Download or read book Understanding Japanese Buddhist Sculpture Through Visual Comparison written by Yoshihiro Suzuki and published by Pie International. This book was released on 2020-06-02 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: A beginner's guide to appreciating Buddha statues from a whole new perspective. This is a ground-breaking guide book focusing on how you can receive a stronger impression when appreciating Buddha statues. People tend to look at the sculptures absentmindedly, experiencing the statues as a confirmation of the information they read or heard before. This way of viewing tends to quickly diminish the impression of the art work. But how can we deepen our impression and excitement towards each Buddha statue? This book presents different perspectives and steps to help reader go one step further when appreciating Buddha statues. For example, readers are invited to compare two Buddha statues (the same icon from a different eras), and observing them from all 360 degrees. Comparing the statues like this reveals the subtle differences of style, such as proportion, mass, atmosphere, movement, drapery, posture, modeling, and contour, gradually making readers understand the characteristics and trend of eras and the manner of the carvers. Also, while other guide books tend to focus on academic facts and trivia, this book leans more towards the works' style and beauty. This book is for those who are interested in appreciating Buddha statues but don't know how to, and for those who can feel the magnificence of the wonderful piece of art but don't know how to delve deeper. No special background information is necessary to appreciate Buddha statues. With this new point of view presented by Yoshihiro Suzuki, an honorary member of the Nara National Museum, who now gives lectures in Japan on how to appreciate Buddha statues, readers will be able to see Buddha statues from a whole new perspective and spend a more fulfilling time in museums. Readers will surely be intrigued by the deep world of Buddha statues. This book collects many national treasures and important cultural properties such as the Standing Kongo Riksihi statues in the Nandaimon gate at Todaiji, the Seated Chogen Shonin (Todaiji Temple, Nara), the Standing Mujaku Bosatsu (Asanga Bodhisattva) and Senshin Bosatsu (Vasubandhu Bodhisattva), and the Standing Demons Tentoki and Ryutoki.
Download or read book Kamakura written by Ive Covaci and published by Yale University Press. This book was released on 2016-01-01 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of the exhibition at the Asia Society Museum, New York, February 9-May 8, 2016.
Download or read book Behold the Buddha written by James C. Dobbins and published by University of Hawaii Press. This book was released on 2020-03-31 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Images of the Buddha are everywhere—not just in temples but also in museums and homes and online—but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right—that is, as awakened icons with whom they could interact religiously. Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha’s life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of Buddhas, Bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their “living” quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism—relics, scriptures, inscriptions, portraits of masters, and sacred sites—are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography—whether encountered in temples or museums—will find much in this concise, well-illustrated volume to help them “behold the Buddha.”
Download or read book Portraits of Ch gen written by John M. Rosenfield and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume vividly describes the efforts of the Japanese monk Shunjōbō Chōgen (1121-1206) to restore major buildings and works of art lost in the brutal civil conflicts of the 1180s. Chōgen is best known for his role in recasting the Great Buddha (Daibutsu) at Tōdaiji in Nara, reconstructing the South Great Gate (Nandaimon), and making the famous guardian statues there. This study concentrates on these and other works of art and architecture associated with Chōgen, situating them in the turbulent political and social climate of Japan and in the larger spiritual contexts of East Asian Buddhism.
Download or read book Hakuh Sculpture written by Donald Fredrick McCallum and published by University of Washington Press. This book was released on 2012 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hakuho Sculpture is the first book in any language devoted entirely to Japanese sculpture of the Hakuho period (c. 650-710 CE). It focuses on the stylistic development and aesthetic qualities of Buddhist imagery through a careful study of gilt-bronze Buddhist icons from one of the most creative periods of Japanese Buddhist art. This close analysis of practically all extant Hakuho images reveals much about the creative activities of the ancient sculptors. The Hakuho period is frequently considered alongside the preceding Asuka period (c. 590-650), suggesting some type of organic development from one period to the next. This understanding is somewhat distorted, given the significant differences in sculptural styles between the two periods. Donald McCallum explains the differences as resulting from divergent sources in China and Korea and unique attitudes toward the making of images. Donald McCallum is professor of Japanese art history at the University of California, Los Angeles, and author of Zenkoji and Its Icon: A Study of Medieval Japanese Religious Art and The Four Great Temples: Buddhist Archaeology, Architecture, and Icons of Seventh-Century Japan.
