Download or read book Theatre Margins and Politics written by Arnab Ray and published by Taylor & Francis. This book was released on 2022-11-30 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book interrogates the relationship of theatre and the dialectics of centre and the margins. It looks into the exciting world of performance to examine how theatre as an art form is perfectly placed to both perform and critique complex relations of power, politics, and culture. The volume looks into how drama has historically served as a stage for expressing and showcasing prevalent social, historical, and cultural contexts from which it has emerged or intends to critique. Including a wide range of performative practices like Dalit Theatre, Australian Aboriginal theatre, Western realism, and Yoruba theatre, it explores varied lived experiences of people, and voices of subversion, subalternity, resistance, and transformation. The book scrutinises the strategies of representation enunciated through textuality, theatricality, and performance in these works and the politics they are inextricably linked with. This book will be of interest and use to scholars, researchers, and students of theatre and performance studies, postcolonial studies, race and inequality studies, gender studies, and culture studies.
Download or read book Theatre Symposium Vol 8 written by John W. Frick and published by University Alabama Press. This book was released on 2000-08-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays explores the complex and ever-fluctuating relationaship between the mainstream and the marginal as it applies to the world of theatre.
Download or read book Theatre at the Margins written by John W. Frick and published by . This book was released on 2000 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Out of the Fringe written by Caridad Svich and published by . This book was released on 2000 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: Major new collection of Latina/o contemporary work for the stage.
Download or read book Theater at the Margins written by Erik MacDonald and published by . This book was released on 1993 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Theater at the Margins: Text and the Poststructured Stage investigates recent German and American texts in relation to contemporary critical theory. Focusing on the work of writers Kathy Acker, Frank Chin, Caryl Churchill, Rainer Werner Fassbinder, Richard Foreman, Elaine Jackson, Cherrie Moraga, and Wallace Shawn, the book explains how these nontraditionalists challenge the presumptions of traditional dramatic writing and contribute to a unique theatrical sensibility." "The introduction to Theater at the Margins situates contemporary post-structuralist, ethnic, and feminist theory in relation to theater and the dramatic text, with specific reference to Derrida's concept of "the margin." Subsequent chapters apply this thinking to specific texts, including Pandering to the Masses; Garbage, The City and Death; The Chickencoop Chinaman; and Giving Up the Ghost. A concluding chapter summarizes these readings and suggests how they might be useful for theater practitioners." "The theoretical issues covered are central to both contemporary critical discourse and theatrical practice. By investigating the notion of "margins," of the places in which the dramatic text begins to unravel its ontotheological heritage, MacDonald shows how the possibility for staging philosophy's "Other" emerges. He makes clear, however, that staging this Other is not simply a concern of philosophy; instead, he raises the possibility of a heterogeneous theater that would accentuate the historical and political background of a particular group while at the same time making room for competing voices. Theater at the Margins argues that this heterogeneity of texts could create a theater that would be responsive and responsible to a world no longer defined by a particular center."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book The Theater of Night written by Alberto Ríos and published by Copper Canyon Press. This book was released on 2016-08-01 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: “In this rhapsodic series of poems, Ríos presents the story of Ventura and Clemente Ríos, a married couple living near the United States-Mexico border. . . . Ríos’s project [is] indebted to magic realism but rooted in naturalism.”—The New Yorker “Ríos creates the feeling of enchanted or intimate lore within a family [and] evokes the mysterious and unexpected forces that dwell inside the familiar.”—The Washington Post Now in paperback, and following the success of his National Book Award nomination, Alberto Ríos’ new book is filled with magic, marvel, and emotional truth. Set along the elusive southern border, his poems trace the lives and loves of an elderly couple through their childhood and courtship to marriage, maturity, old age, and death. Like the best of storytellers, Ríos charms his readers, making us care deeply—even love—these people we read. From “The Chair She Sits In”: I’ve heard this thing where, when someone dies, People close up all the holes around the house- The keyholes, the chimney, the windows, Even the mouths of the animals, the dogs and the pigs. It’s so the soul won’t be confused, or tempted . . . Alberto Ríos, the poet laureate of Arizona, teaches at Arizona State University. He is the author of eight books of poetry, three collections of short stories, and a memoir.
Download or read book Theatre and Identity in Imperial Russia written by Catherine A. Schuler and published by University of Iowa Press. This book was released on 2009-05-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II. If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.
Download or read book The Oxford Handbook of Musical Theatre Screen Adaptations written by Dominic McHugh and published by Oxford University Press. This book was released on 2019-06-14 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.
Download or read book Theatre and the City written by Jen Harvie and published by Bloomsbury Publishing. This book was released on 2009-06-02 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: How can an understanding of theatre in the city help us make sense of urban social experience? Theatre& the City explores how relationships between theatre, performance and the city affect social power dynamics, ideologies and people's sense of identity. The book evaluates both material conditions (such as architecture) and performative practices (such as urban activism) to argue that both these categories contribute to the complex economies and ecologies of theatre and performance in an increasingly urbanised world. Foreword by Tim Etchells.
Download or read book Redefining Theatre Communities written by Szabolcs Musca and published by Intellect (UK). This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.
