Download or read book The Enduring Ancient Egyptian Musical System written by Mopustafa Gadalla and published by Moustafa Gadalla. This book was released on 2016-12-02 with total page 105 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing. This Expanded Version of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters. Part I: Prelude consists of one chapter: Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system as evident in its archaeological findings. Part II: The Harmony of The Spheres consists of four chapters—2 through 5: Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system. Chapter 3: Music All the Time (24 hours, 7 days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes. Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers,and the Egyptian Dorian D-scale. Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon, the three primary quantal vowels/sounds, and the triadic musical/linguistic core. Part III: The Musical Notes consists of two chapters—6 and 7: Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; and how the natural progression of the Perfect Fifth leads to the determination of the Egyptian musical measuring units. Chapter 7: The Musical Measuring Unit will cover how the Egyptian musical measuring units is the only measuring unit for all natural harmonic tones—east and west; its application to the twin-scale [authentic and plagal]; and its application to both the cyclic and divisive methods of instrument tuning. Part IV: The Egyptian Musical Composition Code consists of six chapters—8 through 13: Chapter 8: The Musical Framework Varieties will cover the overall tone system, an example of a scale based on the cyclic framework and another based on the divisive framework. Chapter 9: Modes and Musical Structural Forms will cover the musical ethos—moods and modes and the overall basic design characteristics of modes. Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; and the major parts of human's generating (vocal) sounds and its equivalent in the musical instruments. Chapter 11: The Seamless Language of/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; significance of musicality in Ancient Egyptian literature; utilization of letters as musical notes; the modulation of individual sound values; and the intimate relationships between music pulsation and the rhythmic flow of syllables stream. Chapter 12: The Musical Performance will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances; as well as the varied methods for maintaining the rhythmic timing/tempo—including the use of syllables. Chapter 13: The Egyptian Tonal Writing System will cover the preeminence of Ancient Egyptian tonal writings; as well as the primary writing components of lyrical/musical texts. Part V: The Egyptian Musical Instruments consists of four chapters—14 through 17: Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 15: Stringed Instruments will cover various Ancient Egyptian stringed instruments such as lyres, tri-gonon (zither), Harps including playing techniques: Harps—Playing Techniques; The All-Encompassing Capacities of Ancient; string instruments with neck—such as short-neck Lute; the long-neck Egyptian guitars; and Bowed Instruments [Kamanga, Rababa]. Chapter 16: Wind Instruments will cover The end blown flute; transverse flute; pan flute; single reed pipe (clarinet); double Pipe; double clarinet; double oboe; arghool; others (bagpipe and organ); and horns/trumpets. Chapter 17: Percussion Instruments will cover the membrano-phone instruments such as drums and tambourines; and the non-membrano-phone (idiophone) instruments such as percussion sticks, clappers, sistrums/sistra, cymbals, castanets, bells (chimes), xylophone and glockenspiel and human parts (hands, fingers, thighs, feet, etc.). Part VI: Maintaining The Heavenly Rhythms consists of four chapters—18 through 21: Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; the significance of alternating performance theme of balanced polarity; and the Dor-ian musical suites. Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations. Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; the applications of music in the various public activities. Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives—from cradle to grave. Part VII: Postlude consists of one chapter—22: Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times. Appendices A through E provide expansions on some topics that were discussed in the various chapters.
