Download or read book The French School master 1573 written by Claudius Hollyband and published by . This book was released on 1972 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The French School master 1573 written by Claude de Sainliens and published by . This book was released on 1972 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book 315 French school master 1573 written by C. Desainliens and published by . This book was released on 1972 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book News sheet written by Bibliographical Society (Great Britain) and published by . This book was released on 1906 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Transactions of the Bibliographical Society written by Bibliographical Society (Great Britain) and published by . This book was released on 1916 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Critical Edition of George Whetstone s 1582 An Heptameron of Civil Discourses written by George Whetstone and published by Routledge. This book was released on 2019-06-04 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in 1987: This edition seeks to make available, for the scholar and the student of Elizabethan literature, an accurate text of an Heptameron of Civill Discourses.

Download or read book A General Index to Hazlitt s Handbook and His Bibliographical Collections 1867 1889 written by George John Gray and published by . This book was released on 1893 with total page 886 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Library written by Sir John Young Walker MacAlister and published by . This book was released on 1915 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Cuck Queans and Cuckolds Errands written by William Percy and published by Anaphora Literary Press. This book was released on 2023-05-02 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: An anti-warfare, anti-marriage, and pro-free-love closeted satire. A single vengeful cuckold is tragic, whereas many cuck-queans and cuckolds running across England on their love-errands is satiric. The title of this play announces why it remained closeted across the Renaissance, as it trivializes adultery in a period that continued to see revenge-killings by cuckolds. The story opens with two aristocratic married couples swinging partners, as Doucebella cheats with Floradin, while Floradin’s wife, Aruania, cheats on him with Doucebella’s husband, Claribel. Tired of these complications, Floradin and Claribel become soldiers in the war against the approaching Spanish Armada. And Aruania and Doucebella unite in an apparent lesbian affair. The gentlemen then begin seducing a muscular forest-keeper, Olivel, while the ladies work on seducing her forester husband, Latro. Meanwhile, Nim and Shift, two thieves, attempt a range of frauds and tricks to steal a newly-made bowl from Pearle, Doctor of Civil Law. And Pigot, Master of the Tarlton Inn, has tricks and legal reprisals that he uses to force Nim and Shift to pay their growing bill. Under this satirical, absurd and comic surface full of misadventures, there are many exquisite poetic passages, such as the recounting by Captain Lacy of how the British troops fought against the Spanish Armada. There are fights, robberies, and a wealth of legal and historical insights heavily packed into every line of this drama. “It is tempting to read Cuck-queans and Cuckolds Errands superficially, to enjoy its façade, which has been much enhanced by Faktorovich’s extensive and erudite introduction and footnotes./ Frankly, without those and without her careful modernization of language, the original work would be nearly unreadable. At that superficial level, the reader finds much enjoyment in its satire and slightly puerile humor. Human coitus, especially if illicit, is after all, the world’s most fascinating and enduring topic./ The cuckoo is a bird of European origin, about the size of a robin who displays the disconcerting habit of laying eggs in another bird’s nest. The derivatives ‘cuckold’ and ‘cuck-quean’ describe a usurper or supplanter, hence one who practices the pleasures of venery outside the boundaries of holy matrimony. And the drama Cuck-queans and Cuckolds Errands is about just that, obsessive and nearly random fornication./ But there is a deeper level to Cuckolds. The reader wishing to access that level might do well to first read Jokes and their Relation to the Subconscious by Sigmund Freud. All of human vulnerability and sexual peccadillos, deviant and sanctioned, are displayed in this writing, which was self-attributed in William Percy’s (obscure poet of the 17th century) closeted manuscripts. The reference to Freud above is intended to imply the ubiquity of this pattern of behavior and its persistence from age to age; humankind is steeped in concupiscence. Percy’s drama is a paean to joy and jouissance, a celebration of what it is to be alive./ The drama itself tells of the peregrinations and loves and fates of a dozen players. Prominent among them are two spouse swapping couples: Doucebella and Claribel, and Aruania and Floridan who couple in various permutations, including a Lesbian encounter. The drama is replete with absurd miscreants: thieves who steal from a doctor, a masculine but desirable gamekeeper and her husband, an innkeeper and two deadbeat customers. The reader will enjoy many hours dis-entangling this menage./ In the language of Percy’s drama, the reader will hear tones and rhythms and phrases suggestive of Shakespeare—and no wonder: Faktorovich establishes Percy as a ghost writer for Shakespeare. For example, a witch in Macbeth says, ‘By the pricking of my thumbs, something wicked this way comes.’/ And in Percy’s drama (p105), ‘Beset the pricking enclosure of my conscience…’ Cuckolds would be a great read if it were only for the fun of detecting such similarities. I commend it to you.” —Midwest Book Review, Lloyd Jacobs (December 2021) Plot and Staging Text Terms, References, Questions, Exercises William Percy (1567?-1648) is the dominant tragedian behind the “William Shakespeare” pseudonym according to the computational-linguistic study in The Re-Attribution of the British Renaissance Corpus. Percy was a younger son of the assassinated 8th Earl of Northumberland and the brother of the imprisoned in the Tower 9th Earl.

