Download or read book Theatricalities of Power written by Steven T. Brown and published by Stanford University Press. This book was released on 2001 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an extended reading of the noh play Aoi ne Ue, as well as briefer examinations of several other plays, this book sheds new light on the circulation of power and desire in the middle and late medieval periods in Japan. It argues that these plays constituted an active force in the theater of the medieval cultural imaginary by engaging specific sociopolitical issues and problems.
Download or read book Theatrical Jazz written by Omi Osun Joni L. Jones and published by Black Performance and Cultural. This book was released on 2023-01-08 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length study of the theatrical jazz aesthetic, that draws on the jazz principles of ensemble--the break, the bridge, and the blue note.
Download or read book Symbols and Power in the Theatre of the Oppressed written by Ronaldo Morelos and published by Ronaldo Morelos. This book was released on 1999 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Social Theatre of Power Concepts of Space and Theatricality in the Interpretation of Power and Resistance written by Sophie Catherine Nield and published by . This book was released on 2001 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Actors in the Audience written by Shadi Bartsch and published by Harvard University Press. This book was released on 1994 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tacitus, Suetonius, and Juvenal all figure in Bartsch's shrewd analysis of historical and literary responses to the brute facts of empire; even the Panegyricus of Pliny the Younger now appears as a reaction against the widespread awareness of dissimulation.
Download or read book Performance Theatre and Society in Contemporary Nicaragua written by Alberto Guevara and published by . This book was released on 2014-01 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since coming to power in 2007, the Sandinista Front of National Liberation (FSLN) has proclaimed itself the "government of the poor" and the "government of peace and reconciliation." Accordingly, the regime has endeavoured to control and manipulate the symbols, social images, important spaces, and situations of popular struggles for social justice in the country. Under the watch of Daniel Ortega's administration, Nicaragua has become a country where an extraordinary effort is put into social spectacles, propaganda, and theatricality to create the impression of social and economic transformation. While the current regime orchestrates impressive social performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. These mine the gap between experiences and promises in today's Nicaragua. The exhibit of suffering bodies in public national spaces as political weapons by pesticide victims, as well as a transvestite circus spectacle in Managua redefine spaces and states of "invisibility" and "visibility" by articulating social positions through performance. The bodies of these Nicaraguans--refusing to be invisible--show Nicaragua's ongoing social drama of a predominant social power relation of inclusion and exclusion within a narrative intersected by political power, marginality and theatricality. As spectacularized bodies, they become avenues for showing processes of structural violence. Although there has been some excellent academic research focusing on performance or/and theatre in Nicaragua, such scholarship seldom attends to the very important connections between daily staged public social acts and local, national/global politics that deal directly and indirectly with marginalized social/cultural landscapes in this country. This book fills the gap by examining the connections between Nicaragua's marginalized landscapes and bodies, between social/political visibility and invisibility, and the relationship between social abandonment and social encompassment in the nation. This is an important book for performance studies, social cultural anthropology, theatre studies and Latin American studies. This book is in the Cambria Contemporary Global Performing Arts Series (general editor: John Clum, Duke University) and includes rare images.
Download or read book The Necropolitical Theater written by Jeffrey K. Coleman and published by Northwestern University Press. This book was released on 2020-05-15 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage demonstrates how theatrical production in Spain since the early 1990s has reflected national anxieties about immigration and race. Jeffrey K. Coleman argues that Spain has developed a “necropolitical theater” that casts the non-European immigrant as fictionalized enemy—one whose nonwhiteness is incompatible with Spanish national identity and therefore poses a threat to the very Europeanness of Spain. The fate of the immigrant in the necropolitical theater is death, either physical or metaphysical, which preserves the status quo and provides catharsis for the spectator faced with the notion of racial diversity. Marginalization, forced assimilation, and physical death are outcomes suffered by Latin American, North African, and sub-Saharan African characters, respectively, and in these differential outcomes determined by skin color Coleman identifies an inherent racial hierarchy informed by the legacies of colonization and religious intolerance. Drawing on theatrical texts, performances, legal documents, interviews, and critical reviews, this book challenges Spanish theater to develop a new theatrical space. Jeffrey K. Coleman proposes a “convivial theater” that portrays immigrants as contributors to the Spanish state and better represents the multicultural reality of the nation today.