Download or read book The Enduring Ancient Egyptian Musical System written by Moustafa Gadalla and published by Moustafa Gadalla. This book was released on 2016-12-02 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing. This Expanded Version of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters. Part I: Prelude consists of one chapter: Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system as evident in its archaeological findings. Part II: The Harmony of The Spheres consists of four chapters—2 through 5: Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system. Chapter 3: Music All the Time (24 hours, 7 days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes. Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers,and the Egyptian Dorian D-scale. Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon, the three primary quantal vowels/sounds, and the triadic musical/linguistic core. Part III: The Musical Notes consists of two chapters—6 and 7: Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; and how the natural progression of the Perfect Fifth leads to the determination of the Egyptian musical measuring units. Chapter 7: The Musical Measuring Unit will cover how the Egyptian musical measuring units is the only measuring unit for all natural harmonic tones—east and west; its application to the twin-scale [authentic and plagal]; and its application to both the cyclic and divisive methods of instrument tuning. Part IV: The Egyptian Musical Composition Code consists of six chapters—8 through 13: Chapter 8: The Musical Framework Varieties will cover the overall tone system, an example of a scale based on the cyclic framework and another based on the divisive framework. Chapter 9: Modes and Musical Structural Forms will cover the musical ethos—moods and modes and the overall basic design characteristics of modes. Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; and the major parts of human's generating (vocal) sounds and its equivalent in the musical instruments. Chapter 11: The Seamless Language of/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; significance of musicality in Ancient Egyptian literature; utilization of letters as musical notes; the modulation of individual sound values; and the intimate relationships between music pulsation and the rhythmic flow of syllables stream. Chapter 12: The Musical Performance will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances; as well as the varied methods for maintaining the rhythmic timing/tempo—including the use of syllables. Chapter 13: The Egyptian Tonal Writing System will cover the preeminence of Ancient Egyptian tonal writings; as well as the primary writing components of lyrical/musical texts. Part V: The Egyptian Musical Instruments consists of four chapters—14 through 17: Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 15: Stringed Instruments will cover various Ancient Egyptian stringed instruments such as lyres, tri-gonon (zither), Harps including playing techniques: Harps—Playing Techniques; The All-Encompassing Capacities of Ancient; string instruments with neck—such as short-neck Lute; the long-neck Egyptian guitars; and Bowed Instruments [Kamanga, Rababa]. Chapter 16: Wind Instruments will cover The end blown flute; transverse flute; pan flute; single reed pipe (clarinet); double Pipe; double clarinet; double oboe; arghool; others (bagpipe and organ); and horns/trumpets. Chapter 17: Percussion Instruments will cover the membrano-phone instruments such as drums and tambourines; and the non-membrano-phone (idiophone) instruments such as percussion sticks, clappers, sistrums/sistra, cymbals, castanets, bells (chimes), xylophone and glockenspiel and human parts (hands, fingers, thighs, feet, etc.). Part VI: Maintaining The Heavenly Rhythms consists of four chapters—18 through 21: Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; the significance of alternating performance theme of balanced polarity; and the Dor-ian musical suites. Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations. Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; the applications of music in the various public activities. Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives—from cradle to grave. Part VII: Postlude consists of one chapter—22: Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times. Appendices A through E provide expansions on some topics that were discussed in the various chapters.
Download or read book The Musical Aspects of The Ancient Egyptian Vocalic Language written by Moustafa gadalla and published by Moustafa Gadalla. This book was released on 2016-12-02 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book will show that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The book will show the musical/tonal/tonic Egyptian alphabets—being derived from the three primary tonal sounds/vowels ; the fundamentals of generative phonology and the nature of the four sound variation of each letter and its exact equivalence in musical notes; the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs ;utilization of alphabets and the vocalic notations for both texts and musical instruments performance; and much more.
