Download or read book What to Listen For in Opera written by Charles R. Beck and published by McFarland. This book was released on 2014-10-06 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering famous operas from 14 Italian, French and German composers, this handbook is designed to help listeners understand and appreciate the special skills required to sing famous operatic songs. The book includes a plot synopsis of each opera with information about each song, which are introduced in their dramatic settings along with the vocal requirements for the most demanding passages. Interactive literary and rhyming exercises help the reader become more engaged and knowledgeable. Foreign language passages are translated into English and key words are highlighted in each language. The operatic vocabulary is defined to help the listener better understand the technical demands for a highly trained voice. The book is designed as a useful handbook for both experienced and beginning opera listeners. Appendices provide information on singers, recordings and useful references.
Download or read book NPR The Curious Listener s Guide to Opera written by William Berger and published by Penguin. This book was released on 2002-02-05 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Major composers including Mozart, Wagner, Verdi, Puccini, and Strauss * Legendary singers from the great divas to the Three Tenors * What to look for and listen to at the opera * The history of opera and why it endures * Stylistic variations and basic theoretical underpinnings * Appreciating the art form * Biographies of the opera's greatest artists * A survey of classic operas
Download or read book Who s Afraid of Opera written by Michael Walsh and published by Diversion Books. This book was released on 2015-08-04 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, WHO’S AFRAID OF OPERA? offers a lively, readable guide to what author Michael Walsh describes as "the greatest art form yet invented by humankind." From opera's origins in Renaissance Italy to The Who's rock odyssey “Tommy” and Stephen Sondheim's “Into the Woods,” Walsh explores what opera is and what it's not, what makes a great singer, and why it takes Tristan so long to die. So curtain up! It's time to settle into your seat, close up your program, and watch the house lights go down. And get ready for the musical ride of your lives.
Download or read book Opera 101 written by Fred Plotkin and published by Hachette Books. This book was released on 2013-07-16 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
Download or read book Living Opera written by Joshua Jampol and published by Oxford University Press. This book was released on 2010-05-04 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Living Opera is a fascinating collection of 20 wide-ranging interviews with the preeminent opera professionals working on and behind the stage today. Joshua Jampol invites opera-lovers to listen in as performers such as Renee Fleming, Natalie Dessay, Rolando Villazon and Placido Domingo speak in exceptionally frank terms about their strengths and weaknesses, and address such hard-hitting, enduring topics as how they deal with critics, vocal troubles, and balancing their career and family lives. We hear conductors such as James Conlon, Esa-Pekka Salonen, and Kent Nagano discuss their likes and dislikes about the state of contemporary opera, their own inspirations, and whom they themselves hope to inspire. World-class directors such as Robert Carsen and Patrice Chéreau discuss the complexities involved in staging a successful opera, and how opera can remain relevant today. Jampol has unprecedented access to these major singers, conductors, and directors, and the table of contents reads like a "who's who" of the global opera world. Each interview highlights a distinctive voice, and Jampol brings immense knowledge and a wonderful flair to these conversations. He allows his subjects to follow their thoughts wherever they lead, and reveals in the process a more intimate, reflective side of the emotional and extravagant world of the lyric arts. For anyone wanting to know more about the people behind the performances--what they think, how they feel, and who they really are--Living Opera is full of delights and surprises.
Download or read book Curating Opera written by Stephen Mould and published by Routledge. This book was released on 2021-02-09 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised – processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that ‘works’ are defined in each institution are explored. This study also considers the so-called ‘birth’ of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.
Download or read book The History of Opera For Beginners written by Ron David and published by Red Wheel/Weiser. This book was released on 2013-11-26 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: The History of Opera For Beginners is a humorous, little book which starts with the radical assumption that Opera is just plain old music, rather than the highbrow, inaccessible music that everyone assumes it to be. The reader will learn the difference between Italian and German Opera and why you don’t have to study a new language to enjoy Opera. The History of Opera For Beginners is an ideal introduction for people who are convinced that opera is solely for those refined few who were born listening to arias. Written in short, humorous, and informative chapters, and laced with some of the opera world's juiciest anecdotes, this guide is sure to convert even the most ambivalent of music lovers.
Download or read book Pacific Coast Musical Review written by and published by . This book was released on 1914 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Record and Review written by Dexter Smith and published by . This book was released on 1882 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Complete Opera Book written by Gustav Kobbé and published by DigiCat. This book was released on 2022-08-10 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is one of the most comprehensive books ever written about opera. Not only does it contain stories of operas but also music from some of the famous arias. It is so well regarded that it has been updated many times, the latest being 1997. Mr Kobbe, unfortunately, died in an accident before the book was finished, but it was finished posthumously and the indices and photographs arranged for him.
