Download or read book Catalogue Ten Years of Collecting 1979 1989 written by Standard Bank Investment Corporation and published by University of Witwatersrand Art Galleries. This book was released on 1989 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Standard Bank Foundation of African Art, housed at the University of the Witwatersrand Art Galleries was begun ten years ago. This exhibition, one of the largest of its kind ever held in South Africa, commemorates a partnership which expresses the true ideals of both private enterprise and public education in this country.
Download or read book Catalogue ten years of collecting written by William D. Hammond-Tooke and published by . This book was released on 1989 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue Ten Years of Collecting 1979 1989 written by W. D. Hammond-Tooke and published by . This book was released on 1989 with total page 139 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Beads of life written by Marie-Louise Labelle and published by University of Ottawa Press. This book was released on 2005-01-01 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beads of Life is a fascinating exploration of traditional beadwork from eastern and southern Africa, as well as the socio-religious principles upon which many aesthetic choices were based. The author concludes with an examination of contemporary beadwork as seen, in particular, through the eyes of Canadians from these regions.
Download or read book Modernism s History written by Bernard Smith and published by Yale University Press. This book was released on 1998-01-01 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of twentieth-century visual arts can no longer be written as a succession of avant-garde movements, contends eminent art historian Bernard Smith in this stimulating book. He argues that a return to the concept of period style is inevitable and that modernism--the dominant "style" of art that emerged at the end of the nineteenth century and continued through the 1960s--deserves recognition as a period style. Smith renames this period Formalesque since it is no longer modern and since it emphasizes the formal values of art more than any previous period does. In a wide-ranging reformulation of art history in the twentieth century, the author defines the nature and development of Formalesque--an avant-garde style that arose between 1890 and the First World War, was institutionalized between the world wars, and flourished anew between 1945 and 1960. Identifying the Formalesque period, says Smith, makes it possible also to identify dialectical adversaries, such true oppositional avant-garde styles of the twentieth century as Dada, Surrealism, and the Neue Sachlichkeit. These constitute the formative elements of the modernism--now called postmodernism--that became increasingly dominant after 1960. The author locates twentieth-century artistic movements and developments in a broad cultural context and concludes with a thought-provoking examination of the relation between the Formalesque and European and American cultural imperialism.
Download or read book Catalog of the Library of the National Museum of African Art Branch of the Smithsonian Institution Libraries written by Smithsonian Institution. Libraries. National Museum of African Art Branch and published by G. K. Hall. This book was released on 1991 with total page 848 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Place That Matters Yet written by Sara Byala and published by University of Chicago Press. This book was released on 2013-06-15 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Place That Matters Yet unearths the little-known story of Johannesburg’s MuseumAfrica, a South African history museum that embodies one of the most dynamic and fraught stories of colonialism and postcolonialism, its life spanning the eras before, during, and after apartheid. Sara Byala, in examining this story, sheds new light not only on racism and its institutionalization in South Africa but also on the problems facing any museum that is charged with navigating colonial history from a postcolonial perspective. Drawing on thirty years of personal letters and public writings by museum founder John Gubbins, Byala paints a picture of a uniquely progressive colonist, focusing on his philosophical notion of “three-dimensional thinking,” which aimed to transcend binaries and thus—quite explicitly—racism. Unfortunately, Gubbins died within weeks of the museum’s opening, and his hopes would go unrealized as the museum fell in line with emergent apartheid politics. Following the museum through this transformation and on to its 1994 reconfiguration as a post-apartheid institution, Byala showcases it as a rich—and problematic—archive of both material culture and the ideas that surround that culture, arguing for its continued importance in the establishment of a unified South Africa.
