Download or read book The Book of the Opera and the Ballet and History of the Opera written by Frederick Herman Martens and published by . This book was released on 1925 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ballet and Opera in the Age of Giselle written by Marian Smith and published by Princeton University Press. This book was released on 2010-08-29 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ?
Download or read book The Book of the Opera and the Ballet and the History of the Opera written by Frederick H. Martens and published by . This book was released on 1925-06-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Paris Op ra Ballet written by Ivor Guest and published by Dance Books Limited. This book was released on 2006 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cradle of ballet, tracing the origin of ballet as a theatre art back to its foundation by Louis XIV in 1669.
Download or read book A Short History of Opera written by Donald Jay Grout and published by Columbia University Press. This book was released on 2003 with total page 1049 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Download or read book Dance and Drama in French Baroque Opera written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2016-10-27 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
Download or read book Charles Garnier s Paris Op ra written by Christopher Curtis Mead and published by MIT Press (MA). This book was released on 1991 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: By making systematic use of the mostly unpublished Opera Archive, Mead fills in the missing links to previous investigations and unlocks the significance of this seminal masterpiece.
Download or read book History of the Opera from Monteverdi to Donizetti written by Henry Sutherland Edwards and published by . This book was released on 1862 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sing Me a Story written by Jane Rosenberg and published by Thames & Hudson. This book was released on 1996-01 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated retelling of the plots of fifteen well-known operas.
Download or read book A History of Opera written by Burton D. Fisher and published by Opera Journeys Publishing. This book was released on 2005 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive history of opera that traces each milestone in opera history from the 16th century Camerata through the next 400 years, and featurrd in depth analysis of all important genres: the Baroque, Classical, and Romantic eras, Bel Canto, Opera Buffa, German Romanticism, Wagner and music drama, Verismo, Impressionism, Expressionism, Serialism, and much more.
Download or read book The Oxford Illustrated History of Opera written by Roger Parker and published by Oxford University Press, USA. This book was released on 2001 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: A historical survey of opera, from its beginnings in Florence 400 years ago, up to opera in the 1990s.
Download or read book The History Of Dance Ballet written by Lilly Grove and published by Read Books Ltd. This book was released on 2016-10-14 with total page 35 pages. Available in PDF, EPUB and Kindle. Book excerpt: This vintage book is a fascinating treatise on ballet. It delves into the colourful history of ballet in ancient societies and explores its development throughout the ages from the dances of the Egyptians to modern opera. “The History Of Dance - Ballet” is highly recommended for those with an interest in the evolution of the dance and would make for a worthy addition to collections of allied literature. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction on dance.
Download or read book Ballet and Opera in the Age of Giselle written by Marian Elizabeth Smith and published by Princeton University Press. This book was released on 2000 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ?
Download or read book Gluck and the Opera written by Ernest Newman and published by London : B. Dobell. This book was released on 1895 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Book of Operas written by Henry Edward Krehbiel and published by Forgotten Books. This book was released on 2018-02-05 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from A Book of Operas: Their Histories, Their Plots, and Their Music; Two Volumes in One Berlioz's dramatic legend, 152 A thing of shreds and patches, 152 Turned into an opera by Raoul Gunsbourg, 152 The composer's Scenes from Fa 153 History of the com position, 153 -the Rakoczy March, 154 Concert performances in New York, 155 - Seheme of the work, 155 The dance of the sylphs and the aerial ballet, 157 Dance of the will-o'-the-wisps, 159 The ride to hell, 180. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Degas at the Opera written by Henri Loyrette and published by National Geographic Books. This book was released on 2020-05-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lavish new investigation into the Paris Opera’s influence on Edgar Degas's painting. From his debut in the 1860s up to his final works after 1900, the Paris Opera formed a focal point of Edgar Degas's paintings. He explored the theater's various spaces—auditorium and stage, private boxes, foyers, and dance studios—and painted those who frequented them: dancers, singers, orchestral musicians, audience members, and subscribers watching from the wings. This theater presented a microcosm of infinite possibilities, allowing him to experiment with multiple points of view, contrasting lighting, motion, and the precision of movement. This catalog, created in concert with an exhibition at the Muse´e d'Orsay in Paris, and the National Gallery of Art in Washington, DC, considers the Paris Opera’s influence on Degas as a whole, examining not only his passionate relationship with the house and his musical tastes, but also the infinite resources of the opera's marvelous toolbox. Filled with striking reproductions of Degas’s work and including insightful essays by leading curators and scholars, Degas at the Opera offers admission into the world of Degas and the Paris Opera of the nineteenth century.
Download or read book Storytelling in Opera and Musical Theater written by Nina Penner and published by Indiana University Press. This book was released on 2020-10-06 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.
