Download or read book Modern Art in Britain 1910 1914 written by Anna Gruetzner Robins and published by Merrell. This book was released on 1997 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines a series of exhibitions held 1910-1914: Manet and the Post-Impressionists (1910), An exhibition of pictures by Paul Cézanne and Paul Gauguin (1911), Paintings by the Italian Futurist artists (1912), Second Post-Impressionist exhibition (1912) and Post-Impressionists and Futurists (1913).
Download or read book The Modernity of English Art 1914 30 written by David Peters Corbett and published by Manchester University Press. This book was released on 1997 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --
Download or read book English Art 1860 1914 written by David Peters Corbett and published by Manchester University Press. This book was released on 2000 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In one of the first studies of its kind, Orphan texts seeks to insert the orphan, and the problems its existence poses, in the larger critical areas of the family and childhood in Victorian culture. In doing so, Laura Peters considers certain canonical texts alongside lesser known works from popular culture in order to establish the context in which discourses of orphanhood operated.The study argues that the prevalence of the orphan figure can be explained by considering the family. The family and all it came to represent - legitimacy, race and national belonging - was in crisis. In order to reaffirm itself the family needed a scapegoat: it found one in the orphan figure. As one who embodied the loss of the family, the orphan figure came to represent a dangerous threat to the family; and the family reaffirmed itself through the expulsion of this threatening difference. Orphan texts will be of interest to final year undergraduates, postgraduates, academics and those interested in the areas of Victorian literature, Victorian studies, postcolonial studies, history and popular culture.
Download or read book British Art and the First World War 1914 1924 written by James Fox and published by Cambridge University Press. This book was released on 2015-07-30 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: The First World War is usually believed to have had a catastrophic effect on British art, killing artists and movements, and creating a mood of belligerent philistinism around the nation. In this book, however, James Fox paints a very different picture of artistic life in wartime Britain. Drawing on a wide range of sources, he examines the cultural activities of largely forgotten individuals and institutions, as well as the press and the government, in order to shed new light on art's unusual role in a nation at war. He argues that the conflict's artistic consequences, though initially disruptive, were ultimately and enduringly productive. He reveals how the war effort helped forge a much closer relationship between the British public and their art - a relationship that informed the country's cultural agenda well into the 1920s.
Download or read book Internationalism and the Arts in Britain and Europe at the Fin de Si cle written by Grace Brockington and published by Peter Lang. This book was released on 2009 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays stems from the conference 'Internationalism and the Arts: Anglo-European Cultural Exchange at the Fin de Siècle' held at Magdalene College, Cambridge, in July 2006. The growth of internationalism in Europe at the fin de siècle encouraged confidence in the possibility of peace. A wartorn century later, it is easy to forget such optimism. Flanked by the Franco-Prussian war and the First World War, the late nineteenth and early twentieth centuries were marked by rising militarism. Themes of national consolidation and aggression have become key to any analysis of the period. Yet despite the drive towards political and cultural isolation, transnational networks gathered increasing support. This book examines the role played by artists, writers, musicians and intellectuals in promoting internationalism. It explores the range of individuals, media and movements involved, from cosmopolitan characters such as Walter Sickert and Henri La Fontaine, through internationalist art societies, to periodicals, performance, and the mobility of the Arts and Crafts Movement. The discussion takes in the geographical breadth of Europe, incorporating Belgium, Bohemia, Britain, France, Germany, Hungary, Italy, Norway, Poland, Russia and Slovakia. Drawing on the work of scholars from across Europe and America, the collection makes a statement about the complexity of European identities at the fin de siècle, as well as about the possibilities for interdisciplinary research in our own era.
Download or read book Avant garde Art in England 1910 1914 written by Carin Kloppers and published by . This book was released on 1991 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The World in Paint written by David Peters Corbett and published by Manchester University Press. This book was released on 2004 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anonymous manuscript play has long been the subject of scholarly dispute regarding its relationship with Shakespeare's Richard II. This edition, which thoroughly re-examines the text, situates the play within its historical and political context, relating it to the genre of chronicle drama to which it belongs. The manuscript is of particular interest in that it appears to have been used in the playhouse over a considerable period of time and contains what seems to be evidence of the theatre practice of the time. The play is also of special interest for its skilful and original handling of source material which may well have influenced Shakespeare's Richard II. The extensive appendices drawn from Holinshed, Grafton and Stow provide the reader with the opportunity to investigate the manner in which the dramatist has shaped the material. The editors argue for the play's stage-worthiness and dramatic complexity, suggesting that its range both of dramatic tone and social inclusiveness indicate the work of a dramatist of considerable skill and subtlety, equal or superior to the Shakespeare of the Henry VI plays.
