Download or read book The Hearst Collection of Photographs written by Joe William Johnson and published by . This book was released on 1956 with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Hearst Collection of Photographs by C E Watkins Pioneer Pacific Coast Photographer written by Joe William Johnson and published by . This book was released on 1956 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Hearst Collection of Photographs by Carleton E Watkins written by University of California, Berkeley. Museum of Mining and Metallurgy and published by . This book was released on 1956 with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Navajo Textiles written by Nancy J. Blomberg and published by . This book was released on 1988-07 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Randolph Hearst's collection of Navajo textiles is one of the most complete gatherings of nineteenth-century Navajo weaving in the world. Comprising dozens of Classic Period serapes, chief blankets, Germantown eyedazzlers, and turn-of-the-century rugs, the 185-piece collection was donated to the Los Angeles County Museum of Natural History in 1942 but for the next forty years was known only to a handful of scholars. Hearst began acquiring textiles from the Fred Harvey Company after viewing an exhibit of Indian artifacts. Over four decades he amassed a collection spanning more than a century of Navajo weaving and including nearly every major type produced from 1800 to 1920. Hearst's passion for American Indian artifacts was so strong that he had originally visualized his now-famous castle in San Simeon as a showplace for his Navajo textile collection. At a time when the Harvey Company was itself influencing the development of Indian handcrafts by opening up the tourist market, Hearst contributed to this influence by expressing his own artistic preference for rare and unusual pieces. This catalogue raisonné, featuring nearly 200 illustrations, provides the general public with the first look at this important collection. Nancy Blomberg's narrative introduces the reader to the history of Navajo weaving and documents Hearst's role in its development. The heart of the book provides a detailed analysis of each textile: fibers, yarn types, dyes, and designs. Navajo Textiles thus constitutes an invaluable reference for scholars and collectors and will be enjoyed by anyone who appreciates these beautiful creations from the Navajo loom.
Download or read book The William Randolph Hearst Collection written by and published by . This book was released on 1987 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Faces of Hearst Castle written by Jana Seely and published by . This book was released on 2007 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Hearst the Collector written by Mary L. Levkoff and published by ABRAMS. This book was released on 2008 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Water and Architecture written by Charles Willard Moore and published by . This book was released on 1957 with total page 762 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Hearst s San Simeon written by Victoria Kastner and published by . This book was released on 2009-05 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A decadeslong collaboration between publisher William Randolph Hearst and architect Julia Morgan produced the formal terraces, swimming pools, and plants and sculptures that occupy the 120 acres of gardens and 450 square miles of coastland of San Simeon, now a California State Park. Their extensive correspondence reveals a captivating working relationship with shared concerns over every aspect of the enormous project. Hearst Castle historian Kastner's (Hearst Castle: The Biography of a Country House) biography of a man and of an estate is also a social study of the periodthe famous and infamous Hollywood figures who peopled the house and its grounds, the lavish lifestyle, and the mythical tales about its owner. The superb photos by Garagliano, photographer at San Simeon since 1994, capture some of the elegant views, the vast array of buildings, and the myriad details. This work of visual delight should whet the appetite for a visit to the real thing.Paula Frosch, Metropolitan Museum of Art Lib., New York Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Download or read book Hearst Castle written by Victoria Kastner and published by . This book was released on 2000-11 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrated here are the Castle's Spanish ceilings and other architectural fragments, medieval tapestries, Renissance furniture, nineteenth-century sculpture, and wide-ranging examples of European decorative arts, including ceramics, metalworks, textiles, and more."--BOOK JACKET.
Download or read book Hearst Corporation Los Angeles Examiner Photographs Negatives and Clippings oversize Portrait and Subject Files written by Hearst Corporation and published by . This book was released on 1903 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt: 7000.3--Oversize Portrait and Subject files consist of over 3800 folders of photographic prints. The oversize portrait and subject files are gelatin silver prints and made larger than the conventional American standard of 8x10 inches. Many are as large as 11x17 inches, or maybe smaller but have backing larger than 8x10 inches. The dates of the prints range from the 1930s to the paper's closure in 1961. There are no negatives in this particular collection. Newspaper libraries weeded their morgues from time to time to remove images that were judged to have lost their news value. If the print was used in the newspaper, it usually bears a pasted-down clipping of the published image with its caption and a stamped date on its back. Most prints include at least the name of the subject and a stamped date indicating when it was deposited in the morgue. While there are photographs taken by Examiner staff photographers scattered throughout the files, most of the prints are publicity photographs or from wire services such as the Associated Press or International News. The prints in this collection formed the active working files for the editors, writers, and photographers of the newspaper. They were used repeatedly (and some, frequently) over an extended period and show signs of use, including bending, creasing, tearing, marking, and wear-and-tear. Many of the prints show permanent evidence of their use such as crop marks and retouching by highlighting or shading. These marks cannot be removed as they are an integral part of the record of a working newpaper morgue and have been preserved as part of the history of the morgue. The Oversize Portrait files, contained in over 2500 folders, consist of both formal portraits and snapshots of people. Prominent Californians and Los Angelenos, as well as historical figures from the 1930s to the late 1950s, are represented. The Oversize Portrait files are arranged in the original order in which they were received from the Los Angeles Examiner, which is loosely alphabetical by surname. Many of the files contain alphabetical ranges of surnames, but those people who were better known, whose prints were frequently used, or who had a large quantity of prints, received their own files. However, the range of files and the individual files are not mutually exclusive, and it is recommended that the researcher look in the range even if the person has his or her own file(s). For photographs of women, researchers should look up alternate spellings, pseudonyms, and maiden and married names. In addition, the Examiner also maintained a separate morgue called the Closet File, which included the famous people, and was not included in the donation to USC. The Oversize Subject files, contained in over 1300 files, consist of snapshots of events, places, and things. Subjects heavily represented include atomic energy, aviation, baseball, hosrses, and Los Angeles. The subject files are mostly arranged in the alphabetical order in which they were received from the Los Angeles Examiner. Most of the files contain prints related to a specific subject, although there also are files consisting of a range of terms. In addition to the Subject files, the Examiner also maintained a separate morgue called the Tower, which was not included in the donation to USC.
Download or read book Hearst Corporation Los Angeles Examiner Photographs Negatives and Clippings Subject Files written by Hearst Corporation and published by . This book was released on 1903 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: 7000.2 - Subject files files consists of over 9,000 file folders of photographic prints and includes the paper's geographic files. The bulk of the subject files photographs are 8x10 or 7x9 gelatin silver prints, although other dimensions are present as well. The dates of the prints cover the newspaper's lifetime, but the vast majority date from the early 1930s to the paper's closure in 1961. A small number of original and copy negatives are scattered through the files, as are some ephemera and publications. Newspaper libraries weeded their morgues from time to time to remove images that were judged to have lost their news value. If a print was used in the newspaper, it usually bears a pasted-down clipping of the published image with its caption and a stamped date on its back. Most prints include at least the name of the subject and a stamped date indicating when it was deposited in the morgue. There are some photos taken by Examiner staff photographers are scattered throughout the files, but most of the prints are publicity photos or from wire services like the Associated Press or International News. The wire service photos are identified with the wire service name and usually include a supplied caption either printed as part of the print, or pasted or paper clipped to the print. The publicity photographs are from a variety of sources, but most frequently from public relations firms, corporations, the government and the military. The publicity photographs usually have a caption and source information on the back. The prints in this collection formed the active working files for the editors, writers and photographers of the Examiner. They were used repeatedly (and some, frequently) over an extended period and show signs of use, including bending, creasing, tearing, marking, poor photographic fixing, deterioration, and the advanced wear-and-tear of multiple uses. Many of the prints show permanent evidence of their use such as crop marks, retouching by highlighting or shading, and manipulation of the image by physically moving elements of it around. These marks cannot be removed as they are integral part of the record of a working newspaper morgue and have been preserved as part of the history of the morgue. The subject files consist of both formal portraits and snapshots of events, places and things. Subjects heavily represented include the automotive and aviation industries, maps, the Korean War, the space program and the Armed Forces. However, the Examiner also maintained a separate morgue called the Tower, which was not included in the donation USC received. The subject files are mostly arranged in the original alphabetical order in which they were received from the Los Angeles Examiner. Most of the files contain prints related to a specific subject, although there are some files consisting of a range of terms.
Download or read book American Heiress written by Jeffrey Toobin and published by Anchor. This book was released on 2017-04-04 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: A National Bestseller From New Yorker staff writer and bestselling author of The Nine and The Run of His Life: The People v. O. J. Simpson, the definitive account of the kidnapping and trial that defined an insane era in American history On February 4, 1974, Patty Hearst, a sophomore in college and heiress to the Hearst Family fortune, was kidnapped by a ragtag group of self-styled revolutionaries calling itself the Symbonese Liberation Army. The weird turns that followed in this already sensational take are truly astonishing--the Hearst family tried to secure Patty's release by feeding the people of Oakland and San Francisco for free; bank security cameras captured "Tania" wielding a machine gun during a roberry; the LAPD engaged in the largest police shoot-out in American history; the first breaking news event was broadcast live on telelvision stations across the country; and then there was Patty's circuslike trial, filled with theatrical courtroom confrontations and a dramatic last-minute reversal, after which the term "Stockholm syndrome" entered the lexicon. Ultimately, the saga highlighted a decade in which America seemed to be suffering a collective nervous breakdown. American Heiress portrays the electrifying lunacy of the time and the toxic mic of sex, politics, and violence that swept up Patty Hearst and captivated the nation.
Download or read book Hearst Corporation Los Angeles Examiner Photographs Negatives and Clippings portrait Files written by Hearst Corporation and published by . This book was released on 1903 with total page 75 pages. Available in PDF, EPUB and Kindle. Book excerpt: 7000.1--Portrait files consists of photographic prints maintained in over 53,000 file folders. The bulk of the portrait files photographs are gelatin silver prints and made to the conventional American standard dimension of 8x10 inches, although other dimensions are present as well. The dates of the prints cover the newspaper's lifetime, but the vast majority date from the early 1930s to the paper's closure in 1961. A small number of original and copy negatives are scattered through the files. Newspaper libraries weeded their morgues from time to time to remove images that were judged to have lost their news value. If a print was used in the newspaper, it usually bears a pasted-down clipping of the published image with its caption and a stamped date on its back. Most prints include at least the name of the subject and a stamped date indicating when it was deposited in the morgue. Most of the prints appear to be from wire services like the Associated Press or International News. These are identified with the wire service name and usually include a supplied caption either printed as part of the print, or pasted or paper clipped to the print. The remainder of the photographs were either supplied by individuals for the paper's society pages or are publicity photos from a variety of sources, but most frequently from public relations firms, the military, and movie studios. The publicity photographs usually have a caption and source information on the back. There do not appear to be a large number of photos taken by Examiner staff photographers, although there are some scattered throughout the files. The prints in this collection formed the active working files for the editors, writers and photographers of the Examiner. They were used repeatedly (and some, frequently) over an extended period and show signs of use, including bending, creasing, tearing, marking, poor photographic fixing, deterioration, and the advanced wear-and-tear of multiple uses. Many of the prints show permanent evidence of their use such as crop marks, retouching by highlighting or shading, and manipulation of the image by physically moving elements of it around. These marks cannot be removed as they are an integral part of the record of a working newspaper morgue and have been preserved as part of the history of the morgue. The Portrait files consist of both formal portraits and snapshots of people. Prominent Californians and Los Angelenos, as well as most historical figures from the 1930s to the late 1950s are represented. However, the Examiner also maintained a separate morgue called the Closet File, which included the prints of many famous people and was not included in the donation USC received. The Portrait files are arranged in the original order in which they were received from the Los Angeles Examiner, which is loosely in alphabetical order by surname. Many of the files contain alphabetical ranges of surnames, but those people who were more important or frequently used, or who had a large quantity of prints, received their own files. However, the range files and the individual files are not mutually exclusive, and it is a good idea to look in the range files even if the person has his or her own file(s). As was prevalent at the time these files were created, women were generally referred to by their husbands' names. The Examiner staff often (but not always) labeled a woman's file under her husband's name modified by "Mrs." Researchers should also look up alternate spellings, pseudonyms, and maiden and married names.
Download or read book Look at Me written by Firooz Zahedi and published by . This book was released on 2020-06-30 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: - Featuring never-before-seen photographs of Hollywood's biggest stars- Firooz Zahedi was Elizabeth Taylor's personal on-set photographer for many yearsFrom acclaimed Hollywood photographer Firooz Zahedi comes Look at Me, a collection of his most distinguished and intimate celebrity portraits. From editorial commissions from magazines - including Vanity Fair, Glamour, InStyle, GQ, and Entertainment Weekly, to iconic movie posters such as Pulp Fiction, Edward Scissorhands, and The Addams Family - Zahedi has been photographing Hollywood's biggest stars for over 35 years. Each photograph is accompanied by a short text offering personal insight into how each shot came together. Also included are never-before-seen photographs as well as special behind-the-scenes snapshots and notes from Zahedi's appreciative subjects. Look at Me is a celebration of this golden age of celebrity as seen through the lens of one of Hollywood's most accomplished photographers.
Download or read book LIFE written by and published by . This book was released on 1941-02-10 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Download or read book The African Lookbook written by Catherine E. McKinley and published by Bloomsbury Publishing USA. This book was released on 2021-02-09 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the African Photobook of the Year Award A Choice Outstanding Title of the Year A USA Today "Must-Read for Black History Month" An NPR "Goats and Soda" Editors' Pick A BookRiot Favorite Nonfiction Book of the Year An unprecedented visual history of African women told in striking and subversive historical photographs-featuring an Introduction by Edwidge Danticat and a Foreword by Jacqueline Woodson. Most of us grew up with images of African women that were purely anthropological-bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty-“poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos to present a visual history spanning a hundred-year arc (1870–1970) of what is among the earliest photography on the continent. These images tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods. Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans-most starkly, striking nudes-revealing the relationships between white men and the Black female sitters where, at best, a grave power imbalance lies. It's a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways-even if it's only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women's self-expression, revealing a truly glorious display of everyday beauty.