Download or read book Master Singers written by Donald George and published by Oxford University Press, USA. This book was released on 2015 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through interviews with some of today's most accomplished and renowned concert and operatic singers, Master Singers provides vocalists making the transition from student to professional with indispensable advice on matters ranging from technique and its practical application for effective stage projection to the practicalities of the business of professional singing and maintaining a career to recommendations for vocal hygiene and longevity in singing.
Download or read book The Oxford Handbook of Opera written by Helen M. Greenwald and published by Oxford University Press. This book was released on 2014-10-03 with total page 1217 pages. Available in PDF, EPUB and Kindle. Book excerpt: What IS opera? Contributors to The Oxford Handbook of Opera respond to this deceptively simple question with a rich and compelling exploration of opera's adaption to changing artistic and political currents. Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators. The synergy of power, performance, and identity recurs thematically throughout the volume's major topics: Words, Music, and Meaning; Performance and Production; Opera and Society; and Transmission and Reception. Individual essays engage with repertoire from Monteverdi, Mozart, and Meyerbeer to Strauss, Henze, and Adams in studies of composition, national identity, transmission, reception, sources, media, iconography, humanism, the art of collecting, theory, analysis, commerce, singers, directors, criticism, editions, politics, staging, race, and gender. The title of the penultimate section, Opera on the Edge, suggests the uncertainty of opera's future: is opera headed toward catastrophe or have social and musical developments of the last hundred years stimulated something new and exciting, and, well, operatic? In an epilogue to the volume, a contemporary opera composer speaks candidly about opera composition today. The Oxford Handbook of Opera is an essential companion to scholars, educators, advanced students, performers, and knowledgeable listeners: those who simply love opera.
Download or read book A New Philosophy of Opera written by Yuval Sharon and published by Liveright Publishing. This book was released on 2024-09-03 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: From “the most imaginative director in the US” (New York Times) comes this generational work with a vision for transforming opera into a powerhouse cultural phenomenon. "This book builds a compelling roadmap for the future of opera, and how it can truly be accessible for everyone." —Gustavo Dudamel Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love. With A New Philosophy of Opera, Sharon has crafted a radical and refreshing book that can act as an introduction to the art form for the culturally curious, or as a manifesto for his fellow artists. In an engaging style that ranges from the provocative to the personal, Sharon offers a 360-degree view of the art form, from the audience experience to the artist’s process; from its socially conscious potential to its economic reality; and from its practical to its emotional and spiritual dimensions. Surveying the role of opera in the United States and drawing on his experiences from Berlin to Los Angeles, Sharon lays out his vision for an “anti-elite opera” that celebrates the imagination and challenges the status quo. With an illustrated and unconventional history of the art form (not following a straight line but tracing a fantastical “time-curve”) weaving throughout the book, Sharon resists the notion of the opera as “dying” and instead portrays it as a glorious chaos constantly being reborn and reshaped. With its advocacy of opera as an “enchanted space” and its revolutionary message, A New Philosophy of Opera is itself a work of art—a living book with profound philosophical implications—that will stand the test of time.
Download or read book Twentieth Century British Authors and the Rise of Opera in Britain written by Dr Irene Morra and published by Ashgate Publishing, Ltd.. This book was released on 2013-04-28 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.
Download or read book Opera Magazine written by and published by . This book was released on 1914 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nine Famous Operas written by Iris J. Arnesen and published by McFarland. This book was released on 2014-01-10 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contains analyses of the stories and music of nine operas, presented in chronological order from 1791 to 1928. These great works are most readily approached with an understanding of the conventions of the several operatic genres as well as the social conditions that influenced the composers and librettists. The popular and intellectual movements that influenced the operas and the original source material are also discussed. The operas are Mozart's The Magic Flute, Beethoven's Fidelio, Donizetti's Lucia di Lammermoor, Wagner's The Flying Dutchman, Verdi's Rigoletto, Bizet's Carmen, Leoncavallo's Pagliacci, Strauss' Salome, and Brecht's The Threepenny Opera.
Download or read book The Opera Fanatic written by Claudio E. Benzecry and published by University of Chicago Press. This book was released on 2011-06-15 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though some dismiss opera as old-fashioned, it shows no sign of disappearing from the world’s stage. So why do audiences continue to flock to it? Given its association with wealth, one might imagine that opera tickets function as a status symbol. But while a desire to hobnob with the upper crust might motivate the occasional operagoer, for hardcore fans the real answer, according to The Opera Fanatic, is passion—they do it for love. Opera lovers are an intense lot, Claudio E. Benzecry discovers in his look at the fanatics who haunt the legendary Colón Opera House in Buenos Aires, a key site for opera’s globalization. Listening to the fans and their stories, Benzecry hears of two-hundred-mile trips for performances and nightlong camp-outs for tickets, while others testify to a particular opera’s power to move them—whether to song or to tears—no matter how many times they have seen it before. Drawing on his insightful analysis of these acts of love, Benzecry proposes new ways of thinking about people’s relationship to art and shows how, far from merely enhancing aspects of everyday life, art allows us to transcend it.
