Download or read book The Biography Of T K E Phillips written by Genna Mautz and published by . This book was released on 2021-06-11 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Ekundayo Phillips was born in 1884. His father was Bishop Charles Phillips of Ondo. He attended the CMS Grammar School, Lagos, then went to the Government Training School for Dispensers, where he qualified as a Chemist. ... He was Assistant Organist at Saint Paul's Church, Lagos until 1914. The biography and music of Thomas King Ekundayo Phillips are synonymous with the history of Nigerian church music. His compositions chronicle the emergence of Nigerian church music from the nineteenth century to the mid-twentieth century. Phillips's works demonstrate the experimental stages of musical synthesis that began in the church, and in particular, elucidate the various levels of musical development and growth in Nigeria.
Download or read book Thomas Ekundayo Phillips written by Godwin Sadoh and published by . This book was released on 2009-01 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: The biography and music of Thomas King Ekundayo Phillips are synonymous with the history of Nigerian church music. His compositions chronicle the emergence of Nigerian church music from the nineteenth century to the mid-twentieth century. Phillips's works demonstrate the experimental stages of musical synthesis that began in the church, and in particular, elucidate the various levels of musical development and growth in Nigeria. By writing diverse musical genres, Phillips presents an array of compositional choices that are available to indigenous sacred music composers liturgical, hymnological, choral, and instrumental pieces. Ekundayo Phillips's compositions divulge the utilization of traditional source materials in contemporary compositions. In other words, Phillips's Yoruba compositions are paradigms for employing traditional creative principles embedded in the Nigerian culture, and recombining them with modern techniques to create intercultural music. Phillips understood the problem of ethnic conflict in Nigeria; therefore, in some of his songs he calls for unity, peace, love, and national cohesion. Phillips's compositions certainly fall within the category of intercultural musicology. His compositions represent the first attempts by native Nigerian composers in the experimental synthesis of diverse musical idioms in creating a truly hybrid composition. Indeed, credit is given to Phillips's pioneer research on the word-music relationship, the utilization of indigenous pitch collections, as found in the traditional music, contrapuntal devices in choral music, indigenous polyphonic techniques, and text setting; all documented in his well-written book, Yoruba Music: Fusion of Speech and Music a monumental gem and theory of Nigerian music.
Download or read book Thomas Ekundayo Phillips written by Keturah Maccarone and published by Independently Published. This book was released on 2021-06-11 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Ekundayo Phillips was born in 1884. His father was Bishop Charles Phillips of Ondo. He attended the CMS Grammar School, Lagos, then went to the Government Training School for Dispensers, where he qualified as a Chemist. ... He was Assistant Organist at Saint Paul's Church, Lagos until 1914. The biography and music of Thomas King Ekundayo Phillips are synonymous with the history of Nigerian church music. His compositions chronicle the emergence of Nigerian church music from the nineteenth century to the mid-twentieth century. Phillips's works demonstrate the experimental stages of musical synthesis that began in the church, and in particular, elucidate the various levels of musical development and growth in Nigeria.
Download or read book Samuel Akpabot written by Godwin Sadoh and published by iUniverse. This book was released on 2008-10-17 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: Samuel Akpabots life tells a unique story of an incredible and fascinating journey encompassing over six decades. The life, music, and scholarly effervescence of Samuel Akpabot are indeed an epitome of intercultural musicology. The odyssey reveals a motion through a tri-cultural enclave in Africa, England, and the United States. The fundamental seed sown into the young Akpabot at Kings College and the Cathedral Church of Christ Choir, Lagos, ultimately blossomed into full Professorship at the University of Uyo and international stardom. His creative experience attests to the squirm that the first and second generation of Nigerian composers had to contend with to create indigenous African art music. Akpabot was a Jack of all trade, and Master of ALL. He was a classical and dance band pianist, organist, xylophonist, vibraphonist, trumpeter, drummer, composer, ethnomusicologist, African musicologist, intercultural musicologist, poet, Professor of music, conductor, broadcaster, and sports writer. Akpabot was a genius in all these areas and he dazzled the Nigerian and American students, audiences, congregations, sports enthusiasts, and colleagues, with his God given talents. A feisty scholar, his contribution to African musicology is indeed extensive and priceless. He covered every pertinent area in the study of African musictraditional music, popular dance music, church music, modern art music, and poetry. He exerted himself and was well-respected as an authority on African musicology. The book is divided into three main parts with an epilogue: (i) the biography of Samuel Akpabotchapter 2; (ii) his compositionschapters 3 to 5; and (iii) his contributions to knowledgechapters 6 to 11. Since Akpabots books are presently out-of-print, chapters 6 to 9 and 11 present a brief summary of each book in order for everyone to have access to his contribution to African musicology and Nigerian football. Chapter 10 is a succinct summation of nine of his published articles on African music. Composers, performers, African musicologists, ethnomusicologists, intercultural musicologists, and church musicians, would be enthralled by this ethnography on tri-cultural musicality.
