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Book Mystery  Magic and Love in Picasso  1925 1980

Download or read book Mystery Magic and Love in Picasso 1925 1980 written by Lydia Gasman and published by . This book was released on 1983 with total page 1919 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Mystery  Magic and Love in Picasso  1925 1938

Download or read book Mystery Magic and Love in Picasso 1925 1938 written by Lydia Gasman and published by . This book was released on 19?? with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Mystery  Magic and Love in Picasso  1925 1938

Download or read book Mystery Magic and Love in Picasso 1925 1938 written by Lydia Gasman and published by . This book was released on 1986 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Mystery  Magic  and Love in Picasso  1925 1938

Download or read book Mystery Magic and Love in Picasso 1925 1938 written by Lydia Gasman and published by . This book was released on 1987 with total page 668 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Mystery  magic and love in Picasso

Download or read book Mystery magic and love in Picasso written by Lydia Csáto Gasman and published by . This book was released on 1981 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Mystery  Magic and Love in Picasso  1925 1938

Download or read book Mystery Magic and Love in Picasso 1925 1938 written by L. Gasman and published by . This book was released on 1983 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Making It Modern  Essays on the Art of the Now

Download or read book Making It Modern Essays on the Art of the Now written by Linda Nochlin and published by Thames & Hudson. This book was released on 2022-03-08 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt: A selection of key essays on art from the nineteenth century to the present day by one of the most influential voices in art history. This illustrated collection of essays brings together some of art historian Linda Nochlin’s most important writings on modernism and modernity from across her six-decade career. Before the publication of her seminal essay on feminism in art, “Why Have There Been No Great Women Artists?,” she had already firmly established herself as a major practitioner of a politically sophisticated and class-conscious social art history. Nochlin was part of an important cohort of scholars writing on modernity, determined to rethink the narratives of the subject under the pressure of contemporary events such as student uprisings, the women’s liberation movement, and the Vietnam War, with the help of politically engaged literary criticism that was emerging at the same time. Nochlin embraced Charles Baudelaire’s conviction that modernity is meant to be of one’s time—and that the role of an art historian was to understand the art of the past not only in its own historical context but according to the urgencies of the contemporary world. From academic debates about the nude in the eighteenth century to the work of Robert Gober in the twenty-first, whatever she turned her analytic eye to was conceived as the art of the now. Including seven previously unpublished pieces, this collection highlights the breadth and diversity of Nochlin’s output across the decades, including discussions on colonialism, fashion, and sex.

Book Picasso in the Metropolitan Museum of Art

Download or read book Picasso in the Metropolitan Museum of Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2010 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.

Book Picasso

    Book Details:
  • Author : Gertje Utley
  • Publisher : Yale University Press
  • Release : 2000-01-01
  • ISBN : 0300082517
  • Pages : 292 pages

Download or read book Picasso written by Gertje Utley and published by Yale University Press. This book was released on 2000-01-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.

Book Surrealism and the Spanish Civil War

Download or read book Surrealism and the Spanish Civil War written by Robin Adèle Greeley and published by Yale University Press. This book was released on 2006-01-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: La obra es una nueva aproximación al tema de la respuesta de los artistas ante la guerra, articulando la relación entre el esfuerzo artístico y la política durante periodos de crisis social. Se analiza la amplia respuesta que la Guerra Civil Española provocó en el trabajo de Miró, Dalí, Caballero, Masson y Picasso, investigando los esfuerzos del surrealismo por establecer un puente entre el pensamiento y el acto político.

Book The Anthropology of Art

Download or read book The Anthropology of Art written by Howard Morphy and published by John Wiley & Sons. This book was released on 2009-02-04 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers’ appreciation of the aesthetics of art and of the important role it plays in human society.

Book Pablo Picasso

    Book Details:
  • Author : Dr Enrique Mallen
  • Publisher : Liverpool University Press
  • Release : 2023-03-18
  • ISBN : 1782847952
  • Pages : 419 pages

Download or read book Pablo Picasso written by Dr Enrique Mallen and published by Liverpool University Press. This book was released on 2023-03-18 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exactly when Matisse and Picasso first met is open to debate. Their earliest encounter may have taken place during the Matisse retrospective at Galerie Druet right before the 1906 Salon des Indépendants. The latter marked the first time all the Fauves exhibited together. The centerpiece was Matisse’s monumental Le bonheur de vivre. Leo Stein bought the painting while the Salon was still running, regarding it as “the most important work of our time.” This opinion undoubtedly annoyed Picasso. Jealousy of the other man’s success goaded him to greater innovations. In his view, the new art would have to match the sense of endless discovery that science and technology were offering. The 1900 “Exposition Universelle” had already shown the latest marvels in engineering. If painting wanted to keep the public’s attention, instead of merely reproducing what the eye saw, it had to generate its own reality on the surface of the canvas, a reality more vivid than, and bearing only the most cursory resemblance to, anything found in nature. Matisse was also a catalyst in that he was the one who introduced Picasso to African sculptures. Max Jacob recalls: “Matisse took a black, wooden statuette from a table and showed it to Picasso. It was the first piece of Negro wooden art. Picasso held onto it all evening. The next morning, when I arrived at the studio, the floor was strewn with sheets of paper, and on each sheet was drawn the head of a woman; all of them were more or less the same: one eye, an oversized nose attached to the mouth, and a lock of hair on the shoulders. Cubism was thus born” (cited in Janine Warnod, Washboat Days [New York: Grossman Publishers Warnod, 1972, p. 128]).