Download or read book Aspects of Modern British Art 1910 1965 written by and published by . This book was released on 1998 with total page 57 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Historical Narratives of Global Modern Art written by Irina D. Costache and published by Taylor & Francis. This book was released on 2023-07-31 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
Download or read book Rhythms of Modern Life written by Clifford S. Ackley and published by . This book was released on 2008 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Contemporary Art 1910 1990 written by Press Herbert and published by Herbert Press. This book was released on 1992-11 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over 90 reproductions (mostly in color) of paintings and photographs of statues, essays by leading art critics, and articles about the society, survey the collection of contemporary British art. No subject index. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Inventing Abstraction 1910 1925 written by Leah Dickerman and published by The Museum of Modern Art. This book was released on 2012 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Download or read book London Modernism and 1914 written by Michael J. K. Walsh and published by Cambridge University Press. This book was released on 2010-05-06 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new take on the impact of war on the London art and literary scene and the emergence of modernism, first published in 2010.
Download or read book The World in Paint written by David Peters Corbett and published by . This book was released on 2004 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, David Peters Corbett proposes a new way of looking at English painting from the Pre-Raphaelites to Wyndham Lewis and the Vorticists. An award-winning art historian, he contends that from 1848 to 1914, English artists confronted a world in which the rise of science and decline in religion deprived painting of many of its traditional functions and powers. Yet these same changes presented the possibility that painting could become a crucial means of mediating the materialism of industrial society. It could expose the values that had been lost, reveal hidden spiritual and emotional resources, or, alternatively, welcome and champion the dynamics of modernism.
Download or read book Modernism Magazines and the British avant garde written by Faith Binckes and published by OUP Oxford. This book was released on 2010-05-20 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look in detail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review. By thoroughly examining not only the content but the interrelated networks that defined and surrounded these publications, Faith Binckes aims to provide a fresh and challenging perspective to the on-going reappraisal of modernism. Founded in 1911, and edited by John Middleton Murry with assistance from Michael Sadleir and subsequently from Katherine Mansfield, Rhythm and The Blue Review featured a series of pivotal moments. Rhythm was the arena for a challenge to Roger Fry's vision of Post-Impressionism, for the introduction of Picasso to a British audience, for early short stories and reviews by Lawrence, and for Mansfield's discovery of a voice in which to frame her breakthrough writing on New Zealand. A further context for many of these experiments was the extended and acrimonious debate Rhythm conducted with A.R. Orage's New Age, in which issues of the proper gender, generation, and formulation of modernity were debated month by month. However, reading magazines as vehicles for avant-garde development can only provide half the story. The book also pays close attention to their dialogic, reproductive, and periodical nature, and explores the strategies at work within the terminology of the new. Crucially, it argues that they offer compelling material evidence for the consistently mobile and multiple boundaries of the modern, and puts forward a compelling case for focusing upon the specificity of magazines as a medium for literary and artistic innovation.
Download or read book Art Politics and Society in Britain 1880 1914 written by Trevor Harris and published by Cambridge Scholars Publishing. This book was released on 2009-10-02 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: The oldest word in politics is “new”. The oldest word in the writing of history may well be “modern”: it is, without doubt, one of the most overworked adjectives in the English language. But the indeterminacy is perhaps just another way of saying that the difficulties raised are of a kind which simply will not go away… This collection of eight essays on aspects of modernity and modernism takes up the challenge of examining the complex, but fascinating convergence of aesthetics, politics and a quasi-spiritual dimension which is perhaps typical of British modernist thinking about modernity. This may have produced figures whom we now dismiss as eccentrics or “aesthetes”, it none the less produced figures whom many still think of as in some sense embodying the national identity: what, after all, could be more “English” than a William Morris wallpaper design? Rather than towards socialism in any of its “scientific” guises, what the British modernist approach to modernity may have been pushing at was yet another mutation of liberalism: a libertarian-humanitarian hybrid in which indigenous radical and Evangelical legacies keep scientific socialism in check, where fellowship and domesticity edge out a larger-scale, more abstract “fraternity”, and where citoyenneté or civisme give way to what George Orwell was later to define simply as “decency”.
Download or read book English Art and Modernism 1900 1939 written by Charles Harrison and published by Paul Mellon Ctr for Studies. This book was released on 1994-01-01 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated book is both a detailed history of the development of modern art in England in the early 20th century and a study of the evolution of the concept of modernism among English artists, critics, and theorists. First published in 1981 to great acclaim, the book is now available in paperback with a new introduction and new colour plates.
