Download or read book The Hoosier Genealogist written by and published by . This book was released on 1971 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book Index to the Ontario Genealogical Society s Bulletin 1962 1970 and Families 1971 1997 written by Roger William Gaffield Reid and published by Milton, Ont. : Global. This book was released on 2000 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bulletin changed its title to Families beginning with vol. 10 (1971).

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Download or read book The Dodson Dotson Family of North Farnham Parish Richmond County Virginia written by Mrs. Sherman Williams and published by . This book was released on 1988 with total page 1224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Index in v. 2.

Download or read book A Henders Family History written by May Henders Beveridge and published by Regina : J. Henders. This book was released on 1983 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Henders (d.1908), son of Henry Henders and Elizabeth Blake, immigrated from Ireland to Dufferin County, Manitoba, and married Susan Philp. Descendants and relatives lived in Manitoba, Ontario, Saskatchewan, British Columbia and elsewhere. Some descendants immigrated to Michigan and elsewhere. Includes ancestry and some descendants in Ireland.

Download or read book Breakcore written by Andrew Whelan and published by Cambridge Scholars Publishing. This book was released on 2009-05-27 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Peer-to-peer music exchange, sampling, and digital distribution have garnered much attention in recent years, notably in debates about authorship, intellectual property, media control, and ‘Web 2’. However, empirical scholarship on how these technologies are used creatively by musicians and fans is still sparse. In this interdisciplinary ethnography of ‘bedroom producer’ culture, Andrew Whelan examines interaction and exchange within a specific online milieu: peer-to-peer chatrooms dedicated to electronic music, focusing on a genre known as ‘breakcore’. The author draws on semantic anthropology, ethnomethodology, sociolinguistics, and critical musicology to explore the activity afforded by this controversial and criminalised environment. Through in-depth analysis of often ritually vituperative text-based interaction, discussions of music, and the samples used in that music, Whelan describes the cultural politics and aesthetics of bedroom producer identity, highlighting the roles gender and ethnicity play in the constitution of subcultural authenticity. Empirically driven throughout, this book also engages with a spectrum of social theory; in doing so, it highlights the intersections between gender, interaction, technology and music. This book will prove valuable for students and scholars with interests in gender and language use, computer-mediated communication, online subcultures and virtual community, and the evolution, production and distribution of electronic music.

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