Download or read book Stravinsky God and Time written by Helen Sills and published by BRILL. This book was released on 2022-08-01 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking study of Stravinsky’s spirituality presents a new view of his music as unified, challenging the current view which describes it as often discontinuous and static. Stravinsky’s spirituality is the origin of his radical restoration of time in music.
Download or read book Stravinsky God and Time written by Helen Sills and published by Consciousness, Literature and. This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: If, as Robert Craft remarked, 'religious beliefs were at the core of Stravinsky's life and work', why have they not figured more prominently in discussions of his works?Stravinsky's coordination of the listener with time is central to the unity of his compositional style. This ground-breaking study looks at his background in Russian Orthodoxy, at less well-known writings of Arthur Lourié and Pierre Souvtchinsky and at the Catholic philosophy of Jacques Maritain, that shed light on the crucial link between Stravinsky's spirituality and his restoration of time inmusic.Recent neuroscience research supports Stravinsky's eventual adoption of serialism as the natural and logical outcome of his spiritual and musical quest.
Download or read book Spiritual Lives of the Great Composers written by Patrick Kavanaugh and published by Zondervan. This book was released on 1996 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Download or read book Confronting Stravinsky written by Jann Pasler and published by Univ of California Press. This book was released on 1986-01-01 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book grew out of the International Stravinsky Symposium and the papers commissioned for it. The participants' new insights fall into three broad categories. First, there are those of a general nature that shed light on some of the central aesthetic issues of our time, as reflected in Stravinsky's music. Second, there are those that lead to a more precise understanding of the different periods of Stravinsky's career and the forces operating within them. Third, there are those that reveal threads of continuity that permeate Stravinsky's entire oeuvre." -- P. ix-x.
Download or read book In Stravinsky s Orbit written by Klara Moricz and published by University of California Press. This book was released on 2020-08-04 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.
Download or read book Teaching Stravinsky written by Kimberly A. Francis and published by Oxford University Press. This book was released on 2015-07-03 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1929 Nadia Boulanger accepted Igor Stravinsky's younger son, Soulima, as her student. Within two years, Stravinsky and Boulanger merged their artistic spheres, each influencing and enhancing the cultural work of the other until the composer's death in 1971. Teaching Stravinsky tells Boulanger's story of the ever-changing nature of her fractious relationship with Stravinksy. Author Kimberly A. Francis explores how Boulanger's own professional activity during the turbulent twentieth-century intersected with her efforts on behalf of Stravinsky, and how this facilitated her own influential conversations with the composer about his works while also drawing her into close contact with his family. Through the theoretical lens of Bourdieu, and drawing upon over one thousand pages of letters and scores, many published here for the first time, Francis examines the extent to which Boulanger played a foundational role in defining, defending, and ultimately consecrating Stravinsky's canonical identity. She considers how the quotidian events in the lives of these two icons of modernism informed both their art and their professional decisions, and convincingly argues for a reevaluation of the influence of women on cultural production during the twentieth century. At once a story of one woman's vibrant friendship with an iconic modernist composer, and a case study in how gendered polemics informed professional negotiations of the artistic-political fields of the twentieth-century, Teaching Stravinsky sheds new light not only on how Boulanger taught Stravinsky, but also how, in doing so, she managed to influence the course of modernism itself.
Download or read book Stravinsky and His World written by Tamara Levitz and published by Princeton University Press. This book was released on 2013-08-25 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new look at one of the most important composers of the twentith century Stravinsky and His World brings together an international roster of scholars to explore fresh perspectives on the life and music of Igor Stravinsky. Situating Stravinsky in new intellectual and musical contexts, the essays in this volume shed valuable light on one of the most important composers of the twentieth century. Contributors examine Stravinsky's interaction with Spanish and Latin American modernism, rethink the stylistic label "neoclassicism" with a section on the ideological conflict over his lesser-known opera buffa Mavra, and reassess his connections to his homeland, paying special attention to Stravinsky's visit to the Soviet Union in 1962. The essays also explore Stravinsky's musical and religious differences with Arthur Lourié, delve into Stravinsky's collaboration with Pyotr Suvchinsky and Roland-Manuel in the genesis of his groundbreaking Poetics of Music, and look at how the movement within stasis evident in the scores of Stravinsky's Orpheus and Oedipus Rex reflected the composer's fierce belief in fate. Rare documents—including Spanish and Mexican interviews, Russian letters, articles by Arthur Lourié, and rarely seen French and Russian texts—supplement the volume, bringing to life Stravinsky's rich intellectual milieu and intense personal relationships. The contributors are Tatiana Baranova, Leon Botstein, Jonathan Cross, Valérie Dufour, Gretchen Horlacher, Tamara Levitz, Klára Móricz, Leonora Saavedra, and Svetlana Savenko.
Download or read book Stravinsky and the Russian Traditions Volume One written by Richard Taruskin and published by Univ of California Press. This book was released on 2016-04-27 with total page 992 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑPetrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.
Download or read book Stravinsky and the Russian Traditions Volume Two written by Richard Taruskin and published by Univ of California Press. This book was released on 2016-04-27 with total page 798 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑPetrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.
