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Book The Commedia Dell arte in Naples  English ed

Download or read book The Commedia Dell arte in Naples English ed written by Francesco Cotticelli and published by . This book was released on 2001 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt: Commedia dell'arte, an improvised performance art that flourished in the 16th and 17th centuries, vanished leaving very few traces. What remain, besides some intriguing descriptions, are about a dozen manuscript collections of plot outlines, or scenarios, often written in dialect, which the Italian professional actors must have used to guide them through each drama, from scene to scene and act to act. Only a few such collections have ever been published in Italian, and far fewer in English translation. The present volume remedies this situation by providing bilingual access to the largest known collection of scenarios: the Casamarciano manuscripts of Naples. There are 176 decipherable scenarios in the source's two volumes. They record some important early examples of plays or operas that would later become famous, like the legend of the stone guest (cf. Molière's Don Juan ou, Le Festin de Pierre, or Mozart's Don Giovanni), preserved in this manuscript under the title "Comvitato de Pietra." They also give us a rare glimpse into living cultural traditions that were at the root of modern theater. Stock characters like clueless Pulcinella and cunning Coviello, jealous lovers and lecherous fathers, swaggering soldiers, mystified strangers, and clever chambermaids--all conspire to bring to life an art form too long hidden in indecipherable Italian manuscripts. This book received a 2001 Weiss/ Brown Publication Subvention Award from the Newberry Library. The award supports the publication of outstanding works of scholarship that cover European civilization before 1700 in the areas of music, theater, French or Italian literature, or cultural studies. It is made to commemorate the career of Howard Mayer Brown.

Book Performance and Literature in the Commedia Dell Arte

Download or read book Performance and Literature in the Commedia Dell Arte written by Robert Henke and published by Cambridge University Press. This book was released on 2002-12-12 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the commedia dell'arte: the Italian professional theatre in Shakespeare's time. The actors of this theatre usually did not perform from scripted drama but instead improvised their performances from a shared plot and thorough knowledge of individual character roles. Robert Henke closely analyzes hitherto unexamined commedia dell'arte texts in order to demonstrate how the spoken word and written literature were fruitfully combined in performance. Henke examines a number of primary sources including performance accounts, actors' contracts, and letters, among other documents.

Book The Commedia Dell arte in Naples  English ed

Download or read book The Commedia Dell arte in Naples English ed written by Francesco Cotticelli and published by . This book was released on 2001 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Commedia Dell arte in Naples  Edizione italiana

Download or read book The Commedia Dell arte in Naples Edizione italiana written by Francesco Cotticelli and published by . This book was released on 2001 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Commedia dell  Arte and the Mediterranean

Download or read book Commedia dell Arte and the Mediterranean written by Professor Erith Jaffe-Berg and published by Ashgate Publishing, Ltd.. This book was released on 2015-09-28 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on published collections and manuscripts from Mantuan archives, this study locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. It provides a broad perspective on commedia dell’ arte as an expression of cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form reflected on power and cultural exchange.

Book The Commedia dell   Arte

Download or read book The Commedia dell Arte written by Domenico Pietropaolo and published by Bloomsbury Publishing. This book was released on 2022-07-14 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: What were the origins of commedia dell'arte and how did it evolve as a dramatic form over time and as it spread from Italy? How did its relationship to the ruling ideology of the day change during the Enlightenment? What is its legacy today? These are just some of the questions addressed in this authoritative overview of the dramatic, ideological and aesthetic form of commedia dell'arte. The book's 3 sections examine the changing role of performers and playwrights, improvisatory scenarios and scripted performance, and its function as a vehicle for social criticism, to offer readers a clear understanding of commedia dell'arte's evolution in Renaissance Italy and beyond. This study throws new light on the role of women performers; on the changing ideological discourse of commedia dell'arte, which included social reform and, later, conservatism as well as the alienation of ethnic minorities in complicity with its audience; and on its later adaptation into hybrid forms including grotesque dance and the giullarata typified by the work of Dario Fo.

