Download or read book The Growth and Nature of Drama written by Ronald F. Clarke and published by Cambridge : University Press. This book was released on 1965 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The play and the nature of dramatic poetry written by Richard Wagner and published by . This book was released on 1966 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Nature of Theatre written by Vera Mowry Roberts and published by . This book was released on 1971 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book An Introduction to Literature The nature of drama by H Heffner written by Gordon Norton Ray and published by . This book was released on 1959 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book English Drama written by Felix Emmanuel Schelling and published by . This book was released on 1914 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Drama written by Henry Irving and published by BoD – Books on Demand. This book was released on 2018-05-23 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reproduction of the original: The Drama by Henry Irving
Download or read book The Death and Life of Drama written by Lance Lee and published by University of Texas Press. This book was released on 2010-01-01 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: What makes a film "work," so that audiences come away from the viewing experience refreshed and even transformed in the way they understand themselves and the world around them? In The Death and Life of Drama, veteran screenwriter and screenwriting teacher Lance Lee tackles this question in a series of personal essays that thoroughly analyze drama's role in our society, as well as the elements that structure all drama, from the plays of ancient Athens to today's most popular movies. Using examples from well-known classical era and recent films, Lee investigates how writers handle dramatic elements such as time, emotion, morality, and character growth to demonstrate why some films work while others do not. He seeks to define precisely what "action" is and how the writer and the viewer understand dramatic reality. He looks at various kinds of time in drama, explores dramatic context from Athens to the present, and examines the concept of comedy. Lee also proposes a novel "five act" structure for drama that takes account of the characters' past and future outside the "beginning, middle, and end" of the story. Deftly balancing philosophical issues and practical concerns, The Death and Life of Drama offers a rich understanding of the principles of successful dramatic writing for screenwriters and indeed everyone who enjoys movies and wants to know why some films have such enduring appeal for so many people.
Download or read book Essays and Nature Studies written by William John Clarke Miller and published by . This book was released on 1899 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nature and Human Nature written by Ellen Russell Emerson and published by . This book was released on 1902 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Spirit in Drama Art written by Huntly Carter and published by . This book was released on 1912 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre A Very Short Introduction written by Marvin Carlson and published by OUP Oxford. This book was released on 2014-10-23 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: From before history was recorded to the present day, theatre has been a major artistic form around the world. From puppetry to mimes and street theatre, this complex art has utilized all other art forms such as dance, literature, music, painting, sculpture, and architecture. Every aspect of human activity and human culture can be, and has been, incorporated into the creation of theatre. In this Very Short Introduction Marvin Carlson takes us through Ancient Greece and Rome, to Medieval Japan and Europe, to America and beyond, and looks at how the various forms of theatre have been interpreted and enjoyed. Exploring the role that theatre artists play — from the actor and director to the designer and puppet-master, as well as the audience — this is an engaging exploration of what theatre has meant, and still means, to people of all ages at all times. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Download or read book Nature and Art written by and published by . This book was released on 1866 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Drama Dictionary written by Terry Hodgson and published by New Amsterdam Books. This book was released on 1998-04-21 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive reference work is designed to be a single source to which readers may turn for guidance on dramatic theory and practice. It therefore concentrates on critical and technical concepts and terms rather than on theatre history or biography. The book contains some 1300 entries varying in length from a few words to several hundred. The terms included relate to the forms of drama (e.g. epic, mime, farce, comedy of manners, tragi-comedy, etc.); to different kinds of stage (thrust, picture-frame, arena, etc.); to technical stage terms (tabs, proscenium arch, sightlines, etc.); to acting terms, including colloquialisms (fluff, corpse-as well as duologue, soliloquy, cross below, upstage, etc.) They also include the critical terms of important theoreticians (e.g. superobjective, magic 'if', throughline, alienation, montage) and the obvious foreign terms (hamartia, peripeteia, etc.). Dramatic movements and styles are described (naturalism, expressionism, neo-classical, Jacobean, etc.), together with terms relating to costume (e.g. buskins), character types (of, say, the Commedia dell'Arte) and dramatic structure (climax, curtain, pace and tempo, episode, chorus, etc.). The entries are fully cross-referenced, and are supported by ample suggestions for further reading and a selection of line drawings illustrating key points in the text.
Download or read book Nature and art ed by F B Ward written by Francis Beckford Ward and published by . This book was released on 1866 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Character s Theater written by Lisa A. Freeman and published by University of Pennsylvania Press. This book was released on 2002 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: If the whole world acted the player, how did the player act the world? In Character's Theater, Lisa A. Freeman uses this question to test recent critical discussion of eighteenth-century literature and culture. Much current work, she observes, focuses on the concept of theatricality as both the governing metaphor of social life and a primary filter of psychic perception. Hume's "theater of the mind," Adam Smith's "impartial spectator," and Diderot's "tableaux" are all invoked by theorists to describe a process whereby the private individual comes to internalize theatrical logic and apprehend the self as other. To them theatricality is a critical mechanism of modern subjectivity but one that needs to be concealed if the subject's stability is to be maintained. Finding that much of this discussion about the "Age of the Spectator" has been conducted without reference to the play texts or actual theatrical practice, Freeman turns to drama and discovers a dynamic model of identity based on eighteenth-century conceptualizations of character. In contrast to the novel, which cultivated psychological tensions between private interiority and public show, dramatic characters in the eighteenth century experienced no private thoughts. The theater of the eighteenth century was not a theater of absorption but rather a theater of interaction, where what was monitored was not the depth of character, as in the novel, but the arc of a genre over the course of a series of discontinuous acts. In a genre-by-genre analysis of plays about plays, tragedy, comedies of manners, humours, and intrigue, and sentimental comedy, Freeman offers an interpretive account of eighteenth-century drama and its cultural work and demonstrates that by deploying an alternative model of identity, theater marked a site of resistance to the rise of the subject and to the ideological conformity enforced through that identity formation.
Download or read book New Theatre Quarterly 62 Volume 16 Part 2 written by Clive Barker and published by Cambridge University Press. This book was released on 2000-08-17 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 62 include: Staging and Storytelling, Theatre and Film: Richard III at Stratford; The Theatrical Biosphere and Ecologies of Performance; The Afro-Caribbean Identity and the English Stage; A Riposte to David Mamet: Heresy and Common Sense in True and False; Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre; 'Aphrodite Speaks': on the recent Performance Art of Carolee Schneemann; Theatre and Urban Space: the Case of Birmingham Rep; Across Two Eras: Slovak Theatre from Communism to Independence; Whatever Happened to Gay Theatre?
Download or read book Congreve the Drama and the Printed Word written by Julie Stone Peters and published by Stanford University Press. This book was released on 1990 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late seventeenth century, theater and print began the history of their tense relations and imperfect alliance. Plays, of course, had been printed in England for more than a century. However, it was not until the printing of fine editions of English playwrights, by Tonson and others, that it became common for dramatists to worry over the details of both performace and print and to supervise closely the publication of their own works. The theater was joining itself to the page, defining itself against the printed word. The author's focus is the most active phase of the career of William Congreve, a crucial juncture in the history of print and publishing, the two decades before the 1710 Copyright Act, when the book trade was becoming a large, intricate, and lucrative commercial business. Congreve's work in the theater began to yield to his work with the book trade (not only as playwright but also as poet, scholar, translator, and editor), culminating in the three-volume edition of his Works in 1710.
