Download or read book Mexican American Theatre Then and Now written by Nicol‡s Kanellos and published by Arte Publico Press. This book was released on 1983-03-01 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of interviews, essays and vaudeville skits from the 1930s to the 1950s all pertaining to Mexican American theater. Historical studies by Jorge Huerta, Nicol‡s Kanellos, Tom‡s Ybarra-Fausto and others; exclusive interview of Luis Valdez; and a vaudeville material from Lalo Astol, the Carpa Garc’a and others never before published.
Download or read book Mexican American Theatre written by Nicolás Kanellos and published by Arte Publico Press. This book was released on 1983 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of histrorical studies of Mexican-American theater by Jorge Huerta, Nicolas Kanellos, Tomas Ybarra-Frausto and others. Pieces include interviews, essays and vaudeville skits from the 1930s to the 1950s and an exclusive interview of Luis Valdez.
Download or read book Mexican American Theater written by Nicolás Kanellos and published by Pittsburgh, Pa. : Latin American Literary Review Press. This book was released on 1987 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chicanas Latinas in American Theatre written by Elizabeth C. Ramírez and published by Indiana University Press. This book was released on 2000 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Elizabeth C. Ramírez's study reveals the traditions of Chicanas/Latinas in theatre and performance, showing how Latina/Latino theatre has evolved from its pre-Columbian, Spanish, and Mexican origins to its present prominence within American theatre history. This project on women in performance serves the need for scholarship on the contributions of underrepresented groups in American theatre and education, in cultural studies and the humanities, and in American and world history.
Download or read book Chicano Drama written by Jorge A. Huerta and published by Cambridge University Press. This book was released on 2000-11-16 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.
Download or read book Hispanic Theatre in the United States written by Nicolás Kanellos and published by Houston, Tex. : Arte Público Press. This book was released on 1984 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Out of the Fringe written by Caridad Svich and published by . This book was released on 2000 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: Major new collection of Latina/o contemporary work for the stage.
Download or read book The Theatre of Luis Valdez written by Michael M. Chemers and published by Routledge. This book was released on 2021-11-29 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Theatre of Luis Valdez focuses on the life and work of American playwright and director Luis Valdez, probably best known for his landmark 1979 play Zoot Suit – the first play by a Latinx playwright to appear on Broadway – and founder of El Teatro Campesino, the oldest surviving community theatre in the United States. Built around first-hand discussions of Valdez’s work, this collection gives an in-depth understanding of where ‘the godfather of Chicano theatre’ fits in the grand scheme of American drama and performance. Collaborators Edward James Olmos and Alma Martinez talk about working with Valdez and El Teatro Campesino; scholar Leticia Garcia interviews Jorge Huerta, the leading authority on Chicanx and Latinx theatre on the impact of Valdez work; and Luis Valdez himself contributes a lecture on all aspects of his craft from political resistance and the migrant experience to actor training and dramatic form. A concise and accessible study, 4x45 || Luis Valdez is the go-to resource for scholars, students and theatre practitioners looking for an introduction to this seminal figure in modern American performance.
Download or read book Chicano Theater written by Jorge A. Huerta and published by Ypsilanti, Mich. : Bilingual Press. This book was released on 1982 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Footlights Across the Border written by Elizabeth C. Ramírez and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1990 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a detailed account of the varying theatrical activities on the Mexican-American stage in Texas and the culture of the Mexican-Americans involved. Ramírez reveals previously unknown data about the nature of Spanish-language theatre companies, their repertoire, their audiences, and the importance of what was essentially a «movement» of Mexican and Mexican-American troupes that toured from Mexico to Texas during the latter part of the nineteenth century through their demise in 1935. Ramírez focuses on the troupes' travels and residences in Texas through an analysis of significant representative companies.