Download or read book Accounts and Images of Six Kannon in Japan written by Sherry D. Fowler and published by University of Hawaii Press. This book was released on 2016-11-30 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Buddhists around the world celebrate the benefits of worshipping Kannon (Avalokiteśvara), a compassionate savior who is one of the most beloved in the Buddhist pantheon. When Kannon appears in multiple manifestations, the deity’s powers are believed to increase to even greater heights. This concept generated several cults throughout history: among the most significant is the cult of the Six Kannon, which began in Japan in the tenth century and remained prominent through the sixteenth century. In this ambitious work, Sherry Fowler examines the development of the Japanese Six Kannon cult, its sculptures and paintings, and its transition to the Thirty-three Kannon cult, which remains active to this day. An exemplar of Six Kannon imagery is the complete set of life-size wooden sculptures made in 1224 and housed at the Kyoto temple Daihōonji. This set, along with others, is analyzed to demonstrate how Six Kannon worship impacted Buddhist practice. Employing a diachronic approach, Fowler presents case studies beginning in the eleventh century to reinstate a context for sets of Six Kannon, the majority of which have been lost or scattered, and thus illuminates the vibrancy, magnitude, and distribution of the cult and enhances our knowledge of religious image-making in Japan. Kannon’s role in assisting beings trapped in the six paths of transmigration is a well-documented catalyst for the selection of the number six, but there are other significant themes at work. Six Kannon worship includes significant foci on worldly concerns such as childbirth and animal husbandry, ties between text and image, and numerous correlations with Shinto kami groups of six. While making groups of Kannon visible, Fowler explores the fluidity of numerical deity categorizations and the attempts to quantify the invisible. Moreover, her investigation reveals Kyushu as an especially active site in the history of the Six Kannon cult. Much as Kannon images once functioned to attract worshippers, their presentation in this book will entice contemporary readers to revisit their assumptions about East Asia’s most popular Buddhist deity.
Download or read book Buddhist Sculpture written by Youngsook Pak and published by Laurence King Publishing. This book was released on 2003 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published: Seoul, Korea: Yekyong Pub. Co., c2002.
Download or read book Edo Rimpa dkach f getsu o mederu hMiyazaki Momo written by Momo Miyazaki and published by Pie International. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fascinating book on the elegant paintings of birds and flowers in Edo-Rinpa painting The Rinpa school is one of the historical schools in Japanese painting established in 17th century Kyoto. Later in 19th century Edo (old Tokyo), Hoitsu Sakai, who worshiped and was influenced by Korin Ogata, revived this genre with his elegant, poetic and refined taste. This book showcases not only the most popular works of the Edo-Rinpa style but also features unique and innovative works from Kiitsu Suzuki, Hoitsu Sakai's own disciple, and shows how Rinpa style has been passed on to the modern painters such as Shunso Hishida and Sekka Kamisaka. Written by Momo Miyazaki, a specialist in Edo period painting and the curator of The Museum Yamato Bunkakan, this book will be an informative must have treasury book for Japanese art lovers, creators, and artists.--Momo Miyazaki
Download or read book How to Look at Japanese Art written by Stephen Addiss and published by Echo Point Books & Media. This book was released on 2015-10-08 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the striking ceramics of the Jomon period to the serene ink landscapes of the Muromachi era and beyond, this elegant book will elucidate and enhance your appreciation of every aspect of Japan's rich artistic culture. Packed with historical information, cultural context, and wonderful examples, Stephen Adiss and Audry Seo present a comprehensive guide to interacting with the art of Japan. From technical details to broad characteristics and speculative interpretations, the authors offer up a variety of considerations to keep in mind when looking at Japanese art. A captivating lesson in detail, focus, and aesthetics, How to Look at Japanese Art makes for a wonderful addition to any art-lover's collection. Readers interested in related titles from Stephen Addiss or Audrey Yoshiko Seo will also want to see: Art of Zen (ISBN: 9781635610741).