Download or read book Theatre Histories written by Daphne P. Lei and published by Taylor & Francis. This book was released on 2024-07-30 with total page 1069 pages. Available in PDF, EPUB and Kindle. Book excerpt: This updated fourth edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted. Bringing together a group of scholars from a diverse range of backgrounds and approaches to the history of global theater, this introduction to theatre history places theatre into its larger historical contexts and attends to communication’s role in shaping theatre. Its case studies provide deeper knowledge of selected topics in theater and drama, and its “Thinking Through Theatre Histories” boxes discuss important concepts and approaches used in the book. Features of the fully updated fourth edition include: Deeper coverage of East Asian and Latin American theater. Richer treatment of popular culture. More illustrations, photographs, and information about online resources. New case studies, include several written by authoritative scholars on the topic. Pronunciation guidance, both in the text and as audio files online. Timelines. An introduction on historiography. A website with additional case studies, a glossary, recordings of the pronunciation of important non-English terms, and instructor resources. A case studies library listing, including both those in print and online, for greater instructor choice and flexibility. This is an essential textbook for undergraduate courses in theatre history, world theatre and introduction to theatre, and anyone looking for a full and diverse account of the emergence, development, and continuing relevance of theatre to cultures and societies across the world.
Download or read book The Place of the Stage written by Steven Mullaney and published by University of Michigan Press. This book was released on 1995 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Probes English society in the age of Shakespeare
Download or read book Transgressive Theatricality Romanticism and Mary Wollstonecraft written by Lisa Plummer Crafton and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 163 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lisa Plummer Crafton argues that, throughout her works, Mary Wollstonecraft engages with early Romantic notions of the theatrical and contributes to contemporary debates on theater. Within the context of the political discourse of the French Revolution, juridical transcripts of treason and civil divorce trials, and the spectacle of the female actress on stage as typified by Sarah Siddons, Crafton shows how Wollstonecraft's persistent use of the trope reveals theatricality's transgressive potential for self-invention.
Download or read book Theatre and the English Public from Reformation to Revolution written by Katrin Beushausen and published by Cambridge University Press. This book was released on 2018-04-05 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents new and overarching perspectives on the relationship between theatre and public from the Henrician Reformation through the interregnum to the Restoration, combining vivid case studies with discussion of theatre's continued importance in shaping the early modern public. Considered from the vantage point of theatre, the early modern public becomes visible as an unruly agent of political change, a force that authorities both feared and appealed to, and one that proved ultimately beyond control. It was through theatrical strategies that rulers and their opposition addressed the early modern public, and in turn it was theatre's public potential that shaped the development of the stage during the revolutionary years of the seventeenth century. In this volume, Katrin Beushausen examines sources including irreverent satirical pamphlets, regal spectacles, anti-theatrical polemic and visions of state theatres, casting new light on the development of the early modern public and theatre.
Download or read book Drugs and Theater in Early Modern England written by Tanya Pollard and published by Oxford University Press. This book was released on 2005-02-17 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drugs and Theater in Early Modern England asks why Shakespeare and his contemporary playwrights were so preoccupied with drugs and poisons and, at a deeper level, why both critics and supporters of the theater, as well as playwrights themselves, so frequently adopted a chemical vocabulary to describe the effects of the theater on audiences. Drawing upon original medical and literary research, Pollard shows that the potency of the link between drugs and plays in the period demonstrates a model of drama radically different than our own, a model in which plays exert a powerful impact on spectators' bodies as well as minds. Early modern physiology held that the imagination and emotions were part of the body, and exerted a material impact on it, yet scholars of medicine and drama alike have not recognised the consequences of this idea. Plays, which alter our emotions and thought, simultaneously change us physically. This book argues that the power of the theater in early modern England, as well as the striking hostility to it, stems from the widely held contemporary idea that drama acted upon the body as well as the mind. In yoking together pharmacy and theater, this book offers a new model for understanding the relationship between texts and bodies. Just as bodies are constituted in part by the imaginative fantasies they consume, the theater's success (and notoriety) depends on its power over spectators' bodies. Drugs, which conflate concerns about unreliable appearances and material danger, evoked fascination and fear in this period by identifying a convergence point between the imagination and the body, the literary and the scientific, the magical and the rational. This book explores that same convergence point, and uses it to show the surprising physiological powers attributed to language, and especially to the embodied language of the theater.
