Download or read book The Gay Lesbian Theatrical Legacy written by Billy J. Harbin and published by University of Michigan Press. This book was released on 2005 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time

Download or read book The Gay Lesbian Theatrical Legacy written by Billy J. Harbin and published by University of Michigan Press. This book was released on 2005 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time

Download or read book Queer Theatre and the Legacy of Cal Yeomans written by R. Schanke and published by Springer. This book was released on 2011-08-01 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: A forgotten yet award-winning playwright, Cal Yeomans was one of the founders of gay theater whose work was fueled by gay liberation and extinguished by the AIDS epidemic. Schanke's examination of his life and legacy allows a rare exploration into this pivotal moment of gay American history.

Download or read book Out on Stage written by Alan Sinfield and published by Yale University Press. This book was released on 1999-01-01 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.

Download or read book For the Gay Stage written by Drewey Wayne Gunn and published by McFarland. This book was released on 2017-06-02 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: Previous surveys of the gay theatrical repertoire have concentrated on plays produced on Broadway or in London's West End. This comprehensive guide goes well beyond these earlier studies by introducing productions from Off Broadway, from regional theaters in the U.S. and U.K., and from Ireland, Canada, Australia, New Zealand and South Africa. Also included are Puerto Rican, Indian and Filipino plays written in English, as well as translations from other languages. Well over half of the works discussed here appear for the first time in such a study.

Download or read book Forbidden Acts written by Ben Hodges and published by Rowman & Littlefield. This book was released on 2003-09-01 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt: Applause Theatre & Cinema Books is proud to announce the publication of the first collected anthology of gay and lesbian plays from the entire span of the twentieth century sure to find wide acceptance by general readers and to be studied on campuses around the world. Among the ten plays three are completely out of print. Included are ÊThe God of VenegeanceÊ (1918) by Sholom Ash the first play to introduce lesbian characters to an English-language audience; Lillian Hellman's classic ÊThe Children's HourÊ (1933) initially banned in London and passed over for the Pulitzer Prize because of its subject matter; and ÊOscar WildeÊ (1938) by Leslie and Sewell Stokes a major award-winning success that starred Robert Morley. More recent plays include Mart Crowley's ÊThe Boys in the BandÊ (1968) the first hit out gay play that was the most realistic and groundbreaking portrayal of gays on stage up to that time; Martin Sherman's ÊBentÊ (1978) which daringly focused on the love between two Nazi concentration camp inmates and starred Richard Gere; William Hoffman's ÊAs IsÊ (1985) which was one of the first plays to deal with the AIDS crisis and earned three Tony Award nominations; and Terrence McNally's ÊLove! Valour! Compassion!Ê (1994) which starred Nathan Lane and won the Tony Award for Best Play.ÞThe other plays are Edouard Bourdet's ÊThe CaptiveÊ (1926) Ruth and Augustus Goetz's ÊThe ImmoralistÊ (1954) and Frank Marcus' ÊThe Killing of Sister GeorgeÊ (1967). ÊForbidden ActsÊ includes a broad range of theatrical genres: drama tragedy romance comedy and farce. They remain vibrant and relevant today as a testament of art's ability to persevere in the face of oppression.

Download or read book Memories of the Revolution written by Holly Hughes and published by University of Michigan Press. This book was released on 2015-11-30 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scripts, interviews, photos, and critical commentary documenting the riotous beginnings of this long-lived experimental theater space for women

Download or read book Performing Queer Latinidad written by Ramon H. Rivera-Servera and published by University of Michigan Press. This book was released on 2012-10-26 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing Queer Latinidad highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s, a period when the size and influence of the Latina/o population was increasing alongside a growing scrutiny of the public spaces where latinidad could circulate. Performances---from concert dance and street protest to the choreographic strategies deployed by dancers at nightclubs---served as critical meeting points and practices through which LGBT and other nonnormative sex practitioners of Latin American descent (individuals with greatly differing cultures, histories of migration or annexation to the United States, and contemporary living conditions) encountered each other and forged social, cultural, and political bonds. At a time when latinidad ascended to the national public sphere in mainstream commercial and political venues and Latina/o public space was increasingly threatened by the redevelopment of urban centers and a revived anti-immigrant campaign, queer Latinas/os in places such as the Bronx, San Antonio, Austin, Phoenix, and Rochester, NY, returned to performance to claim spaces and ways of being that allowed their queerness and latinidad to coexist. These social events of performance and their attendant aesthetic communication strategies served as critical sites and tactics for creating and sustaining queer latinidad.

Download or read book The Routledge Anthology of Women s Theatre Theory and Dramatic Criticism written by Catherine Burroughs and published by Taylor & Francis. This book was released on 2023-09-29 with total page 745 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.

