations of Spain’s nineteenth-century crisis; political and philosophical echoes in Latin America in the nineteenth and twentieth centuries – in Cúcuta, Mexico, Argentina and Cuba; and, finally, politico-philosophical echoes in Spain – in the Liberal Triennium, in the mid-nineteenth century, in the Spanish Second Republic, in 1978, and in 2011 in the midst of the financial (but it is also a constitutional) crisis. The volume includes a specially-conducted interview with Spanish politician Alfonso Guerra, one of the figures behind the Spanish Constitution of 1978.
Download or read book Social Drama in Nineteenth century Spain written by J. Hunter Peak and published by Chapel Hill : Universiy of North Carolina. This book was released on 1964 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume traces social drama in Spain from its beginnings in the works of Moratin, treats those continuing the Moratin tradition, and studies the social drama of Tamayo y Baus, Ayala, Eguilza, Echegaray, the minor playwrights, and Dicenta and Galdos.
