Download or read book Women and Revenge in Shakespeare written by Marguerite A. Tassi and published by Susquehanna University Press. This book was released on 2011 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Can there be a virtue in vengeance? Can revenge do ethical work? Can revenge be the obligation of women? This wide-ranging literary study looks at Shakespeare's women and finds bold answers to questions such as these. A surprising number of Shakespeare's female characters respond to moral outrages by expressing a strong desire for vengeance. This book's analysis of these characters and their circumstances offers incisive critical perceptions of feminine anger, ethics, and agency and challenges our assumptions about the role of gender in revenge. In this provocative book, Marguerite A. Tassi counters longstanding critical opinions on revenge: that it is the sole province of men in Western literature and culture, that it is a barbaric, morally depraved, irrational instinct, and that it is antithetical to justice. Countless examples have been mined from Shakespeare's dramas to reveal women's profound concerns with revenge and justice, honor and shame, crime and punishment. In placing the critical focus on avenging women, this book significantly redresses a gender imbalance in scholarly treatments of revenge, particularly in early modern literature.
Download or read book The Tragedy of Titus Andronicus written by William Shakespeare and published by . This book was released on 1926 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Titus Andronicus written by William Shakespeare and published by . This book was released on 1892 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare s Women written by William Shakespeare and published by SIU Press. This book was released on 1986 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Serves both as a script for performance and as a text for high school and college theater and English classes. This self-contained script brings together different scenes from Shakespeare's plays to portray women "in all their infinite variety." Two narrators, a man and a woman, introduce and comment on these scenes, weaving together the different characters and situations. This book combines literary and theatrical techniques in examining Shakespeare's women. Its promptbook format provides clear, helpful stage directions on pages facing each of the scenes. Also helpful are concise glosses and footnotes to define difficult words and phrases plus a commentary to explain each scene in its dramatic context. Other features include sheet music for each song in the play, a bibliography on the topic of women in Shakespeare's plays, and suggestions for directors who wish to stage the play.
Download or read book Roman Shakespeare written by Coppélia Kahn and published by Routledge. This book was released on 2013-04-15 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first full-length study of Shakespeare's Roman plays, Coppélia Kahn brings to these texts a startling, critical perspective which interrogates the gender ideologies lurking behind 'Roman virtue'. Plays featured include: * Titus Andronicus * Julius Caesar * Antony and Cleopatra * Coriolanus * Cymbeline Setting the Roman works in the dual context of the popular theatre and Renaissance humanism, the author identifies new sources which she analyzes from a historicised feminist perspective. Roman Shakespeare is written in an accessible style and will appeal to scholars and students of Shakespeare and those interested in feminist theory, as well as classicists.
Download or read book Women of Will written by Tina Packer and published by Vintage. This book was released on 2016-03-08 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women of Will is a fierce and funny exploration of Shakespeare’s understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare’s women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare’s characters demonstrate that when women and men are equal in status and passion, they can—and do—change the world.
Download or read book English Revenge Drama written by Linda Woodbridge and published by Cambridge University Press. This book was released on 2010-09-16 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Vengeance permeates English Renaissance drama - for example, it crops up in all but two of Shakespeare's plays. This book explores why a supposedly forgiving Christian culture should have relished such bloodthirsty, vengeful plays. A clue lies in the plays' passion for fairness, a preoccupation suggesting widespread resentment of systemic unfairness - legal, economic, political and social. Revengers' precise equivalents - the father of two beheaded sons obliges his enemy to eat her two sons' heads - are vigilante versions of Elizabethan law, where penalties suit the crimes: thieves' hands were cut off, scolds' tongues bridled. The revengers' language of 'paying' hints at the operation of revenge in the service of economic redress. Revenge makes contact with resistance theory, justifying overthrow of tyrants, and some revengers challenge the fundamental inequity of social class. Woodbridge demonstrates how, for all their sensationalism, their macabre comedy and outlandish gore, Renaissance revenge plays do some serious cultural work.
Download or read book Shakespeare Revenge Tragedy and Early Modern Law written by Derek Dunne and published by Springer. This book was released on 2016-04-12 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, the first to trace revenge tragedy's evolving dialogue with early modern law, draws on changing laws of evidence, food riots, piracy, and debates over royal prerogative. By taking the genre's legal potential seriously, it opens up the radical critique embedded in the revenge tragedies of Kyd, Shakespeare, Marston, Chettle and Middleton.
Download or read book Revenge and Gender in Classical Medieval and Renaissance Literature written by Lesel Dawson and published by EUP. This book was released on 2019-11-27 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the representation of revenge from Classical to early modern literature This collection explores a range of literary and historical texts from ancient Greece and Rome, medieval Iceland and medieval and early modern England to provide an understanding of wider historical continuities and discontinuities in representations of gender and revenge. It brings together approaches from literary criticism, gender theory, feminism, drama, philosophy and ethics to allow greater discussion between these subjects and across historical periods and to provide a more complex and nuanced understanding of the ways in which ideas about gender and revenge interrelate.
Download or read book Othello written by Philip C. Kolin and published by Routledge. This book was released on 2013-10-28 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Greek Tragic Women on Shakespearean Stages written by Tanya Pollard and published by Oxford University Press. This book was released on 2017 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book argues that rediscovered ancient Greek plays exerted a powerful and uncharted influence on sixteenth-century England's dramatic landscape, not only in academic and aristocratic settings, but also at the heart of the developing commercial theaters."--Introduction, p. 2.