Book Pablo Picasso and Dora Maar

Download or read book Pablo Picasso and Dora Maar written by Dr Enrique Mallen and published by Liverpool University Press. This book was released on 2021-03-12 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Pablo Picasso spotted Dora Maar at a cafe in January 1936 it is highly likely that she had come to his attention prior. As Brassaï, a Hungarian-French photographer, recalled, 'It was at Les Deux-Magots that, one day in autumn 1935, [he] met Dora. On an earlier day, he had already noticed the grave, drawn face of the young woman at a nearby table, the attentive look in her light-colored eyes, sometimes disturbing in its fixity. When Picasso saw her in the same cafe in the company of the surrealist poet Paul Éluard, who knew her, the poet introduced her to Picasso' (Brassaï, a.k.a. Gyula Halász, Conversations with Picasso [University of Chicago Press, 1999]). Tinged with a seductive mix of violence and dark eroticism, this first meeting has attained mythical status in the story of the artist's life. It reads like an unreal fantasy. A mysterious and feline beauty, which Man Ray had captured in the pictures he took of her, a companion of Georges Bataille, Dora was an accomplished photographer, close to the Surrealists revolutionary aesthetics. Picasso addressed her in French, which he assumed to be her language; she replied in Spanish, which she knew to be his. For the next decade, the painter would translate not just his fascination with the woman who had seduced him on the spot, but also his desire to escape the grip of someone who, for the first time, could intellectually aspire to be his equal. Dora would appear in his works as a female Minotaur, a Sphinx, a lunar goddess and a muse. Because of her intense artistic sensibility, her poetic gifts and her ability to participate in suffering, she was especially qualified to resonate Picasso's own inner torments during these troubled years.

Book Picasso  Braque  L  ger  and the Cubist Spirit  1919 1939

Download or read book Picasso Braque L ger and the Cubist Spirit 1919 1939 written by Kenneth Wayne and published by University of Washington Press. This book was released on 1996 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The first essay addresses Picasso's abundant and varied cubist painting. The second essay treats the art of three major Cubists -- Picasso, Braque, and Leger -- in the context of the various cubist idioms that developed. The third essay, also broad in scope, examines the significant relationship between Cubism and the decorative arts in France.

Book Picasso  Graphic Magician

    Book Details:
  • Author : Pablo Picasso
  • Publisher : Stanford University Museum of Art
  • Release : 1998
  • ISBN :
  • Pages : 184 pages

Download or read book Picasso Graphic Magician written by Pablo Picasso and published by Stanford University Museum of Art. This book was released on 1998 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: 120 prints include highlights from all major areas of Picasso's graphic work.

Book Body  Subject   Subjected

    Book Details:
  • Author : Dr Debra D Andrist
  • Publisher : Liverpool University Press
  • Release : 2016-01-01
  • ISBN : 1782843280
  • Pages : 340 pages

Download or read book Body Subject Subjected written by Dr Debra D Andrist and published by Liverpool University Press. This book was released on 2016-01-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hominids have always been obsessed with representing their own bodies. The first "selfies" were prehistoric negative hand images and human stick figures, followed by stone and ceramic representations of the human figure. Thousands of years later, moving via historic art and literature to contemporary social media, the contemporary term "selfie" was self-generated. The book illuminates some "selfies". This collection of critical essays about the fixation on the human self addresses a multi-faceted geographic set of cultures -- the Iberian Peninsula to pre-Columbian America and Hispanic America -- analysing such representations from medical, literal and metaphorical perspectives over centuries. Chapter contributions address the representation of the body itself as subject, in both visual and textual manners, and illuminate attempts at control of the environment, of perception, of behaviour and of actions, by artists and authors. Other chapters address the body as subjected to circumstance, representing the body as affected by factors such as illness, injury, treatment and death. These myriad effects on the body are interpreted through the brushes of painters and the pens of authors for social and/or personal control purposes. The essays reveal critics' insights when "selfies" are examined through a focused "lens" over a breadth of cultures. The result, complex and unique, is that what is viewed -- the visual art and literature under discussion -- becomes a mirror image, indistinguishable from the component viewing apparatus, the "lens".