Download or read book Operetta written by Richard Traubner and published by Routledge Studies in Musical G. This book was released on 2003 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon.
Download or read book Index to Opera Operetta and Musical Comedy Synopses in Collections and Periodicals written by Jeanette Marie Drone and published by Scarecrow Press. This book was released on 1978 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indexes 1,605 titles by 627 composers.
Download or read book The American Musical Theatre written by Steven Porter and published by Taylor & Francis. This book was released on 1987 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Operetta written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2015-10-05 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The first volume provides an introduction, a representative chronology of the genre from 1840 to 2013, and a survey of the national schools of France and Austria-Hungary. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary.
Download or read book Operetta written by Richard Traubner and published by Routledge. This book was released on 2004-06 with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon.
Download or read book The Operetta Empire written by Micaela Baranello and published by Univ of California Press. This book was released on 2021-06 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: "When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth‐century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.
Download or read book Musical Digest written by and published by . This book was released on 1928 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical written by William Everett and published by Routledge. This book was released on 2011-06-02 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
Download or read book The Cambridge Companion to Operetta written by Anastasia Belina and published by Cambridge University Press. This book was released on 2019-12-05 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Download or read book University Musical Encyclopedia The opera history and guide written by Louis Charles Elson and published by . This book was released on 1912 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: "These volumes form a complete encyclopedia and history of music and musicians. They comprise a library covering the whole field of musical literature. The material has been written by more than forty of the greatest musicians, critics, and experts on musical subjects in this country and Europe." copyright 1914.
Download or read book Dictionary catalogue of Operas and Operettas which Have Been Performed on the Public Stage written by John Towers and published by . This book was released on 1910 with total page 1056 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Essentials written by Harold Burnham Maryott and published by . This book was released on 1907 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book International Who s who in Music and Musical Gazetteer written by and published by . This book was released on 1918 with total page 898 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatrical and Musical Memoirs written by Rudolph Aronson and published by New York : McBride, Nast. This book was released on 1913 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fundamentals of Musical Art written by and published by . This book was released on 1927 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Standard written by and published by . This book was released on 1927 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Oxford Handbook of the Global Stage Musical written by Robert Gordon and published by Oxford University Press. This book was released on 2023 with total page 1001 pages. Available in PDF, EPUB and Kindle. Book excerpt: The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.
