Download or read book Art and Politics in Late Medieval and Early Renaissance Italy 1250 1500 written by Charles M. Rosenberg and published by University of Notre Dame Press. This book was released on 1990 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: A series of papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships.
Download or read book Art and Political Thought in Medieval England C 1150 1350 written by Laura Slater and published by Boydell & Brewer. This book was released on 2018 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of how power and political society were imagined, represented and reflected on in medieval English art
Download or read book Art Politics and Civic Religion in Central Italy 1261 1352 written by Beth Williamson and published by Routledge. This book was released on 2017-09-29 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2000: Introduced by Joanna Cannon, this volume of essays by postgraduate students at the Courtauld Institute, University of London, explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the thirteenth and fourteenth centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. Employing a variety of methods and approaches, these stimulating essays offer a fresh look at some of the key artistic projects of the period. The dates cited in the title, 1261 and 1352, refer to two well-known works, Coppo di Marcovaldo’s Madonna del Bordone and the Guidoriccio Fresco in the Palazzo Pubblico of Siena, here newly assigned to this date. By concentrating on individual cases such as these, the essays provide rewardingly sustained consideration, at the same time raising crucial issues concerning the role of art in the public life of the period. These generously-illustrated studies introduce new material and advance new arguments, and are all based on original research. Clear and lively presentation ensures that they are also accessible to students and scholars from other disciplines. Art, Politics and Civic Religion in Central Italy, 1261-1352 is the first volume in the new series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.
Download or read book Routledge Revivals Medieval Italy 2004 written by Christopher Kleinhenz and published by Taylor & Francis. This book was released on 2017 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Routledge Revivals Key Figures in Medieval Europe 2006 written by Richard K. Emmerson and published by Routledge. This book was released on 2017-07-05 with total page 1709 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2006, Key Figures in Medieval Europe, brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the series, Routledge Encyclopedias of the Middle Ages, these A-Z biographical entries discuss the lives of over 575 individuals who have had a historical impact in such areas as politics, religion, and the arts. It includes individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia, as well as those from the Jewish and Islamic worlds. In one convenient volume, students, scholars, and interested readers will find the biographies of the people whose actions, beliefs, creations, and writings shaped the Middle Ages, one of the most fascinating periods of world history.
Download or read book The Renaissance in Rome written by Charles L. Stinger and published by Indiana University Press. This book was released on 1998 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the middle of the fifteenth century a distinctively Roman Renaissance occurred. A shared outlook, a persistent set of intellectual concerns, similar cultural assumptions and a commitment to common ideological aims bound Roman humanists and artists to a uniquely Roman world, different from Florence, Venice, and other Italian and European centers.This book provides the first comprehensive portrait of the Roman Renaissance world. Charles Stinger probes the basic attitudes, the underlying values and the core convictions that Rome's intellectuals and artists experienced, lived for, and believed in from Pope Eugenius IV's reign to the Eternal City in 1443 to the sacking of 1527. He demonstrates that the Roman Renaissance was not the creation of one towering intellectual leader, or of a single identifiable group; rather, it embodied the aspirations of dozens of figures, active over an eighty-year period.Stinger illuminates the general aims and character of the Roman Renaissance. Remaining mindful of the economic, social, and political context--Rome's retarded economic growth, the papacy's increasing entanglement in Italian politics, papal preoccupation with the crusade against the Ottomans, and the effects of papal fiscal and administrative practices--Stinger nevertheless maintains that these developments recede in importance before the cultural history of the period. Only in the context of the ideological and cultural commitments of Roman humanists, artists, and architects can one fully understand the motivation for papal policies. Reality for Renaissance Romans was intricately bound up with the notion of Rome's mythic destiny.The Renaissance in Rome is cultural history at its best. It evokes the moods, myths, images, and symbols of the Eternal City, as they are manifested in the Liturgy, ceremony, festivals, oratory, art, and architecture of Renaissance Rome. Throughout, Stinger focuses on a persistent constellation of fundamental themes: the image of the city of Rome, the restoration of the Roman Church, the renewal of the Roman Empire, and the fullness of time. He describes and analyzes the content, meaning, origin, and implications of these central ideas of Roman Renaissance.This book will prove interesting to both Renaissance and Reformation scholars, as well as to general readers, who may have visited (or plan to visit) Rome and have become fascinated and affected by this extraordinary city. "There is no other book like it in any language," says Renaissance historian John O'Malley. "It presents a coherent view of Roman culture....collects and presents a vast amount of information never before housed under one roof. Anyone who teaches the Italian Renaissance," O'Malley stresses, "will have to know this book."