Book Commedia dell  Arte and the Mediterranean

Download or read book Commedia dell Arte and the Mediterranean written by Erith Jaffe-Berg and published by Routledge. This book was released on 2016-03-09 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on published collections and also manuscripts from Mantuan archives, Commedia dell' arte and the Mediterranean locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. The study provides a broad perspective on commedia dell’ arte as an expression of the various cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form offers a platform for reflection on power and cultural exchange. While highlighting the prevalence of Mediterranean crossings in the scenarios of commedia dell' arte, this book examines the way in which actors embodied characters from across the wider Mediterranean region. The presence of Mediterranean minority groups such as Arabs, Armenians, Jews and Turks within commedia dell' arte is marked on stage and 'backstage' where they were collaborators in the creative process. In addition, gendered performances by the first female actors participated in 'staging' the Mediterranean by using the female body as a canvas for cartographical imaginings. By focusing attention on the various communities involved in the making of theatre, a central preoccupation of the book is to question the dynamics of 'exchange' as it materialized within a spectrum inclusive of both cultural collaboration but also of taxation and coercion.

Book Seventeenth Century Opera and the Sound of the Commedia dell   Arte

Download or read book Seventeenth Century Opera and the Sound of the Commedia dell Arte written by Emily Wilbourne and published by University of Chicago Press. This book was released on 2016-11-21 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell’arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.

Book The Commedia dell Arte of Flaminio Scala

Download or read book The Commedia dell Arte of Flaminio Scala written by Richard Andrews and published by Scarecrow Press. This book was released on 2008-10-17 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Commedia dell'Arte of Flaminio Scala presents a translation and commentary of selected scenarios composed or collected by the actor-manager Flaminio Scala that were first published in 1611. Thirty of Scala's 50 scenarios are included, complete with a detailed scene-by-scene analysis that demonstrates the methodology of Italian improvised theatre in the early modern period for the purposes of study as well as re-creation. Taking into consideration previous translations of the work, Richard Andrews's English translation and lengthy analytic commentary of the scenarios provide an overview of the commedia dell'arte style, describing how actors fleshed out scenes by inserting existing material from their repertoire into a plot framework and demonstrating a constant interchange of plot, characterization, and scene structure that moved between scripted and improvised comedy. Andrews points out similarities between the scenarios, borrowings from earlier Italian scripted comedies, analogies with other early modern drama including Shakespeare, and the re-use of these components by later dramatists such as Molière and Goldoni. An extensive introduction sets the parameters for the commentaries, giving a description of commedia dell'arte as a phenomenon, explaining the categories of masked characters, and describing the nature and structure of the genre. A comprehensive index is organized for quick reference and lists which characters and masks appear in which scenarios, as well as frequent scenic components that recur, such as types of speeches, relationships, and emotional situations.

Book The Routledge Companion to Commedia dell Arte

Download or read book The Routledge Companion to Commedia dell Arte written by Judith Chaffee and published by Routledge. This book was released on 2014-11-20 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr Punch. The Routledge Companion to Commedia dell’Arte is a wide-ranging volume written by over 50 experts, that traces the history, characteristics, and development of this fascinating yet elusive theatre form. In synthesizing the elements of Commedia, this book introduces the history of the Sartori mask studio; presents a comparison between Gozzi and Goldoni’s complicated and adversarial approaches to theatre; invites discussions on Commedia’s relevance to Shakespeare, and illuminates re-interpretations of Commedia in modern times. The authors are drawn from actors, mask-makers, pedagogues, directors, trainers and academics, all of whom add unique insights into this most delightful of theatre styles. Notable contributions include: • Donato Sartori on the 20th century Sartori mask • Rob Henke on form and freedom • Anna Cottis on Carlo Boso • Didi Hopkins on One Man, Two Guv’nors • Kenneth Richards on acting companies • Antonio Fava on Pulcinella • Joan Schirle on Carlo Mazzone-Clementi and women in Commedia • and M.A. Katritzky on images Olly Crick is a performer, trainer and director, having trained in Commedia under Barry Grantham and Carlo Boso. He is founder of The Fabulous Old Spot Theatre Company. Judith Chaffee is Associate Professor of Theatre at Boston University, and Head of Movement Training for Actors. She trained in Commedia with Antonio Fava, Julie Goell, Stanley Allen Sherman, and Carlos Garcia Estevez.

