Download or read book Vow of Laughter Libretto written by Ricciardi / Nugent and published by Lulu.com. This book was released on 2014-07-22 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: A room of television writers is given an ultimatum: Come up with a new series for Lucille Ball in a couple days or lose their jobs forever. Desperate, they turn to the greatest comedy writers of the past ten years, who are on the McCarthy Blacklist. But that isn't the only change that's come over them...

Download or read book Companions Without Vows written by Betty Rizzo and published by University of Georgia Press. This book was released on 2008-09-01 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: Companions Without Vows is the first detailed study of the companionate relationship among women in eighteenth-century England--a type of relationship so prevalent that it was nearly institutionalized. Drawing extensively upon primary documents and fictional narratives, Betty Rizzo describes the socioeconomic conditions that forced women to take on or to become companions and examines a number of actual companionate relationships. Several factors fostered such relationships. Husbands and wives of the period lived largely separate social lives, yet decorum prohibited genteel women from attending engagements unaccompanied. Also, women of position insisted on having social consultants and confidantes. Filling this need were the many well-born young women without sufficient funds to live independently. Because family money and property were concentrated in the hands of eldest sons, these women frequently had to seek the protection of female benefactors for whom they performed unpaid, nonmenial tasks, such as providing a hand at cards or simply offering pleasant company. The companionate relationship between women could assume many forms, Rizzo notes. It was often analogous to marriage, with one partner dominant and the other subservient, while some women experimented in establishing partnerships that were truly egalitarian. Rizzo explores these various types of relationships both in real life and in fiction, noting that much of the period's discourse about women's relationships can be seen as a tacit commentary on marriage. Provocative and engagingly written, this authoritative work casts new light on women's attempts to deal with a patriarchal power structure and offers new insight into eighteenth-century social history.

Download or read book Perspectives on Israelite Wisdom written by John Jarick and published by Bloomsbury Publishing. This book was released on 2015-12-03 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays examines the wisdom traditions of the Old Testament from a variety of angles. The slipperiness of the concept of 'wisdom literature', the transmission of 'wise' advice for living, rabbinic and patristic approaches to the Bible's wisdom traditions, and cutting-edge modern perspectives on such Old Testament books as Proverbs, Job, and Ecclesiastes are all to be found here. In the tradition of the renowned previous volumes from the Oxford Old Testament Seminar - King and Messiah in Israel and the Ancient Near East (1998), In Search of Pre-Exilic Israel (2004), Temple and Worship in Biblical Israel (2005), and Prophecy and Prophets in Ancient Israel (2010)-this new volume again brings the scholarship of the Oxford Seminar, here focused on the rich subject of Old Testament wisdom traditions, to an international readership.

Download or read book Opera Libretto Vol II IV written by and published by . This book was released on 1858 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Practical Wedding written by Meg Keene and published by Da Capo Lifelong Books. This book was released on 2019-12-17 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: A companion to the popular website APracticalWedding.com and A Practical Wedding Planner, A Practical Wedding helps you sort through the basics to create the wedding you want -- without going broke or crazy in the process. After all, what really matters on your wedding day is not so much how it looked as how it felt. In this refreshing guide, expert Meg Keene shares her secrets to planning a beautiful celebration that reflects your taste and your relationship. You'll discover: The real purpose of engagement (hint: it's not just about the planning) How to pinpoint what matters most to you and your partner DIY-ing your wedding: brilliant or crazy? How to communicate decisions to your family Why that color-coded spreadsheet is actually worth it Wedding Zen can be yours. Meg walks you through everything from choosing a venue to writing vows, complete with stories and advice from women who have been in the trenches: the Team Practical brides. So here's to the joyful wedding, the sensible wedding, the unbelievably fun wedding! A Practical Wedding is your complete guide to getting married with grace.

Download or read book Laughter and Grandeur written by Philip Freund and published by Stage by Stage. This book was released on 2008 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Until now there has never been a wide-ranging and comprehensive study of theatre in the Age of the Baroque, the period from the early seventeenth century to the end of the eighteenth. Here is a broad yet closely studied account of what happened on stage above the sputtering, smoky footlights - often a mere few rows of candles - and behind the scenes. Philip Freund graphically evokes the leading playwrights and performers, composers and singers, choreographers and dancers, some of whom were deemed immortal and others who were once famous and subsequently forgotten but who are here restored to their rightful place in the pantheon of international theatre."--Inside jacket.

