Download or read book De la zarzuela al cine written by Max Doppelbauer and published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften. This book was released on 2010 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Al tiempo que la zarzuela va desapareciendo a lo largo del siglo XX, surge un nuevo medio de comunicación popular, el cine. En ningún otro país, la sustitución lenta y paulatina del propio teatro lírico por el cine se realizó de manera tan fluida como en España. Por consiguiente, hasta el emblemático Teatro de la Zarzuela de Madrid se transformó en sala de cine y hubo temporadas en que la denominación se cambió por la de Cine de la Zarzuela. Sin duda alguna, en ambos medios la música desempeña un papel fundamental, muchas veces con la función enfática de poner de relieve a uno de sus personajes, de acompañar tipo leitmotiv a un individuo o grupo destacado o de dar énfasis a personajes antes periféricos que justamente a través de la música ganan estatus y voz. Tanto la zarzuela como el cine sirven como medios populares de representación y traducción cultural de grupos sociales. El objetivo de este libro es, por tanto, doble: por un lado, quiere mostrar el papel de grupos sociales marginales en los medios de comunicación populares, siguiendo la historia de su escenificación en la zarzuela y el cine a través de los últimos siglos en España y Latinoamérica. Por otro lado, quiere examinar el cambio de registro, de voz y de representación en ambos medios populares.
Download or read book New Mythological Figures in Spanish Cinema written by Pietsie Feenstra and published by Amsterdam University Press. This book was released on 2011 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1970s, especially after Franco's death in 1975, Spanish cinema was bursting at the seams. Numerous film directors broke free from the ancient taboos which had reigned under the dictatorship. They introduced characters who, through their bodies, transgress the traditional borders of social, cultural and sexual identities. Post- Franco cinema exhibits women, homosexuals, transsexuals, and delinquents in new and challenging ways.Under Franco rule, all of these dissident bodies were 'lost'. Here, they reflect new mythological figures, inhabiting an idealised body form (a prototypical body).
Download or read book Cinesonidos written by Jacqueline Avila and published by Oxford University Press. This book was released on 2019-09-16 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy). In this book, author Jacqueline Avila looks at examples from all genres, exploring the ways that the popular, regional, and orchestral music in these films contributed to the creation of tropes and archetypes now central to Mexican cultural nationalism. Integrating primary source material--including newspaper articles, advertisements, films--with film music studies, sound studies, and Mexican film and cultural history, Avila examines how these tropes and archetypes mirrored changing perceptions of mexicanidad manufactured by the State and popular and transnational culture. As she shows, several social and political agencies were heavily invested in creating a unified national identity in an attempt to merge the previously fragmented populace as a result of the Revolution. The commercial medium of film became an important tool to acquaint a diverse urban audience with the nuances of Mexican national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.
Download or read book Argentine cinema written by Daniela Ingruber and published by LIT Verlag Münster. This book was released on 2012 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modes of Representation in Spanish Cinema written by Jenaro Talens and published by U of Minnesota Press. This book was released on 1998 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Isolated by the repressions and censorship of Franco's regime, Spanish cinema developed distinctive style and content from the 1930s to the 1970s, largely without reference to its international counterparts. Through a series of close readings of films made in the Republican period under Franco and more recently under socialism, contributors here seek to present a clearer picture of Spanish national cinema.
Download or read book Popular Music in Spanish Cinema written by Lidia López Gómez and published by Taylor & Francis. This book was released on 2023-08-25 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular Music in Spanish Cinema analyses the aesthetics and stylistic development of soundtracks from national productions, considering how political instability and cultural diversity in Spain determined the ways of making art and managing culture. As a pioneering study in this field, the chronologically structured approach of this book provides readers with a complete overview of Spanish music and connects it to the complex historical events that conditioned Spanish culture throughout the 20th century to the present day, from the Second Republic, the Spanish Civil war, and the dictatorship through to democracy. The book enables an understanding of the relationships between the recording and film production industries, the construction of collective imagination, the formulation of new stereotypes, semiotic meanings within film music and the musical exchanges between national and international cinema. This volume is an essential read for students and academics in the field of musicology, ethnomusicology and history as well as those interested in the study of diverse musical styles such as copla, zarzuela, flamenco, jazz, foxtrot, pop and rock and how they have been used in Spanish films throughout history.
Download or read book Cine written by Nick Deocampo and published by Anvil Publishing, Inc.. This book was released on 2017-11-22 with total page 822 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book fathoms the depths of Philippine cinema as the author ventures into the largely unknown terrain of the country’s history of early cinema. With meticulous scholarship and engaging insights, prize-winning filmmaker and author Nick Deocampo investigates the origin and formation of cinema as it became the Filipinos’ preeminent entertainment and cultural form.
Download or read book Documenting Cityscapes written by Iván Villarmea Álvarez and published by Columbia University Press. This book was released on 2015-05-12 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: While film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves.
Download or read book Made in Spain written by Sílvia Martinez and published by Routledge. This book was released on 2013-07-18 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Made in Spain: Studies in Popular Music will serve as a comprehensive and rigorous introduction to the history, sociology and musicology of 20th century Spanish popular music. The volume will consist of 16 essays by leading scholars of Spanish music and will cover the major figures, styles and social contexts of pop music in Spain. Although all the contributors are Spanish, the essays will be expressly written for an international English-speaking audience. No knowledge of Spanish music or culture will be assumed. Each section will feature a brief introduction by the volume editors, while each essay will provide adequate context so readers understand why the figure or genre under discussion is of lasting significance to Spanish popular music. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections.