Download or read book The Organ Works of Fela Sowande Cultural Perspectives written by Godwin Sadoh and published by iUniverse. This book was released on 2007-10-04 with total page 123 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nigeria has been blessed with a few well-trained organist-composers since the arrival of Christianity in the most populous African country around the 1840s. The institutions established by European missionaries and the colonial administration had a great impact on the emergence of the 'Nigerian organ school'. The musicians had their formative periods at the mission schools, church choirs, and under organ playing apprenticeships. This book focuses on selected organ works by the most celebrated African art musician, Fela Sowande, a Nigerian organist-composer. Fela Sowande is the first African to popularize organ works by natives of Africa in Europe and the United States. He was one of the pioneer composers to incorporate indigenous African elements such as folksongs, rhythms and other types of traditional source materials in solo works for organ. He is considered the most prolific Nigerian composer for solo organ in Nigeria. The discussion of Sowande's music enunciates the relationship between traditional and contemporary musical processes in postcolonial Nigeria. A cultural and/or ethnomusicological analysis of Sowande's selected pieces for organ solo involves an examination of specific indigenous source materials such as rhythmic organization, melodic constructs/thematic materials (music communication), interrelations of music and dance, and elements of musical conception.
Download or read book Christopher Oyesiku written by Godwin Sadoh and published by iUniverse. This book was released on 2011-02-01 with total page 125 pages. Available in PDF, EPUB and Kindle. Book excerpt: CHRISTOPHER OYESIKU dazzled the Nigerian elitist music caucuses with his extraordinary bass voice and God-gifted talent for well over six decades. His outstanding performances brought smiles, laughter, joy, and admiration to the faces of his faithful patrons, patronesses, and audiences. Nigeria has never seen nor heard anything like Oyesikus magnifi cent voice that is best described as bel canto and basso profundo. With this sonorous voice, he always leaves an impeccable and memorable impression on his ardent afi cionados. He has performed before the cream of Nigerian society, African nations, dignitaries, and indeed, the Royal Family in Great Britain. Oyesiku is a professionally trained classical bass singer, choral conductor extraordinaire, music educator, erudite scholar, concert promoter, concert manager, concert connoisseur, and broadcaster. From a period that spanned 1963 to 1997, Oyesiku single-handedly directed four magnifi cent choirs: the Lagos Musical Society Choir, the Nigerian Broadcasting Corporation Choir, the Oyo State College of Education Choir, and the University of Ibadan Choir. He trained these choirs to perform at a very enviable lofty standard that always leaves their audiences screaming for encore at the end of every concert. Their performances were consistently eclectic, electrifying, emotive, joyful, impeccable, crisp, energetic, fl awless, and intercultural. This book succinctly introduces musicians and enthusiasts to the performance of classical music in Nigeria through the life and stunning career of Christopher Oyesiku. His repertoire, bass solo recitals, and choral performances are indeed the epitome of art music concerts in the country. In this book, we can see how art music is taught and learned, organized, directed, performed, promoted, managed, disseminated, patronized, and preserved by the elitist group in modern day Nigeria. In other words, the Christopher Oyesiku concerts are representative of art music decorum in Nigeria, with particular emphasis on the performance practices, and a mirror through which one could examine the ethos of this brand of music in twenty-fi rst century Nigeria. GODWIN SADOH is a Nigerian ethnomusicologist, intercultural musicologist, composer, church musician, organist, pianist, choral conductor, and prolifi c publishing scholar with over 90 publications. His compositions have been performed and recorded worldwide. He is the fi rst African to receive a doctoral degree in organ performance from any institution in the world. Sadoh has taught at numerous institutions including the University of Pittsburgh and the University of Nebraska-Lincoln.
Download or read book Twentieth Century Music Writers A Hyperlist written by Neil E. Clement and published by MTCC Publishing Company . This book was released on 2019-10-01 with total page 742 pages. Available in PDF, EPUB and Kindle. Book excerpt: How many composers, songwriters and lyricists wrote music in the twentieth century?? Who were they?? This first edition identifies more than 14,000 people who did so, and all are listed in this eBook alphabetically along with a hyperlink to their Wikipedia biographical data. Performers of blues, folk, jazz, rock & roll and R&B are included by default. PLEASE NOTE: THE HYPERLINKS IN THIS BOOK ONLY FUNCTION ON GOOGLE PLAY aka THE 'FLOWING' VERSION. The hyperlinks in this book DO NOT CURRENTLY FUNCTION on the GOOGLE BOOKS ' FIXED' version.
