Download or read book The Russian Opera written by Rosa Newmarch and published by DigiCat. This book was released on 2022-09-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In view of the extended interest now felt in Russian opera, drama and ballet, it has been thought worthwhile to offer to the public this outline of the development of a genuine national opera, from the history of which we have much to learn in this country, both as regards the things to be attempted and those to be shunned. Too much technical analysis has been intentionally avoided in this volume. The musician can supply this deficiency by the study of the scores mentioned in the book, which, dating from Glinka's time, have nearly all been published and are therefore accessible to the student; the average opera-goer will be glad to gain a general view of the subject, unencumbered by the monotonous terminology of musical analysis.
Download or read book Opera and Drama in Russia as Preached and Practiced in the 1860s written by Richard Taruskin and published by Ann Arbor, Mich. : UMI Research Press. This book was released on 1981 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Russian Opera written by Rosa Harriet Jeaffreson Newmarch and published by . This book was released on 2001-01-01 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Russian Opera written by Rosa Newmarch and published by Forgotten Books. This book was released on 2015-06-16 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Russian Opera Between January 19th, 1900, and April 4th, 1905, I read before the Musical Association of London five papers dealing with the Development of National Opera in Russia, covering a period from the first performance of Glinka's A Life for the Tsar in 1836, to the production of Rimsky-Korsakov's opera The Tsar's Bride, in 1899. These lectures were illustrated by the following artists: the late Mrs. Henry J. Wood, Miss Grainger Kerr, Mr. Seth Hughes, Mr. Robert Maitland; Sir (Mr.) Henry J. Wood and Mr. Richard Epstein at the piano. While using these lectures as the scaffolding of my present book, I have added a considerable amount of new material, amassed during ten years unremitting research into my subject. The additions concern chiefly the earlier phases of Russian music, and the operas that have appeared since 1900. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Bewitching Russian Opera written by Inna Naroditskaya and published by Oxford University Press. This book was released on 2018-11-01 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Bewitching Russian Opera: The Tsarina from State to Stage, author Inna Naroditskaya investigates the musical lives of four female monarchs who ruled Russia for most of the eighteenth century: Catherine I, Anna, Elizabeth, and Catherine the Great. Engaging with ethnomusicological, historical, and philological approaches, her study traces the tsarinas' deeply invested interest in musical drama, as each built theaters, established drama schools, commissioned operas and ballets, and themselves wrote and produced musical plays. Naroditskaya examines the creative output of the tsarinas across the contexts in which they worked and lived, revealing significant connections between their personal creative aspirations and contemporary musical-theatrical practices, and the political and state affairs conducted during their reigns. Through contemporary performance theory, she demonstrates how the opportunity for role-playing and costume-changing in performative spaces allowed individuals to cross otherwise rigid boundaries of class and gender. A close look at a series of operas and musical theater productions--from Catherine the Great's fairy tale operas to Tchaikovsky's Pique Dame--illuminates the transition of these royal women from powerful political and cultural figures during their own reigns, to a marginalized and unreal Other under the patriarchal dominance of the subsequent period. These tsarinas successfully fostered the concept of a modern nation and collective national identity, only to then have their power and influence undone in Russian cultural consciousness through the fairy-tales operas of the 19th century that positioned tsarinas as "magical" and dangerous figures rightfully displaced and conquered--by triumphant heroes on the stage, and by the new patriarchal rulers in the state. Ultimately, this book demonstrates that the theater served as an experimental space for these imperial women, in which they rehearsed, probed, and formulated gender and class roles, and performed on the musical stage political ambitions and international conquests which they would later enact on the world stage itself.
Download or read book Russian Opera and the Symbolist Movement written by Simon Morrison and published by Univ of California Press. This book was released on 2002-08-05 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth century and the compositions of Prokofiev and Stravinsky, this exceptionally insightful and well-researched book explores how Russian symbolist poets interpreted opera and prompted operatic innovation. Simon Morrison shows how these works, though stylistically and technically different, reveal the extent to which the operatic representation of the miraculous can be translated into its enactment. Morrison treats these largely unstudied pieces by canonical composers: Tchaikovsky's Queen of Spades, Rimsky-Korsakov's Legend of the Invisible City of Kitezh and the Maiden Fevroniya, Scriabin's unfinished Mysterium, and Prokofiev's Fiery Angel. The chapters, revisionist studies of these composers and scores, address separate aspects of Symbolist poetics, discussing such topics as literary and musical decadence, pagan-Christian syncretism, theurgy, and life creation, or the portrayal of art in life. The appendix offers the first complete English-language translation of Scriabin's libretto for the Preparatory Act. Providing valuable insight into both the Symbolist enterprise and Russian musicology, this book casts new light on opera's evolving, ambiguous place in fin de siècle culture.
Download or read book The Russian Opera written by Rosa Newmarch and published by . This book was released on 1923 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Literary Lorgnette written by Julie A. Buckler and published by Stanford University Press. This book was released on 2000 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book uses a literary lens to examine the diverse practices, lore, and texts of opera-going in imperial Russia.