Download or read book Ancient Egyptian Roots of Christianity Expanded 2nd Edition written by Moustafa Gadalla and published by Moustafa Gadalla. This book was released on 2016-12-02 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Egyptian roots of Christianity, both historically and spiritually. This book reveals the Ancient Egyptian roots of Christianity, both historically and spiritually. This Expanded Version of the book consists of three parts to coincide with the terms of trinity. The first part demonstrates that the major biblical ancestors of the biblical Jesus are all Ancient Egyptian prominent characters. The second part demonstrates that the accounts of the “historical Jesus” are based entirely on the life and death of the Egyptian Pharaoh, Twt/Tut-Ankh-Amen. The third part demonstrates that the “Jesus of Faith” and the Christian tenets are all Egyptian in origin—such as the essence of the teachings/message, the creation of the universe and man (according to the Book of Genesis), as well as the religious holidays. The very thing that is now called the Christian religion was already in existence in Ancient Egypt, long before the adoption of the New Testament. The British Egyptologist, Sir E. A. Wallis Budge, wrote in his book, The Gods of the Egyptians [1969], The new religion (Christianity) which was preached there by St. Mark and his immediate followers, in all essentials so closely resembled that which was the outcome of the worship of Osiris, Isis, and Horus. The similarities, noted by Budge and everyone who has compared the Egyptian Osiris/Isis/ Horus allegory to the Gospel story, are striking. Both accounts are practically the same, e.g. the supernatural conception, the divine birth, the struggles against the enemy in the wilderness, and the resurrection from the dead to eternal life. The main difference between the “two versions”, is that the Gospel tale is considered historical and the Osiris/Isis/Horus cycle is an allegory. The spiritual message of the Ancient Egyptian Osiris/Isis/Horus allegory and the Christian revelation is exactly the same. The British scholar A.N. Wilson pointed out in his book, Jesus: The Jesus of History and the Christ of Faith are two separate beings, with very different stories. It is difficult enough to reconstruct the first, and in the attempt we are likely to do irreparable harm to the second. This book will demonstrate that the “Jesus of History”, the ”Jesus of Faith”, and the tenets of Christianity are all Ancient Egyptian. This will be done without causing any “irreparable harm” as per A.N. Wilson’s concern, for two main reasons: Firstly, the truth must be told. Secondly, explaining Christian tenets via their original Ancient Egyptian contexts will enhance the idealism of Christianity. This Expanded Version of the book consists of three parts to coincide with the terms of trinity—the Three that are Two that are One. The first part demonstrates that the major biblical ancestors of the biblical Jesus are all Ancient Egyptian prominent individuals. The second part demonstrates that the accounts of the “historical Jesus” are based entirely on the life and death of the Egyptian Pharaoh, Twt/Tut- Ankh-Amen. The third part demonstrates that the “Jesus of Faith” and the Christian tenets are all Egyptian in origin—such as the essence of the teachings/message, the creation of the universe and man (according to the Book of Genesis), as well as the religious holidays. There is an undeniable irony and a profound, deep, undeniable truth in Hosea’s prophetic saying, Out of Egypt have I called my Son. A deep irony indeed. Let us open our minds and review the available evidence. For the truth is a composite of different and complementary pieces of a puzzle. Let us put the pieces in the right location, time and order.
Download or read book The Untainted Egyptian Origin written by Moustafa Gadalla and published by Moustafa Gadalla. This book was released on 2016-11-02 with total page 75 pages. Available in PDF, EPUB and Kindle. Book excerpt: A short concise overview of some aspects of the Ancient Egyptian civilization that can serve us well nowadays in our daily life no matter where we are in this world. This book is intended to provide a short concise overview of some aspects of the Ancient Egyptian civilization that can serve us well nowadays in our daily life no matter where we are in this world. The book covers matters such as self empowerment, improvements to present political, social, economical and environmental issues, recognition and implementations of harmonic principles in our works and actions, etc. Topics presented cover: - Our place in the universe and its operational system. - Understanding oneself and how to sort out each's internal energies to live happy and healthy. - Problems and old [Egyptian] remedies of political, social and economical conditions. - How to achieve peaceful coexistence between peoples, land and natural resources; which also deal with having a clean environment. - Understanding and implementing harmonic principles into building construction. - Appreciation of art, its functions and applications in harmonic fashion. - The timeless nature of the Ancient Egyptian civilization.