Download or read book Global and Local Art Histories written by Celina Jeffery and published by Cambridge Scholars Publishing. This book was released on 2009-03-26 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: There are now many books on postcolonial theory, yet relatively few of them gather together sustained, dynamic and insightful analyses of visuality, art and art history outside of hegemonic Euro-American themes and concerns. Global and Local Art Histories explores what it means to have a global and local experience of art. The 15 essays published here suggest ways of interpreting works of art from a broad range of cultural perspectives, many of them transcultural. Here are voices contesting concepts of history and culture, evaluating and exploring global and local identities in a changing world. Because of the variety of different approaches and cultural perspectives that Global and Local Art Histories brings together, the book presents a unique opportunity to question what we mean by that dangerously globalising category: “the work of art” and “art history” exploring “g-local” approaches that challenge such falsely universalising rubrics.
Download or read book The Art Tradition of Beadwork written by Marsha C. Bol and published by Gibbs Smith. This book was released on 2018-06-05 with total page 1159 pages. Available in PDF, EPUB and Kindle. Book excerpt: A former professor and museum director offers a fascinating, in-depth look at the culture and history of beaded objects around the world. From a beaded dress found in an ancient Egyptian tomb to the beaded fringe on a 1920s Parisian flapper’s hem, humans throughout history have used beading as a way to express, adorn, and tell a story. Bol explores beadwork across the world and through the ages, showing how beading has taken on many different styles, forms, and purposes for different cultures. She looks at children’s clothing, puberty ceremonies, burials, emblems of social status and leadership, festivals, and many other cultural occasions that involve the use of beadwork. Images of artifacts and heirlooms as well as photography of people and their beadwork enhance the scholarship of this book for a beautiful, enlightening addition to art, history, multicultural collections everywhere.
Download or read book Natal Museum Journal of Humanities written by and published by . This book was released on 1991 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Conservation of Decorated Surfaces on Earthen Architecture written by Leslie Rainer and published by Getty Publications. This book was released on 2006 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: For millennia, people of all cultures have decorated the surfaces of their domestic, religious, and public buildings. Earthen architecture in particular has been, and continues to be, a common ground for surface decoration such as paintings, sculpted bas-relief, and ornamental plasterwork. This volume explores the complex issues associated with preserving these surfaces. Case studies from Asia, Europe, Africa, the Middle East, and the Americas are presented. The publication is the result of a colloquium held in 2004 at Mesa Verde National Park, Colorado, co-organized by the Getty Conservation Institute (GCI) and the National Park Service (NPS). The meeting brought together fifty-five conservators, cultural resource managers, materials scientists, engineers, architects, archaeologists, anthropologists, and artists from eleven countries. Divided into four themes--Archaeological Sites, Museum Practice, Historic Buildings, and Living Traditions--the papers examine the conservation of decorated surfaces on earthen architecture within these different contexts.
Download or read book African Dream Machines written by Anitra Nettleton and published by Wits University Press. This book was released on 2007-01-01 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt: African headrests are treated as art objects in this historical study African Dream Machines takes African headrests out of the category of functional objects and into the more rarefied category of "art" objects. Styles in African headrests are usually defined in terms of Western art and archaeological discourses, but this book interrogates these definitions and demonstrates the shortcomings of defining a single formal style model as exclusive to a single ethnic group. This book has been in the making for fifteen years, starting with research on the traditional woodcarving of the Shona-and Venda-speaking peoples of Zimbabwe and South Africa. Among the artifacts made by South African peoples, headrests were the best known and during a year spent in Europe in 1975 and 1976, Anitra Nettleton discovered museum stores full of unacknowledged masterpieces made by speakers of numerous Southern African languages. A Council Fellowship from the University of the Witwatersrand in 1990 enabled the writer to develop an archive in the form of notes, photographs, and sketches of each and every headrest she encountered. Many examples from South African collections were added from the early 1990s onwards, expanding the field vastly. Nettelton executed drawings of each and every headrest encountered, and they became a major part of the project in their own right. African Dream Machines questions the assumed one-to-one relationship between formal styles and ethnic identities or classifications. Historical factors are used to demonstrate that "authenticity," in the form sought by collectors of antique African art, is largely a construct.
