Download or read book Looking Back 1896 1960 written by and published by . This book was released on 1981 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Looking Back 1896 1960 written by and published by . This book was released on 1981 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cosmopolitan Film Cultures in Latin America 1896 1960 written by Rielle Navitski and published by Indiana University Press. This book was released on 2017-06-19 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.

Download or read book The Modernist World written by Allana Lindgren and published by Routledge. This book was released on 2015-06-05 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume. The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.

Download or read book My Homage to All written by Kanan Devi and published by Zubaan. This book was released on 2014-06-27 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kanan Devi, one of the early singing stars, came into the film world in the silent era and, unlike many others, survived the transition to talkies. Reduced to working as a domestic help after the death of her father, her life took a dramatic turn when she was offered a film role and, encouraged by her uncle, took it. In this lively and candid account of her experiences (originally published in 1973 as Shobarey Aami Nomi), Kanan Devi recalls the early days of cinema in Bengal, analysing and comparing conditions of film acting in the early 1930s with what she saw about two or three decades later when she herself was a producer and director, with her own film company, Shrimati Pictures. This fascinating and unusual story offers not only a different perspective on the growth of the film industry in Bengal but also a first hand account of the position of women who came into the public sphere in the early decades of the last century. Published by Zubaan.

Download or read book Nonfiction Film written by Richard Barsam and published by Indiana University Press. This book was released on 1992-11-22 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television

Download or read book Balancing the Wisdom Tree written by Film and Television Institute of India and published by Publications Division Ministry of Information & Broadcasting. This book was released on with total page 593 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique publication focussed on women alumni to mark the diamond jubilee year of the Film and Television Institute of India (FTII), Pune.

Download or read book Theorizing World Cinema written by Lúcia Nagib and published by Bloomsbury Publishing. This book was released on 2011-11-30 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative book is about the place of world cinema in the cultural imaginary. It also repositions world cinema in a wider discursive space than is usually the case and treats it as an object of theoretical enquiry, rather than as a commercial label. The editors and distinguished group of contributors offer a range of approaches and case studies whose organizing principle is the developing idea of polycentrism as applied to cinema. They refine and redefine key concepts in film studies, including identification and identity, narrative and realism, allegory and the national project, auteurism and the popular, art and genre. They re-evaluate how cinema shapes and responds to the philosophical, cultural and political effects of transnationalism and cosmopolitanism in the age of the moving image, and explore the interconnectedness of films produced worldwide, as well as the links between cinema and other visual cultural forms. The contributors include: John Caughie, Felicia Chan, Tiago de Luca, Rajinder Dudrah, Song Hwee Lim, Laura Mulvey, Lucia Nagib, Geoffrey Nowell-Smith, Chris Perriam, Ashish Rajadhyaksha, Paul Julian Smith, and Ismail Xavier.

Download or read book The Lion and the Tiger written by Denis Judd and published by Oxford University Press, USA. This book was released on 2004 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: An authoritative and lively account of the long and controversial history of the British in India, from the foundation of the East India Company in 1600; to Ghandi's innovative leadership of the increasingly militant Indian Nationalist movement: and finally to Lord Mountbatten's 'swift surgeryof partition', leaving behind the Independent states of India and Pakistan.Against this epic backdrop, Judd explores the consequences of British control for both Indians and the British in India.What was the effect on their daily lives, and on the lives they were effectively controlling? Were the British intent on development or exploitation? Were they a 'civilizing'force? Easy answers are avoided, and difficult questions provoked in this fascinating book.

Download or read book Third World Film Making and the West written by Roy Armes and published by Univ of California Press. This book was released on 1987-07-29 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume.

Download or read book National Identity in Indian Popular Cinema 1947 1987 written by Sumita S. Chakravarty and published by University of Texas Press. This book was released on 2011-05-18 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.

Download or read book Unruly Cinema written by Rini Bhattacharya Mehta and published by University of Illinois Press. This book was released on 2020-06-22 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.

