Download or read book Totalitarian Art in the Soviet Union the Third Reich Fascist Italy and the People s Republic of China written by Igor Golomshtok and published by Harper San Francisco. This book was released on 1990 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study of the art of Stalinist Russia, Nazi Germany and Fascist Italy, the author describes the way the avant-garde and modernistic movements of the early 20th century, which sought to create new artistic forms of mass appeal, were quickly expropriated by dictatorial regimes.
Download or read book Totalitarian Art written by Igor Golomstock and published by Harry N. Abrams. This book was released on 2012-09-25 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the Soviet Union, and later in Maoist China, theories of mass artistic appeal were used to promote the Revolution both at home and abroad. In Nazi Germany and Fascist Italy they asserted the putative grandeur of the epoch. All too often, art that served the Revolution became "total realism," and always it became a slave to the state and the cult of personality, and ultimately one more weapon in the arsenal of oppression. Igor Golomstock gives a detailed appraisal of the forms that define totalitarian art and illustrates his text with more than two hundred examples of its paintings, posters, sculpture, and architecture, and includes a powerful comparative visual essay which demonstrates the eerie similarity of the official art of these very different regimes.
Download or read book TOTalitarian ARTs written by Mark Epstein and published by Cambridge Scholars Publishing. This book was released on 2017-03-07 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection represents a tool to broaden and deepen our geographical, institutional, and historical understanding of the term totalitarianism. Is totalitarianism only found in ‘other’ societies? How come, then, it emerged historically in ‘ours’ first? How come it developed in so many countries either in Western Europe (Italy, Germany, Portugal, and Spain) or under implicit Western forms of coercion (Latin America)? How do relations between individual(s), mass and the visual arts relate to totalitarian trends? These are among the questions this book asks about totalitarianism. The volume does not impose a ‘one size fits all’ interpretation, but opens new spaces for debate on the connection between the visual arts and mass-culture in totalitarian societies. From the Mediterranean to Scandinavia, from Western Europe to Latin America, from the fascism of the early 20th century to contemporary forms of totalitarian control, and from cinema to architecture, the chapters included in TotArt bring expertise, historical sensibility and political awareness to bear on this varied range of phenomena. This collection offers international contributions on visual, performing and plastic arts. The chapters range from examination of comics to study of YouTube videos and American newsreels, from Italian, Spanish, Portuguese, and Uruguayan cinemas to more contemporary American films and TV series, from painters and sculptors to the study of urban spaces.
Download or read book The Total Art of Stalinism written by Boris Groys and published by Verso Books. This book was released on 2014-05-27 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.
Download or read book Totalitarianism on Screen written by Carl Eric Scott and published by University Press of Kentucky. This book was released on 2014-07-11 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its creation in 1950, to the fall of the Berlin Wall in 1989, the German Democratic Republic’s Ministry for State Security closely monitored its nation’s citizens. Known as the Staatssicherheit or Stasi, this organization was regarded as one of the most repressive intelligence agencies in the world. Florian Henckel von Donnersmarck’s 2006 film The Lives of Others (Das Leben der Anderen) has received international acclaim—including an Academy Award, an Independent Spirit Award, and multiple German Film Awards—for its moving portrayal of East German life under the pervasive surveillance of the Stasi. In Totalitarianism on Screen, political theorists Carl Eric Scott and F. Flagg Taylor IV assemble top scholars to analyze the film from philosophical and political perspectives. Their essays confront the nature and legacy of East Germany’s totalitarian government and outline the reasons why such regimes endure. Other than magazine and newspaper reviews, little has been written about The Lives of Others. This volume brings German scholarship on the topic to an English-speaking audience for the first time and explores the issue of government surveillance at a time when the subject is often front-page news. Featuring contributions from German president Joachim Gauck, prominent singer-songwriter Wolf Biermann, journalists Paul Hockenos and Lauren Weiner, and noted scholars Paul Cantor and James Pontuso, Totalitarianism on Screen contributes to the growing scholarship on totalitarianism and will interest historians, political theorists, philosophers, and fans of the film.