Download or read book Minority Theatre on the Global Stage written by Madelena Gonzalez and published by Cambridge Scholars Publishing. This book was released on 2012-03-15 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: All over the world, in the most varied contexts, contemporary theatre is a rich source for increasing the visibility of communities generally perceived by others as minorities, or those who see themselves as such. Whether of a linguistic, ethnic, political, social, cultural or sexual nature, the claims of minorities enjoy a privileged medium in theatre. Perhaps it is because theatre itself is linked to the notions of centre and periphery, conformism and marginality, domination and subjugation – notions that minority theatre constantly examines by staging them – that it is so sensitive to the issues of troubled and conflicted identity and able to give them a universal resonance. Among the questions raised by this volume, is that of the relationship between the particular and the more general aims of this type of theatre. How is it possible to speak to everyone, or at least to the majority, when one is representing the voice of the few? Beyond such considerations, urgent critical examination of the function and aims of minority theatre is needed. To what kind of public is such drama addressed? Does it have an exemplary nature? How is it possible to avoid the pitfalls and the dead end of ghettoization? Certain types of audience-specific theatre are examined in this context, as, for example, theatre as therapy, theatre as an educational tool, and gay theatre. Particular attention is paid to the claims of minorities within culturally and economically dominant western countries. These are some of the avenues explored by this volume which aims to answer fundamental questions such as: What is minority theatre and why does theatre, a supposedly bourgeois, if not to say elitist, art form, have such affinity with the margins? What if, particularly in contemporary society, the theatre as a form, were merely playing out its fundamentally marginal status? The authors of these essays show how different forms of minority theatre can challenge cultural consensus and homogenization, while also aspiring to universality. They also address the central question of the place and status of apparently marginal forms of theatre in the context of globalization and in doing so re-examine theatre itself as a genre. Not only do they illustrate how minority theatre can challenge the dominant paradigms that govern society, but they also suggest their own more flexible and challenging frameworks for theatrical activity.
Download or read book Performing Teaching and Writing Theatre written by Sanjay Kumar and published by Cambridge Scholars Publishing. This book was released on 2022-11-29 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the writer’s experience of three and a half decades of performing, teaching and writing theatre, this book explores the performance practice of a theatre group (pandies’ theatre, Delhi) by placing this practice in a frame of international activist theatre movements. The teaching aspect provides a historical backdrop and the writing of plays adds depth and sharpens the political position. It identifies theatre as a force for changing society across the centuries and beyond national borders. The book examines a large variety of theatrical experiences, including well-known forms of proscenium, workshop and street theatre.
Download or read book From the Margins to the Middle written by Megan J. Smith and published by . This book was released on 2016 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Arts Culture and Community Development written by Meade, Rosie and published by Policy Press. This book was released on 2021-07-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on international examples, this book interrogates the relationship between the arts, culture and community development. Contributors from six continents, reimagine community development as they consider how aesthetic arts contribute to processes of peacebuilding, youth empowerment, participatory planning and environmental regeneration.
Download or read book The Community Performance Reader written by Petra Kuppers and published by Routledge. This book was released on 2020-07-24 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Community Performance: A Reader is the first book to provide comprehensive teaching materials for this significant part of the theatre studies curriculum. It brings together core writings and critical approaches to community performance work, presenting practices in the UK, USA, Australia and beyond. Offering a comprehensive anthology of key writings in the vibrant field of community performance, spanning dance, theatre and visual practices, this Reader uniquely combines classic writings from major theorists and practitioners such as Augusto Boal, Paolo Freire, Dwight Conquergood and Jan Cohen Cruz, with newly commissioned essays that bring the anthology right up to date with current practice. This book can be used as a stand-alone text, or together with its companion volume, Community Performance: An Introduction, to offer an accessible and classroom-friendly introduction to the field of community performance.
Download or read book Arts in the Margins of World Encounters written by Willemijn de Jong and published by Vernon Press. This book was released on 2021-09-07 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Arts in the Margins of World Encounters' presents original contributions that deal with artworks of differently marginalized people—such as ethnic minorities, refugees, immigrants, disabled people, and descendants of slaves—, a wide variety of art forms—like clay figures, textile, paintings, poems, museum exhibits and theatre performances—, and original data based on committed, long-term fieldwork and/or archival research in Brazil, Martinique, Rwanda, India, Indonesia, Japan, Australia, and New Zealand. The volume develops theoretical approaches inspired by innovative theorists and is based on currently debated analytical categories including the ethnographic turn in contemporary art, polycentric aesthetics, and aesthetic cannibalization, among others. This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds. 'Arts in the Margins of World Encounters' will appeal to students at all levels, scholars, and practitioners in arts, aesthetics, anthropology, social inequality, and discrimination, as well as researchers in other fields, including post-colonialism and cultural organizations.
Download or read book Cultural Protest in Journalism Documentary Films and the Arts written by Daniel H. Mutibwa and published by Routledge. This book was released on 2019-02-13 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of production and organisational contexts of selected case studies, some of which date from the countercultural era. The book takes a transnational and interdisciplinary approach encompassing a range of theoretical perspectives – drawn from the political economy of communication tradition; alternative media scholarship; journalism studies; critical sociological and cultural studies of media industries; cultural industries research; and critical and social theory – in conjunction with extensive ethnographic fieldwork. It does so to reveal the obscure nature of media and cultural production and organisation at seventeen media and cultural actors based in Britain and Germany, including South Africa and Nigeria. A particular focus is placed on how such actors balance competing imperatives of a civic/socio-political, professional, artistic and commercial nature as well as various systemic pressures, and on how they navigate the resultant ambivalences, paradoxes and tensions in their day-to-day work. In essence, the book highlights key insights into a changing nature and quality of engagement with social and political realities in protest cultures.
