Download or read book White Boyz Blues written by Kenneth Lincoln and published by Fulcrum Publishing. This book was released on 2007-10-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: A memoir of a father's pain, humor, and healing as he learns to embrace a new masculinity "down West." How does a white male, raised in the hardscrabble culture of the West, learn to raise a young daughter on his own? In this unconventional memoir, contemporary Native American scholar Kenneth Lincoln relates his struggle to embrace a new masculinity in the late twentieth century. Through a poignant combination of poems, letters, and his own unique voice, Lincoln shares the story of his life-the death of family and close friends, love, divorce, depression, and through it all, the headstrong daughter who becomes the center of his world.

Download or read book White Boy Singin The Blues written by Michael Bane and published by Da Capo Press, Incorporated. This book was released on 1992-03-21 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: White Boy Singin' the Blues is both a musical history of Memphis, the city which gave birth to rock'n'roll, and an examination of the ways in which white and black musics have interacted. In this work, Michael Bane examines the whole history of the music, from the black roots of spirituals and blues, through the beginnings of rock'n'roll, and its evolution through the Twist, the British Invasion, Motown, funk, Southern boogie, and disco. The result is an idiosyncratic history of rock, and a culturally penetrating account of this hybrid music.

Download or read book White Boy Blues written by and published by . This book was released on 1995 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Josh White written by Elijah Wald and published by Routledge. This book was released on 2013-12-16 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Born in South Carolina, White spent his childhood as a lead boy for traveling blind bluesmen. In the early '30s he moved to New York and became a popular blues star, then introduced folk-blues to a mass white audience in the 1940s. He was famed both for his strong Civil Rights songs, which made him a favorite of the Roosevelts, and for his sexy stage persona. The king of Café Society-also home to Billie Holiday--he was the one bluesman to consistently pack the New York nightspots, and the first black singer-guitarist to act in Hollywood films and star on Broadway. In the 1950s, White's bitter compromise with the blacklisters left him with few friends on either end of the political spectrum. He spent much of the decade in Europe, then came back strong in the 1960s folk revival. By 1963, he was voted one of America's top three male folk stars, but his health was failing and he did not survive the decade. Written in an engaging style, Society Blues portrays the difficult balancing act that all black performers must face in a predominantly white culture. Through the twists and turns of White's life, it traces the evolution of the blues and folk revival, and is a must read for anyone interested in the history of American popular culture, as well as a fascinating life story. Visit the author's website to see the Josh White photo gallery and learn more about Elijah Wald.

Download or read book B Boy Blues written by James Earl Hardy and published by Independently Published. This book was released on 2022-12-21 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1994. Years before "homo thug" and "down low" became infamous catchphrases, Omar Little put the "G" in Gangsta on HBO's The Wire, and Lil Nas X became a global pop star ... there was B-BOY BLUES. Revisit or experience for the first time the story that ushered in the Africentric gay fiction genre, and put Black-on-Black male love on both the map and the bestseller lists! SYNOPSIS: Mitchell Crawford always wished, hoped, and dreamed for a RUFFNECK - a hip-hop-lovin', street-struttin', cool posin', crazy crotch-grabbin' brotha. And he finally finds one in Raheim Rivers, who is a vision of lust: six feet tall and 215 pounds of mocha-chocolate muscle. Mitchell knows Raheim will take him for a walk on the wild side. But he doesn't count on getting behind Raheim's mask - and finding someone he can love. Praise for B-Boy Blues: "Hardy has successfully crafted the first gay hip hop love story. It sexily sizzles off the page." - E. Lynn Harris "Not since Terry McMillan's Disappearing Acts has it felt so good to be loved so bad. Grade: A-." - Entertainment Weekly "Hardy proves that Black love is just as dizzying and gratifying when boy meets boy." - Vibe "A masterpiece of both Black and gay literature." - Booklist Cover image: Alyxandria Fabrega @artbyalyx Cover models: Timothy Richardson & Thomas Mackie aka Mitchell & Raheim from @bboybluesthefilm (currently streaming on @betplus) Cover design: Tony Dobson @hallsongraphics

