Download or read book Pre restoration Stage Studies written by William John Lawrence and published by . This book was released on 1927 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Pre restoration stage studies written by William John Lawrence and published by . This book was released on 1967 with total page 435 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Pre Restoration Stage Studies written by William John Lawrence and published by . This book was released on 1967 with total page 435 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Shakespeare on Page and Stage written by Stanley Wells and published by Oxford University Press. This book was released on 2016-09-08 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a winning selection of the very best essays from the long and distinguished career of Stanley Wells, one of the most well-known and respected Shakespeare scholars in the world. Wells's accomplishments include editing the entire canon of Shakespeare plays for the ground-breaking Oxford Shakespeare, and over his lifetime he has made significant contributions to debates over literary criticism of the works, genre study, textual theory, Shakespeare's afterlife in the theatre, and contemporary performance. The volume is introduced by Peter Holland, and its thirty chapters are divided into themed sections: 'Shakespearian Influences', 'Essays on Particular Works', 'Shakespeare in the Theatre', and 'Shakespeare's Text'. An afterword by Margreta de Grazia concludes the volume.

Download or read book A Critical Old spelling Edition of The Birth of Merlin Q 1662 written by Joanna Udall and published by MHRA. This book was released on 1991 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Credited on its first title page to William Shakespeare and William Rowley, The Birth of Merlin continues to provoke speculation about its place in the Shakespeare 'Apocrypha'. The play is an imaginative re-working of the story of Merlin the Magician and his part in the struggle against the Saxon invasion of Britain. It contains not only scenes of love, war, and court politics, but a devil, a clown, and an unusual number of spectacular stage effects. This edition seeks to provide contexts for the play's diverse elements (chronicle history, romance, spectacle, and comedy), and considers its relationships with a wide variety of texts from Geoffrey of Monmouth and the English prose Brut to Shakespeare's Henry VIII.

Download or read book Research in Progress written by University of North Carolina (1793-1962) and published by . This book was released on 1928 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Research in Progress written by and published by . This book was released on 1927 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Research in Progress written by North Carolina State University. Graduate School and published by . This book was released on 1920 with total page 866 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lighting the Shakespearean Stage 1567 1642 written by Robert B. Graves and published by SIU Press. This book was released on 1999-12-08 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Lighting the Shakespearean Stage, 1567–1642,R. B. Graves examines the lighting of early modern English drama from both historical and aesthetic perspectives. He traces the contrasting traditions of sunlit amphitheaters and candlelit hall playhouses, describes the different lighting techniques, and estimates the effect of these techniques both indoors and outdoors. Graves discusses the importance of stage lighting in determining the dramatic effect, even in cases where the manipulation of light was not under the direct control of the theater artists. He devotes a chapter to the early modern lighting equipment available to English Renaissance actors and surveys theatrical lighting before the construction of permanent playhouses in London. Elizabethan stage lighting, he argues, drew on both classical and medieval precedents.

Download or read book Research a Record of Scholarship and Publication written by University of North Carolina at Chapel Hill. Graduate School and published by . This book was released on 1925 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Shakespearean Stage Production written by Cécile de Banke and published by Routledge. This book was released on 2014-08-13 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published. This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage. Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante. This book is an invaluable wealth of research, with extensive bibliographies and extra information.

Download or read book The Cambridge Companion to English Restoration Theatre written by Deborah Payne Fisk and published by Cambridge University Press. This book was released on 2000-05-11 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.

Download or read book The Stage Life of Props written by Andrew Sofer and published by University of Michigan Press. This book was released on 2010-02-22 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Stage Life of Props, Andrew Sofer aims to restore to certain props the performance dimensions that literary critics are trained not to see, then to show that these props are not just accessories, but time machines of the theater. Using case studies that explore the Eucharistic wafer on the medieval stage, the bloody handkerchief on the Elizabethan stage, the skull on the Jacobean stage, the fan on the Restoration and early eighteenth-century stage, and the gun on the modern stage, Andrew Sofer reveals how stage props repeatedly thwart dramatic convention and reinvigorate theatrical practice. While the focus is on specific objects, Sofer also gives us a sweeping history of half a millennium of stage history as seen through the device of the prop, revealing that as material ghosts, stage props are a way for playwrights to animate stage action, question theatrical practice, and revitalize dramatic form. Andrew Sofer is Assistant Professor of English, Boston College. He was previously a stage director.

Download or read book The Shakespeare Association Bulletin written by Shakespeare Association of America and published by . This book was released on 1924 with total page 1034 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes list of members, v. 1, 3-

Download or read book Theatre Arts Magazine written by Sheldon Cheney and published by . This book was released on 1928 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Theatre Arts Monthly written by and published by . This book was released on 1928 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Masque and Opera in England 1656 1688 written by Andrew R. Walkling and published by Taylor & Francis. This book was released on 2016-08-25 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood. A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.