Download or read book Women in Turmoil written by Robert A Schanke and published by SIU Press. This book was released on 2008-08-18 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first publication of six plays by the flamboyantly uninhibited author, poet, and playwright Mercedes de Acosta (1893–1968), theater historian Robert A. Schanke rescues these lost theatrical writings from the dusty margins of obscurity. Often autobiographical, always rife with gender struggle, and still decidedly stageworthy, Women in Turmoil: Six Plays by Mercedes de Acosta constitutes a significant find for the canon of gay and lesbian drama. In her 1960 autobiography Here Lies the Heart, de Acosta notes that as she was contemplating marriage to a man in 1920, she was "in a strange turmoil about world affairs, my own writing, suffrage, sex, and my inner spiritual development." The voice in these plays is that of a lesbian in turmoil, marginalized and ignored. Her same-sex desires and struggles for acceptance fueled her writings, and nowhere is that more evident than in the plays contained herein. The women characters struggle with unfulfilling marriages, divorce, unrequited sexual desire, suppressed identity, and a longing for recognition. Of the six plays, only the first two were ever produced. Jehanne d’Arc (1922) premiered in Paris with de Acosta’s lover at the time, Eva Le Gallienne, starring and Norman Bel Geddes designing the set and lights. In 1934, de Acosta adapted it into a screenplay for Greta Garbo, then her lover, but it was never filmed. Portraying rampant anti-Semitism in a small New England town, Jacob Slovak (1923) was performed both on Broadway and in London, with the London production starring John Gielgud and Ralph Richardson. The Mother of Christ (1924) is a long one-act play written for the internationally known actress Eleonora Duse. After Duse’s death, several other actresses including Eva Bartok, Jeanne Eagels, and Lillian Gish explored productions of the play. Igor Stravinsky wrote a score, Norman Bel Geddes designed a set, and Gladys Calthrop designed costumes. However, the play was never produced. Her most autobiographical play, World Without End (1925), and her most sensational play, The Dark Light (1926), both unfold through plots of sibling rivalry, incest, and suicide. With overtones of Ibsen, Illusion (1928) continues the themes of de Acosta’s previous plays with her rough and seedy cast of characters, but here the playwright’s drama grows to incorporate a yearning for belonging as well as strong elements of class conflict. What notoriety remains associated with de Acosta has less to do with her writing than with her infamous romances with the likes of Greta Garbo, Marlene Dietrich, Isadora Duncan, Alla Nazimova, Eva Le Gallienne, Tamara Karsavina, Pola Negri, and Ona Munson. Through this collection of six powerfully poignant dramas, editor Robert A. Schanke strives to correct myths about Mercedes de Acosta and to restore both her name and her literary achievements to their proper place in history. Robert A. Schanke has authored the original biography, “That Furious Lesbian:” The Story of Mercedes de Acosta, also available from Southern Illinois University Press.

Download or read book Acts of Gaiety written by Sara Warner and published by University of Michigan Press. This book was released on 2012-10-26 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Against queer theory's long-suffering romance with mourning and melancholia and a national agenda that urges homosexuals to renounce pleasure if they want to be taken seriously, Acts of Gaiety seeks to reanimate notions of "gaiety" as a political value for LGBT activism by recovering earlier mirthful modes of political performance. The book mines the archives of lesbian-feminist activism of the 1960s–70s, highlighting the outrageous gaiety—including camp, kitsch, drag, guerrilla theater, zap actions, rallies, manifestos, pageants, and parades alongside "legitimate theater”-- at the center of the social and theatrical performances of the era. Juxtaposing figures such as Valerie Solanas and Jill Johnston with more recent performers and activists including Hothead Paisan, Bitch and Animal, and the Five Lesbian Brothers, Sara Warner shows how reclaiming this largely discarded and disavowed past elucidates possibilities for being and belonging. Acts of Gaiety explores the mutually informing histories of gayness as politics and as joie de vivre, along with the centrality of liveliness to queer performance and protest.

Download or read book Butch Queens Up in Pumps written by Marlon M. Bailey and published by University of Michigan Press. This book was released on 2013-08-29 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: 20 years after Paris Is Burning, a rare look at Ballroom culture—from the inside

Download or read book Communities and Place written by Katherine Crawford-Lackey and published by Berghahn Books. This book was released on 2020-06-05 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lesbian, gay, bisexual, transgender, and queer (LGBTQ) people have established gathering spaces to find acceptance, form social networks, and unify to resist oppression. Framing the emergence of queer enclaves in reference to place, this volume explores the physical and symbolic spaces of LGBTQ Americans. Authors provide an overview of the concept of “place” and its role in informing identity formation and community building. The book also includes interactive project prompts, providing opportunities to practically apply topics and theories discussed in the chapters.

Download or read book Modern American Drama Playwriting in the 1960s written by Mike Sell and published by Bloomsbury Publishing. This book was released on 2019-11-14 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).

Download or read book Theatre History Studies 2014 Vol 33 written by Elizabeth Reitz Mullenix and published by University of Alabama Press. This book was released on 2014-12-15 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre History Studies 2014, Volume 33, brings together an original collection of essays that explore a topic of growing interest--theatre and war.

Download or read book Bulldaggers Pansies and Chocolate Babies written by James F. Wilson and published by University of Michigan Press. This book was released on 2011-07-22 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: "James F. Wilson uncovers fascinating new material on the Harlem Renaissance, shedding light on the oft-forgotten gay and lesbian contributions to the era's creativity and Civil Rights. Extremely well researched, compellingly written, and highly informative." ---David Krasner, author of A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927 Bulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment. Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's Lulu Belle (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination. Bulldaggers, Pansies, and Chocolate Babies is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book. James F. Wilson is Professor of English and Theatre at LaGuardia Community College and the Graduate Center of the City University of New York.

Download or read book We Will Be Citizens written by James Fisher and published by McFarland. This book was released on 2014-01-10 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: A dozen essays by a range of established scholars and performing artists address issues in post-1969 American gay and lesbian theatre and drama, the period after the raid at the Stonewall Inn helped spawn a "gay revolution." The collection covers playwrights, millennial dramatists, and actors while exploring the history of gay-themed theatre and drama, the breadth of stage roles, and the dramatic representation of homosexual characters from various perspectives. These include the impact of AIDS, contemporary American politics, images of homophobia, gay-themed plays aimed at Theatre for Youth audiences, and other topics.