Download or read book Contemporary Dimensions in Nigerian Music written by Charles Aluede and published by African Books Collective. This book was released on 2021-01-04 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: From ancient to contemporary times, music in the area known as Nigeria has passed through different stages of transmutation. Primarily transmitted through oral means has in the last century received significant scholarly attention. Areas like folksong documentation, ethno-organological studies, popular music studies and art music have continued to feature in scholarly discourse. Societal dynamism allows room for scholarly reassessment and evaluation of aspects of Nigerian music; thus, reflecting change and continuity in the area. It is within this cusp that this book looks at contemporary trajectories in Nigerian music.
Download or read book Black Inventors written by Keith Holmes and published by Global Black Inventor Resea. This book was released on 2012-05 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black Inventors, Crafting Over 200 Years of Success, highlights the work of Black inventors from over seventy countries. The author, Keith C. Holmes, has spent more than twenty years researching Black inventors from countries that include Australia, Bahamas, Barbados, Canada, Cuba, Ethiopia, France, Germany, Ghana, Dominican Republic, Guadeloupe, Guyana, Haiti, Italy, Jamaica, Japan, Kenya, Mozambique, Nigeria, St. Vincent, South Africa, Tanzania, Trinidad and Tobago, the United Kingdom and the United States. Without inventions, innovations, financial resources, materials, muscle and labor saving devices, civilizations cannot exist and flourish. This book documents a number of inventions, patents and labor saving devices conceived by Black inventors. Among many other inventions, pre-enslaved Africans, developed agricultural tools, building materials, medicinal herbs, cloth and weapons. Although historical documents emphasize that millions of Black people arrived in Canada, the Caribbean, Central and South America and the United States under slavery's yoke, it is relatively unknown that thousands of Africans and their descendants developed numerous labor-saving devices and inventions that spawned companies which generated money and jobs, worldwide. While most authors focus primarily on American and European inventors, Keith Holmes introduces inventions, both past and present, that Black people, developed and patented globally and multiculturally.Black Inventors, Crafting Over 200 Years of Success, also features early Black inventors from virtually every state in the US. It includes details about the first Black inventor who obtained a patent in both the Caribbean and the United States. To date, seventeen African American men have been inducted into the National Inventors Hall of Fame. Two inventors, Jan E, Matzeliger, (Suriname) and Elijah McCoy, (Colchester, Canada) were not born in this countryThe material available in this book, one of the first to address the diversity of black inventors and their inventions from a global perspective, effectively gives the reader, researcher, librarian, student, and teacher the materials they need to understand that the Black inventor is not only a national phenomenon, but also a global giant.
Download or read book Health Professions in Nigeria written by Joseph Abiodun Balogun and published by Springer Nature. This book was released on 2021-10-18 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a unique assessment of the Nigerian healthcare system's different professions. It begins by examining the fundamentals of health professions to contextualize the issues explored in the book in more detail. It goes on to present the hierarchy of occupations, professionalization, and the evolutionary path and socialization milestones that occupations attempting to attain true professions' status and power transcend. It also analyses the differences between professional autonomy, direct access, and independent practice. The latter parts identify Nigeria's primary healthcare professions and vocational careers and discuss their central roles, each discipline's specialty; including the biography of 35 notable pioneer Nigerian healthcare professionals during the 19th and early 20th centuries. The book concludes by analyzing the causes and adverse impacts of interprofessional conflict and industrial action within the Nigerian healthcare system and proposes the interdisciplinary team concept as a panacea for both conundrums.
Download or read book Hymns and Constructions of Race written by Erin Johnson-Williams and published by Taylor & Francis. This book was released on 2024-02-07 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hymns and Constructions of Race: Mobility, Agency, De/Coloniality examines how the hymn, historically and today, has reinforced, negotiated, and resisted constructions of race. It brings together diverse perspectives from musicology, ethnomusicology, theology, anthropology, performance studies, history, and postcolonial scholarship to show how the hymn has perpetuated, generated, and challenged racial identities. The global range of contributors cover a variety of historical and geographical contexts, with case studies from China and Brazil to Suriname and South Africa. They explore the hymn as a product of imperialism and settler colonialism and as a vehicle for sonic oppression and/or resistance, within and beyond congregational settings. The volume contends that the lived tradition of hymn-singing, with its connections to centuries of global Christian mission, is a particularly apt lens for examining both local and global negotiations of race, power, and identity. It will be relevant for scholars interested in religion, music, race, and postcolonialism.