Download or read book Ashgate Critical Essays on Early English Lexicographers written by Roderick McConchie and published by Routledge. This book was released on 2017-03-02 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: Laying the foundations for the first monolingual dictionaries of English, the sixteenth century in English lexicography is here shown to form a bridge between the glossarial compilations which had slowly evolved during the Middle Ages, and the more recognisably modern dictionary incorporating synonymy, illustrative citations and other standard features. The articles collected here treat general lexicography and dictionaries in this period, their uses, and the state of research in this field. The volume also covers a fascinating and diverse collection of lexicographers, from the well known - John Palsgrave, Thomas Cooper, Thomas Elyot and John Florio - to those about whom next to nothing is known - Richard Howlet, John Baret and Peter Levens.

Download or read book Language Teaching Through the Ages written by Garon Wheeler and published by Routledge. This book was released on 2013 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Konrad Koerner, a leading historian of linguistics, has long said that an academic field cannot be considered to have matured until it has history as one of its subfields. The history of linguistics is a growing area, having come into its own in the 1960s, especially after Noam Chomsky looked for historical roots for his work. In contrast, the history of language teaching has been neglected, reflecting the insecurity and youth of the field. Most works on the subject have been written by linguists for other linguists, and typically focus on a specific period or aspect of history. This volume concentrates on the basic issues, events, and threads of the history of the field - from Mesopotamia to the present - showing how a knowledge of this history can inform the practice of language teaching in the present.

Download or read book A Comparative Study of Byrd Songs written by and published by Anaphora Literary Press. This book was released on 2023-05-02 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comparative anthology of all of the variedly-bylined texts in William Byrd’s linguistic-group, with scholarly introductions that solve previously impenetrable literary mysteries. This is a comparative anthology of William Byrd’s multi-bylined verse, with scholarly introductions to their biographies, borrowings, and generic and structural formulas. The tested Byrd-group includes 30 texts with 29 different bylines. Each of these texts is covered in a separate chronologically-organized section. This anthology includes modernized translations of some of the greatest and the wittiest poetry of the Renaissance. Some of these poems are the most famous English poems ever written, while others have never been modernized before. These poems serve merely as a bridge upon which a very different history of early British poetry and music is reconstructed, through the alternative history of the single ghostwriter behind them. This history begins with two forgeries that are written in an antique Middle English style, while simultaneously imitating Virgil’s Eclogues: “Alexander Barclay’s” claimed translation of Pope Pius II’s Eclogues (1514?) and “John Skelton’s” Eclogues (1521?). The next attribution mystery solved is how only a single poem assigned to “Walter Rawely of the Middle Temple” (when Raleigh is not known to have been a member of this Inn of Court) in The Steal Glass: A Satire (1576) has snowballed into entire anthologies of poetry that continue to be assigned to “Raleigh” as their “author”. Matthew Lownes assigned the “Edmund Spenser”-byline for the first time in 1611 to the previously anonymous Shepherds’ Calendar (1579) to profit from the popularity of the appended to it Fairy Queen. And “Thomas Watson” has been credited with creating Hekatompathia (1582), when this was his first book-length attempt in English; and this collection has been described as the first Petrarchan sonnet sequence in English, when actually most of these poems have 18-line, instead of 14-line stanzas. Byrd’s self-attributed Psalms, Sonnets, and Songs (1588) includes several lyrics that have since been re-assigned erroneously to other bylines in this collection, such as “My Mind to Me a Kingdom Is” being re-assigned to “Sir Edward Dyer”. The Byrd chapter also describes the history of his music-licensing monopoly. The “University Wit” label is reinterpreted as being applied to those who completed paper-degrees with help from ghostwriters, as