Download or read book Igor Stravinsky written by Jonathan Cross and published by Reaktion Books. This book was released on 2015-10-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Igor Stravinsky (1882–1971) was perhaps the twentieth century’s most celebrated composer, a leading light of modernism and a restlessly creative artist. This new entry in the Critical Lives series traces the story of Stravinsky’s life and work, setting him in the context of the turbulent times in which he lived. Born in Russia, Stravinsky spent most of his life in exile—and while his work was deliberately cosmopolitan, the pain of estrangement nonetheless left its mark on the man and his work, distinguishable in an ever-present sense of loss. Jonathan Cross shows how that work emerged over the course of decades spent in Paris, Los Angeles, and elsewhere, in an artistic circle that included Joyce, Picasso, and Proust and that culminated in Stravinsky being celebrated by both the White House and the Kremlin as one of the great artistic forces of the era. Approachable and absorbing, Cross’s biography enables us to see Stravinsky’s life and artistic achievement in a new light, understanding how his work both reflected and shaped his times.
Download or read book The Rest Is Noise written by Alex Ross and published by Farrar, Straus and Giroux. This book was released on 2007-10-16 with total page 706 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Download or read book Time written by International Society for the Study of Time. Conference and published by BRILL. This book was released on 2010 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thirteenth volume in the interdisciplinary Study of Time series explores the way in which limits and constraints impact upon our understanding of time.
Download or read book Modes of Communication in Stravinsky s Works written by Per Dahl and published by Routledge. This book was released on 2021-12-16 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Igor Stravinsky left behind a complex heritage of music and ideas. There are many examples of discrepancies between his literate statements about music and musicians and his musical compositions and activity. Per Dahl presents a model of communication that unveils a clear and logical understanding of Stravinsky's heritage, based on the extant material available. From this, Dahl argues the case for Stravinsky’s music and his ideas as separate entities, representing different modes of communication. As well as describing a triangular model of communication, based on a tilted and extended version of Ogden's triangle, Dahl presents an empirical investigation of Stravinsky's vocabulary of signs and expressions in his published scores - his communicative mode towards musicians. In addition to simple statistics, Dahl compares the notation practice in the composer’s different stylistic epochs as well as his writing for different sizes of ensembles. Dahl also considers Stravinsky’s performances and recordings as modes of communication to investigate whether the multi-layered model can soften the discrepancies between Stravinsky the literary and Stravinsky the musician.
Download or read book Stravinsky written by Stephen Walsh and published by Univ of California Press. This book was released on 2003-01-06 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt: A meticulously-researched biography of the great 20th-century composer by a biographer who is also a musicologist and who worked to get beyond the often unreliable stories Stravinsky told about his life.
Download or read book Theology Music and Time written by Jeremy S. Begbie and published by Cambridge University Press. This book was released on 2000-07-24 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.
Download or read book The Language of Stravinsky written by Angelo Cantoni and published by Georg Olms Verlag. This book was released on 2014-10-31 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ein neuer methodischer Zugriff charakterisiert Angelo Cantonis mehr als 40 Jahre nach Stravinskijs Tod entstandene Schrift The Language of Stravinsky. Darin geht es sowohl um die einzelnen Werke als auch um die Entwicklung von Stravinskijs Tonsprache während der gesamten Schaffenszeit. Hauptziele der Arbeit sind die Gesamtanalyse von Kompositionen sowie der Nachweis einer die verschiedenen Schaffensphasen, die Stilvielfalt, die wechselnden Besetzungen und den Wandel musiktheatralischer Gattungen übergreifenden Kohärenz seiner Musik. Obwohl Stravinskijs Werk oftmals in drei verschiedene Stilperioden – die russische, die neoklassizistische und die serielle – untergliedert wird, zeichnet es sich durch gemeinsame Konstruktionsprinzipien einer ureigenen Tonsprache aus. Die Analysen legen deren grundlegende Elemente und ihre Grammatik offen. Jedes der acht Kapitel des Buches ist auf einen Aspekt der Tonsprache Stravinskijs fokussiert, jeweils in der Abfolge der Chronologie der Werke. Aus diesem Grund werden dieselben Kompositionen in mehreren Kapiteln unter verschiedener Perspektive untersucht. Auf diese Weise ergeben sich ganz wesentliche neue Einsichten zum Gesamtschaffen Stravinskijs. The Language of Stravinsky proposes new methods of looking at Stravinsky’s work, more than 40 years after his death. It considers both his individual compositions and the evolution of his work over his lifetime. The main purpose of the book is to analyse and clarify the inner coherence of Stravinsky’s music, despite the wide variety of styles, instrumental combinations and theatrical modes with which he worked. Though his career is often seen as falling into three distinct periods – Russian, Neoclassical and Serial – his work as a whole is threaded through with a language unique to himself as a composer. The analysis presented in this account identifies the basic elements and grammar of this underlying musical language. Each of the eight chapters of the book focuses on one aspect of Stravinsky’s musical language, followed chronologically within that chapter. The same works are therefore often studied in different chapters, looked at from a different musical perspective. This analysis of Stravinsky’s music over time provides major new insights into his work.
Download or read book Stravinsky written by Roman Vlad and published by Oxford University Press, USA. This book was released on 1985 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzes the tradition-breaking art of the Russian composer, examining his impact on contemporary music.