Book Commedia dell Arte Scenarios

Download or read book Commedia dell Arte Scenarios written by Sergio Costola and published by Routledge. This book was released on 2021-11-11 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Commedia dell'Arte Scenarios gathers together a collection of scenarios from some of the most important Commedia dell'Arte manuscripts, many of which have never been published in English before. Each script is accompanied by an editorial commentary that sets out its historical context and the backstory of its composition and dramaturgical strategies, as well as scene summaries, and character and properties lists. These supplementary materials not only create a comprehensive picture of each script’s performance methods but also offer a blueprint for readers looking to perform the scenarios as part of their own study or professional practice. This collection offers scholars, performers and students a wealth of original performance texts that brig to life one of the most foundational performance genres in world theatre.

Book Befriending the Commedia dell Arte of Flaminio Scala

Download or read book Befriending the Commedia dell Arte of Flaminio Scala written by Natalie Crohn Schmitt and published by University of Toronto Press. This book was released on 2014-01-01 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Schmitt demonstrates that the commedia dell'arte relied as much on craftsmanship as on improvisation and that Scala's scenarios are a treasure trove of social commentary on early modern daily life in Italy.

Book The Miracle at Naples

    Book Details:
  • Author : David Grimm
  • Publisher : Dramatists Play Service Inc
  • Release : 2010
  • ISBN : 9780822224594
  • Pages : 76 pages

Download or read book The Miracle at Naples written by David Grimm and published by Dramatists Play Service Inc. This book was released on 2010 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE STORY: A motley band of traveling commedia players in Renaissance Italy arrives in Naples just in time for the Feast of San Gennaro. The passions of the actors and the locals are ignited when lustful lovers romp through the town piazza seeking

Book A Treatise on Acting  from Memory and by Improvisation  1699

Download or read book A Treatise on Acting from Memory and by Improvisation 1699 written by Andrea Perrucci and published by Scarecrow Press. This book was released on 2008 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1699 Italian acting treatise includes chapters on all kinds of staged productions, scripted or improvised, sacred or secular, tragic or comic. It also addresses enunciation, diction, memorization, gestures, and stage comportment, and it describes the details important to a successful commedia dell'arte performance.

Book Opera  Theatrical Culture and Society in Late Eighteenth Century Naples

Download or read book Opera Theatrical Culture and Society in Late Eighteenth Century Naples written by Anthony R. DelDonna and published by Routledge. This book was released on 2016-05-13 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.

Book The Art of Commedia

    Book Details:
  • Author : M. A. Katritzky
  • Publisher : Rodopi
  • Release : 2006
  • ISBN : 9042017988
  • Pages : 626 pages

Download or read book The Art of Commedia written by M. A. Katritzky and published by Rodopi. This book was released on 2006 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia-related aspects of visual, dramatic and festival culture, in and beyond Italy.

Book Pagodas in Play

    Book Details:
  • Author : Adrienne Ward
  • Publisher : Bucknell University Press
  • Release : 2010
  • ISBN : 0838756964
  • Pages : 233 pages

Download or read book Pagodas in Play written by Adrienne Ward and published by Bucknell University Press. This book was released on 2010 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pagodas in Play analyzes the treatment of China in the imaginative and spectacular world of eighteenth-century Italian opera. It shows how Italians used perceptions of Chinese culture to address local and transnational developments, particularly Enlightenment and secular reform initiatives. Its focus on the texts and performance practices of opera, an entertainment form accessible to a wide public, reveals cultural operations and identities harder to detect in non-fictional reformist writings, the texts traditionally privileged to explain Italian mediations of Enlightenment ideas. In its close reading of nine libretti of the most salient Settecento operas treating China (opere serie and opere buffe by authors including Metastasio, Zeno, Goldoni and Lorenzi), Pagodas in Play differentiates Italian iterations of Chinese culture from French and English counterparts. It further challenges certain tenets of orientalism, showing how it operates when nationalist and/or colonialist projects are absent, and how orientalist practices in eighteenth-century Italy exhibit early on the complexity some scholars locate only in the twentieth century. Adrienne Ward teaches Italian literature and culture at the University of Virginia.