exemplified in “Robert Greene’s” confession that “his” Pandosto and Menaphon were “so many parricides”, as if these obscene topics were forced upon him without his participation in the authorial process. “Philip Sidney’s” Astrophil and Stella (1591) is showcased as an example of erroneous autobiographical interpretations of minor poetic references; for example, the line “Rich she is” in a sonnet that puns repeatedly on the term “rich”, has been erroneously widely claimed by scholars to prove that Sidney had a prolonged love-interest in “Lady Penelope Devereux Rich”. Similarly, Thomas Lodge’s 1592-3 voyage to South America has been used to claim his special predilection for “sea-studies”, in works such as Phillis (1593), when adoring descriptions of the sea are common across the Byrd-group. Alexander Dyce appears to have assigned the anonymous Licia (1593) to “Giles Fletcher” in a brief note in 1843, using only the evidence of a vague mention of an associated monarch in a text from another member of the “Fletcher” family. One of the few blatantly fictitiously-bylined Renaissance texts that have not been re-assigned to a famous “Author” is “Henry Willobie’s” Avisa (1594) that invents a non-existent Oxford-affiliated editor called “Hadrian Dorrell”, who confesses to have stolen this book, without “Willobie’s” permission. Even with such blatant evidence of satirical pseudonym usage or potential identity-fraud, scholars have continued to search for names in Oxford’s records that match these bylines. “John Monday’s” Songs and Psalms (1594) has been labeled as one of the earliest madrigal collections. 1594 was the approximate year when Byrd began specializing in providing ghostwriting services for mostly university-educated musicologists, who used these publishing credits to obtain music positions at churches such as the Westminster Abbey, or at Court. An Oxford paper-degree helped “Thomas Morley” become basically the first non-priest Gospeller at the Chapel Royal. The section on “Morley’s” Ballets (1595) describes the fiscal challenges Morley encountered when the music-monopoly temporarily transitioned from Byrd’s direct control to his. “John Dowland’s” First Book of Songs or Airs (1597) is explained as a tool that helped Dowland obtain an absurdly high 500 daler salary from King Christian IV of Denmark in 1600, and his subsequent equally absurd willingness to settle for a £21 salary in 1612 to become King James I’s Lutenist. And the seemingly innocuous publication of “Michael Cavendish’s” 14 Airs in Tablature to the Lute (1598) is reinterpreted, with previously neglected evidence, as actually a book that was more likely to have been published in 1609, as part of the propaganda campaign supporting Lady Arabella Stuart’s succession to the British throne; the attempt failed and led to Arabella’s death during a hunger-strike in the Tower, and to the closeting of Airs. “William Shakespeare’s” The Passionate Pilgrim (1599) has been dismissed by scholars as only containing a few firmly “Shakespearean” poems, in part because nearly all of its 20 poems had appeared under other bylines. Passionate’s poems 16, 17, 19 and 20 are included, with an explanation of the divergent—“Ignoto”, “Shakespeare” and “Marlowe”—bylines they were instead assigned to in England’s Helicon (1600). Scholars have previously been at a loss as to identity of the “John Bennet” of the Madrigals (1599), and this mystery is solved with the explanation that this byline is referring to Sir John Bennet (1553-1627) whose £20,000 bail, was in part sponsored with a £1,200 donation from Sir William Byrd. “John Farmer’s” First Set of English Madrigals (1599) is reinterpreted as a byline that appears to have helped Farmer continue collecting on his Organist salary physically appearing for work, between a notice of absenteeism in 1597 and 1608, when the next Organist was hired. “Thomas Weelkes’” Madrigals (1600) is reframed as part of a fraud that managed to advance Weelkes from a menial laborer £2 salary at Winchester to a £15 Organist salary at Chichester. He was hired at Chichester after somehow finding around £30 to attain an Oxford BA in Music in 1602, in a suspicious parallel with the Dean William Thorne of Chichester’s degree-completion from the same school; this climb was followed by one of the most notorious Organist tenures, as Weelkes was repeatedly cited for being an absentee drunkard, and yet Dean Thorne never fired him. “Richard Carlton’s” Madrigals (1601) also appears to be an inoffensive book, before the unnoticed by scholars “Mus 1291/A” is explained as torn-out prefacing pages that had initially puffed