Download or read book Lysistrata the War Libretto written by and published by Robert Martin Fink. This book was released on with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Libretto of Olivette written by Edmond Audran and published by . This book was released on 1881 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Follies of a Day a Comedy in Three Acts Paginated with Garrick David Miss in Her Teens written by Thomas Holcroft and published by . This book was released on 1824 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Opera Libretto Gounod s Grand Opera of Faust in Five Acts The Words of P J Barbier and M Carr Founded on Goethe s Faust and Translated Into English Etc written by Charles Gounod and published by . This book was released on 1865 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Opera Libretto Library written by Outlet and published by Random House Value Publishing. This book was released on 1980 with total page 1496 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Libretto for the Metropolitan Opera version in English of Die Fledermaus written by Johann Strauss and published by . This book was released on 1956 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Op ra Comique written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2010-04-16 with total page 780 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en vaudevilles, that were a feature of the theatres held at the seasonal Parisian fairs of St Germain and St Laurent, and of the Comédie-Italienne. The similarity of the entertainments provided by the Comédie-Italienne and the fairs resulted in their amalgamation on 3 February 1756, when they established a theatre for their joint productions, the Hôtel Bourgogne. Their type of entertainment, combining existing popular tunes with spoken sections, lent its generic name to this house, which, regardless of its changing venue, would become known as the Opéra-Comique. The genre of opéra-comique exercised a powerful popular appeal because of its unique fusion of fixed musical form with fluid improvised dialogue. The well-known airs of the day, invariably strophic, came to be the genre’s staple medium of artistic expression—the couplets. But opéra-comique was not necessarily comic or light in nature. Indeed, the most famous example, Bizet’s Carmen (1875), is a tragedy. The genre, with its unique mixture of comedy and drama, its captivating musical fluency, its handling of serious and Romantic themes—expertly crafted by its most famous librettist Augustin-Eugène Scribe (1791-1861)—became universally popular in the masterpieces of its heyday between 1820 and 1870: Adrien Boieldieu’s La Dame blanche (1825), Daniel-François-Esprit Auber’s Fra Diavolo (1830) and Le Domino noir (1837), Ferdinand Hérold’s Zampa (1831) and Le Pré aux clercs (1832), Fromental Halévy’s L’Éclair (1835) and Ambroise Thomas’s Mignon (1866). The history of the opéra-comique between 1762 and 1915 reflects the political and cultural life of France—from the last days of the ancien régime, through the tumult of the Revolution and Napoleonic era, the July Monarchy and Second Empire, to the shattering defeat of France by Prussia in 1870. After this, apart from isolated works (by Bizet, Delibes, Offenbach, Massenet), new works by the younger generation of musicians now tended to be French adaptations of the Wagnerian aesthetic and the record of success is very thin. Hardly any native French works in this imitative mode premiered at the Opéra-Comique between 1870 and 1915 have survived—apart from Debussy’s unique Pelléas et Mélisande (1902). This study serves as a sourcebook for this very French genre, with details of forgotten composers, their operas—performance dates, plot summaries, the singers who created them, the names of important numbers in the works (from libretti and scores that are either now to be found only in the Paris libraries, or are lost completely), often with contemporary observations about the reception of particular works, the effectiveness of their dramaturgy and music. It provides a resource for operatic culture and convention, from the late 18th to the early 20th centuries. The record of the fortunes of the Opéra-Comique provides a way into the changing culture and aesthetic values of an age.

Download or read book Musical News and Herald written by and published by . This book was released on 1915 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Musical News written by and published by . This book was released on 1903 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Annual Report of the Osterhout Free Library written by Osterhout Free Library and published by . This book was released on 1893 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Prometheus in Music written by Paul Bertagnolli and published by Routledge. This book was released on 2017-07-05 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-H?ne, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Hal?, Saint-Sa?, Holm? Faur?Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a na?, Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to