Download or read book Mamontov s Private Opera written by Olga Haldey and published by Indiana University Press. This book was released on 2010-06-16 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Moscow Private Opera, founded, sponsored, and directed by Savva Mamontov (1841--1918), was one of Russia's most important theatrical institutions at the dawn of the age of modernism. It presented the Moscow premieres of Lohengrin, La Bohà ̈me, and Khovanshchina, among others; launched the career of Feodor Chaliapin; gave Sergei Rachmaninov his first conducting job; employed Vasily Polenov, Victor Vasnetsov, Valentin Serov, Konstantin Korovin, and Mikhail Vrubel as set designers; and served as a model for Diaghilev's Ballets Russes. Part commercial enterprise, part experimental studio, Mamontov's company revolutionized opera directing and design, and trained a generation of opera singers. Drawing on a wealth of unpublished primary sources and evidence from art and theater history, Olga Haldey paints a fascinating portrait of a railway tycoon turned artiste and his pioneering opera company.
Download or read book Not Russian Enough written by Rutger Helmers and published by Boydell & Brewer. This book was released on 2014 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers fresh perspectives on the function of nationalist thought in the cosmopolitan opera world, with particular emphasis on the idea of "Russianness" in four nineteenth-century operas by Glinka, Serov, Tchaikovsky, and Rimsky-Korsakov. In the nineteenth century, Russian composers and critics were encouraged to cultivate a national style to distinguish their music from the dominant Italian, French, and German traditions. Not Russian Enough? explores this aspiration for a nationalist musical tradition as it was carried out in the cosmopolitan world of opera. Rutger Helmers analyzes the cultural context, music, and reception of four important operas: Glinka's A Life for the Tsar (1836), Serov's Judith (1863), Tchaikovsky's The Maid of Orléans (1881), and Rimsky-Korsakov's The Tsar's Bride (1899). He discusses such issues as the influence of Italian and French opera, the use of foreign subjects, the application of local color, and the adherence to the classics, and considers how these related to a sense of "Russianness." Besides yielding new insights for each of these works, this study offers a fresh perspective on the function of nationalist thought in the nineteenth-century Russian opera world.. Rutger Helmers is Assistant Professor in Historical Musicology at the University of Amsterdam and lectures in literary and cultural studies at Radboud University Nijmegen.
Download or read book Russian Opera written by Martin Cooper and published by . This book was released on 1977 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Opera and Drama in Russia as Preached and Practiced in the 1860s written by Richard Taruskin and published by Ann Arbor, Mich. : UMI Research Press. This book was released on 1981 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Russian Opera and the Symbolist Movement written by Simon Morrison and published by Univ of California Press. This book was released on 2002-08-05 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering study of the Symbolist Movement in early twentieth-century Russian opera.
Download or read book On Russian Music written by Gerald Abraham and published by Faber & Faber. This book was released on 2013-07-18 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1939, On Russian Music was conceived by Gerald Abraham as a sequel to his earlier Studies in Russian Music (1935, also in Faber Finds), and complements the previous work in many useful respects. Glinka moves to the forefront via close study of both of his operas. A historical account of the composition of Borodin's Prince Igor enriches the critical study made in the first book. And chapters on Mlada and Tsar Saltan round out Abraham's appreciations of the major operas of Rimsky-Korsakov. There are also critical and historical essays on works by Mussorgsky, Dargomïzhsky, Tchaikovsky and other composers, and analyses that, in their time, threw new light on the programmatic meaning of such well-known compositions as Scheherazade and the Path étique symphony. The book is superbly illustrated with music examples throughout.
Download or read book Stories from the Russian Operas written by Gladys Davidson and published by . This book was released on 1986 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pushkin s Grand Russian Opera written by Gianni Truvianni and published by Independently Published. This book was released on 2018-11-26 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Pushkin's Grand Russian Opera" is a look at a wonderful performance of Tchaikovsky's opera "Eugene Onegin."
Download or read book Bewitching Russian Opera written by Inna Naroditskaya and published by Oxford University Press. This book was released on 2018-11-01 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Bewitching Russian Opera: The Tsarina from State to Stage, author Inna Naroditskaya investigates the musical lives of four female monarchs who ruled Russia for most of the eighteenth century: Catherine I, Anna, Elizabeth, and Catherine the Great. Engaging with ethnomusicological, historical, and philological approaches, her study traces the tsarinas' deeply invested interest in musical drama, as each built theaters, established drama schools, commissioned operas and ballets, and themselves wrote and produced musical plays. Naroditskaya examines the creative output of the tsarinas across the contexts in which they worked and lived, revealing significant connections between their personal creative aspirations and contemporary musical-theatrical practices, and the political and state affairs conducted during their reigns. Through contemporary performance theory, she demonstrates how the opportunity for role-playing and costume-changing in performative spaces allowed individuals to cross otherwise rigid boundaries of class and gender. A close look at a series of operas and musical theater productions--from Catherine the Great's fairy tale operas to Tchaikovsky's Pique Dame--illuminates the transition of these royal women from powerful political and cultural figures during their own reigns, to a marginalized and unreal Other under the patriarchal dominance of the subsequent period. These tsarinas successfully fostered the concept of a modern nation and collective national identity, only to then have their power and influence undone in Russian cultural consciousness through the fairy-tales operas of the 19th century that positioned tsarinas as "magical" and dangerous figures rightfully displaced and conquered--by triumphant heroes on the stage, and by the new patriarchal rulers in the state. Ultimately, this book demonstrates that the theater served as an experimental space for these imperial women, in which they rehearsed, probed, and formulated gender and class roles, and performed on the musical stage political ambitions and international conquests which they would later enact on the world stage itself.