Download or read book Filming the Gods written by Rachel Dwyer and published by Routledge. This book was released on 2006-09-27 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.

Download or read book Cultural History of Modern India written by Dilip M. Menon and published by Berghahn Books. This book was released on 2006 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Cultural History Of Modern India Edited By Dilip M. Menon Definitely Qualifies For Interesting Reading&The Different Approach Attempted Through The Book Indubitably Is A Fresh Endeavour For A Multidisciplinary Approach With Sociologists, Art Historians And Music Theorists Working Within A Historical Paradigm.' The Statesman, 9 December 2006 The History Of Modern India Has Been Narrated Largely In Terms Of The Nationalist Movement, Personalities And What Has Been Seen As The 'High' Politics Of The State. Recent Shifts In History Writing Have Tried To Bring In Subordinated Histories Of Regions And Of Groups. We Are Moving Towards A Wider Understanding Of Politics, History And Of The Ordinary People Who Make History. This Collection Tries To Push The Emerging Paradigm Further By Moving Away From Conventional Notions Of The History Of The Nation And Indeed Of The Political. The Six Essays In This Collection Present Original And Pioneering Forays In The Study Of Cricket, Oral History, Gender Studies, Film, Popular Culture And Indian Classical Music. Whether Looking At Issues Of Caste On The Seemingly Level Playing Field Of Cricket In Early Twentieth Century India; Or How A Nineteenth Century Housewife Comes To Pen The First Autobiography By An Indian Woman; Calendar Art Reflecting Deeper Notions Of Religion And Community; Or How An Idea Of Pure Classical Music Faces The Challenge Of Technology, These Essays Show How Ideas Of Self, Community And Art Are Formed Within A Larger Politics. Moreover, Culture Far From Being A Refuge From The Political Is Also The Space Within Which Politics Comes To Be Worked Out.

Download or read book The Rays before Satyajit written by Chandak Sengoopta and published by Oxford University Press. This book was released on 2016-05-04 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the history of Indian cinema, the name of Satyajit Ray needs no introduction. However, what remains unvoiced is the contribution of his forebears and their tryst with Indian modernity. Be it in art, advertising, and printing technology or in nationalism, feminism, and cultural reform, the earlier Rays attempted to create forms of the modern that were uniquely Indian and cosmopolitan at the same time. Some of the Rays, especially Upendrakishore and his son, Sukumar, are iconic figures in Bengal. But even Bengali historiography is almost exclusively concerned with the family’s contributions to children’s literature. However, as this study highlights, the family also played an important role in engaging with new forms of cultural modernity. Apart from producing literary works of enduring significance, they engaged in diverse reformist endeavours. The first comprehensive work in English on the pre-Satyajit generations, The Rays before Satyajit is more than a collective biography of an extraordinary family. It interweaves the Ray saga with the larger history of Indian modernity.

Download or read book India Briefing 1993 written by Philip Oldenburg and published by Routledge. This book was released on 2019-05-20 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: A common theme in the India Briefing series has been India's resilience in the face of turmoil and tragedy. This year's volume demonstrates that India is under greater stress than ever before. In the country's severest test, India's secular foundations were shaken by the storming and destruction of the Barbi mosque in Ayodhya. This act of violence

Download or read book Salaam Bollywood written by Vikrant Kishore and published by Routledge. This book was released on 2016-03-31 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the journey of popular Hindi cinema from 1913 to contemporary times when Bollywood has evolved as a part of India’s cultural diplomacy. Avoiding a linear, developmental narrative, the book re-examines the developments through the ruptures in the course of cinematic history. The essays in the volume critically consider transformations of the Hindi film industry from its early days to its present self-referential mode, issues of gender, dance and choreography, Bombay cinema’s negotiations with the changing cityscape and urbanisms, and concentrate on its multifarious regional, national and transnational implications in the 21st century. One of the most comprehensive volumes on Bollywood, this work presents an analytical overview of the multiple histories of popular cinema in India and will be useful to scholars and researchers interested in film and media studies, South Asian popular culture and modern India, as well as to cinephiles and general readers alike.