Download or read book Architects of Buddhist Leisure written by Justin Thomas McDaniel and published by University of Hawaii Press. This book was released on 2017-04-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropologists of art, McDaniel argues that such sites highlight the importance of public, leisure, and spectacle culture from a Buddhist perspective and illustrate how “secular” and “religious,” “public” and “private,” are in many ways false binaries. Moreover, places like Lek Wiriyaphan’s Sanctuary of Truth in Thailand, Suối Tiên Amusement Park in Saigon, and Shi Fa Zhao’s multilevel museum/ritual space/tea house in Singapore reflect a growing Buddhist ecumenism built through repetitive affective encounters instead of didactic sermons and sectarian developments. They present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise: Together they form a gathering, not a movement. Despite the ingenuity of lay and ordained visionaries like Wiriyaphan and Zhao and their colleagues Kenzo Tange, Chan-soo Park, Tadao Ando, and others discussed in this book, creators of Buddhist leisure sites often face problems along the way. Parks and museums are complex adaptive systems that are changed and influenced by budgets, available materials, local and global economic conditions, and visitors. Architects must often compromise and settle at local optima, and no matter what they intend, their buildings will develop lives of their own. Provocative and theoretically innovative, Architects of Buddhist Leisure asks readers to question the very category of “religious” architecture. It challenges current methodological approaches in religious studies and speaks to a broad audience interested in modern art, architecture, religion, anthropology, and material culture. An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.
Download or read book The Future of the Bamiyan Buddha Statues written by Masanori Nagaoka and published by Springer Nature. This book was released on 2020-12-07 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Open Access book explores heritage conservation ethics of post conflict and provides an important historical record of the possible reconstruction of the Bamiyan Buddha statues, which was inscribed in the UNESCO World Heritage List in Danger in 2003 as “Cultural Landscape and Archaeological Remains of the Bamiyan Valley”. With the condition that most surface of the original fragments of the Buddha statues were lost due to acts of deliberate destruction, this publication explores a reference point for conservation practitioners and policy makers around the world as they consider how to respond to on-going acts of destruction of cultural heritage. Whilst there has been an emerging debate to the ethics and nature of heritage reconstruction, this volume provides a plethora of ideas and approaches concerning the future treatment of the Bamiyan Buddha statues. It also addresses a number of fundamental questions on potential heritage reconstruction: how it will be done; who will decide; and what it should be done for. Moreover when it comes to the inscribed World Heritage properties, how can reconstructed heritage using non-original materials be considered to retain authenticity? With a view to serving as a precedent for potential decisions taken elsewhere in the world for cultural properties impacted by acts of violence and destruction, this volume introduces academic researches, experiences and observations of heritage conservation theory and practice of heritage reconstruction. It also addresses the issue not merely from the point of a material conservation philosophy but within the context of holistic strategies for the protection of human rights and promotion of peace building.
Download or read book The Four Great Temples written by Donald F. McCallum and published by University of Hawaii Press. This book was released on 2008-11-30 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few periods in Japanese history are more fascinating than the seventh century. This was the period when Buddhism experienced its initial flowering in the country and the time when Asukadera, Kudara Odera, Kawaradera, and Yakushiji (the "Four Great Temples" as they were called in ancient texts) were built. Despite their enormous historical importance, these structures have received only limited attention in Western literature, primarily because they are now ruins. Focus has been placed instead on Horyuji, a beautifully preserved structure, but not a key temple of the period. Donald McCallum seeks in this volume to restore the four great temples to their proper place in the history of Japanese Buddhism and Buddhist architecture. Extraordinary archaeological discoveries in the past few decades in the Asuka-Fujiwara area provide the basis for the monumental task McCallum has set for himself. Three of the temples have been studied archaeologically, but one, Kudara Odera (the first royal temple in Japan), has until recently been known only through textual references—primarily those mentioning its nine-story pagoda, a format closely linked to the grandiose royal temples of China and Korea. A series of digs carried out between 1997 and 2001 at Kibi Pond yielded what are thought to be the remains of Kudara Odera. A platform, the appropriate size for a large pagoda, has been uncovered at the site, indicating the reliability of the textual sources. These results have necessitated a rethinking of early Buddhist architecture in Japan. The Four Great Temples gives the first detailed account in the English language of these excavations. In his detailed analyses of each of the four temples, McCallum considers historiographical issues, settings and layouts, foundations, tiles, relics, and icons and allows readers to follow their chronological evolution. A key feature is the interweaving of archaeological and documentary data to clarify numerous historical problems that have until now resisted plausible solutions. Although the focus is on temples, the book looks at broader political and religious developments that serve as a context for the study. It further makes an effort to unify data on great royal temples in China, Korea, and other parts of Japan, thereby providing cross-cultural insights into a matter that has frequently been discussed only in terms of a single region. The Four Temples is a masterful, multifaceted study that will fundamentally alter and enrich current understanding of Japan’s ancient Buddhist temples. It is sure to generate considerable discussion among scholars in the fields of Japanese and Asian history, art history, and Buddhist studies.
