Download or read book Women in Horror Films 1930s written by Gregory William Mank and published by McFarland. This book was released on 2005-05-31 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula's Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror--and also the sexual harassment, exploitation, and genuine danger they faced on the job. In a previously unpublished account, Bride of Frankenstein's Anne Darling remembers when, at age 17, she was humiliated on-set by director James Whale over the color of her underwear. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.

Download or read book Women in Horror Films 1940s written by Gregory William Mank and published by McFarland. This book was released on 2015-09-15 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula's Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror--and also the sexual harassment, exploitation, and genuine danger they faced on the job. Veteran actress Virginia Christine recalls Universal burying her alive in a backlot swamp in full "mummy" makeup for the resurrection scene in The Mummy's Curse--and how the studio saved that scene for the last day in case she suffocated. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.

Download or read book Women in Horror Films 1930s written by Gregory William Mank and published by McFarland. This book was released on 2015-09-15 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula's Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror--and also the sexual harassment, exploitation, and genuine danger they faced on the job. In a previously unpublished account, Bride of Frankenstein's Anne Darling remembers when, at age 17, she was humiliated on-set by director James Whale over the color of her underwear. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.

Download or read book Establishment of a Genre Hollywood Horror in the 1930s written by Christopher Hartmann and published by . This book was released on 2018-04-13 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bachelor Thesis from the year 2011 in the subject Communications - Movies and Television, grade: 2.1, University of Leicester, language: English, abstract: This dissertation will examine film genre and in particular the Horror genre during the 1930s. The question of what defines the genre and how it becomes defined is brought up and in answering it I will look upon the themes and the history surrounding some of the biggest pictures of the decade. Much of the studies into genre, had been previously been rather broad and even the ones that focused upon the horror genre, they too lacked the focus solely towards the Horror genre in the 1930s. This piece, analyses the horror genre of the 1930s with use of genre theory and also the thematic structure and historical information regarding the films. The study presents that the Horror genre is defined by the era, with the 1930s and the issues surround the decade structuring and influencing the genre, from the advancements in technology to the importance of social commentary within the Horror genre. The study elaborates that particular issues and political matters found their way into the genre and helped to define and structure the genre.

Download or read book After Dracula written by Alison Peirse and published by Bloomsbury Publishing. This book was released on 2013-08-28 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.

Download or read book Vampira and Her Daughters written by Robert Michael “Bobb” Cotter and published by McFarland. This book was released on 2017-01-12 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Vampira to Elvira, Mistress of the Dark, female horror movie hosts have long been a staple of late-night television. Broadcast on local stations and cable access channels, characters such as Moona Lisa, Stella, Crematia Mortem and Tarantula Ghoul brought an entertaining blend of macabre camp and after-prime-time sexuality to American living rooms in the 1950s through 1990s. Despite a near total lack of local programming today, the tradition continues on the Internet and Roku and other modern media. Featuring exclusive interviews and rare photographs, this book covers dozens of "dream ghouls" with alphabetical entries, from Aunt Gertie to Veronique Von Venom.

Download or read book 1930s Horror Films written by Source Wikipedia and published by University-Press.org. This book was released on 2013-09 with total page 62 pages. Available in PDF, EPUB and Kindle. Book excerpt: Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (films not included). Pages: 60. Chapters: Freaks, Bride of Frankenstein, Dr. Jekyll and Mr. Hyde, Vampyr, Dracula's Daughter, White Zombie, Mad Love, The Invisible Man, List of horror films of the 1930s, Doctor X, The Old Dark House, Mystery of the Wax Museum, Island of Lost Souls, Werewolf of London, The Mummy, Son of Frankenstein, The Cat and the Canary, Murders in the Rue Morgue, The Ghoul, Maniac, Mark of the Vampire, The Mask of Fu Manchu, The Black Cat, Revolt of the Zombies, The Raven, Unheimliche Geschichten, Condemned to Live, The Monster Walks, Song at Midnight, The Devil-Doll, The Black Room, The Return of Doctor X, The Vampire Bat, Sweeney Todd: The Demon Barber of Fleet Street, The Walking Dead, The Invisible Ray, The Man They Could Not Hang, Castle Sinister, Alraune, The Drums of Jeopardy, Torture Ship, The Face at the Window, The Devil's Daughter, The Phantom, The Beast of Borneo, Murders in the Zoo, La Voluntad del muerto. Excerpt: Bride of Frankenstein (advertised as The Bride of Frankenstein) is a 1935 American horror film, the first sequel to Frankenstein (1931). Bride of Frankenstein was directed by James Whale and stars Boris Karloff as The Monster, Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive as Henry Frankenstein and Ernest Thesiger as Doctor Septimus Pretorius. The film follows on immediately from the events of the earlier film, and is rooted in a subplot of the original Mary Shelley novel, Frankenstein (1818). In the film, a chastened Henry Frankenstein abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry's old mentor Dr. Pretorius, into constructing a mate for him. Preparation began shortly after the first film premiered, but script problems delayed the project. Principal photography started in January 1935, ..

