Download or read book Poetry and Performance During the British Poetry Revival 1960 1980 written by Juha Virtanen and published by Springer. This book was released on 2017-08-23 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines intersections of poetry and performance during the British Poetry Revival. Its investigations are centered on four specific performance events: The First International Poetry Incarnation at the Royal Albert Hall in 1965; Denise Riley’s first public reading at the Cambridge Poetry Festival in 1977; Eric Mottram’s Pollock Record; and Allen Fisher’s Blood Bone Brain. Drawing upon a range of archival resources, recordings, and interviews, Juha Virtanen offers engaging and detailed “archaeological” accounts and analyses of these largely unexamined events as well as the potential dialogues between them. The appendices of the book also feature previously unpublished interviews with both Fisher and Riley. This book is essential reading for poetry and performance enthusiasts, particularly those interested in innovative British Poetry.
Download or read book The Poetry of Saying written by Robert Sheppard and published by Liverpool University Press. This book was released on 2005-01-01 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Poetry of Saying unearths a secret history of fifty years of experimental British verse, revealing and illuminating the daring work of British poets who have spent a half-century rewriting the rules of English poetry. Poet Robert Sheppard considers individual poets such as Roy Fisher and Lee Harwood as well as the role of poetry magazines and the Poetry Society. Sheppard's position at the center of the 1950s British Poetry Revival enables him to offer an insider's commentary on the social, political, and historical background of this particularly fertile and exciting period in British poetry.
Download or read book A Companion to Contemporary British and Irish Poetry 1960 2015 written by Wolfgang Gortschacher and published by John Wiley & Sons. This book was released on 2020-12-14 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.
Download or read book The Movement the British Poetry Revival and Located Identity in Twentieth century British Poetry written by Samuel J. W. Rogers and published by . This book was released on 2014 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Poetry Circuit written by Peter B. Howarth and published by Oxford University Press. This book was released on 2024-09-19 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Live performance has changed poetry more than anything else in the last hundred years: it has given poets new audiences and a new economy, and it has generated new styles, from Imagism, to confessional, to contemporary Spoken Word. But the creative impact that public reading had right through the twentieth century has not been well understood. Mixing close listening to archive performances with intimate histories of modernist venues and promotors, The Poetry Circuit tells the story of how poets met their audience again, and how the feedback loops between their voices, the venues, and the occasions turned poems into running dramas between poet and listener. A nervous T. S. Eliot reveals himself to be anything but impersonal, while Marianne Moore's accident-prone readings become subtle ways of keeping her poems in constant re-draft. Robert Frost used his poems to spar with his fans and rivals, while Langston Hughes wrote Ask Your Mama to expose the prejudice circulating in the room as he spoke it. The Poetry Circuit also shows how the post-war reading boom made new kinds of poetry involving their audience and setting in the performance, such as John Ashbery's anti-charismatic Poets' Theatre, Amiri Baraka's documentary soundtracks of the streets, or the confessional readings of Allen Ginsberg, which shame the listeners more than the poet. Covering the first seventy years of the poetry reading, The Poetry Circuit demonstrates that there never were 'page' and 'stage' poets: the reading simply changed what every modern poet could do.
Download or read book New Relations written by David Kennedy and published by Seren Books. This book was released on 1996 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of wide-spread changes affecting British poetry over the past 15 years. Discusses new and established poets and looks at issues including ideas of individual voice and dominant culture, the rhetorical imagination and ideas of nation, and poetry as media. Includes a rough guide to British postmodernism, and a user's guide to the new poetry. For poets, readers, and students. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book The Sound of Modern Polish Poetry written by Aleksandra Kremer and published by Harvard University Press. This book was released on 2021-12-07 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czes_aw Mi_osz, Wis_awa Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Bia_oszewski, Anna Swir, and Tadeusz R_ewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. KremerÕs is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experimentsÑfrom poetic Òsound postcards,Ó to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self.
Download or read book Poetry and Class written by Sandie Byrne and published by Springer Nature. This book was released on 2020-01-30 with total page 453 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study discusses the representation of class in poetry in English from Britain and Ireland between the fourteenth and twenty-first centuries, and the effect of class on the production, dissemination, and reception of that poetry. It looks at the factors which enable and obstruct the production of poetry, such as literacy, education, patronage, prejudice, print, and the various alleged revivals of poetry in Britain, and the relationship between class and poetic form. Whilst this is a survey that cannot be comprehensive, it offers a number of case-studies of poets and poems from each period considered.
Download or read book Poetry Publishing and Visual Culture from Late Modernism to the Twenty First Century written by Natalie Pollard and published by Oxford University Press, USA. This book was released on 2020-05-21 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.
Download or read book Live Literature written by Ellen Wiles and published by Springer Nature. This book was released on 2021-05-21 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book explores the phenomenal growth of live literature in the digitalizing 21st century. Wiles asks why literary events appeal and matter to people, and how they can transform the ways in which fiction is received and valued. Readers are immersed in the experience of two contrasting events: a major literary festival and an intimate LGBTQ+ salon. Evocative scenes and observations are interwoven with sharp critical analysis and entertaining conversations with well-known author-performers, reader-audiences, producers, critics, and booksellers. Wiles’s experiential literary ethnography represents an innovative and vital contribution, not just to literary research, but to research into the value of cultural experience across art forms. This book probes intersections between readers and audiences, writers and performers, texts and events, bodies and memories, and curation and reception. It addresses key literary debates from cultural appropriation to diversity in publishing, the effects of social media, and the quest for authenticity. It will engage a broad audience, from academics and producers to writers and audiences.
Download or read book Poetry Today written by Anthony Thwaite and published by Routledge. This book was released on 1996 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book British Literature in Transition 1960 1980 Flower Power written by Catherine Mary McLoughlin and published by Cambridge University Press. This book was released on 2019 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume traces transitions in British literature from 1960 to 1980, illuminating a diverse range of authors, texts, genres and movements. It considers innovations in form, emergent identities, changes in attitudes, preoccupations and in the mind itself, local and regional developments, and shifts within the oeuvres of individual authors.
Download or read book Border Blurs written by Greg Thomas and published by Liverpool English Texts and St. This book was released on 2019 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-1970s,focusing on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing. It will be a vital resource for students andscholars of modernism, intermedia art and British literature.
Download or read book When Bad Times Made for Good Poetry written by Robert Sheppard and published by . This book was released on 2011 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study presents an episodic history of an epic period in British poetry, when bad times forced political subversion and textual impaction upon its central figures and provisional institutions. In the episodes which cover the Poetry Wars of the 1970s; the centrality of Bob Cobbing as poetry activist and the SubVoicive poetry scene in 1980s London; and the cultural poetics of Iain Sinclair in the 1990s and since; the focus is upon poetic community rather than individuals.
Download or read book Living in History written by Luke Roberts and published by Edinburgh University Press. This book was released on 2024-05-31 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging received ideas about the British Poetry Revival, Luke Roberts presents a new account of experimental poetry and literary activism. Drawing on a wide range of contexts and traditions, Living in History begins by examining the legacies of empire and exile in the work of Kamau Brathwaite, J. H. Prynne, and poets associated with the Communist Party and the African National Congress. It then focuses on the work of Linton Kwesi Johnson, Denise Riley, Anna Mendelssohn and others, in the development of liberation struggles around gender, race and sexuality across the 1970s. Tracking the ambivalence between poetic ambition and political commitment, and how one sometimes interferes with the other, Luke Roberts troubles the exclusions of 'British Poetry' as a category and tests the claims made on behalf avant-garde and experimental poetics against the historical record. Bringing together both major and neglected authorships and offering extended close readings, fresh archival research and new contextual evidence, Living in History is an ambitious and exciting intervention in the field.
Download or read book Poetry Wars written by Peter Barry and published by Salt Publishing. This book was released on 2006 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetry Wars is an account of the six-year battle at the National Poetry Society during the 1970s when this highly conservative institution and its journal Poetry Review were taken over by radical poets. The story is told from primary sources, including the Arts Council's Records at the Victoria & Albert Museum, the Eric Mottram Archive at King's College London, and the Barry MacSweeney Collection at Newcastle University, and from contemporary newspaper accounts.The story has never been made public before in documentary detail, though brief reference is often made to it in accounts of contemporary poetry, and anecdotes and hearsay about these events have been in circulation for over twenty years. The repercussions continue to reverberate, and struggles of the same nature continue in the Poetry Society and other cultural institutions today. The question of how an avant-garde 'negotiates' with the 'centre' it seeks to displace remains crucial, and this issue is of increasing importance to the study of literature and the arts in the twentieth and twenty first centuries.The book is in three sections: the first, 'Chronology' (chapters 1-5), tells the story of the events; the second, 'Themes' (chapters 6-9), considers the events from various thematic viewpoints, and includes a detailed chapter on the writing, teaching, and editing practice of Eric Mottram, and another on the characteristics of the 'British Poetry Revival' of the 1970s. The third section, 'Documents', reproduces a series of contemporary documents from the relevant archives, along with new summary data about the personalities involved.
Download or read book Origins of the Underground written by Andrew Duncan and published by Salt Publishing. This book was released on 2008 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The background to Origins of the Underground is really the story of how British poets became intellectuals. As they retreated from inherited and fixed value systems, they had to think for themselves, and this was a race which intellectuals generally won. You can't just buy in ideas like a small tropical country buying jet fighter planes. What the success of poets seems to turn on is their willingness to use ideas which excite the ideas part of their brains because they are genuinely unfamiliar. Poets who prefer to stick to well-worn and inherited arguments, where they can predict every move, fail for this reason. The area of nearby uncertainty has an odd shape. Obviously, most of the ideas which were new and risky thirty years ago are now forgotten - the risk fell to earth, so to speak. A certain archaeology is needed to retrieve these "casualty" ideas. I admit that I enjoy this sort of digging, and the practice of psychoceramics (the scientific study of crackpots), but perhaps this pleasure pursuit is useful as well. The terrain is made impassable by deep mutual disagreements between different groups of poetry readers (and writers). Going in at the level of ideas offers a possible way of easing these disagreements. Admittedly, it's very difficult to find out exactly what they are.