Download or read book Even White Boys Get the Blues written by Doug Marlette and published by . This book was released on 1994-05-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book White Boys White Noise Masculinities and 1980s Indie Guitar Rock written by Dr Matthew Bannister and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: To what extent do indie masculinities challenge the historical construction of rock music as patriarchal? This key question is addressed by Matthew Bannister, involving an in-depth examination of indie guitar rock in the 1980s as the culturally and historically specific production of white men. Through textual analysis of musical and critical discourses, Bannister provides the first book-length study of masculinity and ethnicity within the context of indie guitar music within US, UK and New Zealand 'scenes'. Bannister argues that past theorisations of (rock) masculinities have tended to set up varieties of working-class deviance and physical machismo as 'straw men', oversimplifying masculinities as 'men behaving badly'. Such approaches disavow the ways that masculine power is articulated in culture not only through representation but also intellectual and theoretical discourse. By re-situating indie in a historical/cultural context of art rock, he shows how masculine power can be rearticulated through high, avant-garde, bohemian culture and aesthetic theory: canonism, negation (Adorno), passivity, voyeurism and camp (Andy Warhol and the Velvet Underground), and primitivism and infantilism (Lester Bangs, Simon Reynolds). In a related vein, he also assesses the impact of Freud on cultural theory, arguing that reversing binary conceptions of gender by associating masculinities with an essentialised passive femininity perpetuates patriarchal dualism. Drawing on his own experience as an indie musician, Bannister surveys a range of indie artists, including The Smiths, The Jesus and Mary Chain, My Bloody Valentine and The Go-Betweens; from the US, R.E.M., The Replacements, Dinosaur Jr, Hüsker Dü, Nirvana and hardcore; and from NZ, Flying Nun acts, including The Chills, The Clean, the Verlaines, Chris Knox, Bailter Space, and The Bats, demonstrating broad continuities between these apparently disparate scenes, in terms of gender, aesthetic theory and approaches to popular musical history. The result is a book which raises some important questions about how gender is studied in popular culture and the degree to which alternative cultures can critique dominant representations of gender.

Download or read book White boys blues written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book BluesSpeak written by Lincoln T Beauchamp and published by University of Illinois Press. This book was released on 2023-12-11 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This incomparable anthology collects articles, interviews, fiction, and poetry from the Original Chicago Blues Annual, one of music history's most significant periodical blues publications. Founded and operated from 1989 to 1995 by African American musician and entrepreneur Lincoln T. Beauchamp Jr., OCBA gave voice to the blues community and often frankly addressed contentious issues within the blues such as race, identity, prejudice, wealth, gender, and inequity. OCBA often expressed an explicitly black perspective, but its contributors were a mix of black and white, American and international. Likewise, although OCBA's roots and main focus were in Chicago, Beauchamp's vision for the publication (and his own activities as a blues performer and promoter) embraced an international dimension, reflecting a broad diversity of blues audiences and activities in locations as farflung as Iceland, Poland, France, Italy, and South Africa. This volume includes key selections from OCBA's seven issues and features candid interviews with blues luminaries such as Koko Taylor, Eddie Boyd, Famoudou Don Moye, Big Daddy Kinsey, Lester Bowie, Junior Wells, Billy Boy Arnold, Herb Kent, Barry Dolins, and many more. Also featured are heartfelt memorials to bygone blues artists, insightful observations on the state of the blues in Chicago and beyond, and dozens of photographs of performers, promoters, and other participants in the worldwide blues scene.

