Download or read book Estampes anciennes et de dessins written by Hôtel Drouot and published by . This book was released on 1866 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue des estampes anciennes et modernes et des dessins written by Loÿs Delteil and published by . This book was released on 1908 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue written by Bernard Quaritch (Firm) and published by . This book was released on 1906 with total page 980 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue d une nombreuse collection de dessins anciens et estampes anciennes et modernes grav es l eau forte et au burin par et d apr s les plus grands ma tres des coles d Italie d Allemagne de Flandre de Hollande d Angleterre et de France written by and published by . This book was released on 1834 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Delicious Decadence The Rediscovery of French Eighteenth Century Painting in the Nineteenth Century written by Monica Preti and published by Routledge. This book was released on 2017-07-05 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.
Download or read book Bibliography of Eighteenth Century Art and Illustrated Books written by J. Lewine and published by . This book was released on 1898 with total page 722 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray written by Louis Thies and published by . This book was released on 1869 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Collection de 1 000 dessins anciens et d estampes anciennes de toutes les coles written by G. Benou, Paris and published by . This book was released on 1840 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray By Louis Thies With a Portrait written by Fogg Museum of Art and published by . This book was released on 1869 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sale Catalogues written by American Art Association, Anderson Galleries (Firm) and published by . This book was released on 1923 with total page 1308 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliotheca Lindesiana written by James Ludovic Lindsay Earl of Crawford and published by . This book was released on 1910 with total page 1378 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Van Dyck written by Stijn Alsteens and published by Yale University Press. This book was released on 2016-01-01 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
Download or read book Catalogue d ouvrages pr cieux et de luxe chez Artaria et Fontaine written by and published by . This book was released on 1820 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book La peinture ancienne et ses proc d s written by Anne Dubois and published by Peeters Publishers. This book was released on 2006 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ces Actes du Colloque XV pour l'etude du dessin sous-jacent et de la technologie dans la peinture (Bruges, 11-13 septembre 2003), reunissent trente-six etudes traitant d'oeuvres d'art flamand, espagnol, portugais, italien et francais. Ces etudes sont suivies, comme dans les Actes precedents, d'une bibliographie de l'infrarouge.Depuis de nombreuses annees on sait que la peinture ancienne est constituee - outre d'oeuvres dites "originales" - de copies, de repliques et de pastiches, produites dans des ateliers actifs qui faisaient appel a des collaborations. Les bases sur lesquelles on avait fonde jadis les catalogues des maitres sont ebranlees. De nombreuses attributions doivent etre revues. Les auteurs du present volume ont porte leur effort dans ce sens, examinant d'un oeil critique le statut des peintures et les indices qui permettent de reconnaitre l'original de la copie. Certains auteurs traitent de procedes de copies, de l'usage de cartons, modeles et papiers perfores, mais egalement de couleurs, d'encres, d'enduits, de technique picturale ... D'autres auteurs tentent de preciser le nombre de collaborateurs dans les ateliers. D'autres encore s'interessent a une methode d'examen, comme la radiographie, pour l'exploiter afin de distinguer au mieux la main du maitre de celle du copiste.
Download or read book A Kingdom of Images written by Peter Fuhring and published by Getty Publications. This book was released on 2015-06-18 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
Download or read book Collection d estampes anciennes et dessins anciens written by Chaumont, Paris and published by . This book was released on 1838 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Creativity and Reproduction written by Susanne Anderson-Riedel and published by Cambridge Scholars Publishing. This book was released on 2010-02-19 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study investigates the engravers’ rise within the French academic system and demonstrates their success in transforming a reproductive medium into a creative and original art genre. In the nineteenth century, graphic artists developed an artistic language that was independent and on par with the original model that they reproduced. The Académie royale de peinture et de sculpture welcomed graphic artists into its ranks in 1655. As talented reproductive artists were able to disseminate works of art produced at the Academy, engravers rose to occupy administrative positions at the compagnie in the eighteenth century. Their success notwithstanding, graphic artists remained unable to overcome the perception of being reproductive artisans rather than creative and original fine artists. The proof of their predicament was the continuous refusal of advanced artistic training for graphic artists within the French academic system. The Section de Gravure at the Institut de France, established in 1803, was the first academic institution that distinguished between imitative and creative artistic execution in the reproductive graphic arts. Through patronage, the supervision of competitions, and the administration of the Prix de Rome program for graphic artists, the Engraving Department established specific guidelines for artistic reproduction and encouraged the formulation of an independent, artistic language in the reproductive arts. Finally, it defined the characteristics of fine engraving as a creative art medium. The Prix de Rome for engraving was crucial in consolidating the new understanding of engraving as an original art form. The engravers’ participation in the Grand Prix competition transformed their artisanal training practice in the master’s workshop into an artistic and academic education of graphic artists in the engraving ateliers. Furthermore, their sojourn at the French Academy in Rome encouraged the collegial collaboration between painters, sculptors, and engravers, leading engravers to develop a free and graphic interpretation of their model. The reproductive engraver was now able to rival painters and sculptors and, consequently, he emerged as a creative and original artist.
