Download or read book In the Theatre of Romanticism written by Julie A. Carlson and published by Cambridge University Press. This book was released on 2007-08-16 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: English Romanticism has long been considered an 'undramatic' and 'anti-theatrical' age, yet Wordsworth, Coleridge, Byron, Shelley and Keats all wrote plays and viewed them as central to England's poetic and political reform. In the Theatre of Romanticism analyses these plays, in the context of London theatre at the time, and argues that Romantic discourse on theatre is crucial to constructions of nationhood in the period. The book focuses primarily on Coleridge and on the middle stage of his career, during which he wrote most extensively for and about the theatre. But its discussion of anxieties about women in Coleridge's plays applies just as forcefully to the history plays of the second-generation romantic poets, and to the best-known romantic writers on theatre: Hazlitt, Hunt and Lamb. Unlike the few existing studies of romantic drama, this study considers the plays not as closet drama or 'mental theatre', but as theatrical contributions to the debate sparked off by the Revolution in France.
Download or read book Women s Romantic Theatre and Drama written by Keir Elam and published by Routledge. This book was released on 2016-12-05 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: As theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the public theatre, they shed light on the issue of women's agency, expressed both through the writing of highly politicized or ethicized drama, as in the case of Elizabeth Inchbald or Joanna Baillie, and through women's professional practice as theatre managers and stage producers, as in the case of Elizabeth Vestris and Jane Scott. Among the topics considered are women's history plays, domesticity, ethics and sexuality in women's closet drama, the politics of drama and performance, and the role of women as managers and producers. Specialists in performance studies, Romantic Period drama, and women's writing will find the essays both challenging and inspiring.
Download or read book Women in British Romantic Theatre written by Catherine Burroughs and published by Cambridge University Press. This book was released on 2000-11-16 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.
Download or read book Romanticism and Theatrical Experience written by Jonathan Mulrooney and published by Cambridge University Press. This book was released on 2018 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides new theatrical contexts for Romantic-period literary writing, reframing the relationship between theater and poetry in Regency London.
Download or read book Victor Hugo and the Romantic Drama written by Albert W. Halsall and published by University of Toronto Press. This book was released on 1998-01-01 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Albert W. Halsall presents the first complete treatment in English of Hugo's plays - a history, plot summary, and detailed analysis of all the dramas, from Cromwel and Torquemada to the juvenilia and the epic melodrama Les Burgraves.
Download or read book The Romantic Ideology written by Jerome J. McGann and published by University of Chicago Press. This book was released on 1985-02-15 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claiming that the scholarship and criticism of Romanticism and its works have for too long been dominated by a Romantic ideology—by an uncritical absorption in Romanticism's own self-representations—Jerome J. McGann presents a new, critical view of the subject that calls for a radically revisionary reading of Romanticism. In the course of his study, McGann analyzes both the predominant theories of Romanticism (those deriving from Coleridge, Hegel, and Heine) and the products of its major English practitioners. Words worth, Coleridge, Shelley, and Byron are considered in greatest depth, but the entire movement is subjected to a searching critique. Arguing that poetry is produced and reproduced within concrete historical contexts and that criticism must take these contexts into account, McGann shows how the ideologies embodied in Romantic poetry and theory have shaped and distorted contemporary critical activities.
Download or read book The Limits of Performance in the French Romantic Theatre written by Susan McCready and published by Durham Modern Languages. This book was released on 2007 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume analyzes major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theater rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal "proving ground" that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theater scholarship while proposing a fresh direction in the study of text and performance. The Limits of Performance challenges conventional wisdom, offering a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general, combined with eminently readable and, therefore, compelling analysis of plays - a thought-provoking addition to work in the field (Glyn Hambrook, Modern and Contemporary France, November 2008).
Download or read book The Romantic Stage written by and published by Rodopi. This book was released on 2015-03-20 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Romantic Stage: A Many-Sided Mirror examines late eighteenth- and early nineteenth-century British theatre and drama with the conviction that they made an essential contribution to the aesthetic and ideological complexity of the British culture of the day. The essays collected in this volume seek to capture the richness and diversity of British Romantic theatre and drama and situate them at the centre of the multiple, and often radical, literary and social transformations that the Age brought about. The volume is divided into four main sections: “Contextualizing Romantic Theatre and Drama”, “Drama across the Arts”, “Staging the Gothic (Fear on Stage)” and “Texts, Theories and Contexts”. Each section is dedicated to a particular aspect of English Romantic drama examined through interdisciplinary, international and inter-generic perspectives.
Download or read book Time in Romantic Theatre written by Frederick Burwick and published by Springer Nature. This book was released on 2022-06-01 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The shift in temporal modalities of Romantic Theatre was the consequence of internal as well as external developments: internally, the playwright was liberated from the old imperative of “Unity of Time” and the expectation that the events of the play must not exceed the hours of a single day; externally, the new social and cultural conformance to the time-keeping schedules of labour and business that had become more urgent with the industrial revolution. In reviewing the theatre of the Romantic era, this monograph draws attention to the ways in which theatre reflected the pervasive impact of increased temporal urgency in social and cultural behaviour. The contribution this book makes to the study of drama in the early nineteenth century is a renewed emphasis on time as a prominent element in Romantic dramaturgy, and a reappraisal of the extensive experimentation on how time functioned.
Download or read book The Languages of Performance in British Romanticism written by Lilla Maria Crisafulli and published by Peter Lang. This book was released on 2008 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a selection of essays by established Italian and international scholars in the field of Romantic drama. It is divided into four main sections: 1) Dramatic Theory and Practice; 2) On the Romantic Stage: History, Arts, and Acting; 3) Interaction of Genres: from Fiction to Drama; 4) The Romantics' Debate on Theatre and Drama: a Selected Anthology. The crucial area of debate these essays address is the way in which the problem of the dramatic representation of the self becomes in Romantic drama the very centre of reflection on the constitution of the modern subject. Each essay explores one or more aspects of the formation of modern subjectivity through dramatic representation of the self and through critical enquiry into the modes of that representation. The first and the fourth sections discuss the complex interaction between the theoretical questions that animated the debate around the Romantic theatre and the multifarious and often unruly performance practices of the time. The other two sections deal with the many and diverse ways in which Romantic drama engaged with and incorporated other artistic genres such as painting, performing arts, music, and the novel.
Download or read book Shakespeare and the Culture of Romanticism written by Joseph M. Ortiz and published by Routledge. This book was released on 2016-12-05 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: The idea of Shakespearean genius and sublimity is usually understood to be a product of the Romantic period, promulgated by poets such as Coleridge and Byron who promoted Shakespeare as the supreme example of literary genius and creative imagination. However, the picture looks very different when viewed from the perspective of the myriad theater directors, actors, poets, political philosophers, gallery owners, and other professionals in the nineteenth century who turned to Shakespeare to advance their own political, artistic, or commercial interests. Often, as in John Kemble’s staging of The Winter’s Tale at Drury Lane or John Boydell’s marketing of paintings in his Shakespeare Gallery, Shakespeare provided a literal platform on which both artists and entrepreneurs could strive to influence cultural tastes and points of view. At other times, Romantic writers found in Shakespeare’s works a set of rhetorical and theatrical tools through which to form their own public personae, both poetic and political. Women writers in particular often adapted Shakespeare to express their own political and social concerns. Taken together, all of these critical and aesthetic responses attest to the remarkable malleability of the Shakespearean corpus in the Romantic period. As the contributors show, Romantic writers of all persuasions”Whig and Tory, male and female, intellectual and commercial”found in Shakespeare a powerful medium through which to claim authority for their particular interests.
Download or read book The Norton Anthology of Drama written by J. Ellen Gainor and published by . This book was released on 2018 with total page 1792 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive and up-to-date, now with more instructor resources
Download or read book Romanticism A Very Short Introduction written by Michael Ferber and published by OUP Oxford. This book was released on 2010-09-23 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is Romanticism? In this Very Short Introduction Michael Ferber answers this by considering who the romantics were and looks at what they had in common — their ideas, beliefs, commitments, and tastes. He looks at the birth and growth of Romanticism throughout Europe and the Americas, and examines various types of Romantic literature, music, painting, religion, and philosophy. Focusing on topics, Ferber looks at the 'Sensibility' movement, which preceded Romanticism; the rising prestige of the poet; Romanticism as a religious trend; Romantic philosophy and science; Romantic responses to the French Revolution; and the condition of women. Using examples and quotations he presents a clear insight into this very diverse movement, and offers a definition as well as a discussion of the word 'Romantic' and where it came from. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Download or read book The Theatre of Shelley written by Jacqueline Mulhallen and published by Open Book Publishers. This book was released on 2010 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on the author's thesis (Ph.D., Anglia Ruskin University).
Download or read book Revolution in the Theatre written by Barry Daniels and published by Praeger. This book was released on 1983-12-28 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Politics of Romantic Theatricality 1787 1832 written by D. Worrall and published by Springer. This book was released on 2007-04-12 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book sets out the political and cultural conditions regulating dramatic writing during an era of censorship and monopolistic royal theatres. Using a range of plays and manuscripts, it argues for the centrality of burletta, the theatrical locus of the attacks on the Cockney school of poetry and the vitality of the metropolitan dramatic scene.
Download or read book Romantic Dialectics Culture Gender Theater written by Serena Baiesi and published by Romantic Studies. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Romantic Dialectics: Culture, Gender, Theater aims to emphasize the collaborative undertaking in new exploration of neglected areas of Romanticism sharing dialectical engagement in generating and debating new approaches in Romantic studies.