Download or read book The Ancient Egyptian Culture Revealed 2nd edition written by Moustafa Gadalla and published by Moustafa Gadalla. This book was released on 2016-12-02 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals several aspects of the Ancient Egyptian culture, such as the very remote antiquities of Egypt; the Egyptian characteristics and religious beliefs and practices; their social/political system; their cosmic temples; the richness of their language; musical heritage and comprehensive sciences; their advanced medicine; their vibrant economy; excellent agricultural and manufactured products; their transportation system; and much more. This Expanded Edition of the book consists of four Parts with a total of 16 Chapters, as well as three Appendices. Part I : The Peoples of Egypt consists of four chapters 1 through 4, as follows: Chapter 1: The Beginning covers the age of the Egyptian antiquities being at least 39000 years, in accordance with archaeological, historical and physical evidence; the Age of Leo and the Sphinx; as well as the age of the Egyptian Sothic calendar which is by far the most accurate calendar ever. Chapter 2: The Egyptian Populous covers the roots and characteristics of the [Ancient]Egyptian people, their housings, their settlements throughout the world; and the roles of foreigners in the history of Ancient Egypt. Chapter 3: The Most Religious covers Egyptian cosmology; monotheism and polytheism; animal symbolism ,creation of the universe, the concept of Maat; and the spread of the Ancient Egyptian religion throughout the world under new "names". Chapter 4: The Social/Political Order covers the basis and applications of the matrilineal/matriarchal principles; the matrilocal communities; the Egyptian grassroots republic system; the dual overseeing/administration governing system; and the documentation order of all matters in the Egyptian society Part II : The Cosmic Correlations consists of three chapters 5 through 7, as follows: Chapter 5: As Above, So Below covers the principles and applications of cosmic consciousness in the life of the Egyptians; and the cyclical renewal festivals as a form of such principles Chapter 6: The Pharaoh, The Cosmic Link covers the true rule of the Egyptian pharaoh as a Master Servant; how did the people rule; and much more. Chapter 7: Egyptian Temples provides a quick overview of the real function/objective of the Egyptian temple; the harmonic design parameters; and much more. Part III : The Learned Egyptian consists of five chapters 8 through 12, as follows: Chapter 8: The Divine Language provides a quick overview of the modes of writing in Ancient Egypt -- the alphabetical form of writing and the imagery pictorial metaphysical symbols/script ; as well as the cultured aspects of the Egyptian alphabetical language Chapter 9: The Egyptian Musical Heritage provides a quick overview of its musical heritage; the musical orchestras; the wide range of musical instruments; as well as dancing and ballet in Ancient Egypt. Chapter 10; Health and Medicine provides a quick overview about the international highest regards for Egyptian medicine; its medical profession; contents of the some Egyptian medical papyri regarding diagnosis, cures and treatments of various ailments, surgeries; and the wide range of prescriptions Chapter 11: Astronomy covers the astonishing accurate astronomical knowledge and practices such as astronomical observations and recordings, the zodiac cycle,etc Chapter 12: Geometry and Mathematics covers a quick overview of the subjects of sacred geometry and natural science, geodesy, mathematics & numerology; as well as their knowledge and applications of the sacred “ratios” of Pi and Phi. Part IV : The Vibrant Economy consists of four chapters 13 through 16, as follows: Chapter 13: The Cultivating Culture covers the outstanding application of dry-weather farming techniques; societal division of labor; and the farming community Chapter 14; The Manufacturing Industries covers The Egyptian knowledge of metallurgy & metalworking; their golden silver (electrum) products; their copper and bronze products; their glazing (glass and glazing) products; their iron products; their mining activities; miscellaneous products such as woodwork; fabrics; pottery; leather; paper; as well as some miscellaneous technological applications Chapter 15: Transportation Infrastructure covers a quick overview of the various high quality types of the Egyptian ships; major Egyptian coastal harbors; land transportation; as well as patrons and shrines of travel Chapter 16: The Market Economy covers the workings of the Egyptian market economy; business transactions; Egyptian exports (goods and services); Egyptian imports; as well as the rise and fall of international commerce, that was tied to Ancient Egypt as the economical engine of the ancient world. The contents of the three appendices are evident from their titles; being: Appendix A: Photographs -- The Rising Valley Appendix B: Photographs -- The Age of Leo and The Sphinx Appendix C: Photographs -- Astronomy