Download or read book Buddha Christ written by Robert Elinor and published by Weatherhill, Incorporated. This book was released on 2000 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the visual images produced by two of the world's great religions, this text considers the cultural and spiritual translations that inform and support them, focusing on three key principles. Firstly, it looks at how these images embody history, myth and doctrine, offering a comparative introduction to Buddhism and Christianity. Secondly, it invites readers to see similarities and differences between the images as local inflections of a universal archetype, and the basis for dialogue between two faiths. Finally it aims to make some of the world's most profound and moving art more accessible by illustrating and explaining its patterns and styles.
Download or read book Faith and Power in Japanese Buddhist Art 1600 2005 written by Patricia J. Graham and published by University of Hawaii Press. This book was released on 2007-09-30 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art. The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters.
Download or read book How to Read Buddhist Art written by Kurt Behrendt and published by Metropolitan Museum of Art. This book was released on 2019-11-29 with total page 139 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intended to inspire the devout and provide a focus for religious practice, Buddhist artworks stand at the center of a great religious tradition that swept across Asia during the first millennia. How to Read Buddhist Art assembles fifty-four masterpieces from The Met collection to explore how images of the Buddha crossed linguistic and cultural barriers, and how they took on different (yet remarkably consistent) characteristics in India, Pakistan, Afghanistan, the Himalayas, China, Korea, Japan, Sri Lanka, Thailand, Cambodia, and Indonesia. Works highlighted in this rich, concise overview include reliquaries, images of the Buddha that attempt to capture his transcendence, diverse bodhisattvas who protect and help the devout on their personal path, and representations of important teachers. The book offers the essential iconographic frameworks needed to understand Buddhist art and practice, helping the reader to appreciate how artists gave form to subtle aspects of the teachings, especially in the sublime expression of the Buddha himself.
Download or read book Authentic Replicas written by Hsueh-man Shen and published by University of Hawaii Press. This book was released on 2018-10-31 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: As belief in the Buddha grew and his teachings were transmitted across Asia, Buddhist images, scriptures, and relics were duplicated and reduplicated to satisfy the needs of increasing numbers of the faithful. Yet how were these countless copies of sacred objects able to retain their authenticity and efficacy? Authentic Replicas explores how Buddhists in medieval China (seventh to twelfth centuries) solved this conundrum through the use of traditional methods of replication such as stamping, mold casting, and woodblock printing to create objects that fulfilled the spiritual aspirations of those who possessed them. Setting aside Western notions about the relative value of copies versus the “original,” the book posits Buddhist ideas on what imbues an object with credibility and authority and offers fresh insights into the ways authenticity was represented and reproduced in the Chinese Buddhist context. Each section of the volume focuses on an area of artistic output to provide readers with a thorough grasp of the theological concepts underpinning each act of duplication. Part I looks at the replication of sutras to clarify how the spiritual value of a handwritten sutra differed from a printed one. In Part II, clay tablets, woodblock prints, silk paintings, and cave murals are examined to trace iconographic lineages and uncover the divine identity in each new replica. The chapters in Part III describe in detail the copying of the Buddha’s bodily relics and the endlessly repeated votive act of burying these in stupas. Of particular significance is the visual and textual vocabulary used on reliquaries to persuade adherents to believe in the actual presence of the Buddha concealed inside. Deftly weaving together data and research from several disciplines, including Buddhist studies, archaeology, and art history, Authentic Replicas vividly conveys how replication lay at the heart of Buddhist worship in medieval China, offering a new understanding of how religious belief guided the artistic output of an entire age.
