Download or read book Quam pulchra es written by Gaspar van Weerbeke and published by A-R Editions, Inc.. This book was released on with total page 69 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. The cycle Quam pulchra es by Gaspar van Weerbeke (ca. 1452–1517) consists of eight four-voice motets on centonate Marian texts. Among the motetti missales cycles, it boasts not only the most concordances within the Milanese Libroni but is also the only one whose motets were copied in Librone [4], the latest of these codices. So far, none of the motets of this cycle has been found in other contemporaneous sources, suggesting a particular connection between this cycle and Milan.
Download or read book All Music Guide to Classical Music written by Chris Woodstra and published by Hal Leonard Corporation. This book was released on 2005 with total page 1620 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Download or read book A Performer s Guide to Medieval Music written by Ross W. Duffin and published by Indiana University Press. This book was released on 2000 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Download or read book The Motet in the Age of Du Fay written by Julie E. Cumming and published by Cambridge University Press. This book was released on 2003-10-16 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: A re-evaluation of the Latin-texted motet during the age of Du Fay.
Download or read book Ritual Meanings in the Fifteenth Century Motet written by Robert Michael Nosow and published by Cambridge University Press. This book was released on 2012-02-02 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first large-scale study of how fifteenth-century motets were used across Western Europe, dispelling the mysteries surrounding these outstanding works.
Download or read book Hearing the Motet written by Dolores Pesce and published by Oxford University Press. This book was released on 1998-12-10 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.
Download or read book Painting Music in the Sixteenth Century written by H. Colin Slim and published by Taylor & Francis. This book was released on 2024-10-28 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professor Slim deals here with the several roles that music can play in the artworks of the Renaissance, looking in particular at Italian painting of the 16th century. For understandable reasons, art historians sometimes neglect the role of music and, especially, that of musical notation when studying works of art. These studies not only identify musical compositions, wholly or partially inscribed in paintings - and tapestries, ceramics, prints as well - but also seek reasons why these particular musical compositions were included and analyse their relevance to the scene depicted. Furthermore, as many of these studies show, identifying a musical composition, especially if it has a text, leads to the formation of ideas about iconographical functions and thus augments interpretations of the visual art.
Download or read book The Rise of European Music 1380 1500 written by Reinhard Strohm and published by Cambridge University Press. This book was released on 2005-02-17 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a detailed and comprehensive survey of music in the late middle ages and early Renaissance. By limiting its scope to the 120 years which witnessed perhaps the most dramatic expansion of our musical heritage, the book responds, in the 1990s, to the tremendous increase in specialised research and public awareness of that period. Three of the four main Parts (I, II, IV) describe the development of polyphony and its cultural contexts in many European countries, from the successors of Machaut (d. 1377) to the achievements of Josquin des Prez and his contemporaries working in Renaissance Italy around 1500. Part III, by contrast, illustrates the musical life of the institutions, and musical practices outside the realm of composed polyphony that were traditional and common all over Europe. The book proposes fresh views in each chapter, discussing dozens of musical examples adducing well-known and hitherto unknown documents, and referring to and evaluating the most recent scholarship in the field.
Download or read book Learn to Speak English for Latin Speakers written by Nam H Nguyen and published by Nam H Nguyen. This book was released on 2018-03-17 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This online book contains 6382 mix words, phrases, expressions, and sentences. If you are mastering the first 75 pages of this book, you can get through any situation during your trip abroad. If you are mastering 150 pages or more of this book while listening to the audio, you can live and work in that country without any problems! I can show you the best way to learn languages! The next step is yours! Study hard and you will learn your languages. Hic liber continet online (VI)CCCLXXXII misce verba Phrases: expressions: et sententias. Si tu dominaris LXXV paginis primam huius libri, vos can adepto per in situ tuo aliquam peregrinationem. Si tu dominaris CL vel plures paginas huius libri dum audire audio de te vivere possum in eo, et opus sine ulla problems! Non possum tibi melius discere linguas? Proximum tuum est? Studere linguis dura et discite vestras.
Download or read book The Song of Songs Through the Ages written by Annette Schellenberg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-04-27 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.
Download or read book Songs Ballads and Instrumental Pieces written by Henry VIII (King of England) and published by . This book was released on 1912 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Allegorical Play in the Old French Motet written by Sylvia Huot and published by Stanford University Press. This book was released on 1997 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.
Download or read book Catalogue of Manuscript Music in the British Museum written by Augustus Hughes-Hughes and published by . This book was released on 1906 with total page 680 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Principles and Practice of Modal Counterpoint written by Douglass Green and published by Routledge. This book was released on 2010-11-01 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.
Download or read book Renaissance Music written by Kenneth Kreitner and published by Routledge. This book was released on 2017-07-05 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.
Download or read book The Cambridge Companion to Monteverdi written by John Whenham and published by Cambridge University Press. This book was released on 2007-12-13 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.
Download or read book Giovanni Pierluigi da Palestrina written by Clara Marvin and published by Routledge. This book was released on 2013-10-15 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.