Download or read book The Ancient Egyptian Metaphysical Architecture written by Moustafa Gadalla and published by Moustafa Gadalla. This book was released on 2016-11-02 with total page 119 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals the Ancient Egyptian knowledge of harmonic proportion, sacred geometry, and number mysticism, as manifested in their texts, temples, tombs, art, hieroglyphs, ...etc., throughout their known history. It shows how the Egyptians designed their buildings to generate cosmic energy, and the mystical application of numbers in Egyptian works. The book explains in detail the harmonic proportion of about 20 Ancient Egyptian buildings throughout their recorded history. Everything that the Ancient Egyptians built/molded/sculptured was for the purpose of generating energies and/or to embody energies. And just like our electrical system that needs activation by turning a switch on, all Egyptian works also require/required activation by the right actions [sounds, gestures, etc.]. And while these 'stone' marvels appears static because they appears stationary, they are no different than [stationary] energy generating units—like our solar panels that absorb solar energy from the sun and convert it to energy supply for our earthly human needs. This book reveals the Ancient Egyptian knowledge of harmonic proportion, sacred geometry, and number mysticism, as manifested in their texts, temples, tombs, art, ...etc., throughout their known history. It shows how the Egyptians designed their buildings to generate cosmic energy, and the mystical application of numbers in Egyptian works. The book explains in detail the harmonic proportion of about 20 Ancient Egyptian buildings throughout their recorded history. It is the aim of this book to provide such an exposition, one which, while based on sound scholarship, will present the issues in language comprehensible to non specialist readers. Technical terms have been kept to a minimum. These are explained, as non technically as possible, in the glossary. This Expanded Edition of the book is divided into three parts containing a total of 13 chapters, as well as 10 appendices being A through I. Part I: Architectural Concepts—Function and From consists of five chapters—1 through 5: Chapter 1: The Architectural Canon will cover the deep rooted Egyptian beliefs of 'As above So below' and its application to Egyptian art and architecture, the existence and adherence to a divine building code, as well as utilizing design and construction plans prior to [as well as] during the construction stages, which extended over several centuries for large projects. Chapter 2: The Metaphysical Structure of The Universe will cover the realms of creation and its correspondence in Man, as the image of all creation. Chapter 3: Visitation Sites of The Lower Heavenly Court will cover the interactions between earthly livings and the lower realms of the metaphysical cosmic structure, the significance of landscape architecture in such interactions, and the major types of visitation buildings—both burial and non burial sites—to facilitate such interactions. Chapter 4: The Sealed Pharaohs' Tombs will cover the concept and role of the pharaohs which require their tombs to be sealed and inaccessible for further communications after their earthly existence, as well as samples of some pharaoniac tombs. Chapter 5: Egyptian Temples of The Divine Forces will cover the main function of Egyptian temples, being divine generation, the overall conceptual temple layout, the metaphysical funnel conduit design, the generative significance of jointing patterns, outer walls physical/metaphysical protection, and the organic foundation roots of the Egyptian temple. Part II: The Physical Manifestation of Metaphysical Concepts consists of five chapters—6 through 11: Chapter 6: Architectural Constituent Forms of Metaphysical Functions will cover the various architectural forms as manifestation of their corresponding functions [both physically and metaphysically] for "false doors", recessed wall panels, columns and pillars, capitals of columns, porticoes, peristyles, colonnade formations at four different