Download or read book Pharmacy and Professionalization in the British Empire 1780 1970 written by Stuart Anderson and published by Springer Nature. This book was released on 2021-10-22 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a valuable resource for medical and other historians, this book explores the processes by which pharmacy in Britain and its colonies separated from medicine and made the transition from trade to profession during the nineteenth and twentieth centuries. When the Pharmaceutical Society of Great Britain was founded in 1841, its founders considered pharmacy to be a branch of medicine. However, the 1852 Pharmacy Act made the exclusion of pharmacists from the medical profession inevitable, and in 1864 the General Medical Council decided that pharmacy legislation was best left to pharmacists themselves. Yet across the Empire, pharmacy struggled to establish itself as an autonomous profession, with doctors in many colonies reluctant to surrender control over pharmacy. In this book the author traces the professionalization of pharmacy by exploring issues including collective action by pharmacists, the role of the state, the passage of legislation, the extension of education, and its separation from medicine. The author considers the extent to which the British model of pharmacy shaped pharmacy in the Empire, exploring the situation in the Divisions of Empire where the 1914 British Pharmacopoeia applied: Canada, the West Indies, the Mediterranean colonies, the colonies in West and South Africa, India and the Eastern colonies, Australia, New Zealand, and the Western Pacific Islands. This insightful and wide-ranging book offers a unique history of British pharmaceutical policy and practice within the colonial world, and provides a firm foundation for further studies in this under-researched aspect of the history of medicine.
Download or read book Five Decades of Music Transmutation in Nigeria and The Diaspora written by Godwin Sadoh and published by Lulu.com. This book was released on 2015 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: Half a century of music making in Nigeria has indeed witnessed giant strides, development, transformation, assimilation, and acculturation. This book succinctly presents a holistic discourse of musicality in Nigeria from the 1960s through the technological age of the 21st century transmitted through European and American cultures. It examines cogent topics such as traditional and popular music, art music, church music, choral activities, composers and their works, performance practices, maintenance of musical instruments, the impact of radio and television stations, feminine quantum leaps, music publishing, music technology, archival centers, copyright society, Nollywood music, and music entrepreneurship.
Download or read book Yor b Music in the Twentieth Century written by Bode Omojola and published by Boydell & Brewer. This book was released on 2012 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorùbá genres of music. From the primeval age of Ayànàgalú (the Yorùbá pioneer-drummer-turned-deity-of-drumming) to the modern era, Yorùbá musical traditions have been shaped by individual performers: drummers, dancers, singers, and chanters, wself-mediated visions of their social and cultural environment. Yorùbá Music in the Twentieth Century explores the role of the performer and the performing group in creating these traditions, contributing to the ongoing reorientation of scholarship on African music toward individual creativity within a larger social network. Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional Yorùbá genres such as bàtá and dùndún drumming as well as more contemporary genres such as Yorùbá popular music. The book also addresses a spectrum of social issues, ranging from gender inequality to the impactianity and Islam on Yorùbá musical practice. Throughout, Omojola emphasizes the interrelatedness of the different components of the Yorùbá musical landscape, as well as the role of specific individuals and groups of musicians, whohave continued to draw from indigenous Yorùbá musical resources to create new musical forms in the process of engaging the social dynamics of a rapidly changing environment. Awarded honorable mention in the 2014 Kwabena Nketia Book Competition of the African Music Section of the Society for Ethnomusicology. Bode Omojola is a Five College Associate Professor of Music at Mt. Holyoke College.
Download or read book Indigenous African Popular Music Volume 2 written by Abiodun Salawu and published by Springer Nature. This book was released on 2022-06-14 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people. At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies.
Download or read book Artistic Dynamos An Ethnography on Music in Central African Kingdoms written by Brian Schrag and published by Routledge. This book was released on 2021-03-22 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Artistic Dynamos: An Ethnography on Music in Central African Kingdoms uses stories and research from Ngiembɔɔn communities of Central and West Cameroon as touchstones for proposing new approaches to arts scholarship and community development. Building on the results of ethnographic research, artistic action is viewed through the lens of communication. This view brings a picture of increased cultural energy in the enactment of artistic genres—those with melodic, rhythmic, poetic, dramatic, visual, and performative features. Schrag’s treatise will change how scholars across disciplines understand and engage with the arts. This volume offers methods for improved scholarship, resulting in communities living better lives. The author’s website contains the video and audio recordings discussed in the book, plus full color versions of many photos and diagrams. www.ArtisticDynamos.com
Download or read book Research Review written by and published by . This book was released on 2005 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