two schemers that were involved in the conspiracy of Biron in 1602. The British Library describes Hand D in “Addition IIc” of Sir Thomas More as “Shakespeare’s only surviving literary manuscript”; this section explains Byrd’s authorship of verse fragments, such as “Addition III”, and Percy’s authorship of the overall majority of this censored play; the various handwritings and linguistic styles in the More manuscript are fully explained. “Michael Drayton’s” Idea (1603-1619) series has been explained as depicting an autobiographical life-long obsession with the unnamed-in-the-text “Anne Goodere”, despite “Drayton’s” apparent split-interest also in a woman called Matilda (1594) and in male lovers in some sprinkled male-pronoun sonnets. “Michael East’s” Second Set of Madrigals (1606) is one of a few music books that credit “Sir Christopher Hatton” as a semi-author due to their authorship at his Ely estate; the many implications of these references are explored. “Thomas Ford’s” Music of Sundry Kinds (1607) serves as a gateway to discuss a group of interrelated Jewish Court musicians, included Joseph Lupo (a potential, though impossible to test, ghostwriter behind the Byrd-group), and open cases of identity-fraud, such as Ford being paid not only his own salary but also £40 for the deceased “John Ballard”. “William Shakespeare’s” Sonnets (1609) are discussed as one of Byrd’s mathematical experiments, which blatantly do not adhering to a single “English sonnet” formula, as they include deviations such as poems with 15 lines, six couplets, and a double-rhyme-schemes. The poems that have been erroneously assigned to “Robert Devereux” are explained as propaganda to puff his activities as a courtier, when he was actually England’s top profiteer from selling over £70,000 in patronage, knighthoods and various other paper-honors. “Orlando Gibbons’” or “Sir Christopher Hatton’s” First Set of Madrigals and Motets (1612) describes the lawsuit over William Byrd taking over a Cambridge band-leading role previously held by William Gibbons, who in retaliated by beating up Byrd and breaking his instrument. This dispute contributed to Byrd and Harvey’s departure from Cambridge. Byrd’s peaceful life in academia appears to be the period that Byrd was thinking back to in 1612, as he was reflecting on his approaching death in the elegantly tragic “Gibbons’” First songs. Acronyms and Figures Introduction Handwriting Analysis: Byrd-Group “Alexander Barclay’s” Translation of Pope Pius II’s Eclogues (1530?) “John Skelton’s” Pithy, Pleasant and Profitable Works (1568) “Sir Walter Raleigh’s” Poems Between 1576 and 1604 “Edmund Spenser’s” Shepherds’ Calendar (1579) “Thomas Watson’s” Hekatompathia or Passionate Century of Love (1582) William Byrd’s Psalms, Sonnets, and Songs of Sadness and Piety (1588) “Sir Edward Dyer’s” Poems Between 1588 and 1620 “Robert Greene’s” Poems in Menaphon (1589) and Dorastus and Fawnia (1588/1696) “Philip Sidney’s” Astrophil and Stella (1591) “Thomas Lodge’s” Phillis (1593) “Giles Fletcher’s” Licia (1593) “Henry Willobie’s” Avisa (1594) “John Monday’s” Songs and Psalms (1594) “Thomas Morley’s” Ballets (1595) “John Dowland’s” First Book of Songs or Airs (1597) “Michael Cavendish’s” 14 Airs in Tablature to the Lute (1598) “William Shakespeare’s” The Passionate Pilgrim (1599) “John Bennet’s” Madrigals (1599) “John Farmer’s” First Set of English Madrigals (1599) “Thomas Weelkes’” Madrigals (1600) “Richard Carlton’s” Madrigals (1601) “Anthony Monday”, “Henry Chettle” and “William Shakespeare’s” Sir Thomas More, “Addition III” (Censored: 1592-1603) “Michael Drayton’s” Idea (1603-1619) “Michael East’s” Second Set of Madrigals (1606) “Thomas Ford’s” Music of Sundry Kinds (1607) “William Shakespeare’s” Sonnets (1609) “Robert Devereux’s” Poems (1610) “Orlando Gibbons” or “Sir Christopher Hatton’s” First Set of Madrigals and Motets (1612) Terms, References, Questions, Exercises

Download or read book Exiles and Expatriates in the History of Knowledge 1500 2000 written by Peter Burke and published by Brandeis University Press. This book was released on 2017-03-07 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this wide-ranging consideration of intellectual diasporas, historian Peter Burke questions what distinctive contribution to knowledge exiles and expatriates have made. The answer may be summed up in one word: deprovincialization. Historically, the encounter between scholars from different cultures was an education for both parties, exposing them to research opportunities and alternative ways of thinking. Deprovincialization was in part the result of mediation, as many