Download or read book A Renaissance Architecture of Power written by and published by BRILL. This book was released on 2016-04-08 with total page 479 pages. Available in PDF, EPUB and Kindle. Book excerpt: The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture. The novelties, however, went far beyond architectural forms: they involved the reorganisation of courtly interiors and their functions, new uses for the buildings, and the relationship between the palaces and their surroundings. The whole urban setting was affected by these processes, and therefore the social, residential and political customs of its inhabitants. This is the focus of A Renaissance Architecture of Power, which aims to analyse from a comparative perspective the evolution of Italian court palaces in the Renaissance in their entirety. Contributors are Silvia Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti, Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile, Aurora Scotti, Elena Svalduz, and Stefano Zaggia.
Download or read book The Renaissance Portrait written by Patricia Lee Rubin and published by Metropolitan Museum of Art. This book was released on 2011 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Download or read book The Late Medieval Age of Crisis and Renewal 1300 1500 written by Clayton J. Drees and published by Bloomsbury Publishing USA. This book was released on 2000-11-30 with total page 912 pages. Available in PDF, EPUB and Kindle. Book excerpt: As part of a unique series covering the grand sweep of Western civilization from ancient to present times, this biographical dictionary provides introductory information on 315 leading cultural figures of late medieval and early modern Europe. Taking a cultural approach not typically found in general biographical dictionaries, the work includes literary, philosophical, artistic, military, religious, humanistic, musical, economic, and exploratory figures. Political figures are included only if they patronized the arts, and coverage focuses on their cultural impact. Figures from western European countries, such as Italy, France, England, Iberia, the Low Countries, and the Holy Roman Empire predominate, but outlying areas such as Scotland, Scandinavia, and Eastern Europe are also represented. Late medieval Europe was an age of crisis. With the Papacy removed to Avignon, the schism in the Catholic Church shook the very core of medieval belief. The Hundred Years' War devastated France. The Black Death decimated the population. Yet out of this crisis grew an age of renewal, leading to the Renaissance. The great Italian city-states developed. Humanism reawakened interest in the cultures of ancient Greece and Rome. Dante and Boccaccio began writing in their Tuscan vernacular. Italian artists became humanists and flourished. As the genius of Italy began spreading to northern and western Europe at the end of the 15th century, the age of renewal was completed. This book provides thorough basic information on the major cultural figures of this tumultuous era of crisis and renewal.
Download or read book The Politics of Culture in Quattrocento Europe written by Oren Margolis and published by Oxford University Press. This book was released on 2016-05-06 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The poet-king without a throne appears here in an entirely new light. In The Politics of Culture in Quattrocento Europe: René of Anjou in Italy, Oren Margolis explores how this French prince and exiled king of Naples (1409-1480) engaged his Italian network in a programme of cultural politics conducted with an eye towards a return to power in the peninsula. Built on a series of original interpretations of humanistic and artistic material (chiefly Latin orations and illuminated manuscripts of classical texts), this is also a case study for a 'diplomatic approach' to culture. It recasts its source base as a form of high-level communication for a hyper-literate elite of those who could read the works created by humanist and artistic agents for their constituent parts: the potent words or phrases and relevant classical allusions; the channels through which a given work was commissioned or transmitted; and then the nature of the network gathered around a political agenda. This is a volume for all those interested in the politics and culture of later medieval Europe and Renaissance Italy: the kings of France and dukes of Burgundy, the Medici, the Sforza, the Venetians, and their armies, ambassadors, and adversaries all appear here; so do Giovanni Bellini, Andrea Mantegna, Guarino of Verona, and their respective intellectual and artistic circles. Emerging from it is a challenge to conventional interpretations of the politics of humanism, and a new vision of the Quattrocento: a century in which the Italian Renaissance began its takeover of Europe, but in which Renaissance culture was itself shaped by its European political, social, and diplomatic context.