locations, obelisks, statuary images of various roof forms (flat, gable, corbelled, arch & vaulted), stylistic architectural details (architrave, cornice, and torus) and stylistic ornamentation and decoration such as starry ceilings, floral, geometric, figurative, a combination of two or all three, guilloche (misnamed as the Tuscan border), chevron, and scroll pattern. Chapter 7: The Primary Geometrical Shapes/Forms will cover the principles and application of sacred geometry of Divine Architecture, the Egyptian sacred cord [tool], general layout of sample geometric shapes, the sacred circle as the archetype of Creation, squaring the circle, the primary triangles, and the combined square-triangles 3-D pyramids. Chapter 8: The Generative Square Root Rectangles—"Irrational numbers" will cover the generative root rectangles as the hypotenuse of right angle triangles, beginning with a square, and generating square roots of 2, 3 and 5; formation of cosmic solids; generation of the Golden Proportion from the root five rectangle; the construction of whirling square spirals; and example application of this form of dynamic design to four locations in Ancient Egyptian monuments. Chapter 9: The Arithmetic Generative Progression will cover the role of numbers as generators of orderly growth and progression, the Summation Series and the Golden Proportion, and the Cosmic Proportion of the Human Figure. Chapter 10: Combined—Arithmetic and Graphic Harmonic Design of Egyptian Buildings will cover combining both the arithmetic and graphic elements into a harmonic design of the parts and the whole of an Egyptian temple, that includes: active axes, significant points, the telescopic triangles, and the rectangular perimeters in both the horizontal and vertical planes. Chapter 11: Harmonic Analysis of Ancient Egyptian Works will cover several examples in Ancient Egypt from all eras and throughout Egypt that show the Egyptian applications of the design elements discussed in this book. Examples include temples, tombs, pyramids, shrines, capitals of columns, stelae, pylons and doorways. Part III: The Spirited Communications has two chapters—12 and 13: Chapter 12: The Animated Metaphysical Images on Walls will cover the metaphysical significance of walls' decoration as well as explanations of various depictions. Chapter 13: Human Activities will cover the roles of humans in activating, maintaining, participating in various rituals and festivities as well as deactivating the powers of the temple when temples and the whole Egypt is under siege. Appendices has ten appendices—A through J: Appendix A: General Plans of Sample Egyptian Temples covers layout plans of several Egyptian temples with a short description of each. Appendix B: Practical Mathematics in Ancient Egypt covers reference to the four most recognized Ancient Egyptian "mathematical" Papyri and the practical mathematical contents within such papyri. Appendix C: Fraction Mysticism covers the reasons that in Egypt, a fraction—any fraction—could only be a fraction of unity and Egyptian tables to deal with "complex' fractions which will be similar to modern Logarithmic Tables. Appendix D: Intentional "Irregularities" In Egyptian Works covers the religious reasons for what seems to be "irregularities" in the highly executed Egyptian works. Appendix E: Monument Appropriations Reconsidered covers clarification of what appears to be monument appropriation by one pharaoh of another. Appendix F: Sample Egyptian Sculpture Works covers a very short list of recognizable Egyptian sculptures. Appendix G: Concrete Blocks Various Types covers the advanced Egyptian knowledge of concrete mixes and application examples of such knowledge throughout Ancient Egypt. Appendix H: The Masonic Egyptian Roots covers the Egyptian roots of the widespread secret fraternal society called ‘Free and Accepted Masons’ (popularly known as Freemasonry). Appendix I: Egyptian Influence on Modern Architecture covers several examples worldwide of such influence. Appendix J: Types and Forms of Mortals' buildings will cover types and forms of residential, private, communal and public buildings as associated with its earthly existence' function, as well as highlighting that mortals of all classes—including pharaohs and priestly staff—resided in mud-brick houses.
Download or read book Egyptian Musical Instruments written by Moustafa Gadalla and published by Moustafa Gadalla. This book was released on 2017-03-16 with total page 119 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the major Ancient Egyptian musical instruments, their ranges, and playing techniques.