Download or read book The Cambridge Companion to Operetta written by Anastasia Belina and published by Cambridge University Press. This book was released on 2019-12-05 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Download or read book Cinema between Latin America and Los Angeles written by Colin Gunckel and published by Rutgers University Press. This book was released on 2019-02-08 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historically, Los Angeles and its exhibition market have been central to the international success of Latin American cinema. Not only was Los Angeles a site crucial for exhibition of these films, but it became the most important hub in the western hemisphere for the distribution of Spanish language films made for Latin American audiences. Cinema between Latin America and Los Angeles builds upon this foundational insight to both examine the considerable, ongoing role that Los Angeles played in the history of Spanish-language cinema and to explore the implications of this transnational dynamic for the study and analysis of Latin American cinema before 1960. The volume editors aim to flesh out the gaps between Hollywood and Latin America, American imperialism and Latin American nationalism in order to produce a more nuanced view of transnational cultural relations in the western hemisphere.
Download or read book Feminist Discourse and Spanish Cinema written by Susan Martin-Márquez and published by Oxford University Press, USA. This book was released on 1999 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work provides a detailed consideration of women directors working before the Civil War and during Franco's dictatorship, and an exploration of the impact of feminism on filmmaking in Spain.
Download or read book Nineteenth Century Spanish America written by Christopher Conway and published by Vanderbilt University Press. This book was released on 2015-07-14 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-Century Spanish America: A Cultural History provides a panoramic and accessible introduction to the era in which Latin America took its first steps into the Modern Age. Including colorful characters like circus clowns, prostitutes, bullfighters, street puppeteers, and bestselling authors, this book maps vivid and often surprising combinations of the new and the old, the high and the low, and the political and the cultural. Christopher Conway shows that beneath the diversity of the New World there was a deeper structure of shared patterns of cultural creation and meaning. Whether it be the ways that people of refinement from different countries used the same rules of etiquette, or how commoners shared their stories through the same types of songs, Conway creates a multidisciplinary framework for understanding the culture of an entire hemisphere. The book opens with key themes that will help students and scholars understand the century, such as the civilization and barbarism binary, urbanism, the divide between conservatives and liberals, and transculturation. In the chapters that follow, Conway weaves transnational trends together with brief case studies and compelling snapshots that help us understand the period. How much did books and photographs cost in the nineteenth century? What was the dominant style in painting? What kinds of ballroom dancing were popular? Richly illustrated with striking photographs and lithographs, this is a book that invites the reader to rediscover a past age that is not quite past, still resonating into the present.
Download or read book Identity Mediations in Latin American Cinema and Beyond written by Cecilia Nuria Gil Mariño and published by Cambridge Scholars Publishing. This book was released on 2019-09-12 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: The appearance of sound film boosted entertainment circuits around the world, drawing cultural cartographies that forged images of spaces, nations and regions. By the late 1920s and early ‘30s, film played a key role in the configuration of national and regional cultural identities in incipient mass markets. Over the course of the twentieth and early twenty-first centuries, this transmedia logic not only went unthreatened, but also intensified with the arrival of new media and the development of new technologies. In this respect, this book strikes a dialogue between analyses that reflect the flows and transits of music, films and artists, mainly in the Ibero-American space, although it also features essays on Soviet and Asian cinema, with a view to exploring the processes of configuration of cultural identities. As such, this work views national borders as flexible spaces that permit an exploration of the appearance of transversal relations that are part of broader networks of circulation, as well as economic, social and political models beyond the domestic sphere.
Download or read book Vicente Peydr D ez y las primeras zarzuelas en el cine espa ol written by José Salvador Blasco Magraner and published by . This book was released on 2013 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book El cine de embajadores written by Rafael Calleja and published by . This book was released on 1909 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Zarzuela written by Janet Lynn Sturman and published by University of Illinois Press. This book was released on 2000 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the most popular form of Spanish entertainment short of the bullfight, the zarzuela boasts a long history of bridging the categories of classical and popular art. It is neither opera nor serious drama, yet it requires both trained singers and good actors. The content is neither purely folkloric nor high art; it is too popular for some and too classical for others. In Zarzuela, Janet L. Sturman assesses the political as well as the musical significance of this chameleon of music-drama. Sturman traces the zarzuela's colorful history from its seventeenth-century origins as a Spanish court entertainment to its adaptation in Spain's colonial outposts in the New World. She examines Cuba's pivotal role in transmitting the zarzuela to Latin America and the Caribbean and draws distinctions among the ways in which various Spanish-speaking communities have reformulated zarzuela, combining elements of the Spanish model with local characters, music, dances, and political perspectives. The settings Sturman considers include Argentina, Mexico, Puerto Rico, and the American cities of El Paso, Miami, and New York. Sturman also demonstrates how the zarzuela plays a role in defining American urban ethnicity. She offers a glimpse into two longstanding theaters in New York, Repertorio Espa ol and the Thalia Spanish Theatre, that have fostered the tradition of zarzuela, mounting innovative productions and cultivating audiences. Sturman constructs a profile of the audience that supports modern zarzuela and examines the extensive personal network that sustains it financially. Just as the zarzuela afforded an opportunity in the past for Spaniards to assert their individuality in the face of domination by Italian and central European musical standards, it continues to stand for a distinctive Hispanic legacy. Zarzuela provides a major advance in recognizing the enduring cultural and social significance of this resilient and adaptable genre.
