Download or read book Transmedial Landscapes and Modern Chinese Painting written by Juliane Noth and published by Harvard East Asian Monographs. This book was released on 2022-05-17 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Juliane Noth shows how art and discussions about the future of ink painting were linked to the reshaping of the country, leading to the creation of a uniquely modern Chinese landscape imagery. Noth offers a new understanding of these experiments by studying them as transmedial practice, at once shaped by and integral to the modern global art world.
Download or read book Transmedial Landscapes and Modern Chinese Painting written by Juliane Noth and published by BRILL. This book was released on 2023-11-20 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experiments in Chinese painting by studying them as transmedial practice, at once shaped by and integral to the modern global art world. Transmedial Landscapes and Modern Chinese Painting shines a spotlight on the mid-1930s, a period of intense productivity in which Chinese artists created an enormous number of artworks and theoretical texts. The book focuses on the works of three seminal artists, Huang Binhong, He Tianjian, and Yu Jianhua, facilitating fresh insights into this formative stage of their careers and into their collaborations in artworks and publications. In a nuanced reading of paintings, photographs, and literary and theoretical texts, Noth shows how artworks and discussions about the future of ink painting were intimately linked to the reshaping of the country through infrastructure development and tourism, thus leading to the creation of a uniquely modern Chinese landscape imagery.
Download or read book Chinese Ways of Seeing and Open Air Painting written by Yi Gu and published by BRILL. This book was released on 2021-02-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."
Download or read book Between Two Cultures written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 2001 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.
Download or read book The Efficacious Landscape written by Ping Foong and published by BRILL. This book was released on 2020-05-18 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Ink landscape painting is a distinctive feature of the Northern Song, and painters of this era produced some of the most celebrated artworks in Chinese history. The Efficacious Landscape addresses how landmark works of this pivotal period first came to be identified as potent symbols of imperial authority and later became objects through which exiled scholars expressed disaffection and dissent. In fulfilling these diverse roles, landscape demonstrated its efficacy in communicating through embodiment and in transcending the limitations of the concrete.Building on decades of monographic writings on Song painting, this carefully researched study presents a syncretic vision of how ink landscape evolved within the eleventh-century court community of artists, scholars, and aristocrats. Detailed visual analyses of surviving works and new insight about key landscapes by the court painter Guo Xi support the perspective put forward here and introduce original methodologies for interpreting painting as an integral element of political and cultural history. By focusing on the efforts of emperors, empresses, and eunuchs to cultivate ink landscape and its iconography, this investigation also tackles the social and class dichotomies that have long defined and frustrated existing scholarship on this period’s paintings, highlighting instead the interconnectedness of painting practice’s elite modalities."
Download or read book Parting the Mists written by Aida Yuen Wong and published by University of Hawaii Press. This book was released on 2006-02-28 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.
Download or read book The Lyric Journey written by James Cahill and published by Harvard University Press. This book was released on 1996 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: This beautifully illustrated book looks at three exemplary traditions in poetic painting, bringing new understanding of the relationship between the art and the societies that produced it.
Download or read book Longing for Nature Reading Landscapes in Chinese Art written by Kim Karlsson and published by Hatje Cantz Verlag. This book was released on 2020 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The secret language of Chinese landscape painting A genre dating back more than 1,000 years, China's landscape painting tradition reflects all of its cultural and intellectual history, and its representational language famously follows its own rules. What at first glance seem to be idyllic ink-wash pictures actually depict far more than romantic landscapes. Through subtle allusions and references, Chinese landscape painters were able to convey a whole range of messages, from social positions to political opposition, all the way to philosophical observations and very personal feelings. This splendid illustrated volume unlocks these codes and juxtaposes important historical works with landscape paintings by internationally renowned modern and contemporary artists. The dialogue between past and present reveals surprising links, but also ruptures and conflicts.
Download or read book Poetry and Painting in Song China written by Alfreda Murck and published by Harvard Univ Asia Center. This book was released on 2000 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Song dynasty (960-1278), some of China's elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, painting titles, contemporary inscriptions, and the historical context, Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed.
Download or read book The Art of Modern China written by Julia F. Andrews and published by Univ of California Press. This book was released on 2012-09-24 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The Art of Modern China is a long-awaited, much-needed survey. The authors’ combined experience in this field is exceptional. In addition to presenting key arguments for students and arts professionals, Andrews and Shen enliven modern Chinese art for all readers. The Art of Modern China gives just treatment to an expanded field of overlooked artworks that confront the challenges of modernization.”—De-nin Deanna Lee, author of The Night Banquet: A Chinese Scroll through Time.
