Download or read book Hans Dieter Schaal written by Hans Dieter Schaal and published by Edition Axel Menges. This book was released on 2002 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hans Dieter Schaal worked on almost all important opera houses including those in Berlin, Brussels, Paris, Vienna, and Zurich. These projects served as vehicles for his extraordinarily expressive artistic powers, which he used to captivate the public.
Download or read book Scenic architecture written by Hans Dieter Schaal and published by Axel Menges. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A visual survey of Schaal's scenic compositions for stage sets and exhibitions, spanning the years 1983-2015.
Download or read book Global Museum written by Hans Dieter Schaal and published by Axel Menges. This book was released on 2007 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: All the world's knowledge is stored and collected here. The place serves as an assembly point and information centre and is all things in one: laboratory, workshop, building site, university, theatre, opera house and museum. The shape of the building should be like a sphere with a silver-grey surface gleaming in the sunlight. It stands in a shallow pool of water. Broad walkways lead to the entrance. Extensive gardens in gentle geometric patterns invite visitors to rest, play, chat and look.
Download or read book Citt e guerra difese distruzioni permanenze delle memorie e dell immagine urbana Tomo II tracce e patrimoni written by Maria Ines Pascariello and published by FedOA - Federico II University Press. This book was released on 2023-12-31 with total page 1178 pages. Available in PDF, EPUB and Kindle. Book excerpt: [Italiano]: In un momento così significativo per la storia europea e mondiale, questo volume vuole essere la raccolta di riflessioni scientifiche condotte sui rapporti tra le scelte politiche, le azioni militari e la fisionomia delle città e del paesaggio urbano, sull’evoluzione delle strutture e delle tecniche di difesa, sulla rappresentazione della guerra e dei suoi effetti sull’immagine urbana, sul recupero delle tracce della memoria cittadina. Da una parte il campo delle Digital Humanities apre nuove prospettive per studiare l'immagine della città prima, durante e dopo la guerra, dall’altro le tecnologie digitali impegnano studiosi e ricercatori di varie discipline: in particolare nell’ambito del disegno viene esplorato il ruolo della rappresentazione nella formulazione dei progetti urbani di difesa e nella documentazione degli eventi bellici e delle tracce lasciate dai conflitti, mentre nell’ambito del restauro vengono approfondite le sfide teoriche e pratiche imposte dai danni arrecati dai conflitti ai centri storici, passando in rassegna casi studio, soluzioni e dibattiti relativi alla conservazione del patrimonio urbano coinvolto in azioni di guerra, con un'attenzione particolare all'identità e alla memoria collettiva./[English]: At such a significant moment in European and world history, this volume aims to be a collection of scientific reflections about the relationships between political choices, military actions and the physiognomy of cities and the urban landscape, about the evolution of defence structures and techniques, about the representation of war and its effects on the urban image, and about the recovery of the traces of city memory. On the one hand the field of Digital Humanities opens up new perspectives to study the image of the city before, during and after the war, on the other hand digital technologies engage academics and researchers from various disciplines: In particular, in the area of drawing, the role of representation in the formulation of urban defence projects and in the documentation of wartime events and the traces left behind by conflicts is explored, while in the area of conservation, the theoretical and practical challenges imposed by the damage caused by conflicts to historic centres are explored, reviewing case studies, solutions and debates relating to the conservation of urban heritage involved in wartime actions, with a focus on identity and collective memory.
Download or read book Signs of Humanity L homme et ses signes written by Gérard Deledalle and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-05-20 with total page 1794 pages. Available in PDF, EPUB and Kindle. Book excerpt: No detailed description available for "Signs of Humanity / L'homme et ses signes".
Download or read book Marlene Dietrich written by Peter Riva and published by University Press of Kentucky. This book was released on 2022-07-26 with total page 748 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marlene Dietrich never threw anything away. She kept her good-luck rag doll (it appeared with her in The Blue Angel and followed her to dressing tables on every movie set). She kept the letters she received from, friends, colleagues, lovers, and her husband of fifty-three years. She kept every article of clothing made for her by the great French couturiers and many from legendary Hollywood costume designers. She kept everything. After Dietrich's death, all of the memorabilia were cataloged—25,000 objects and 18,000 images. Marlene Dietrich: Photographs and Memories brings together her treasures as depicted in 289 photographs from her own collection and features extended captions by her daughter and sole biographer, Maria Riva. We see Dietrich across the years and roles of her life: a child, a young actress in Berlin, a newlywed, a devoted American, a mother, and of course, a glamorous Hollywood legend. An intimate look into the life of an unforgettable star, this collection offers fans more than just photos and memorabilia—it shares perspective from Marlene herself.
Download or read book Children of Nazis written by Tania Crasnianski and published by Simon and Schuster. This book was released on 2018-02-06 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Fascinating Story of Eight Children of Third Reich Leaders and their Journey from Descendants of Heroes to Descendants of Criminals In 1940, the German sons and daughters of great Nazi dignitaries Himmler, Göring, Hess, Frank, Bormann, Höss, Speer, and Mengele were children of privilege at four, five, or ten years old, surrounded by affectionate, all-powerful parents. Although innocent and unaware of what was happening at the time, they eventually discovered the extent of their father's occupations: These men—their fathers who were capable of loving their children and receiving love in return—were leaders of the Third Reich, and would later be convicted as monstrous war criminals. For these children, the German defeat was an earth-shattering source of family rupture, the end of opulence, and the jarring discovery of Hitler's atrocities. How did the offspring of these leaders deal with the aftermath of the war and the skeletons that would haunt them forever? Some chose to disown their past. Others did not. Some condemned their fathers; others worshiped them unconditionally to the end. In this enlightening book, which has been translated into eleven languages, Tania Crasnianski examines the responsibility of eight descendants of Nazi notables, caught somewhere between stigmatization, worship, and amnesia. By tracing the unique experiences of these children, she probes at the relationship between them and their fathers and examines the idea of how responsibility for the fault is continually borne by the descendants.
Download or read book Hans Dieter Schaal written by Hans Dieter Schaal and published by Axel Menges. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the 1970s to the present day, there is scarcely an architect who has produced such pioneering work as a creative explorer of limits, lateral thinker and stimulating inspirational figure than Hans Dieter Schaal. This title explores various facets of his complex and fruitful oeuvre, revealing its synergetic interrelationships. From the 1970s to the present day, there is scarcely an architect who has produced such pioneering work as a creative explorer of limits, lateral thinker and stimulating inspirational figure than Hans Dieter Schaal. With a high level of professionalism Schaal has regularly provided us with essential food for thought and hypotheses as an architect, painter, sculptor, draughtsman, designer, garden and stage designer, Utopian, philosopher and author. Schaal's artistic statements have elicielicited responses at home and abroad and have influenced whole generations of younger designers to a considerable extent.
Download or read book Kleine Bauten written by and published by Springer Science & Business Media. This book was released on 2004 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is usually the large structures that attract attention. We have to look twice to see those small buildings that so often lend a street or square its particular charm. Newspaper kiosks, telephone cells, bus shelters, a floristâs stall â they are all part of everyday city life and infrastructure, and necessary ingredients of any urban composition. They occupy the gaps and embellish empty spaces.In this publication Topos â European Landscape Magazine gathers together many successful examples of these fanciful and eccentric architectural footnotes from Iceland to Croatia, focussing on how location and context determine their design.
Download or read book Believing in Opera written by Tom Sutcliffe and published by Princeton University Press. This book was released on 2014-07-14 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventurous achievements in the theatrical interpretation of opera as it has developed in recent decades. Readers will find descriptions of the most original and successful avant-garde opera productions in Britain, Europe, and America. Sutcliffe beautifully illustrates how updating, transposition, or relocation, and a variety of unexpected imagery in opera, have qualified and adjusted our perception of the content and intention of established masterpieces. Believing in Opera describes in detail the seminal opera productions of the last fifty years, starting with Peter Brook in London after the war, and continuing with the work of such directors and producers as Patrice Chéreau in Bayreuth, Peter Sellars and David Alden in America, Ruth Berghaus in Frankfurt, and such British directors as Richard Jones, Graham Vick, Peter Hall, and David Pountney. Through his descriptions of these works, Sutcliffe states that theatrical opera has been enormously influenced by the editing style, imagery, and metaphor commonplace in the cinema and pop videos. The evolution of the performing arts depends upon revitalization and defamiliarization, he asserts. The issue is no longer naturalism, but the liberation of the audience's imagination powered by the music. Sutcliffe, an opera critic for many years, argues that opera is theater plus music of the highest expressive quality, and as a result he has often sided with unconventional and novel theatrical interpretations. He believes that there is more to opera than meets the ear, and his aim is to further the process of understanding and interpretation of these important opera productions. No other book has attempted this kind of monumental survey. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Allure of the Incomplete Imperfect and Impermanent written by Rumiko Handa and published by Routledge. This book was released on 2014-12-17 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Architects have long operated based on the assumption that a building is 'complete' once construction has finished. Striving to create a perfect building, they wish for it to stay in its original state indefinitely, viewing any subsequent alterations as unintended effects or the results of degeneration. The ideal is for a piece of architecture to remain permanently perfect and complete. This contrasts sharply with reality where changes take place as people move in, requirements change, events happen, and building materials are subject to wear and tear. Rumiko Handa argues it is time to correct this imbalance. Using examples ranging from the Roman Coliseum to Japanese tea rooms, she draws attention to an area that is usually ignored: the allure of incomplete, imperfect and impermanent architecture. By focusing on what happens to buildings after they are ‘complete’, she shows that the ‘afterlife’ is in fact the very ‘life’ of a building. However, the book goes beyond theoretical debate. Addressing professionals as well as architecture students and educators, it persuades architects of the necessity to anticipate possible future changes and to incorporate these into their original designs.
Download or read book The Fundamentals of Landscape Architecture written by Tim Waterman and published by Bloomsbury Publishing. This book was released on 2015-02-26 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: From climate change to sustainable communities, landscape architecture is at the forefront of today's most crucial issues and this book provides an introduction to the key elements of this broad field. The Fundamentals of Landscape Architecture explains the process of designing for sites, calling upon historical precedent and evolving philosophies to discuss how a project moves from concept to realization. It serves as a guide to the many specializations within landscape architecture, such as landscape strategy and urban design. The second edition features new international and US-based case studies including a study of Peter Schaudt of Hoerr Schaudt Landscape Architects based in Chicago, US, which features the Historic Landscape Preservation Plan, at The University of North Carolina, Chapel Hill. The work of Dr Kongjian Yu of Turenscape is explored and features Houtan Park, Shanghai, China and Greg Grabasch's project Januburu Six Seasons, Broome, Western Australia is discussed. Examined in depth is the work of Ten Eyck Landscape Architects at The Arizona State University Polytechnic Campus, US. For the second edition the author, Tim Waterman, has interviewed the following leading landscape architects: Phil Askew of the London Legacy Development Corporation, UK, discusses the continuing legacy of the Olympics in London. The work of New York-based Thomas Balsley is explored through his project at Hunter's Point South Waterfront Park, New York, USA. The ethos of Raymond Jungles is examined with reference to his project at 1111 Lincoln Road, Miami, Florida, USA. And the role of the landscape architect is discussed with Thierry Kandjee of Taktyk in Brussels, Belgium. These interviews and case studies should inspire landscape architect students the world over to create innovative and creative designs.
Download or read book Circular Breathing written by Ann McCutchan and published by Sunstone Press. This book was released on 2011 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of personal essays, clarinetist Ann McCutchan uses the metaphor of circular breathing to animate her understanding of her own life as a woman, musician, and writer. Circular breathing is a technique for wind instrument playing in which fresh air is drawn in through the nose at the same time that stored air in the lungs is released by mouth through the instrument. The process allows the player to produce a continuous line of music without breaking the curve of a melody to inhale. The questions McCutchan grapples with have universal implications. For example, how does one come to be called to a life's work? For McCutchan, who grew up in central Florida in the 1960s, the call grew out of twin desires: to exercise a physical voice and to develop an interior one. Bringing both to fruition meant abandoning roles expected of young women in that time and place, and learning to live ever after with the conflicting claims of art and life. Questions of familial loss lie at the heart of this collection, as well. With a sure, delicate hand, McCutchan examines the impact of her parents' untimely deaths, her inability to bear children, and the foundering of her two marriages. Art may not deliver one from sorrow, she discovers, but it may console-deeply. Finally, there are the questions that arise when one can no longer fulfill the physical demands of an art. Can a musician trade in her instrument, and a world that defined her for decades, for something else? Here, McCutchan charts her journey from the stage to the page, exploring the ways both worlds feed each other. Ann McCutchan is the author of "Marcel Moyse: Voice of the Flute," and "The Muse That Sings: Composers Speak About the Creative Process." Her work has appeared in numerous literary journals and in "The Best American Spiritual Writing." She teaches creative writing at the University of North Texas.
