Download or read book Tradition and Modernity written by Claire Roberts and published by . This book was released on 1998 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pan Tianshou 1897 1971 written by Mina Kim and published by . This book was released on 2016 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The goal of this dissertation is to enrich scholarly understanding of the transformation in practice and social role of traditional Chinese painting in the twentieth century by focusing on the work of Pan Tianshou (1897-1971). In part because the historical and art historical narratives of the three periods we examine have been so fiercely contested, much work still needs to be done in understanding the personal and environmental factors that made possible the great innovations of China’s major cultural figures. Pan lived during the period when China was most actively and creatively engaging with the forces of modernity. Although inclined by temperament to the classical arts of the past, he nonetheless met the circumstances of each era head-on, throwing himself into the task of redefining Chinese art for the modern age. This study investigates how Pan engaged with cross-cultural exchange, how he reevaluated traditional Chinese painting, and how he tried to update Chinese painting by achieving his unique artistic style. In particular, the Sino-Japanese relationship, which featured prominently in his education, helped Pan begin considering the importance of national identity. His definition of innovation was based in part upon a sense of national identity. At the same time, however, Pan Tianshou said that if tradition cannot pave the way for future artistic possibilities, then it is a dead tradition. To Pan, tradition was an inherited culmination of characteristics of masters from the past, but he argued that tradition and innovation are inseparable characteristics of art. His modern transformation of artistic consciousness and modern sense of identity enriched practices and definitions of traditional Chinese painting in the twentieth century. This dissertation primarily hopes to offer an alternative perspective on modernity in Pan Tianshou’s oeuvre as a case study of traditionalist efforts in modern Chinese art. Moreover, it tries to develop a new understanding of some of the results of the rich artistic and intellectual intersections among China, Japan, and the West in the early twentieth century. To be specific, Pan dealt with traditional subjects—bird-and-flower and landscapes—but his constructive composition, emphasis on flat painting surfaces, application of expressive ink tonality with his fingers and hands, and use of animal subjects as self-reflective images are imbued with a modern sensibility. These accomplishments were part of Pan’s larger mission of rediscovering traditional Chinese painting, establishing principles for Chinese painting that were suitable to contemporary art, and laying claim to modernity in the global world. This dissertation, by examining a little-studied aspect of Pan Tianshou’s rediscovery of traditional Chinese painting against the background of three distinct periods of modern history, contributes to research on the cultural complexities of twentieth-century China.
Download or read book Chinese Masters of the 20th Century written by Lu Zhangshen and published by . This book was released on 2013-03-31 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pan Tianshou 1897-1971, inheriting the traditional Chinese painting, was a socialist painter. It had been his goal and spiritual fountain to revitalise national spirit by carrying forward the national art. Compared to his predecessors, he showed more presence in the forefront of the cultural clashes and social reform, voicing his great support for Chinese painting.
Download or read book Tracing the Past Drawing the Future written by Xiaoneng Yang and published by Stanford University Museum of Art. This book was released on 2010 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the Past, Drawing the Futureexamines a crucial turning point in the development of Chinese ink painting in the twentieth century, a change represented by the beautiful and innovative work of four artists, Wu Changshuo (1844–1927), Qi Baishi (1863–1957), Huang Binhong (1864–1955), and Pan Tianshou (1897–1971). With careers spanning over a century of radical change in China, these artists were instrumental in propelling the ancient tradition of Chinese ink painting into the modern era in the face of compelling Western influences. As a group, their work represents an alternative approach to questions of relevance and modernity. This lavish book illuminates the context in which these artists worked, describes their overall contribution to the history of Chinese art, and highlights their individual ideas and achievements. In his introductory essay, Xiaoneng Yang offers a brief historical background for the evolution of modern Chinese painting. Richard E. Vinograd analyzes the ?alternative modernism? represented by these artists, each of whom worked in the brush-and-ink idiom, confronted the shift toward practices of the West, and gave new life through this confrontation to cherished traditions. Essays devoted to each artist are followed by individual entries discussing their works. Featuring more than one hundred works of both painting and calligraphy by the four artists, the book, which is published to accompany a traveling exhibition, also includes a glossary and detailed bibliography.
Download or read book Friendship in Art written by Claire Roberts and published by Hong Kong University Press. This book was released on 2010-06-01 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book documents in letters, photos, and paintings a special friendship between two highly creative individuals who helped shape Chinese culture in the twentieth century --- the revered traditional painter Huang Binhong (1865-1955) and the young, cosmopolitan critic and translator Fou Lei (1908-66). As one of China's oldest and most distinguished artists in the 1940s and 1950s, Huang Binhong was committed to artistic continuity and reinvigoration of brush-and-ink painting. Fou Lei was a child of the New Culture Movement which repudiated many literati traditions, but reached out to Huang Binhong to discuss the possibilities for contemporary Chinese art amid the tides of war and Communist dictates of socialist realism as the guiding priority for cultural workers. Both were cultural mediators and translators of ideas and cultural expressions. Both had deep appreciation of the common origins of calligraphy and painting, rendering complex feelings with brush and ink. Their intimate artistic conversations over more than a decade depict their alienation and uncertainty amid China's turbulent cultural politics.
Download or read book Selling Happiness written by Ellen Johnston Laing and published by University of Hawaii Press. This book was released on 2004-08-31 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the early twentieth century until the Communist takeover in 1949, Shanghai commercial artists created thousands of colorful posters and black and white advertisements that formed an essential part of modern life in the city. This visually appealing and richly illustrated work describes the origin and evolution of modern commercial art in China, focusing on colorful advertisement calendar posters that featured distinctive feminine images. It makes clear how essential commercial art and its institutional backing were to the development of modern art and even modern society in China over the past century. Selling Happiness discusses not only advertising art but also the production and marketing of the calendar poster. These posters, like other advertisements, were rendered in a Western realistic technique and were wildly and widely popular. Ordinary people throughout China often acquired them to decorate their homes. Laing outlines how the Chinese commercial artist, who rarely attended formal Western art classes, gained skills in Western representational art. In the final chapter of the book, she explains how the styles developed by the commercial poster artists during the 1920s and 1930s became the basis for certain types of propaganda art under the Chinese Communists in the 1950s and 1960s.
Download or read book Chinese Painting and Its Audiences written by Craig Clunas and published by Princeton University Press. This book was released on 2023-10-17 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Download or read book Travel Guide of Hangzhou written by Ni Hao and published by DeepLogic. This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the volume of ''Travel Guide of Hangzhou'' among a series of travel books (''Travelling in China''). Its content is detailed and vivid.
Download or read book Asia through Art and Anthropology written by Fuyubi Nakamura and published by Routledge. This book was released on 2020-05-25 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: * AWARDED BEST ANTHOLOGY BY THE ART ASSOCIATION OF AUSTRALIA AND NEW ZEALAND *How has Asia been imagined, represented and transferred both literally and visually across linguistic, geopolitical and cultural boundaries? This book explores the shifting roles of those who produce, critique and translate creative forms and practices, for which distinctions of geography, ethnicity, tradition and modernity have become fluid. Drawing on accounts of modern and contemporary art, film, literature, fashion and performance, it challenges established assumptions of the cultural products of Asia.Special attention is given to the role of cultural translators or 'long-distance cultural specialists' whose works bridge or traverse different worlds, with the inclusion of essays by three important artists who share personal accounts of their experiences creating and showing artworks that negotiate diverse cultural contexts.With contributions from key scholars of Asian art and culture, including art historian John Clark and anthropologist Clare Harris, alongside fresh voices in the field, Asia Through Art and Anthropology will be essential reading for students and scholars of anthropology, art history, Asian studies, visual and cultural studies.----------------------------------------------------------------------------------------------------------The publication of the color plates of works by Phaptawan Suwannakudt and Savanhdary Vongpoothorn is funded by the Australian Government.
Download or read book Making History written by Wu Hung and published by Timezone 8 Limited. This book was released on 2008 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume analyzes the cultural origins, precedents, influences and aspirations of the contemporary Chinese artists.
