Download or read book The French Emblem written by Laurence Grove and published by Librairie Droz. This book was released on 2000 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Complète les deux ouvrages publiés dans la même collection, d'Alison Saunders, Stephen Rawles et Alison Adams. L'index des noms et des lieux enrichit la bibliographie des oeuvres secondaires consacrées aux emblèmes français et en facilite l'utilisation.

Download or read book Italian Music Incunabula written by Mary Kay Duggan and published by Univ of California Press. This book was released on 1992-01-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A splendid piece of work . . . fascinating for bibliographers, musicologists, liturgical specialists, and Renaissance historians."--D. W. Krummel, University of Illinois "A splendid piece of work . . . fascinating for bibliographers, musicologists, liturgical specialists, and Renaissance historians."--D. W. Krummel, University of Illinois

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Download or read book Shakespeare s Erotic Mythology and Ovidian Renaissance Culture written by Ms Agnès Lafont and published by Ashgate Publishing, Ltd.. This book was released on 2013-09-28 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking cross-disciplinary and comparative approaches to the volume’s subject, this exciting collection of essays offers a reassessment of Shakespeare’s erotic and Ovidian mythology within classical and continental aesthetic contexts. Through extensive examination of mythological visual and textual material, scholars explore the transmission and reinvention of Ovidian eroticism in Shakespeare’s plays to show how early modern artists and audiences collectively engaged in redefining ways of thinking pleasure. Within the collection’s broad-ranging investigation of erotic mythology in Renaissance culture, each chapter analyses specific instances of textual and pictorial transmission, reception, and adaptation. Through various critical strategies, contributors trace Shakespeare’s use of erotic material to map out the politics and aesthetics of pleasure, unravelling the ways in which mythology informs artistic creation. Received acceptions of neo-platonic love and the Petrarchan tensions of unattainable love are revisited, with a focus on parodic and darker strains of erotic desire, such as Priapic and Dionysian energies, lustful fantasy and violent eros. The dynamics of interacting tales is explored through their structural ability to adapt to the stage. Myth in Renaissance culture ultimately emerges not merely as near-inexhaustible source material for the Elizabethan and Jacobean arts, but as a creative process in and of itself.

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