Download or read book Between Union and Liberation written by Marion Arnold and published by Routledge. This book was released on 2017-07-05 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays collected here investigate art made by women in South Africa between 1910, the year of Union, and 1994, the year of the first democratic election. During this period, complex political circumstances and the impact of modernism in South Africa affected the production of images and objects. The essays explore the ways in which the socio-political circumstances associated with twentieth-century modernity had a paradoxical impact on women. If some were empowered, others were disadvantaged: while some were able to further their social and cultural development and expression, the advancement of others was impeded. The contributors study the lives and achievements of women - named and un-named, black and white, and from different cultural groups and social contexts - and consider objects and images that are historically associated with both 'art' and 'craft'. In all the essays, gender theory is related to South African circumstances. The volume explores gender theory in relation to twentieth-century visual culture and discusses economic conditions and regional geographies as well as notions of identity. It investigates the influence of educational and cultural institutions, the role of theory on art practice, debates about material culture, the power of nationalist ideologies and the role of feminist theories in a changing country. A wide range of visual images and objects provide the touchstone for debate and analysis - paintings, sculptures, photography, baskets, tapestries, embroideries and ceramics - so that the book is richly visual and celebrates the diversity of South African art made by women.
Download or read book A History of the Iziko South African National Gallery written by Anna Tietze and published by Juta and Company (Pty) Ltd. This book was released on 2017-06-14 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In South Africa, with its highly contested and changing understandings of national identity, its National Gallery is no less a contested space. A History of the Iziko South African National Gallery considers questions of artistic and cultural identity, from the late 19th century to the present day. It explores how the gallery has understood its function and its public, as a ‘national’ gallery from 1930 and, before that, the chief gallery of the Cape Colony. This question is investigated through a study of the gallery’s administration, collection and exhibition practices over the last 150 years. What is understood by and expected of a national gallery varies considerably worldwide. Should it regard itself as part of a broad international cultural discourse, or should it be representative of a specifically national – or even regional – identity? The gallery is a microcosm of the greater debate: how the South African nation relates to the larger world and how, if at all, it understands the concept of a shared culture. In the last 20 years, Museum Studies have become a major part of the field of Cultural Studies. There is a vast literature on what might be called the ‘history’ museum, but far less on the art museum or gallery. To date, there has been no large-scale historical inquiry into the Iziko SANG, the country’s national gallery. The absence of such a history marks a serious gap in the literature, which this study aims to fill.
Download or read book For Hearth and Altar written by Kathleen Bickford Berzock and published by DIANE Publishing. This book was released on 2005 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: An extraordinary collection of beautiful ceramic objects that reflect the intimate connection between pottery and village life across the African continent
Download or read book Women Marching Into the 21st Century written by and published by HSRC Press. This book was released on 2000 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: You strike a woman, you strike a rock. On the 44th anniversary of the women's defiance campaign, this book pays tribute to the many women who have shaped the hsitory of South Africa.
Download or read book Science and the World s Religions written by Patrick McNamara Ph.D. and published by Bloomsbury Publishing USA. This book was released on 2012-07-19 with total page 1048 pages. Available in PDF, EPUB and Kindle. Book excerpt: This trio of volumes contains essays that explore vital existential, moral, or metaphysical issues surrounding the relationship between the sciences and the world's religions. In Science and the World's Religions, experts with scientific and religious backgrounds explore vital existential or practical issues, drawing on whatever sciences are relevant and engaging at least two religious traditions. The multidisciplinary essays exhibit rigorous intellectual, scholarly thinking but are written to clearly communicate to educated adult lay readers. The first volume addresses questions about the origins and purpose of the cosmos and the human project. The second volume investigates the roles of religion and spirituality in human existence, considering issues ranging from the brain and religious experience to the human life cycle. The third volume tackles controversies in which both religion and science are stakeholders, showing how both can deepen understanding and enrich human experience. Together, these three books present readers with powerful tools that enable them to think through the challenge of integrating science with their religious beliefs and spiritual practices.