Download or read book Openness Secrecy Authorship written by Pamela O. Long and published by JHU Press. This book was released on 2003-04-30 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the book and intellectual property that includes military technology and military secrets. Winner of The Morris D. Forkosch Prize from the Journal of the History of Ideas In today's world of intellectual property disputes, industrial espionage, and book signings by famous authors, one easily loses sight of the historical nature of the attribution and ownership of texts. In Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance, Pamela Long combines intellectual history with the history of science and technology to explore the culture of authorship. Using classical Greek as well as medieval and Renaissance European examples, Long traces the definitions, limitations, and traditions of intellectual and scientific creation and attribution. She examines these attitudes as they pertain to the technical and the practical. Although Long's study follows a chronological development, this is not merely a general work. Long is able to examine events and sources within their historical context and locale. By looking at Aristotelian ideas of Praxis, Techne, and Episteme. She explains the tension between craft and ideas, authors and producers. She discusses, with solid research and clear prose, the rise, wane, and resurgence of priority in the crediting and lionizing of authors. Long illuminates the creation and re-creation of ideas like "trade secrets," "plagiarism," "mechanical arts," and "scribal culture." Her historical study complicates prevailing assumptions while inviting a closer look at issues that define so much of our society and thought to this day. She argues that "a useful working definition of authorship permits a gradation of meaning between the poles of authority and originality," and guides us through the term's nuances with clarity rarely matched in a historical study.
Download or read book Piero della Francesca and the Invention of the Artist written by Machtelt Brüggen Israëls and published by Reaktion Books. This book was released on 2020-07-15 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: As one of the most innovative and enlightened painters of the early Italian Renaissance, Piero della Francesca brought space, luminosity, and unparalleled subtlety to painting. In addition, Piero invented the role of the modern artist by becoming a traveler, a courtier, a geometrician, a patron, and much else besides. In this nuanced account of this great painter’s life and art, Machtelt Brüggen Israëls reconstructs how Piero came of age. Successfully demystifying the persistent notion of Piero’s art as enigmatic, she reveals the simple and stunning intentions behind his work.
Download or read book Venice Antiquity written by Patricia Fortini Brown and published by Yale University Press. This book was released on 1996-01-01 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.
Download or read book Aretino s Satyr written by Raymond B. Waddington and published by University of Toronto Press. This book was released on 2004-01-01 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.
Download or read book Giotto the Painter Volume 1 3 written by Michael Viktor Schwarz and published by Böhlau Wien. This book was released on 2023-04-17 with total page 1454 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Download or read book Giotto the Painter Volume 2 Works written by Michael Viktor Schwarz and published by Böhlau Wien. This book was released on 2023-04-17 with total page 595 pages. Available in PDF, EPUB and Kindle. Book excerpt: The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
Download or read book Confessions of a Born again Pagan written by Anthony T. Kronman and published by Yale University Press. This book was released on 2016-10-25 with total page 1174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- Prologue -- Introduction -- Part One: GRATITUDE -- 1 The Good of Gratitude: Dependence, Acceptance and Being at Home in the World -- 2 A World of Rights: The Expulsion of Love and Gratitude from Public Life -- 3 "Endless Gratitude So Burdensome": Christian Theology and Western Civilization -- Part Two: PRIDE -- 4 Greatness of Soul: Aristotle's Philosophy of Pride -- 5 Givers and Takers: The Good of Self-Sufficiency -- 6 The Eternal and Divine: What Every thing Desires
