Download or read book Black Art Ancestral Legacy the African Impulse in Af written by Alvia J. Warolan et al and published by . This book was released on 1990 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Black Art Ancestral Legacy written by Alvia J. Wardlaw and published by Dallas Museum of Art. This book was released on 1990 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the impact of African culture upon Black visual artists in the United States and Caribbean (Jamaica, Haiti, and the Bahamas).
Download or read book Black Art Ancestral Legacy written by Dallas Museum of Art and published by . This book was released on 1989 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the impact of African culture upon Black visual artists in the United States and Caribbean (Jamaica, Haiti, and the Bahamas).
Download or read book Black art written by Robert V. Rozelle and published by . This book was released on 1990 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book SoulStirrers written by H. Ike Okafor-Newsum and published by Univ. Press of Mississippi. This book was released on 2016-01-19 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: In SoulStirrers, H. Ike Okafor-Newsum describes the birth and development of an artistic movement in Cincinnati, Ohio, identified with the Neo-Ancestral impulse. The Neo-Ancestral impulse emerges as an extension of the Harlem Renaissance, the Negritude Movement, and the Black Arts Movement, all of which sought to re-represent the “primitive” and “savage” Black and African in new terms. Central to the dominant racial framework has always been the conception that the Black subject was not only inferior, but indeed incapable of producing art. The Neo-Ancestral impulse posed a challenge to both existing form and content. Like its intellectual antecedents, the movement did not separate art from life and raised a central question, one that the “soul stirrers” of Cincinnati are engaging in their artistic productions. Okafor-Newsum defines collapsing of the sacred and the profane as a central tendency of African aesthetics, transformed and rearticulated here in the Americas. In this volume, the artistic productions ask readers to consider the role of those creating and viewing this art by attempting to shift the way in which we view the ordinary. The works of these artists, therefore, are not only about the survival of African-derived cultural forms, though such remains a central effect of them. These extraordinary pieces, installations, and movements consistently refer to the cultural reality of the Americas and the need for political and intellectual transformation. They constitute important intellectual interventions that serve as indispensable elements in the redefinition and reinterpretation of our society. Featuring numerous color illustrations and profiles of artists, this volume reveals exciting trends in African American art and in the African diaspora more broadly.
Download or read book The Clarion written by and published by . This book was released on 1991 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Uncommon Beauty in Common Objects written by Nkiru Nzegwu and published by . This book was released on 1993 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From African Savages to ancestral Legacy written by Helen Shannon and published by . This book was released on 1999 with total page 974 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Alain Locke and the Visual Arts written by Kobena Mercer and published by Yale University Press. This book was released on 2022-01-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh perspective on the influential critic, offering new ways of understanding the art of the Harlem Renaissance Alain Locke (1885-1954), leading theorist of the Harlem Renaissance, maintained a lifelong commitment to the visual arts. Offering an in-depth study of Locke's writings and art world interventions, Kobena Mercer focuses on the importance of cross-cultural entanglement. This distinctive approach reveals Locke's vision of modern art as a dynamic space where images and ideas generate new forms under the fluid conditions of diaspora. Positioning the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past, Mercer shows how Aaron Douglas, Loïs Mailou Jones, and other New Negro artists acknowledged the diaspora's rupture with the ancestral past as a prelude to the rebirth of identity. In his 1940 picture book, The Negro in Art, Locke also explored the different ways black and white artists approached the black image. Mercer's reading highlights the global mobility of black images as they travel across national and ethnic frontiers. Finally, Mercer examines how Locke's investment in art was shaped by gay male aestheticism. Black male nudes, including works by Richmond Barthé and Carl Van Vechten, thus reveal the significance of queer practices in modernism's cross-cultural genesis Published in association with the Hutchins Center for African & African American Research, Harvard University
Download or read book Sacred and Profane written by Carol Crown and published by Univ. Press of Mississippi. This book was released on 2007 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sustained critical assessment of southern folk art and self-taught art and artists
Download or read book Black Art A Cultural History Third World of Art written by Richard J. Powell and published by Thames & Hudson. This book was released on 2021-10-26 with total page 529 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking study explores the visual representations of Black culture across the globe throughout the twentieth century and into the twenty-first. The African diaspora—a direct result of the transatlantic slave trade and Western colonialism—has generated a wide array of artistic achievements, from blues and reggae to the paintings of the pioneering American artist Henry Ossawa Tanner and the music videos of Solange. This study concentrates on how these works, often created during times of major social upheaval and transformation, use Black culture both as a subject and as context. From musings on “the souls of black folk” in late-nineteenth-century art to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped Black presence in modern and contemporary visual culture. Renowned art historian Richard J. Powell presents Black art drawn from across the African diaspora, with examples from the Americas, the Caribbean, and Europe. Black Art features artworks executed in a broad range of media, including film, photography, performance art, conceptual art, advertising, and sculpture. Now updated and expanded, this new edition helps to better understand how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues.
Download or read book The Black Art Renaissance written by Joshua I. Cohen and published by University of California Press. This book was released on 2020-07-21 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Download or read book Ethnoarts Index written by and published by . This book was released on 1992 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Joint Acquisitions List of Africana written by and published by . This book was released on 1991 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Black Art and Culture in the 20th Century written by Richard J. Powell and published by . This book was released on 1997 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes African American artist profiles, offers an examination of the social and cultural context of every type of art form from painting to performance art, and looks at the role of the Black artist
Download or read book Behold the Land written by James Smethurst and published by UNC Press Books. This book was released on 2021-04-27 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s. Traveling across the South, he chronicles the movement's radical roots, its ties to interracial civil rights organizations on the Gulf Coast, and how it thrived on college campuses and in southern cities. He traces the movement's growing political power as well as its disruptive use of literature and performance to advance Black civil rights. Though recognition of its influence has waned, the Black Arts movement's legacy in the South endures through many of its initiatives and constituencies. Ultimately, Smethurst argues that the movement's southern strain was perhaps the most consequential, successfully reaching the grassroots and leaving a tangible, local legacy unmatched anywhere else in the United States.
Download or read book The Afro American Tradition in Decorative Arts written by John Michael Vlach and published by University of Georgia Press. This book was released on 1990 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Included in the examples are works from the Charleston and Old Slave Mart museums and the ironwork of Philip Simmons.