Download or read book Reframing Modernism Painting from Southeast Asia Europe and Beyond written by Low Sze Wee and published by National Gallery Singapore. This book was released on 2016-03-31 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
Download or read book The Poetic Garden of Liu Zongyuan written by Liu Zongyuan and published by Deep Vellum Publishing. This book was released on 2023-08-29 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: Liu Zongyuan's remarkable poetry reflects the complex experience of political exile and observes the natural world of his new home in South China with a caring eye. The Poetic Garden of Liu Zongyuan presents poems by the Tang Dynasty cofounder of the Classical Prose Movement written on the Chinese empire’s southern margins. In these remarkable pieces, Liu intertwines South China’s landscapes and plants—such as scarlet canna, banyan, and white myoga ginger—with reflections on honor, duty, banishment, and belonging in ways unique in the history of Chinese poetry. The two translators, Nathaniel Dolton-Thornton and Yu Yuanyuan, one American and one Chinese, preserve and showcase the singular beauty of Liu's poetic garden for the English-speaking world.
Download or read book The Arts of China written by Michael Sullivan and published by Univ of California Press. This book was released on 1999 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: "From the Neolithic to the avant-garde, and through all the brilliant centuries in between, Michael Sullivan's newly revised introduction to Chinese art history is unmatched in its clarity, balance, and sure grasp of the subject. Whether for the classroom student or the casual reader, its remarkable range and elegant style make this book a wonderful way for anyone to begin learning about Chinese art." --Jerome Silbergeld, Professor of Art History, University of Washington, and author of Chinese Painting Style "A concise, comprehensive, and highly readable overview of Chinese art extending from its Neolithic roots down to its modern engagement with the West."--Maxwell Hearn, Curator of Chinese Art, Metropolitan Museum of Art, and author of Splendors of Imperial China "I have used this text in my class for thirty years. With full revisions and additions reflecting recent archaeology and art historical scholarship, the fourth edition will continue to be the best one-volume history of Chinese art in the English language. No other historian of Chinese art today commands such a wide range of knowledge as Michael Sullivan."--Richard Barnhart, John M. Schiff Professor of the History of Art, Yale University, and editor of Three Thousand Years of Chinese Painting "This is the most comprehensive study of Chinese art, giving up-to-date information from the Stone Age to the twentieth century. Professor Michael Sullivan is a leading scholar in this field, and this is an indispensable textbook for all students of Asian art history." --Wang Qingli, Professor of Chinese Art History, University of Hong Kong, and author of A History of Nineteenth-Century Chinese Art
Download or read book A History of Contemporary Chinese Art written by Yan Zhou and published by Springer Nature. This book was released on 2020-07-14 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach – after a great ideological and aesthetic transition in the 1980s – toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world.
Download or read book Chinese Culture written by Charlotte Guillain and published by Heinemann-Raintree Library. This book was released on 2008 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the Peking Opera? When is Chinese New Year? What is a dim sum meal? China Focus offers fascinating and detailed coverage of a major world power. The four titles examine different aspects of China and its interaction with the world.
Download or read book Between Two Cultures written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 2001 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.
Download or read book The Making and Remaking of China s Red Classics written by Rosemary Roberts and published by Hong Kong University Press. This book was released on 2017-10-19 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Making and Remaking of China’s “Red Classics” is the first full-length work to bring together research on the “red classics” across the entire Maoist period through to the reform era. It covers a representative range of genres including novels, short stories, films, TV series, picture books, animation, and traditional-style paintings. Collectively, the chapters offer a panoramic view of the production and reception of the original “red classics” and the adaptations and remakes of such works after the Cultural Revolution. The contributors present fascinating stories of how a work came to be regarded as, or failed to become, a “red classic.” There has never been a single answer to the question of what counts as a “red classic”; artists had to negotiate the changing political circumstances and adopt the correct artistic technique to bring out the authentic image of the people, while appealing to the taste of the mass audience at the same time. A critical examination of these works reveals their sociopolitical and ideological import, aesthetic significance, and function as a mass cultural phenomenon at particular historical moments. This volume marks a step forward in the growing field of the study of Maoist cultural products. “The Making and Remaking of China’s ‘Red Classics’ analyzes the creation of literature in the Maoist era as well as the way in which the revolutionary canon was rediscovered and imagined during the reform period. This book is a timely and fascinating set of studies, critically illuminating a foundational time during PRC history and its aftermath.” —Wendy Larson, professor emerita, University of Oregon “Creative works produced in the Mao era (1942–1976) are often dismissed as mere propaganda. Despite the fact that they are artistic reflections of that remarkable period, scholars have generally ignored these ‘red classics.’ This book throws much needed light on them. It is a must-read for anyone wanting to understand the cultural scene in China.” —Kam Louie, honorary professor, University of Hong Kong and UNSW, Australia