Download or read book Drawing on Architecture written by Jordan Kauffman and published by MIT Press. This book was released on 2019-03-19 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: How architectural drawings emerged as aesthetic objects, promoted by a network of galleries, collectors, and institutions, and how this changed the understanding of architecture. Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes. Kauffman traces moments of critical importance to the evolution of the perception of architectural drawings, beginning with exhibitions that featured architectural drawings displayed in ways that did not elucidate buildings but treated them as meaningful objects in their own right. When architectural drawings were seen as having intrinsic value, they became collectible, and Kauffman chronicles early collectors, galleries, and sales. He discusses three key exhibitions at the Leo Castelli Gallery in New York; other galleries around the world that specialized in architectural drawings; the founding of architecture museums that understood and collected drawings as important cultural and historical artifacts; and the effect of the new significance of architectural drawings on architecture and architectural history. Drawing on interviews with more than forty people directly involved with the events described and on extensive archival research, Kauffman shows how architectural drawings became the driving force in architectural debate in an era of change.
Download or read book space time narrative written by Frank den Oudsten and published by Routledge. This book was released on 2016-12-05 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in terms of an open, narrative environment, which at its roots displays deep similarities with performance on stage, or installation in urban and rural space. The book breaks new ground by looking at the exhibition as a cultural format firstly within a great sweep of the arts in general, weaving a web of philosophical, museological, linguistic and media-theoretical references, which expands the contextual field of the profession. It then offers unique and important insights from within, in extreme close-up, by bringing together interviews with six of the leading exhibition designers who discuss the dynamics of the medium, its interactive dimensions, the soft parameters of the exhibition, and how to get to grips with the format as a complex narrative space, in which the public takes part. Curator and designer should reposition themselves professionally at the heart of the axis, which divides (or connects) content and form.
Download or read book Karl Friedrich Schinkel Charlottenhof Potsdam Sanssouci written by Heinz Schönemann and published by Edition Axel Menges. This book was released on 1997 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the small farmstead in the south-western corner of Sanssouci park came up for sale in 1825, Hofmarschall von Maltzahn wrote to the King of Prussia to say that the grounds of Sanssouci would be much improved by the addition of this plot. It was clear that Peter Joseph Lenne, who produced a first plan for the garden as soon as the land was presented to the Crown Prince, later King Friedrich Wilhelm IV, was behind the letter. Schinkel, the architect of Charlottenhof, and Lenne, the designer of the surrounding park, had met in 1816 when they were working for Chancellor Hardenberg in Glienicke, between Berlin and Potsdam. They established a community of interest that architecture critics have compared with the best years of cooperation between John Nash and Humphry Repton. Charlottenhof became the highlight of their joint activities. The palace, set on a severe garden axis, was built from 1826 to 1829. It was followed from 1829 to 1840 by the freely developing area of the Hofgartnerhaus and its adjacent facilities, all of which has become known as the 'Roman Baths'. The Crown Prince involved himself in the planning process, contributing over 100 sketches. He called Charlottenhof 'my Siam', understood as a synonym for a better world, and he was pursuing with it his intention of presenting his own future style of government, based on romantic theories of the state and striving for a harmonious balance of all classes and interests. Charlottenhof is Schinkel's only work to have survived complete inside and outside, surrounded by Lenne's landscape garden, which has also been carefully looked after and preserved. In his role as the foundation's curator Heinz Schonemann isresponsible for the preservation of the buildings and monuments of the Stiftung Preussische Schlosser und Garten Berlin-Brandenburg. Reinhard Gorner has been working as an architectural photographer for more than a decade. He is highly thought of by many major architects as an interpre
Download or read book After Dracula written by Alison Peirse and published by Bloomsbury Publishing. This book was released on 2013-08-28 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.