Download or read book The Study of Musical Performance in Antiquity written by Agnès Garcia Ventura and published by Cambridge Scholars Publishing. This book was released on 2018-11-07 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of eleven essays provides the reader with some valuable insights into the richness of sources dealing with music and musical performance scattered over 3000 years and covering a wide range of geographies, from Syria to Iberia, through Greece and Rome. The volume, then, offers a series of examinations of literary data and materials from different areas of the Classical World and the Near East in ancient times and in late Antiquity, examined both synchronically and diachronically, in some cases in dialogue with one another. This broad treatment makes this collection of interest to historians, archaeologists, philologists and musicians, providing them with a multi-faceted volume which guides them towards a fuller understanding of ancient societies and which heightens the awareness of the importance of music as a transversal phenomenon.
Download or read book Mathematics in Ancient Egypt written by Annette Imhausen and published by Princeton University Press. This book was released on 2020-10-13 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A survey of ancient Egyptian mathematics across three thousand years Mathematics in Ancient Egypt traces the development of Egyptian mathematics, from the end of the fourth millennium BC—and the earliest hints of writing and number notation—to the end of the pharaonic period in Greco-Roman times. Drawing from mathematical texts, architectural drawings, administrative documents, and other sources, Annette Imhausen surveys three thousand years of Egyptian history to present an integrated picture of theoretical mathematics in relation to the daily practices of Egyptian life and social structures. Imhausen shows that from the earliest beginnings, pharaonic civilization used numerical techniques to efficiently control and use their material resources and labor. Even during the Old Kingdom, a variety of metrological systems had already been devised. By the Middle Kingdom, procedures had been established to teach mathematical techniques to scribes in order to make them proficient administrators for their king. Imhausen looks at counterparts to the notation of zero, suggests an explanation for the evolution of unit fractions, and analyzes concepts of arithmetic techniques. She draws connections and comparisons to Mesopotamian mathematics, examines which individuals in Egyptian society held mathematical knowledge, and considers which scribes were trained in mathematical ideas and why. Of interest to historians of mathematics, mathematicians, Egyptologists, and all those curious about Egyptian culture, Mathematics in Ancient Egypt sheds new light on a civilization's unique mathematical evolution.
Download or read book Offering to Isis written by M. Isidora Forrest and published by . This book was released on 2005 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Humankind has made offerings to spirits and deities for centuries. This hallowed tradition helped ancient Egyptians develop a close and enduring relationship with one of their most beloved goddesses: Isis. M. Isidora Forrest, an ordained priestess of the Fellowship of Isis, guides magical practitioners down a modern, devotional path to this popular Egyptian goddess. She discusses the theory and practice of ancient offering rites and shows how they can be applied today for spiritual growth and sacred magic. Readers can choose from over seventy scripted offerings to Isis-from "Acacia" to "Words of Power." Also included are the sacred hieroglyphs associated with Isis and how these powerful, magical symbols can aid in forging a strong connection with the goddess.
Download or read book Architecture and Mathematics in Ancient Egypt written by Corinna Rossi and published by Cambridge University Press. This book was released on 2004-04-15 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this fascinating study, architect and Egyptologist Corinna Rossi analyses the relationship between mathematics and architecture in ancient Egypt by exploring the use of numbers and geometrical figures in ancient architectural projects and buildings. While previous architectural studies have searched for abstract 'universal rules' to explain the history of Egyptian architecture, Rossi attempts to reconcile the different approaches of archaeologists, architects and historians of mathematics into a single coherent picture. Using a study of a specific group of monuments, the pyramids, and placing them in the context of their cultural and historical background, Rossi argues that theory and practice of construction must be considered as a continuum, not as two separated fields, in order to allow the original planning process of a building to re-emerge. Highly illustrated with plans, diagrams and figures, this book is essential reading for all scholars of Ancient Egypt and the architecture of ancient cultures.