Download or read book Frailty thy name is woman The depiction of women in The Revenger s Tragedy and in Shakespeare s Hamlet and Macbeth written by Adriana Zühlke and published by GRIN Verlag. This book was released on 2007-01-14 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 2.0, Ernst Moritz Arndt University of Greifswald, 9 entries in the bibliography, language: English, abstract: This paper deals with the question how women are depicted in English Renaissance drama, exemplified by the women inThe Revenger’s Tragedyand in Shakespeare’sHamletandMacbeth.It shall be examined which functions women in the drama fulfill and which conclusion their status allows. Of particular interest will be the concept of the ‘unruly woman’, who unites characteristics like mysteriousness, seductiveness and inexplicability. The analysis will show that none of the examined characters Gertrude, Ophelia, Lady Macbeth, Lady Macduff, Gratiana, Gloriana, Castiza, Antonio’s wife and the Duchess are shaped plainly but ambivalently. Therefore, no explicitly good or evil female character can be identified. With regard to the widespread misogynistic view on women in the 17thcentury, this speaks for the dramas’ authors. However, various negative human features that are presented as typically female, will be taken into consideration and questioned as the basis for discussing the issue whether the dramatists can be rather regarded as feminists or sexists. Moreover, a short insight into the potential origins of the (male) perception of the Renaissance woman is presented and shall clarify and explain the circumstances, in which rather ‘modern’ matters like woman’s selfperception, ambition and emancipation, self-determination and reputation. The paper’s aim is to expose what the general way of women’s depiction actually is and to investigate if the dichotomy between men and woman can be portrayed in the simplified way of depicting female weakness versus male strength. Furthermore, it shall be focused on the strikingly depicted male superiority and dominance in the plays, its nature, consequences, the connected illusions and, maybe, underlying weaknesses. Additionally, the analysis will focus on questions suggesting themselves such as the discussion of woman’s habitual death in Renaissance drama, the identification of the different angles of depiction and, above all, the inquiry of the thesis if women are really depicted as morally and socially inferior to men and, if yes, whether this can be justified.
Download or read book Roman Women in Shakespeare and His Contemporaries written by Domenico Lovascio and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-04-06 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roman Women in Shakespeare and His Contemporaries explores the crucial role of Roman female characters in the plays of Shakespeare and his contemporaries. While much has been written on male characters in the Roman plays as well as on non-Roman women in early modern English drama, very little attention has been paid to the issues of what makes Roman women ‘Roman’ and what their role in those plays is beyond their supposed function as supporting characters for the male protagonists. Through the exploration of a broad array of works produced by such diverse playwrights as Samuel Brandon, William Shakespeare, Matthew Gwynne, Ben Jonson, John Fletcher, Philip Massinger, Thomas May, and Nathaniel Richards under three such different monarchs as Elizabeth I, James I, and Charles I, Roman Women in Shakespeare and His Contemporaries contributes to a more precise assessment of the practices through which female identities were discussed in literature in the specific context of Roman drama and a more nuanced understanding of the ways in which accounts of Roman women were appropriated, manipulated and recreated in early modern England.
Download or read book Female Mourning and Tragedy in Medieval and Renaissance English Drama written by Katharine Goodland and published by Routledge. This book was released on 2017-03-02 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grieving women in early modern English drama, this study argues, recall not only those of Classical tragedy, but also, and more significantly, the lamenting women of medieval English drama, especially the Virgin Mary. Looking at the plays of Shakespeare, Kyd, and Webster, this book presents a new perspective on early modern drama grounded upon three original interrelated points. First, it explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England. Second, the author here brings to light the extent to which the figures of early modern drama recall those of the recent medieval past. Finally, Goodland addresses how these representations embody actual mourning practices that were viewed as increasingly disturbing after the Reformation. Female Mourning and Tragedy in Medieval and Renaissance English Drama synthesizes and is relevant to several areas of recent scholarly interest, including the performance of gender, the history of emotion, studies of death and mourning, and the cultural trauma of the Reformation.
Download or read book Shakespeare and Women written by Phyllis Rackin and published by Oxford Shakespeare Topics. This book was released on 2005 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Shakespeare and Women' challenges a number of current assumptions about Shakespeare and women. It argues that the current scholarly emphasis on patriarchal power, male misogyny, and women's oppression may tell us more about ourselves than about the world Shakespeare inhabited and the worlds he created in his plays.
Download or read book The Palgrave Handbook of Shakespeare s Queens written by Kavita Mudan Finn and published by Springer. This book was released on 2018-07-20 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: Of Shakespeare’s thirty-seven plays, fifteen include queens. This collection gives these characters their due as powerful early modern women and agents of change, bringing together new perspectives from scholars of literature, history, theater, and the fine arts. Essays span Shakespeare’s career and cover a range of famous and lesser-known queens, from the furious Margaret of Anjou in the Henry VI plays to the quietly powerful Hermione in The Winter’s Tale; from vengeful Tamora in Titus Andronicus to Lady Macbeth. Early chapters situate readers in the critical concerns underpinning any discussion of Shakespeare and queenship: the ambiguous figure of Elizabeth I, and the knotty issue of gender presentation. The focus then moves to analysis of issues such as motherhood, intertextuality, and contemporary political contexts; close readings of individual plays; and investigations of rhetoric and theatricality. Featuring twenty-five chapters with a rich variety of themes and methodologies, this handbook is an invaluable reference for students and scholars, and a unique addition to the fields of Shakespeare and queenship studies.
Download or read book Hag Seed written by Margaret Atwood and published by Hogarth. This book was released on 2016-10-11 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle
