Download or read book The Use of Models in Medieval Book Painting written by Monika E. Müller and published by Cambridge Scholars Publishing. This book was released on 2014-06-02 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
Download or read book Exemplum written by Robert Walter Hans Peter Scheller and published by Amsterdam University Press. This book was released on 1995 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Middle Ages, artistic ideas were transmitted from one region to another and passed on from one generation to the next, in the form of drawings. This kind of handmade reproduction, 'exemplum' in Latin, was used to record the form and content of works of art. Some of those drawings have survived in 'model books'. The author presents a fascinating account of many and various aspects of these drawings with special emphasis on how they contribute to our understanding of the genesis of medieval works of art. Exemplum will be a standard work of reference for many years to come
Download or read book The Materials and Techniques of Medieval Painting written by Daniel Varney Thompson and published by Courier Corporation. This book was released on 1956-01-01 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sums up 20th-century knowledge: paints, binders, metals, surface preparation. Based on manuscripts and scientific investigation.
Download or read book Space in Medieval Painting and the Forerunners of Perspective written by Miriam Schild Bunim and published by . This book was released on 1970 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theophilus and the Theory and Practice of Medieval Art written by Heidi C. Gearhart and published by Penn State Press. This book was released on 2017-05-02 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of production—from thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing. An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearhart’s book especially edifying and valuable.
Download or read book Dictionary of Artists Models written by Jill Berk Jiminez and published by Routledge. This book was released on 2013-10-15 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Download or read book Compressed Meanings written by Emanuel S. Klinkenberg and published by Brepols Publishers. This book was released on 2009 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the Christian art of western Europe images survive from as early as the sixth century that show figures of founders or donors bearing a model of the building they caused to be constructed, renovated or embellished. Previous studies have tended to turn on the question of how accurately these models represent the buildings they were intended to portray. But the donors' model cannot be explained exclusively by comparison with its built equivalent. The sculptors, goldsmiths, minters, mosaicists, painters, weavers and sealmakers who created these little buildings were not always aiming to produce a straightforward likeness of the edifice in question but rather to represent its significance. The donor's model could underline the function or symbolic importance of a building or be an expression of support for a particular ruler. It could document real or fictive family ties, validate a patron's position or enhance his prestige. It could operate as a policy statement by lords temporal and spiritual, be deployed as a weapon in ecclesiastical rivalries, or serve as a visual charter to underpin the lawfulness and legality of gifted privileges, properties and possessions. Compressed Meanings approaches the donor's model primarily as part of an iconographic tradition whose origins can shed light on the message the model-bearers and their models were intended to convey. Emanuel Klinkenberg studied history of art at Leiden University (Netherlands), where he received his Ph.D cum laude in 2006. His research interests cover medieval European art and its relationship with architecture and theology.
Download or read book Push Me Pull You written by and published by BRILL. This book was released on 2011-05-10 with total page 1402 pages. Available in PDF, EPUB and Kindle. Book excerpt: Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them. Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.
Download or read book Handbook of the Arts of the Middle Ages and Renaissance written by Jules Labarte and published by . This book was released on 1855 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Materials of Medieval Painting written by Daniel V. Thompson and published by . This book was released on 2019-07-21 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: 2019 Reprint of 1936 U.S. Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Professor Thompson has written an extremely interesting and valuable book on a subject very rarely dealt with, the materials used by medieval painters, or as he calls it, " the cookery of art." In the first chapter the author discusses the various types of surfaces employed by the medieval painters, such as parchment, vellum, wood, walls, and canvas. In chapter two he deals with the different binding media that had to be used to bind the pigments to the different types of surfaces. The third and longest chapter deals with the pigments themselves. This book, written in a very pleasing style, will appeal not only to those interested in medieval painting itself, but to anyone who wishes further knowledge on various medieval plants, and on certain chemical problems of the Middle Ages.