Download or read book Screen Sirens Scream written by Paul Parla and published by McFarland. This book was released on 2009-10-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: These twenty heroines portrayed imperiled women in science fiction, horror, film noir and mystery movies from the 1930s to the 1960s. Some--like Sandy Descher, who confronted the giant ants of Them!--were only girls when they faced their screen perils. Others--such as Mary Murphy, who played opposite Marlon Brando in The Wild One--were leading ladies in other film genres. Yet others--such as June Wilkinson, considered by many as Playboy's greatest model--came from outside the acting world. Each interview is preceded by an introduction. Besides the three above, the interviewees are Ramsay Ames, Claudia Barrett, Jean Byron, Linda Christian, Faith Domergue, Amanda Duff, Evangelina Elizondo, Margaret Field, Mimi Gibson, Marilyn Harris, Kitty de Hoyos, Donna Martel, Joyce Meadows, Noreen Nash, Cynthia Patrick, Paula Raymond and Joan Taylor. Among the films they starred in are The Mummy's Ghost, Robot Monster, Tarzan and the Mermaids, This Island Earth, It Came from Beneath the Sea, Where Danger Lives, The Man from Planet X, The Monster That Challenged the World, Frankenstein, The Brain from Planet Arous, Phantom from Space, The Mole People, The Beast from 20,000 Fathoms and Earth Vs. the Flying Saucers. Some interviews were previously published in a different form in fan magazines.

Download or read book Women Make Horror written by Alison Peirse and published by Rutgers University Press. This book was released on 2020-09-17 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.

Download or read book Bitches Bimbos and Virgins written by Susan Svehla and published by . This book was released on 2011-10-27 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bitches, Bimbos and Virgins is the history of women in the horror cinema, profiling their evolution from coffee maker to scientist, from seductress and victim to kick-ass heroine, and finally detailing their emergence as well-drawn characters who play important roles in horror movie history--past, present and future. Chapters include: - 150 Years of Women and Horror: She Has Always Lived in the Castle - He Done Her Wrong: The Fate of Women in Golden Age Horrors - Women Take a Bite Out of Classic Horror: Dracula's Daughter and Mark of the Vampire - The Golden Age of the Scream Queen - Empowered Women in the Val Lewton Canon - Bad Girls Meet Bad Ends - Attack of the Alien Women from Outer Space! - Harlots, Hedonists and Heroines: The Women of Hammer Films - Queen Bitches of the Universe - Scream and Scream Again! Horror's Honor List of Scream Queens - Women to Die for--1960s Onward: Midmar Readers Have Their Say... - Attack of the Movie Poster Pin-Up Girls - Middle Earth's Heroines - Deadly Delights--Movies Featuring Our Favorite Queens of Evil - Dominatrix Divas: MidMar Readers Pick Their Faves

Download or read book Women in Horror Films written by Gregory W. Mank and published by McFarland Publishing. This book was released on 1998-12-31 with total page 820 pages. Available in PDF, EPUB and Kindle. Book excerpt: They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula's Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This two-book (each one completely stand-alone) set provides details about the lives and careers of over 40 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror--and also the sexual harassment, exploitation, and genuine danger they faced on the job. Veteran actress Virginia Christine recalls Universal burying her alive in a backlot swamp in full mummy makeup for the resurrection scene in The Mummy's Curse--and how the studio saved that scene for the last day in case she suffocated. Filled with anecdotes and recollections, many of the entries in both books are based on original interviews, and there are numerous old photographs and movie stills.

Download or read book Phantom Ladies written by Tim Snelson and published by Rutgers University Press. This book was released on 2014-11-15 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.

Download or read book The Rise of Women in Horror Fandom and Film written by James Morgat and published by . This book was released on 2013-11 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2010 in the subject Communications - Movies and Television, language: English, comment: author is james morgart, abstract: Most scholarship on the horror film has assumed that males are the primary spectators of horror; however, there have been developments, both in scholarship as well as in mainstream media, to contradict this point. In 2009, journalist Michelle Orange pointed out, in an article written for the New York Times, "Recent box office receipts show that women have an even bigger appetite for these [horror] films than men." Furthermore, Brigid Cherry has continually underscored the point that horror has its roots in the Gothic, a traditionally female genre whose roots are traced back to the sexually transgressive Horace Walpole and female writer Mary Shelley. Cherry also points out that a 1996 market survey "found that Madame Tussaud's Chamber of Horrors was 'more popular with women than men, with over twice as many women than men liking it, '" and that despite claims by Linda Williams that women "refuse to look" at scenes of horror, the gratuitous shows played at the renown Grand Guignol often resulted in women assisting men from walking out of the theater after the men had fainted at the scenes of blood and gore. Cherry's implication, obviously, is that women have always enjoyed horror, but their enjoyment of the genre has gone unnoticed, and perhaps this is true, however, both Cherry and Orange have missed an even more significant emergent trend in horror.

Download or read book Songs of Love and Death written by Michael Sevastakis and published by Praeger. This book was released on 1993-05-30 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines eleven horror films in-depth and their relationships to Romantic Gothic literary conventions--mainly, but not solely, found in works dating from the eighteenth and nineteenth centuries. To illustrate the use of these conventions in film, Michael Sevastakis analyzes shots from scenes and sequences of all films discussed. Due to the large quantity of horror films produced during this period, the films in this book have been selected on the basis of their supernatural and preternatural content, and upon four conventions predicated on fictional literary models dealing with the villain-hero as Necrophile, Modern Prometheus, Symbol of Destiny, and Tormented Hero. These four sections comprise eleven chapters; in addition, there is an introduction and conclusion. Some of the movies that are discussed include Tod Browning's Dracula (1931), and Devil Doll (1936), Karl Freund's The Mummy (1932), and Mad Love (1935), James Whale's Frankenstein (1931), and The Invisible Man (1933),Erle Kenton's Island of Lost Souls (1933), Ruben Mamoulian's Dr. Jekyll and Mr. Hyde (1932), abd Lambert Hillyer's Dracula's Daughter (1936).

Download or read book American Culture and Perception of Women in Horror Movies written by Emilia Wendykowska and published by . This book was released on 2013-07 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2012 in the subject American Studies - Culture and Applied Geography, grade: A, University of Malta, language: English, abstract: Horror genre has its origins in the gothic 19th century novels like Marry Shelley's Frankenstein (1818) or John Polidori's The Vampire (1819). Even though horror movie is a typical European genre, it has a long history in American cinema dating back to 1915 silent movie Les Vampires by Freuillade and to one of the first sound movies from 1931, Tod Browning's famous Dracula. Horror movies may be put into three categories: ones that contain the supernatural elements, in which vampires, ghosts, witchcraft appears; psychological horror, which relies on characters' fears, their guilt or beliefs; and massacre movies, with scenes of slaughter, brutality and rough treatment (Cinema Studies 184). Although horror movies, as an element of mass culture, may be perceived as simplistic, predictable, lacking depth and simply being an unworthy for analysis, there is a great deal of films that in its content reflect the contemporary problems that occurred in the American society. While many critics consider horror genre as a "low culture," one must not fail to notice that its significance is enormous. One can sense an inextricable link between film and social concerns, since the role of the film is to project certain fears and concerns of contemporary society as well as to help people to resolve them. As Prawer observed: "If the terror film is thus connected to our social concerns, it also, paradoxically, helps us to cope with our ordinary life by jolting us out of it" (60). A popular opinion has it that the popularity of horror movies increases along with the disturbance experienced by the society. Since the 20th century is perceived as the era of the constant social upheaval, the history of the horror movie equals the history of the anxiety (Wells 3); hence, the time the cultural chaos erupts, the audience turns to horror movies as a

Download or read book The Evolution of the Final Girl in the Movie You re Next Women in Horror Movies written by Melanie Höpfler and published by GRIN Verlag. This book was released on 2019-10-01 with total page 22 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2019 in the subject Film Science, grade: 1,3, University of Regensburg, course: Final Girl. Frauen im Horrorfilm, language: English, abstract: This paper serves the purpose of presenting the evolution of the "Final Girl" into the "Final Woman", with special focus on the newly developed characteristics. It defines the horror genre and its subgenres. Furthermore, a precise definition of the "Final Girl" is given, explaining all the details on how to define the term. The term "Final Girl" has been underlying specific changes over the past decades. Certain films, for instance, "You’re Next" (USA/UK 2011) were decisive to define a new term. These changes are massive and lead to the assumption that the "Final Girl" has finally evolved into something new.

Download or read book Women Make Horror written by Alison Peirse and published by Rutgers University Press. This book was released on 2020-09-17 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women Make Horror studies women practitioners in the film industry and sets right the assumptions about women and the horror genre. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals. With this book we can transform how we think about women filmmakers and genre.