ŽmigrŽs informed people in their "hostland" about the culture of the native land, and vice versa. The detachment of the exiles, who sometimes viewed both homeland and hostland through foreign eyes, allowed them to notice what scholars in both countries had missed. Yet at the same time, the engagement between two styles of thought, one associated with the exiles and the other with their hosts, sometimes resulted in creative hybridization, for example, between German theory and Anglo-American empiricism. This timely appraisal is brimming with anecdotes and fascinating findings about the intellectual assets that exiles and immigrants bring to their new country, even in the shadow of personal loss.

Download or read book Practicing the City written by Nina Levine and published by Fordham Univ Press. This book was released on 2016-01-04 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In late-sixteenth-century London, the commercial theaters undertook a novel experiment, fueling a fashion for plays that trafficked in the contemporary urban scene. But beyond the stage’s representing the everyday activities of the expanding metropolis, its unprecedented urban turn introduced a new dimension into theatrical experience, opening up a reflexive space within which an increasingly diverse population might begin to “practice” the city. In this, the London stage began to operate as a medium as well as a model for urban understanding. Practicing the City traces a range of local engagements, onstage and off, in which the city’s population came to practice new forms of urban sociability and belonging. With this practice, Levine suggests, city residents became more self-conscious about their place within the expanding metropolis and, in the process, began to experiment in new forms of collective association. Reading an array of materials, from Shakespeare and Middleton to plague bills and French-language manuals, Levine explores urban practices that push against the exclusions of civic tradition and look instead to the more fluid relations playing out in the disruptive encounters of urban plurality.

Download or read book The Variety written by and published by Anaphora Literary Press. This book was released on 2023-05-02 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fragmentary comedy about the corruption of the judicial and monarchical systems in charge of granting aristocratic titles based on appearance instead of merit. This comedy includes several devices that are uniquely typical of Jonson’s authorial style, including the extraordinary number of five marriages in the resolution, and the intricate descriptions of the significance of outward appearance (in dance, clothing, makeup and gossip) in distinguishing anybody in Britain as superior or inferior. At the onset of the plot, Sir William is hoping to marry the wealthy-widow, Lady Beaufield, to gain access to her fortune. In parallel, Simpleton’s wealthy-widow Mother is hoping to marry a knight so she can gain the aristocratic title of a Lady. Meanwhile, Simpleton is courting Beaufield’s daughter, Lucy, who clearly favors her other suitor, Newman. Simpleton devises several schemes to win an advantage by hiring jeerers to ridicule Newman, as well as hiring Voluble to give Newman a false prophecy to manipulate him toward whoring and drinking. By the end, Simpleton even attempts to kidnap Lucy to force her into marriage. In the background of these various courtships, the French dance teacher, Galliard, is tutoring his wealthy students in dance. And Voluble and Nice are teaching proper manners, dress and other outward signs of aristocratic breeding in their Female Academy. These seemingly silly and pretty tropes are clouding the fact that Galliard confesses he has escaped being executed for attempting to overthrow the French King in 1632, and Voluble is repeatedly accused of witchcraft. More importantly, the narrative explains the corrupt process that was involved in bribing judges and administrators into allowing a wealthy gentry landowner, like Mother, to purchase her way into the aristocracy through a vacant baronet title. Mother merely has to choose between going through the ladyfying schooling herself, or completely negating her burden by hiring an actress, such as Nice (the chambermaid), to pretend to be her in public appearances. The dialogue refers to several people who were granted aristocratic titles by this corrupt process, starting with the 1st Lord of Lorne of Scotland in 1439, and as late as the Duke of Buckingham in 1623. Many of the contextual references mention the Percys’ Northumberland estate’s Scottish