Download or read book Out of the Stream written by Luís Urbano Afonso and published by Cambridge Scholars Publishing. This book was released on 2021-02-19 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: The subject of this book arises from recent developments in the inventory, preservation and study of mural paintings from the Middle Ages and the Renaissance, particularly those from what can be considered the periphery of Europe. The aim of this book is to demonstrate the vitality that the study of wall painting in peripheral regions can bring to the discipline of Art History. The articles collected in this book are overwhelmingly about wall paintings that would be hard pressed to be considered part of the master narrative of Art History. They are studies regarding regions and themes that are rarely present in the mainstream of the discipline, but their common thread is their focus on the functional dimension of mural paintings and on the complex interrelation between image, audience, social context and everyday life. From Denmark to Portugal, from graffiti to secular painting, from the orthodox monasteries of Moldavia to the noble residences of Tirol, from Giotto to anonymous and sometimes almost amateur painters, the studies gathered in this book place very distinct artistic realities side by side offering complementary perspectives and insights. The book will make a valuable contribution to the literature on Medieval and Renaissance mural painting, combining theoretical essays with others more descriptive. As the eighteen studies collected in this book deal with paintings from a range of European regions, from Denmark to Portugal and Romania, the book will find its way in Europe and abroad, both in the field of art history and that of Medieval and Early Modern history. The wealth of plates and figures will make the book also accessible to a broad audience interested in the history of painting, architecture and cultural heritage.
Download or read book Experiencing Medieval Art written by Herbert L. Kessler and published by University of Toronto Press. This book was released on 2019-09-10 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all—including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome’s aula gotica and a twelfth-century aquamanile in Hildesheim—Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature.
Download or read book The Riddle of the Image written by Spike Bucklow and published by Reaktion Books. This book was released on 2014-03-15 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: From monumental church mosaics to fresco wall-paintings, the medieval period produced some of the most impressive art in history. But how, in a world without the array of technology and access to materials that we now have, did artists produce such incredible works, often on an unbelievably large scale? In The Riddle of the Image, research scientist and art restorer Spike Bucklow discovers the actual materials and methods that lie behind the production of historical paintings. Examining the science of the tools and resources, as well as the techniques of medieval artists, Bucklow adds new layers to our understanding and appreciation of paintings in particular and medieval art more generally. He uses case studies—including The Wilton Diptych, one of the most popular paintings in the National Gallery in London and the altarpiece in front of which English monarchs were crowned for centuries—and analyses of these works, presenting previously unpublished technical details that shed new light on the mysteries of medieval artists. The first account to examine this subject in depth for a general audience, The Riddle of the Image is a beautifully illustrated look at the production of medieval paintings.
Download or read book The Materials and Techniques of Medieval Painting written by Daniel V (Daniel Varney) Thompson and published by Hassell Street Press. This book was released on 2021-09-09 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book The Art of Allusion written by Sonja Drimmer and published by University of Pennsylvania Press. This book was released on 2018-09-21 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture. The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narratives that often had no tradition of illustration, they also had to express novel concepts, including ones as foundational as the identity and suitable representation of an English poet. In devising this new corpus, manuscript artists harnessed visual allusion as a method to articulate central questions and provide at times conflicting answers regarding both literary and cultural authority. Sonja Drimmer traces how, just as the poets embraced intertexuality as a means of invention, so did illuminators devise new images through referential techniques—assembling, adapting, and combining images from a range of sources in order to answer the need for a new body of pictorial matter. Featuring more than one hundred illustrations, twenty-seven of them in color, The Art of Allusion is the first book devoted to the emergence of England's literary canon as a visual as well as a linguistic event.
Download or read book Studies in Medieval Painting written by Bernard Berenson and published by . This book was released on 1975 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Book of Hours and the Body written by Sherry C. M. Lindquist and published by Taylor & Francis. This book was released on 2024-02-29 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores our corporeal connections to the past by considering what three theoretical approaches - somaesthetics, posthumanism, and the uncanny - may reveal about both premodern and postmodern terms of embodiment. It takes as its point of departure a selection of fifteenth-century northern European Books of Hours - evocative objects designed at once to inscribe social status, to strengthen religious commitment, to entertain, to stimulate emotions, and to encourage discomfiting self-scrutiny. Studying their kaleidoscopically strange, moving, humorous, disturbing, and imaginative pages not only enables a window into relationships among bodies, images, and things in the past but also in our own internet era, where surprisingly popular memes drawn from such manuscripts constitute a part of our own visual culture. In negotiating theoretical, post-theoretical, and historical concerns, this book aims to contribute to an emerging and much-needed intersectional social history of art. It will be of interest to scholars working in art history, medieval studies, Renaissance/early modern studies, gender studies, the history of the book, posthumanism, aesthetics, and the body.