Download or read book Traces of Modernism written by Monica Cioli and published by Campus Verlag. This book was released on 2019-05-15 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Die Krise der Moderne und der auf sie antwortende Modernismus markieren den Übergang vom 19. zum 20. Jahrhundert. Im Ersten Weltkrieg und den sich an ihn anschließenden Revolutionen manifestierten sie sich auf dramatische Weise. Dieses Buch geht den Beziehungen zwischen den neuen sozialen und politischen Entwürfen dieser Zeit - Planungsdenken, Neuer Mensch, totaler Staat - und den künstlerisch-intellektuellen Avantgarden nach, vom italienischen Futurismus über das Bauhaus bis hin zu deren sowjetischen Pendants. Im Zentrum steht dabei die Maschine, die zum Schlüsselbegriff des Modernismus wurde.
Download or read book The Total Work of Art in European Modernism written by David Roberts and published by Cornell University Press and Cornell University Library. This book was released on 2011-11-15 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.
Download or read book Art of the Soviets written by Matthew Cullerne Bown and published by Manchester University Press. This book was released on 1993 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work considers aspects of the art and architecture of the Soviet Union during the turbulent period of 1917 to 1922, covering a broad range of art, some modernist, some anti-modernist, but all to some degree guided by (and sometimes coerced by) the apparatus of the over-arching state.
Download or read book Totalitarian Art in the Soviet Union the Third Reich Fascist Italy and the People s Republic of China written by Igor Golomshtok and published by HarperCollins Publishers. This book was released on 1990 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Landscape of Stalinism written by Evgeny Dobrenko and published by University of Washington Press. This book was released on 2011-11-15 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin. From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and �sold� as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls �a cartography of power� -- an organization of the entire country into �a hierarchy of spheres of relative sacredness,� with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. Examining representations of space in objects as diverse as postage stamps, a hikers� magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.
Download or read book Art Under Stalin written by Matthew Cullerne Bown and published by Holmes & Meier Publishers. This book was released on 1991 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Digital Totalitarianism written by Michael Filimowicz and published by Routledge. This book was released on 2022-02-15 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital Totalitarianism: Algorithms and Society focuses on important challenges to democratic values posed by our computational regimes: policing the freedom of inquiry, risks to the personal autonomy of thought, NeoLiberal management of human creativity, and the collapse of critical thinking with the social media fueled rise of conspiranoia. Digital networks allow for a granularity and pervasiveness of surveillance by government and corporate entities. This creates power asymmetries where each citizen’s daily ‘data exhaust’ can be used for manipulative and controlling ends by powerful institutional actors. This volume explores key erosions in our fundamental human values associated with free societies by covering government surveillance of library-based activities, cognitive enhancement debates, the increasing business orientation of art schools, and the proliferation of conspiracy theories in network media. Scholars and students from many backgrounds, as well as policy makers, journalists and the general reading public will find a multidisciplinary approach to questions of totalitarian tendencies encompassing research from Communication, Rhetoric, Library Sciences, Art and New Media.
Download or read book Totalitarian Space and the Destruction of Aura written by Saladdin Ahmed and published by State University of New York Press. This book was released on 2019-02-14 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: We live today within a system in which state and corporate power aim to render space flat, transparent, and uniform, for only then can it be truly controlled. The gaze of power and the commodity form are capable of infiltrating even the darkest of corners, and often, we invite them into our most private spaces. We do so as a matter of convenience, but also to placate ourselves and cope with the alienation inherent in our everyday lives. The resulting dominant space can best be termed totalitarian. It is space stripped of uniqueness, deprived of the "spatial aura" necessary for authentic experience. In Totalitarian Space and the Destruction of Aura, Saladdin Ahmed sets out to help us grasp what has been lost before no trace remains. He draws attention to that which we might prefer not to see, but despite the bleakness of this indictment of reality, the book also offers a message of hope. Namely, it is only once we comprehend the magnitude of the threat to our spatial experience and our own complicity in sustaining this system that we can begin to resist the totalizing forces at work.
Download or read book Iron Fists written by Steven Heller and published by Phaidon Press Limited. This book was released on 2008-07-02 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated history of propaganda art and design from Nazi Germany, Fascist Italy, the USSR, and Communist China.