neighbors, as well as other Percy-associated places and people in the Buckingham Palace and Newcastle; thus, this play is likely to have been closeted by Percy until after his death because Jonson was criticizing the Percys’ involvement in these title-purchasing schemes. Percy (as the primary ghostwriter) and Jonson (as the secondary) had written about knighthood-purchasing and James I’s trade in titles to his Scottish and Scottish-adjacent comrades in Eastward Ho! These frank confessions about corruption in the monarchy led to Jonson’s temporary imprisonment in 1605. This volume includes translations of all of Jonson’s authentic letters. These include the letter he wrote in 1605, during this Eastward imprisonment, wherein Jonson asks Percy to help free him from being implicated in seditious remarks that he claims were Percy’s portion of the composition. The annotations across Variety provide a myriad of scholarly revelations, supported with precise evidence. One of these is new proof for the misdating for several antique-like forgeries of broadsheet ballads. Introductory sections explain why this play has been mis-attributed to “William Cavendish”, and the complex biographical overlaps between the Jonson and “John Donne” bylines and handwriting styles. The historical introduction to the types of dance-instructors Variety is satirizing is assisted by the translation from French into English of fragments from Apologie de la Danse or Apology for the Dance by “Par F. de Lauze” (1623). Acronyms and Figures Exordium Plot and Staging The Letters of Ben Jonson and “John Donne” “Francois de Lauze’s” Apology for the Dance (1623) Text Terms, References, Questions, Exercises

Download or read book Transactions of the Bibliographical Society written by Bibliographical Society (Great Britain) and published by . This book was released on 1967 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Look Around You written by and published by Anaphora Literary Press. This book was released on 2023-05-02 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: The neglected actual first part of the Robin Hood series. Both in terms of its plot and date of first-publication and performance, Look Around You is the first part of a trilogy that was followed by the two famous Robin Hood plays, Downfall of Robert and Death of Robert Earl of Huntington. The latter two are tragedies that have been previously falsely attributed to “Anthony Monday”, while Look is a comedy that has remained unattributed since its anonymous release. Censors might have neglected to connect Look to the others because in it, Robin Hood (Earl of Huntington) spends most of the play cross-dressing as Lady Faukenbridge, and being wooed on a balcony by Prince Richard. Meanwhile, Skink wears a myriad of disguises to escape Old King Henry’s wrath over the Queen hiring Skink to assassinate the King’s lover, Rosamund. And Young King Henry has been given the throne by his father, Old King, after several military battles between them. One of the main passions for Young King during his reign is his attempts to see the “fantastical” Earl of Gloucester executed for speaking too freely at Court. Lady Faukenbridge, Robin Hood and their supporters scheme to free Gloucester, and then to aid his life-on-the-run, while the other side schemes to re-capture and execute Gloucester. These schemes force several of the otherwise virtuous characters to take on fraudulent disguises and to succumb to highway robbery to support themselves while on the run from the law. The comedy is enhanced with the absurd constant running in the wrong directions by Redcap, whose ridiculous stuttering is imitated by other characters who take on his red cap as a disguise. This stuttering subversively restates that the attempts to execute Gloucester for speaking the truth are barbaric; hinting that such policies can cause all subjects of a kingdom to stutter instead of directly expressing their ideas. An excerpt from “Raphael Holinshed’s” Chronicles that covers the history of Henry II is included with an explanation of how it was adapted in Look. “Editions of Look are rare and obscure — I’d never heard of the play until this volume came along. The text is… modernized, with… improved stage directions and prefixes, plus on-the-page glosses. And a section of Holinshed’s Chronicles that has… relevance… to this play.” —LibraryThing, Early Reviewers, Robert B. Waltz, Editor of Minnesota Heritage Songbook Exordium Plot and Staging Segments About Henry II from “Raphael Holinshed’s” The Chronicles of England, Scotland, and Ireland Text Terms, References, Questions, Exercises