Download or read book Les Livres de L ann e written by and published by . This book was released on 1927 with total page 1068 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book L homme Machine l utopie d un Homme Nouveau written by Catherine èrejean and published by Walter de Gruyter GmbH & Co KG. This book was released on 2024-11-18 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Armoured soldiers, sexualized machine men, mechanized athletes: Between 1914 and 1926, artists of the German and French avant-garde used the mechanical body as a motif to illustrate the crises of their time and to question man's place in society. This volume analyses how the motif was staged - as a masculine utopia offering a saviour, a New Man - applying examples from key modernist works by Otto Dix, Hannah Höch, Rudolf Schlichter, George Grosz, Willi Baumeister, Fernand Léger, Francis Picabia, Marcel Duchamp and Robert Delaunay, among others. Its transcultural approach, its focus on socio-cultural upheaval, and the inclusion of studies on masculinity enable this publication to provide a fresh perspective on the Machine Man and the New Man as figures in modernity. Entre 1914 et 1926, les artistes de l'avant-garde allemande et française ont utilisé le motif du corps mécanique pour illustrer les crises de la modernité, qui remettaient en question la place de l'homme dans la société. À partir des oeuvres d'Otto Dix, Hannah Höch, Rudolf Schlichter, George Grosz, Willi Baumeister, Fernand Léger, Francis Picabia, Marcel Duchamp et Robert Delaunay, l'ouvrage analyse les liens entre ce motif et l'utopie masculiniste salvatrice de l'Homme nouveau. Par son approche transculturelle, axée sur les bouleversements socioculturels et les études sur la masculinité, cette publication offre un regard nouveau sur les figures de l'homme-machine et de l'homme nouveau à l'époque moderne.

Download or read book Rivals and Conspirators written by Fae Brauer and published by Cambridge Scholars Publishing. This book was released on 2014-07-08 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.

Download or read book Les Livres de L ann e written by and published by . This book was released on 1930 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionnaire Critique Et Documentaire Des Peintres Sculpteurs Dessinateurs Graveurs de Tous Les Temps Et de Tous Les Pays A C written by Emmanuel Bénézit and published by . This book was released on 1924 with total page 1200 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Jules Michelet written by Michèle Hannoosh and published by Penn State Press. This book was released on 2020-01-16 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jules Michelet, one of France’s most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michèle Hannoosh examines the crucial role that art writing played in Michelet’s work and shows how it decisively influenced his theory of history and his view of the practice of the historian. The visual arts were at the very center of Michelet’s conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, and engraving bore witness to histories that frequently went untold; that they expressed key ideas standing behind events; and that they articulated concepts that would come to fruition only later. This groundbreaking reevaluation of Michelet’s approach to history elucidates how writing about art provided a model for the historian’s relation to, and interpretation of, the past, and thus for a new type of historiography—one that acknowledges and enacts the historian’s own implication in the history he or she tells.

Download or read book France and the Visual Arts Since 1945 written by Catherine Dossin and published by Bloomsbury Publishing USA. This book was released on 2019-01-01 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking on the myth of France's creative exhaustion following World War II, this collection of essays brings together an international team of scholars, whose research offers English readers a rich and complex overview of the place of France and French artists in the visual arts since 1945. Addressing a wide range of artistic practices, spanning over seven decades, and using different methodologies, their contributions cover ground charted and unknown. They introduce greater depth and specificity to familiar artists and movements, such as Lettrism, Situationist International or Nouveau Réalisme, while bringing to the fore lesser known artists and groups, including GRAPUS, the Sociological Art Collective, and Nicolas Schöffer. Collectively, they stress the political dimensions and social ambitions of the art produced in France at the time, deconstruct the traditional geography of the French art world, and highlight the multiculturalism of the French art scene that resulted from its colonial past and the constant flux of artistic travels and migrations. Ultimately, the book contributes to a story of postwar art in which France can be inscribed not as a main or sub chapter, but rather as a vector in the wider constellation of modern and contemporary art.

Download or read book Art Sex and Eugenics written by Anthea Callen and published by Routledge. This book was released on 2017-07-05 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals how art and sex promoted the desire for the genetically perfect body. Its eight chapters demonstrate that before eugenics was stigmatized by the Holocaust and Western histories were sanitized of its prevalence, a vast array of Western politicians, physicians, eugenic societies, family leagues, health associations, laboratories and museums advocated, through verbal and visual cultures, the breeding of 'the master race'. Each chapter illustrates the uncanny resemblances between models of sexual management and the perfect eugenic body in America, Britain, France, Communist Russia and Nazi Germany both before and after the Second World War. Traced back to the eighteenth-century anatomy lesson, the perfect eugenic body is revealed as athletic, hygienic, 'pure-blooded' and sexually potent. This paradigm is shown to have persisted as much during the Bolshevik sexual revolution, as in democratic nations and fascist regimes. Consistently posed naked, these images were unashamedly exhibitionist and voyeuristic. Despite stringent legislation against obscenity, not only were these images commended for soliciting the spectator's gaze but also for motivating the spectator to act out their desire. An examination of the counter-archives of Maori and African Americans also exposes how biologically racist eugenics could be equally challenged by art. Ultimately this book establishes that art inculcated procreative sex with the Corpus Delecti - the delectable body, healthy, wholesome and sanctioned by eugenicists for improving the Western race.

Download or read book Original Index to Art Periodicals written by Frick Art Reference Library and published by . This book was released on 1983 with total page 780 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Corpus of Rembrandt Paintings IV written by Ernst van de Wetering and published by Springer Science & Business Media. This book was released on 2005-10-18 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.

Download or read book Art and Architecture in France 1500 1700 written by Anthony Blunt and published by Yale University Press. This book was released on 1999-01-01 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the chateaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King." Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context. This new edition, of one of the classics of the Pelican History of Art series, has been revised and updated with color illustrations and a new bibliography.

Download or read book Epic Arts in Renaissance France written by Phillip John Usher and published by . This book was released on 2014 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.

Download or read book Universal Catalogue of Books on Art A to K written by National Art Library (Great Britain) and published by New York : B. Franklin. This book was released on 1870 with total page 1046 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Radiance and Reflection written by Jane Hayward and published by Metropolitan Museum of Art. This book was released on 1982 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Peter Paul Rubens written by Anne-Marie S. Logan and published by Metropolitan Museum of Art. This book was released on 2005 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, Jan. 15-Apr. 3, 2005.

Download or read book Dictionnaire Critique Et Documentaire Des Peintres Sculpteurs Dessinateurs Graveurs de Tous Les Temps Et de Tous Les Pays L Z written by Emmanuel Bénézit and published by . This book was released on 1924 with total page 1238 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A to Z of American Women in the Visual Arts written by Carol Kort and published by Infobase Publishing. This book was released on 2014-05-14 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents biographical profiles of American women of achievement in the field of visual arts, including birth and death dates, major accomplishments, and historical influence.