Download or read book Aesthetics of Baroque Music in France written by David Whitwell and published by . This book was released on 1997 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aesthetics of Baroque Music in England written by David Whitwell and published by . This book was released on 1997 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aesthetics of Baroque Music in Italy Spain the German speaking Countries and the Low Countries written by David Whitwell and published by . This book was released on 1997 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Faur and French Musical Aesthetics written by Carlo Caballero and published by Cambridge University Press. This book was released on 2004-03-11 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging study of Fauré and his contemporaries.
Download or read book Style and Performance for Bowed String Instruments in French Baroque Music written by Mary Cyr and published by Routledge. This book was released on 2016-04-01 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.
Download or read book French Theories of Beauty and the Aesthetics of Music 1700 to 1750 written by Charles William Dill and published by . This book was released on 1984 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Baroque Music from Beaujoyeulx to Rameau written by James R. Anthony and published by Hal Leonard Corporation. This book was released on 1997 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.
Download or read book French Baroque Opera written by Caroline Wood and published by . This book was released on 2017 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the outset, French opera generated an enormous diversity of literature, familiarity with which enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period. This is a wide-ranging picture of the organization and evolution of French baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, it provides an insight into Lully's once-proud Royal Academy of Music and the colourful characters who surrounded it. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English.
Download or read book The Philosophy Aesthetics of Music written by Edward A. Lippman and published by U of Nebraska Press. This book was released on 1999-01-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edward A. Lippman?s writings on musical aesthetics comprise a wide variety of areas and employ both systematic and historical approaches, reflecting throughout his unrivaled knowledge of the philosophical literature on music and his deep understanding of the musical repertory. These essays span a broad range of subjects, from the ancients? sense of what music encompasses to the experience of rhythm in Anton Webern?s work. ø Lippman surveys the physical and physiological factors that condition musical perception, and he explores the effect of sung text in vocal music. In the more purely philosophical realm, he argues persuasively that music speaks in its own terms, not in any formalistic sense but through the symbolic meanings it conveys. ø The historically focused essays include investigations of the aesthetic thinking of Wagner and Schumann, an endeavor that leads Lippman to probe the sources and drives behind musical creativity. Elsewhere he explores the development of particular musical styles. The Philosophy and Aesthetics of Music draws upon both philosophy and musicology in demonstrating how the interpretation of music extends far beyond the scope of conventional theory and analysis.
Download or read book The Aesthetic of Johann Sebastian Bach written by Andre Pirro and published by Rowman & Littlefield. This book was released on 2014-06-20 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Aesthetic of Johann Sebastian Bach (L’Esthéthique de Jean-Sébastien Bach), by the celebrated French musicologist André Pirro (1869‒1943), was originally published in 1907 and reissued in 1973. It is offered here for the first time in English, as translated by Joe Armstrong. Pirro’s work is based primarily on an examination of the close relationships between language and music in Bach’s vocal works and provides us with an extensive and well-researched “lexicon” of the expressive resources of Bach and his contemporaries. Pirro’s study thus serves as a still sound basis for understanding and interpreting Bach’s instrumental works. Pirro’s engaging analysis that has informed and even moved discerning readers for more than a century. This translation introduces his work to a new audience of performers, music teachers and their students, composers, musicologists, and all who wish to have a greater understanding of the expressive import of Bach’s music.
Download or read book Expressive Polarity written by Michele Cabrini and published by . This book was released on 2005 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Baroque written by Kelly Mass and published by Efalon Acies. This book was released on 2024-01-14 with total page 41 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the span from the early 17th century until the 1740s, Europe witnessed the flourishing of the Baroque style across various artistic realms such as architecture, music, dance, painting, and sculpture. This cultural movement persisted, coexisting with emerging artistic forms, within the realms of the Spanish and Portuguese empires, including the Iberian Peninsula, until the initial years of the nineteenth century. Positioned chronologically between Renaissance art and Mannerism on one side and the Rococo (sometimes referred to as "late Baroque") and Neoclassical styles on the other, Baroque art in Lutheran regions also developed, although it primarily found support from the Catholic Church as a counterbalance to the simplicity and austerity prevalent in Protestant architecture, art, and music. In order to evoke a profound sense of awe, the Baroque style accentuated elements of contrast, movement, intricate detail, vibrant color, grandiosity, and unexpected surprises. Originating in Rome at the outset of the 17th century, this stylistic wave rapidly expanded its influence across France, northern Italy, Spain, Portugal, Austria, southern Germany, and Russia. By the 1730s, it underwent transformation into the rocaille or Rococo style, gaining popularity in France and Central Europe until the mid- to late-eighteenth century. Renowned for its opulent and intricate ornamentation in the realm of decorative arts, the Baroque style paved distinctive paths in each country's departure from Renaissance classicism. Despite the diversity in these trajectories, a common thread persists – the Renaissance aesthetic elements serve as the foundational point. The classical repertory is densely packed, thick, overlapping, and laden to create startling effects. Elements such as cartouches, trophies, weaponry, fruit or flower baskets, and other innovative themes introduced by the Baroque movement find expression through marquetry, stucco, or carved forms. This intricate tapestry of artistic expression characterizes the Baroque era, leaving an indelible mark on the cultural landscape of Europe.
Download or read book A French Music Aesthetic of the Eighteenth Century written by Michel Paul Gui de Chabanon and published by . This book was released on 1979 with total page 802 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge Companion to French Music written by Simon Trezise and published by Cambridge University Press. This book was released on 2015-02-19 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
Download or read book Aesthetics and Experience in Music Performance written by Elizabeth Mackinlay and published by Cambridge Scholars Press. This book was released on 2005 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon a wide range of scholarly enquiry into early music, queer musicology, ethnomusicology, performance practice, music education and technology, Aesthetics and Experience in Music Performance provides a lively forum for the articulation of varied perspectives on the role of music, its interpretation and function in contexts supported by those who practice or experience it. The formal and shorter discussion papers included in this scholarly collection were presented at the National Workshop of the Musicological Society of Australia, held at the University of Queensland, Brisbane in October 2003. The themes of aesthetics and experience are central to this publication and each paper engages in a scholarly dialogue on the technical, expressive and embodied aspects of performance. The papers included in this publication bring together the research of a wide community of scholars (e.g., musicologists, anthropologists, ethnomusicologists and linguists) working in the field of performance studies and collectively reflect the musicological issues being debated in Australia today.
Download or read book Musica Poetica Musical Rhetorical Figures in German Baroque Music written by Dietrich Bartel and published by U of Nebraska Press. This book was released on 1997-07-01 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.
Download or read book French Musical Thought 1600 1800 written by Georgia Cowart and published by University Rochester Press. This book was released on 1989 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The seventeenth and eighteenth centuries in France were witness to dramatic changes in all aspects of social and cultural life. During this era, a new and modern spirit of critical inquiry arose, a change in ethos that had a major effect on all the arts. French Musical Thought, 1600-1800 is a diverse collection of essays offering new perspectives and insight on musical opinion during one of the most fascinating periods in French history. The essays in this volume, the authors of which include musicologists, historians and literary scholars, illuminate clearly the relationship of critical thought in music to contemporary developments in philosophy, art, literature and politics. In the final analysis, scholars contend that music aesthetics, criticism and theory can be understood only against the backdrop of a dynamic cultural milieu.Contributors: Claude V. Palisca, Jane R. Stevens, Louis E. Auld, Gloria Flaherty, Robert M. Isherwood, Albert Cohen, Barbara Russano Hanning, David Allen Duncan, Charles Dill, Georgia Cowart.