Download or read book Totalitarian Art and Modernity written by Mikkel Bolt Rasmussen and published by Aarhus Universitetsforlag. This book was released on 2010 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: In spite of the steadily expanding concept of art in the Western world, art made in twentieth-century totalitarian regimes û notably Nazi Germany, fascist Italy and the communist East Bloc countries û is still to a surprising degree excluded from main stream art history and the exhibits of art museums. In contrast to earlier art made to promote princely or ecclesiastical power, this kind of visual culture seems to somehow not fulfill the category of 'true' art, instead being marginalised as propaganda for politically suspect regimes. Totalitarian Art and Modernity wants to modify this displacement, comparing totalitarian art with modernist and avant-garde movements; confronting their cultural and political embeddings; anti writing forth their common genealogies. Its eleven articles include topics as varied as: the concept of totalitarianism and totalitarian art, totalitarian exhibitions, monuments and architecture, forerunners of totalitarian art in romanticism and heroic realism, and diverse receptions of totalitarian art In democratic cultures.
Download or read book The Art of Is written by Stephen Nachmanovitch, PhD and published by New World Library. This book was released on 2019-04-09 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: A MASTERFUL BOOK ABOUT BREATHING LIFE INTO ART AND ART INTO LIFE "Stephen Nachmanovitch's The Art of Is is a philosophical meditation on living, living fully, living in the present. To the author, an improvisation is a co-creation that arises out of listening and mutual attentiveness, out of a universal bond of sharing that connects all humanity. It is a product of the nervous system, bigger than the brain and bigger than the body; it is a once-in-a-lifetime encounter, unprecedented and unrepeatable. Drawing from the wisdom of the ages, The Art of Is not only gives the reader an inside view of the states of mind that give rise to improvisation, it is also a celebration of the power of the human spirit, which — when exercised with love, immense patience, and discipline — is an antidote to hate." — Yo-Yo Ma, cellist
Download or read book Totalitarianism written by Abbott Gleason and published by Oxford University Press. This book was released on 1997-03-20 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: For more than six decades, the term "totalitarian" was applied to everything from Franco's Spain to Stalin's Soviet Union. One of the most enigmatic and yet compelling ideas of our time, it has been both an almost meaningless political catcall and an indispensable concept for understanding the dictatorships that have marred the history of this century. Now historian Abbott Gleason provides a fascinating account of the life of this idea. Totalitarianism offers a penetrating chronicle of the central concept of our era--an era shaped by our conflict first with fascism and then with communism. Interweaving the story of intellectual debates with the international history of the twentieth century, Gleason traces the birth of the term to Italy in the first years of Mussolini's rule. Created by Mussolini's enemies, the word was appropriated by the Fascists themselves to describe their program in what turned out to be one of the less totalitarian of the European dictatorships. He follows the growth and expansion of the concept as it was picked up in the West and applied to Hitler's Germany and the Soviet Union. Gleason's account takes us through the debates of the early postwar years, as academics in turn adopted the term--notably Hannah Arendt. The idea of totalitarianism came to possess novelists such as Arthur Koestler (Darkness at Noon) and George Orwell (whose Nineteen Eighty-Four was interpreted by conservatives as an attack on socialism in general, and subsequently suffered criticism from left-leaning critics). The concept fully entered the public consciousness with the opening of the Cold War, as Truman used the rhetoric of totalitarianism to sell the Truman Doctrine to Congress. Gleason takes a fascinating look at the notorious brainwashing episodes of the Korean War, which convinced Americans that Communist China too was a totalitarian state. As he takes his account through to the 1990s, he offers an inner history of the Cold War, revealing the political charge the term carried for writers on both the left and right. He also explores the intellectual struggles that swirled around the idea in France, Germany, Italy, Czechoslovakia, and Poland. When the Cold War drew to a close in the late 1980s, Gleason writes, the concept lost much of its importance in the West even as it flourished in Russia, where writers began to describe their own collapsing state as totalitarian--though left-wing Western thinkers had long resisted doing so. Abbott Gleason is a leading scholar of Soviet and Russian history and a contributor to periodicals ranging from The Russian Review to The Atlantic Monthly. In this stimulating intellectual history, he offers a revealing look at one of the central concepts of modern times.