Download or read book Borderlands Children s Theatre written by Cecilia Josephine Aragón and published by Routledge. This book was released on 2022-03-03 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book chronicles the child performer as part of the Chicana/o/Mexican-American theatre experience. Borderlands Children’s Theatre explores the phenomenon of the Chicana/o/Mexican-American child performer at the center of Chicana/o and Latina/o theatre culture. Drawing from historical and contemporary theatrical traditions to finally the emergence of Latina/o Youth Theatre and Latina/o Theatre for Young Audiences, it raises crucial questions about the role of the child in these performative contexts and about how childhood and adolescence was experienced and understood. Analyzing contemporary plays for Chicana/o/Mexican-American child performer, it introduces theorizations of "performing mestizaje" and "border crossing" borderlands performance, gender, and ethnic identity and investigates theatre as a site in which children and youth have the opportunity to articulate their emerging selfhoods. This book adds to the national and international dialogue in theatre and gives voice to Chicana/o/Mexican-American children and youth and will be of great interest to students and scholars of Theatre studies and Latina/o studies.
Download or read book Necessary Theater written by Jorge A. Huerta and published by Arte Publico Press. This book was released on 1989-07-01 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Huerta, a leading exponent of contemporary Chicano theater, has assembled six short, representative plays that not only share the common theme of survival but also have received successful staging. The playsÍ stylistic variety, from the Brechtian Guadalupe and La victima through the realistically domestic Soldierboy to the modern morality play Money, combined with useful introductions both to the collection as a whole and to each of the scripts, enhances the anthologyÍs value. Readers should be informed that some scenes are bilingual and some written entirely in Spanish. Recommended especially for libraries serving Hispanic communities.
Download or read book Two Centuries of Hispanic Theatre in the Southwest written by Nicolas Kanellos and published by Arte Publico Press. This book was released on 1982-06-01 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt: Isabel visits her aunts on Saturdays. They dance, dress up, and make empanadas.
Download or read book A History of Hispanic Theatre in the United States written by Nicolás Kanellos and published by University of Texas Press. This book was released on 2014-02-19 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.
Download or read book Zoot Suit Other Plays written by Luis Valdez and published by Arte Publico Press. This book was released on 1992-04-30 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
Download or read book Seeking Common Ground Latinx and Latin American Theatre and Performance written by Evelina Ferdandez and published by Bloomsbury Publishing. This book was released on 2021-09-23 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-Author A curated collection of new Latinx and Latin American plays, monologues, interviews, and critical essays that asks the question: what is the common ground between Latinx and Latin American artists? Featuring a mix of plays and scholarly essays, this work originally emerged from the Latino Theater Company's Encuentro de las Américas festival, produced in partnership with the Latinx Theatre Commons (LTC) at the Los Angeles Theatre Center in 2017. The collection chronicles not only the theatrical productions of the festival, but also features a transnational exploration of U.S. Latinx and Latin American theatre-making. Alongside plays by Evelina Fernández, Alex Alpharaoh, J.Ed Araiza and Carlos Celdrán this anthology also includes a mix of monologues, snapshots, profiles and interviews that together provide a dynamic account of these intersections within U.S. Latinx and Latin American Theater. A unique collection it serves not only as a testament to the diversity of Latinx artists, but also to the strength of the Latinx Theater movement and its ever-growing networks across the Hemispheric Americas. Full playtexts include: Dementia by Evelina Fernández WET: A DACAmented Journey by Alex Alpharoah Miss Julia adapted by J.Ed Araiza 10 Million by Carlos Celdrán
Download or read book Staging Lives in Latin American Theater written by Paola Hernández and published by Northwestern University Press. This book was released on 2021-04-15 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Lives in Latin American Theater: Bodies, Objects, Archives examines twenty‐first‐century documentary theater in Latin America, focusing on important plays by the Argentine director Vivi Tellas, the Argentine playwright and director Lola Arias, the Mexican theater collective Teatro Línea de Sombra, and the Chilean playwright and director Guillermo Calderón. Paola S. Hernández demonstrates how material objects and archives—photographs, videos, and documents such as witness reports, legal briefs, and letters—come to life onstage. Hernández argues that present-day, live performances catalog these material archives, expanding and reinterpreting the objects’ meanings. These performances produce an affective relationship between actor and audience, visualizing truths long obscured by repressive political regimes and transforming theatrical spaces into sites of witness. This process also highlights the liminality between fact and fiction, questioning the veracity of the archive. Richly detailed, nuanced, and theoretically wide-ranging, Staging Lives in Latin American Theater reveals a range of interpretations about how documentary theater can conceptualize the idea of self while also proclaiming a new mode of testimony through theatrical practices.