Download or read book The Compelling Image written by James Cahill and published by Belknap Press. This book was released on 1982 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Cahill explores the radiant painting of that tumultuous era when the collapse of the Ming Dynasty and the Manchu conquest of China dramatically changed the lives and thinking of artists and intellectuals. Over 250 illustrations, including 12 color plates, are drawn from collections in the United States, Europe, Japan, and China.
Download or read book The Making of a Modern Art World written by Pedith Pui Chan and published by BRILL. This book was released on 2017-03-06 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Making of A Modern Art World explores the artistic institutions and discursive practices prevailing in Republican Shanghai, aiming to reconstruct the operational logic and the stratified hierarchy of Shanghai’s art world. Using guohua as the point of entry, this book interrogates the discourse both of guohua itself, and the wider discourse of Chinese modernism in the visual arts. In the light of the sociological definition of ‘art world’, this book contextualizes guohua through focusing on the modes of production and consumption of painting in Shanghai, examining newly adopted modern artistic practices, namely, art associations, periodicals, art colleges, exhibitions, and the art market.
Download or read book African Art and Agency in the Workshop written by Sidney Littlefield Kasfir and published by Indiana University Press. This book was released on 2013-04-01 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Compelling case studies demonstrate how African workshops have long mediated collective expression and individual imagination.” —Allen F. Roberts, University of California, Los Angeles The role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency in the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent. Contributions by Nicolas Argenti, Jessica Gershultz, Norma Wolff, Christine Scherer, Silvia Forni, Elizabeth Morton, Alexander Bortolot, Brenda Schmahmann, Chika Okeke-Agulu, Karen E. Milbourne and Namubiru Rose Kirumira “A closer examination of the workshop provides important insights into art histories and cultural politics. We may think we know what we mean when we use the term ‘workshop,’ but in fact the organization of groups of artists takes on vastly different forms and encourages the production of diverse styles of art within larger social structures and power dynamics.” —Victoria Rovine, University of Florida “Taken as a whole, the case studies provide a wide window into the very diverse structural and functional characteristics of workshops. They also clearly describe how African workshops have served both contemporary political and cultural needs and have responded to patronage, whether it be traditional or stimulated by tourism.” —African Studies Review
Download or read book The Golden Key Modern Women Artists and Gender Negotiations in Republican China 1911 1949 written by Amanda Wangwright and published by BRILL. This book was released on 2021-08-16 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first monograph devoted to women artists of the Republican period, The Golden Key recovers the history of a groundbreaking yet forgotten generation and demonstrates that women were integral to the development of modern Chinese art.
Download or read book Transforming Traditions in Modern Chinese Painting written by Jason C. Kuo and published by . This book was released on 2002 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Monumental Landscapes of Li Huayi written by Li Huayi and published by Asian Art Museum of San Francisco. This book was released on 2004 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: "'The work of twentieth-century Chinese women artists is now coming into focus,'" writes Asian Art Museum director Emily Sano in her preface to this book, "'illuminating many remarkable stories of talent, resiliance, and will.'" One of those stories is that of Fang Zhaoling. This catalogue of an exhibition of her paintings at the Asian Art Museum of San Francisco from October 1 to November 13, 2005, sheds needed light on her long career, during which she has consistently produced innovative work of charm and distinction. Fang Zhaoling was educated in the techniques of traditonal chinese painting. It is is a testament to her determination and her family's foresight that this was so, for such an eduction was uncommon for women of her generation. She continued throughout her life to form important associations and collaborations with leading Chinese painters, and she has played an integral role in the history of modern Chinese painting."
Download or read book Geo Narratives of a Filial Son written by Elizabeth Kindall and published by BRILL. This book was released on 2020-05-11 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: Huang Xiangjian, a mid-seventeenth-century member of the Suzhou local elite, journeyed on foot to southwest China and recorded its sublime scenery in site-specific paintings. Elizabeth Kindall’s innovative analysis of the visual experiences and social functions Huang conveyed through his oeuvre reveals an unrecognized tradition of site paintings, here labeled geo-narratives, that recount specific journeys and create meaning in the paintings. Kindall shows how Huang created these geo-narratives by drawing upon the Suzhou place-painting tradition, as well as the encoded experiences of southwestern sites discussed in historical gazetteers and personal travel records, and the geography of the sites themselves. Ultimately these works were intended to create personas and fulfill specific social purposes among the educated class during the Ming-Qing transition. Some of Huang’s paintings of the southwest, together with his travel records, became part of a campaign to attain the socially generated title of Filial Son, whereas others served private functions. This definitive study elucidates the context for Huang Xiangjian’s painting and identifies geo-narrative as a distinct landscape-painting tradition lauded for its naturalistic immediacy, experiential topography, and dramatic narratives of moral persuasion, class identification, and biographical commemoration.