Download or read book Egyptomania written by Ronald H. Fritze and published by Reaktion Books. This book was released on 2021-02-04 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Egyptomania takes us on a historical journey to unearth the Egypt of the imagination, a land of strange gods, mysterious magic, secret knowledge, monumental pyramids, enigmatic sphinxes, and immense wealth. Egypt has always exerted a powerful attraction on the Western mind, and an array of figures have been drawn to the idea of Egypt. Even the practical-minded Napoleon dreamed of Egyptian glory and helped open the antique land to explorers. Ronald H. Fritze goes beyond art and architecture to reveal Egyptomania’s impact on religion, philosophy, historical study, literature, travel, science, and popular culture. All those who remain captivated by the ongoing phenomenon of Egyptomania will revel in the mysteries uncovered in this book.
Download or read book The Musical Aspects of The Ancient Egyptian Vocalic Language written by Moustafa Gadalla and published by Moustafa Gadalla. This book was released on 2016-12-02 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shows that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. This book will show that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The book will show the musical/tonal/tonic Egyptian alphabets—being derived from the three primary tonal sounds/vowels ; the fundamentals of generative phonology and the nature of the four sound variation of each letter and its exact equivalence in musical notes; the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs ;utilization of alphabets and the vocalic notations for both texts and musical instruments performance; and much more. This book is divided into 10 chapters. Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to hide the alphabetical form of writing in Ancient Egypt—as being the SOURCE of all languages throughout the world. Chapter 2: The Seamless Language and/of Music covers the unity of musical tones and Egyptian alphabet as well as the intimacy between language/speech/vocals and music in the Egyptian system. Chapter 3: The Human Vocal Instrument covers the details of the human vocal generating system and its equivalence in musical instruments. Chapter 4: The Three Primary Tonal Sounds covers the three primary rhythmic tones and their equivalence in the Egyptian three quantal vowels/sounds. Chapter 5: The Musical/Tonal/Tonic Alphabet covers the letters of the Egyptian alphabet being derived from the three primary tonal sounds/vowels as well as the utilization of alphabet for musical instruments tonal notations. Chapter 6: Duality of Letters/Musical Tones shows the dual nature of alphabetical letters and musical tones. Chapter 7: The "Atom" of Musical/Vocal Sounds covers the fundamentals of generative phonology and the nature of the four sound variation of each letter; and its exact equivalence in musical notes. Chapter 8: The Musical Rhythmic Sound Segmentation covers the orderly sound segmentation in musical flow and its equivalence in syllables stream—in all variations of length, duration, stress, junctures, boundaries, etc. Chapter 9: Harmonic/Rhythmic Word Formation/Morphology [Musical Triad] covers the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs. Chapter 10: Tonal/Musical Sentences & Their Types/Various Forms [Themes and their variations] covers the exact similarity between musical structural forms and sentence structures in grammar, syntax, semantics, functions and forms, etc.
Download or read book Ancient Egyptian Art and Architecture A Very Short Introduction written by Christina Riggs and published by OUP Oxford. This book was released on 2014-10-23 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Berlin to Boston, and St Petersburg to Sydney, ancient Egyptian art fills the galleries of some of the world's greatest museums, while the architecture of Egyptian temples and pyramids has attracted tourists to Egypt for centuries. But what did Egyptian art and architecture mean to the people who first made and used it - and why has it had such an enduring appeal? In this Very Short Introduction, Christina Riggs explores the visual arts produced in Egypt over a span of some 4,000 years. The stories behind these objects and buildings have much to tell us about how people in ancient Egypt lived their lives in relation to each other, the natural environment, and the world of the gods. Demonstrating how ancient Egypt has fascinated Western audiences over the centuries with its impressive pyramids, eerie mummies, and distinctive visual style, Riggs considers the relationship between ancient Egypt and the modern world. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Download or read book The Origin of Consciousness in the Breakdown of the Bicameral Mind written by Julian Jaynes and published by Houghton Mifflin Harcourt. This book was released on 2000-08-15 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
Download or read book Music and Politics written by John Street and published by John Wiley & Sons. This book was released on 2013-04-17 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.