Download or read book Art Made Tongue tied by Authority written by Janet Clare and published by Manchester University Press. This book was released on 1999 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this work, Janet Clare maintains that to understand dramatic and theatrical censorship in the Renaissance we need to map its terrain, not its serial changes and examine the language through which it was articulated. In tracing the development of dramatic censorship from its origins in the suppression of the medieval religious drama to the end of the Jacobean period, she shows how the system of censorship which operated under Elizabeth I and James I was dynamic, unstable and unpredictable. The author questions notions which regard censorship as either consistently repressive or as irregular and negotiable, arguing that it was governed by the contingencies of the historical moment.
Download or read book Interludes and Early Modern Society written by and published by BRILL. This book was released on 2007-01-01 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this collection, contributed by an internationally distinguished group of scholars, bring up to date many aspects of the criticism of the English Interludes. The development of these plays was a significant part of the history of the growth of English drama in the sixteenth century to the extent that they may be regarded as its main stream. Arising by means of a felicitous combination of the development of printing and the growth of a professional theatre, plays of this type quickly became a forum for the presentation and exploration of many contemporary themes. They became a useful means of disseminating a wide variety of opinions and public concerns as well as exhibiting at times the intellectual brilliance of the Renaissance. The essays here are concentrated upon power, particularly in its religious and political aspects, gender and theatricality. The political and religious upheavals of the Reformation under the Tudor monarchy form a background as well as a focus at times. In particular the position of women in sixteenth-century society is examined in essays on several plays. There is also discussion of the development of theatrical techniques as playwrights worked closely with small acting companies to reach a wide audience ranging from the royal court to the common streets. This was achieved, as a number of essays make clear, through a variety of entertaining theatrical devices.
Download or read book Theatre Sacrifice Ritual Exploring Forms of Political Theatre written by Erika Fischer-Lichte and published by Routledge. This book was released on 2007-05-07 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: An acclaimed theatre historian here presents a radical re-definition of ritual theatre in a study of 20th century performative culture. Offering both perfomative and semiotic analyses of performances, this is a revolutionary approach to the study.
Download or read book Early Modern Drama at the Universities written by Elizabeth Sandis and published by Oxford University Press. This book was released on 2022-05-26 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first history of Oxford and Cambridge drama during the Tudor and Stuart period. It guides the reader through the theatrical worlds of Englands universities in the sixteenth and seventeenth centuries. Early Modern Drama at the Universities opens up an exciting and challenging body of evidence and offers the reader a choice of three inroads into the corpus: institutions, intertexts, and individuals. How to get noticed at university? How to get into university in the first place, or a job afterwards? Sandis pinpoints the skills that were required for success and the role of playwriting and performance in the development of those skills. We follow Oxford and Cambridge students along their educational journeyfrom schoolboys to scholars to graduates in the workplace. For the first time, we see the extent to which institutional culture made the drama what it was: pedagogically-inspired, homosocial, and self-reflexive. It was primarily on a college level that students lived, worked, and proved themselves to the community. Therefore, this study argues, to understand university drama as a whole we must recreate it from the building blocks of individual college histories. The hundreds of plays that we have inherited from Oxford and Cambridge are steeped in Classical culture; many are written in Latin. Manuscript, not print, was the accepted medium for keeping records of student plays, and these handwritten copies were unique and personal. It is time to recognize these plays in the context of early modern English drama, to uncover the culture of drama at the universities where many leading playwrights of the age were trained.
Download or read book William Godwin and the Theatre written by David O'Shaughnessy and published by Routledge. This book was released on 2015-10-06 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Godwin is one of the most important figures of the Romantic period. He wrote four plays at the end of the 18th/beginning of the 19th centuries. This book has two main objectives: to provide the first comprehensive discussion of these four plays, and to consider the notion of theatricality in relation to Godwin’s political project.