Download or read book White Boy Lost in the Blues written by Ted J. Bartolotta and published by . This book was released on 1993 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Jittery White Guy Music written by Marc Fagel and published by . This book was released on 2020-01-29 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every rock star seems to have a memoir these days. The first guitar; the drugs and debauchery; the rise, fall, and redemption. But what about the rest of us-the ordinary fans whose own lives were shaped by rock & roll? The passionate listeners who organize the moments of our lives around the albums that happened to be spinning at the time? Marc Fagel shares his own moments: from escaping pre-teen angst with the help of the Who, to spending his teen years buried in the darkest corners of used record stores, gorging on everything from Bowie to the Clash; from carving out his own musical identity in college courtesy of R.E.M. and the Replacements and a shoebox full of Grateful Dead tapes, to still finding room for occasional musical epiphanies as an indie rock-obsessed adult. Your own musical associations undoubtedly differ. But if you, too, have a story for every record that's touched your life; if you view every event as an excuse to throw together the perfect playlist; if you sometimes forget birthdays, but can recall the album that was playing that one night back in high school, hanging out in your friend's basement, dreaming about the future-then you'll see a little of yourself in these pages as well.

Download or read book How Britain Got the Blues The Transmission and Reception of American Blues Style in the United Kingdom written by Roberta Freund Schwartz and published by Routledge. This book was released on 2016-04-29 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.

Download or read book White boy singin the blues written by Michael Bane and published by . This book was released on 1992 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Fat White Vampire Blues written by Andrew Fox and published by Ballantine Books. This book was released on 2003-07-01 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: He’s undead, overweight, and can’t get a date Vampire, nosferatu, creature of the night—whatever you call him—Jules Duchon has lived (so to speak) in New Orleans far longer than there have been drunk coeds on Bourbon Street. Weighing in at a whopping four hundred and fifty pounds, swelled up on the sweet, rich blood of people who consume the fattiest diet in the world, Jules is thankful he can’t see his reflection in a mirror. When he turns into a bat, he can’t get his big ol’ butt off the ground. What’s worse, after more than a century of being undead, he’s watched his neighborhood truly go to hell—and now, a new vampire is looking to drive him out altogether. See, Jules had always been an equal opportunity kind of vampire. And while he would admit that the blood of a black woman is sweeter than the blood of a white man, Jules never drank more than his fair share of either. Enter Malice X . Young, cocky, and black, Malice warns Jules that his days of feasting on sisters and brothers are over. He tells Jules he’d better confine himself to white victims—or else face the consequences. And then, just to prove he isn’t kidding, Malice burns Jules’s house to the ground. With the help of Maureen, the morbidly obese, stripper-vampire who made him, and Doodlebug, an undead cross-dresser who (literally) flies in from the coast—Jules must find a way to contend with the hurdles that life throws at him . . . without getting a stake through the heart. It’s enough to give a man the blues.

Download or read book Whose Blues written by Adam Gussow and published by UNC Press Books. This book was released on 2020-09-28 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.

Download or read book The Blues written by Chris Thomas King and published by Chicago Review Press. This book was released on 2021-06-08 with total page 581 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A fresh new perspective that will be a true revolution to readers and will open new lines of discussion on . . . the importance of the city of New Orleans for generations to come." —Dr. Michael White, jazz clarinetist, composer, and Keller Endowed Chair at Xavier University of LA An untold authentic counter-narrative blues history and the first written by an African American blues artist All prior histories on the blues have alleged it originated on plantations in the Mississippi Delta. Not true, says author Chris Thomas King. In The Blues, King present facts to disprove such myths. This book is the first to argue the blues began as a cosmopolitan art form, not a rural one. As early as 1900, the sound of the blues was ubiquitous in New Orleans. The Mississippi Delta, meanwhile, was an unpopulated sportsman's paradise—the frontier was still in the process of being cleared and drained for cultivation.? Expecting these findings to be controversial in some circles, King has buttressed his conclusions with primary sources and years of extensive research, including a sojourn to West Africa and interviews with surviving folklorists and blues researchers from the 1960s folk-rediscovery epoch.? New Orleans, King states, was the only place in the Deep South where the sacred and profane could party together without fear of persecution, creating the blues.

Download or read book Even White Boys Get the Blues written by Doug Marlette and published by . This book was released on 1992 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: