Download or read book Who s who in Mozart s Operas written by Joachim Kaiser and published by MacMillan Publishing Company. This book was released on 1986 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Profiles all of Mozart's major operatic characters, from Figaro and Don Giovanni to Countess Almaviva and the Queen of the Night from "The Magic Flute," describing each personality's drives, loves, hates, and passions.
Download or read book Understanding the Women of Mozart s Operas written by Kristi Brown-Montesano and published by Univ of California Press. This book was released on 2021-11-09 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.
Download or read book Mozart and His Operas written by David Cairns and published by Univ of California Press. This book was released on 2006 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A noted music critic weaves a brilliantly engaging narrative which puts Mozart's operas in the context of his life, showing how they illuminate his creativity as a whole.
Download or read book Mozart s Operas written by Edward Joseph Dent and published by . This book was released on 1913 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mozart s Operas written by Daniel Heartz and published by Univ of California Press. This book was released on 1990 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.
Download or read book Don Giovanni Don Juan written by Wolfgang Amadeus Mozart and published by . This book was released on 1858 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge Companion to Mozart written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2003-05-22 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music.
Download or read book Three Mozart Libretti written by Wolfgang Amadeus Mozart and published by Courier Corporation. This book was released on 1993-01-01 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Handy practical guide to three of Mozart's most popular operas. Excellent line-for-line English translations face the Italian texts. Also introductions, plot synopses, and lists of characters for each opera.
Download or read book Mozart s Operas written by Edward Joseph Dent and published by . This book was released on 1913 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Performing Operas for Mozart written by Ian Woodfield and published by Cambridge University Press. This book was released on 2012 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the Prague Italian opera company and its role in performing Mozart's works in the late eighteenth-century.
Download or read book Opera Buffa in Mozart s Vienna written by Mary Kathleen Hunter and published by Cambridge University Press. This book was released on 1997-11-27 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Although today Mozart remains one of the most well-known figures of the period, the era was filled with composers, librettists, writers and performers who created and developed opera buffa. Among the topics examined are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close analyses of key works such as Don Giovanni and Le nozze di Figaro.
Download or read book Le nozze di Figaro written by Wolfgang Amadeus Mozart and published by Alma Books. This book was released on 2018-01-01 with total page 131 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Wells introduces the opera with a high-spirited account of the action-packed career of the author, in many respects the prototype of Figaro himself. Basil Deane explores the score: he shows that Mozart's characters are illuminated here not so much in soliloquies but in their reactions to each other. Composer Stephen Oliver discusses how the comedy exists not just in the words but, essentially, in the music. The full Italian text is given, with a note on the order of scenes in Act Three and the alternative passages Mozart wrote for the 1789 revival. The classic translation of E.J. Dent is an excellent way to get to know the twists and turns of the plot and the stylish wit of da Ponte's innuendos.Contents: A Society Marriage, John Wells; A Musical Commentary, Basil Deane; Music and Comedy in 'The Marriage of Figaro, Stephen Oliver; Beaumarchais's Characters; Le nozze di Figaro: Libretto by Lorenzo da Ponte; The Marriage of Figaro: English version by Edward J. Dent
Download or read book Opera Ideas written by Paul A. Robinson and published by Cornell University Press. This book was released on 1986 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera and Ideas is a study of the connections between music and intellectual history. Through lucid analysis of six operas and two song cycles, Paul Robinson shows how operas give musical and dramatic expression to ideas about the self, society, and history.
Download or read book Understanding the Women of Mozart s Operas written by Kristi Brown-Montesano and published by Univ of California Press. This book was released on 2007-02-07 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.
Download or read book Morality and Viennese Opera in the Age of Mozart and Beethoven written by Martin Nedbal and published by Taylor & Francis. This book was released on 2016-09-13 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.
Download or read book Mozart s Operas a Critical Study written by Edward Joseph Dent and published by Theclassics.Us. This book was released on 2013-09 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1913 edition. Excerpt: ...individuality, such as it is, is exhibited in the aria with which the opera opens; then when Don Giovanni and Donna Anna hold the scene, he sinks into the background, and his rapidly reiterated notes, so far from expressing fear, as has been suggested, merely serve to remind us of his presence, and give a touch of the grotesque, as they do throughout the opera. Let those who think the quaver figure represents fear sing through Leporello's part by itself, without the others, and judge of the effect. Leporello's fright does not become evident until just before the duel begins, that is, at the moment when his own life is obviously in danger: --The theme, it will be noticed, has a close resemblance to certain phrases in the aria "Ah! pieta, signori miei," which he sings after the great sextet in the second act. Moreover, Mozart shows us here that the theme is important by making the orchestra play it in unison, so that it stands out against the dialogue of the Commendatore and Don Giovanni. We may note too, along with this, the theme which accompanies Don Giovanni's first words to his adversary, a theme which is suggested later on when the Statue speaks to Don Giovanni in the cemetery. Another significant use of a previous theme appears in the terzetto after the duel; Don Giovanni, speaking of the dying Commendatore.uses the same melodic phrase that Donna Anna hurls at Don Giovanni when she refuses to let him go. It would be a mistake to label such themes as examples of leitmotiv, but if we have accustomed ourselves to observing this procedure in modern music, we shall find that it is equally worth while keeping our ears open for it in Mozart. It is interesting to compare the way in which the two composers have treated the death of...
Download or read book Antonio Salieri and Viennese Opera written by John A. Rice and published by University of Chicago Press. This book was released on 1998 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
