Download or read book Theatre and the Virtual written by Zornitsa Dimitrova and published by Routledge. This book was released on 2022-03-21 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre and the Virtual lays out a set of conceptual instruments for the articulation and engendering of the forces of theatrical potentiality. Creating a passage toward a reconstitution of the given, a theatre of the virtual opens bodies in motion to a region of an ongoing genesis of forces. The outcome: regimes of constraint are abandoned through a radical practice of ecological attunement. Violence is eschewed through an onto-ecology of touch. Closed systems are repotentialised to become co-constitutive of their environments. A logic of spectrality settles in—not so much entities as atmospheres, not so much a being as a style of being, not so much a body as multitudinous milieus of response. This is the task of a theatre of the virtual—to safeguard the possibility of the extra-epistemological and uphold one’s right to offer accounts of oneself from outside of being, all the while creating a fractured record of the wondrous mutations of a moving, gesturing body. This book will be of great interest to students and scholars in theatre, philosophy, new materialisms, environmental humanities, gesture, and the ontology of response.
Download or read book Virtual Theatres written by Gabriella Giannachi and published by Routledge. This book was released on 2004-06-01 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length book of its kind to offer an investigation of the interface between theatre, performance and digital arts, Virtual Theatres presents the theatre of the twenty-first century in which everything - even the viewer - can be simulated. In this fascinating volume, Gabriella Giannachi analyzes the aesthetic concerns of current computer-arts practices through discussion of a variety of artists and performers including: * blast Theory * Merce Cunningham * Eduardo Kac * forced entertainment * Lynn Hershman * Jodi Orlan * Guillermo Gómez-Peña * Marcel-lí Antúnez Roca * Jeffrey Shaw * Stelarc. Virtual Theatres not only allows for a reinterpretation of what is possible in the world of performance practice, but also demonstrates how 'virtuality' has come to represent a major parameter for our understanding and experience of contemporary art and life.
Download or read book Digital Performance written by Steve Dixon and published by MIT Press. This book was released on 2007-02-23 with total page 1027 pages. Available in PDF, EPUB and Kindle. Book excerpt: The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance—including what he calls postmodernism's denial of the new—and offers a series of boldly original arguments in their place.
Download or read book Theater Artists Making Theatre with No Theater written by Sheila Callaghan and published by Tripwire Harlot Press. This book was released on 2020-10-23 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the pandemic, theatermakers Sheila Callaghan, Meg Miroshnik, & Kelly Miller made a book with artwork from their peers: Liz Duffy Adams, Nayna Agrawal, Tessa Albertson, Jazmine Aluma, Liz Appel, Mallery Avidon, Rachel Axler, Jenny Lyn Bader, Kari Bentley-Quinn, Kate Bergstrom, Susan Bernfield, Larry Biederman, Rachel Bonds, Amy Boratko, Mattie Brickman, Eleanor Burgess, Adrienne Campbell-Holt, Jonathan Caren, Marisa Carr, Jaime Castañeda, Jo Cattell, Jennifer Chambers, Jackie Chung, Carmela Corbett, Adam D. Crain, Cusi Cram, Migdalia Cruz, Francisca Da Silveira, Mashuq Deen, Steph Del Rosso, Kristoffer Diaz, Julie Felise Dubiner, Erik Ehn, Larissa FastHorse, Annah Feinberg, Liz Frankel, Gibson Frazier, Matt Freeman, Edith Freni, Jeremy Gable, Joanna Glum, Emma Goidel, Jacqueline Goldfinger, Isaac Gómez, Tasha Gordon-Solmon, Kirsten Greenidge, Rinne Groff, Jason Grote, Lauren M. Gunderson, April Dawn Guthrie, Mary Elizabeth Hamilton, Adrien-Alice Hansel, Elizabeth Harper, Julie Hébert, Justice Hehir, Laura Heisler, Alex Henrikson, Deb Hiett, Daniel Hirsch, Lily Holleman, Jess Honovich, Scott Horstein, Andy Horwitz, Emma Horwitz, Lily Houghton, Lindsay Brandon Hunter, Kristin Idaszak, Naomi Iizuka, Rachel Jendrzejewski, Kate Jopson, Lila Rose Kaplan, MJ Kaufman, Lucas Kavner, Lisa Kenner Grissom, Callie Kimball, Ramona Rose King, Krista Knight, Andrea Kuchlewska, Jenni Lamb, Jacqueline E. Lawton, Jer Adrianne Lelliott, Sarah Rose Leonard, Sofya Levitsky-Weitz, Danielle Levsky, Mike Lew, Jerry Lieblich, Katie Lindsay, Craig Lucas, Kirk Lynn, Wendy MacLeod, Jennifer Maisel, Chelsea Marcantel, Winter Miller, Rehana Lew Mirza, Michael Mitnick, Anne G. Morgan, Matt Moses, Allie Moss, Gregory S. Moss, Rebecca Mozo, Nick Hadikwa Mwaluko, Katie Locke O'Brien, Kira Obolensky, Laurel Ollstein, Matthew Paul Olmos, Julie Oullette, Kristen Palmer, Lina Patel, Christopher O. Peña, Roxie Perkins, Eric Pfeffinger, Rebecca Phillips Epstein, Daria Polatin, Christina Quintana (CQ), Stella Fawn Ragsdale, Molly Rice, Anya Richkind, Colette Robert, Alexis Roblan, Ashley Lauren Rogers, Elaine Romero, Whitney Rowland, Zoe Sarnak, Matt Schatz, Dana Schwartz, Betty Shamieh, Mike Shapiro, Alexandra Shilling, Jen Silverman, Jessy Lauren Smith, Elizabeth Spreen, Matt Stadelmann, Ellen Steves, Caridad Svich, Adam Szymkowicz, Kate Tarker, Ashley Teague, Melisa Tien, Ken Urban, Kathryn Walat, John Walch, Molly Ward, Seanan Palmero Waugh, Tatiana Wechsler, Jenny Rachel Weiner, Calamity West, Deborah Yarchun, Mackenzie Yeager, Gina Young.
Download or read book Theatre and Performance in Digital Culture written by Matthew Causey and published by Routledge. This book was released on 2007-01-24 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems. The book examines the two Iraq wars, 9/11 and the War on Terror through the lens of performance studies, and, drawing on the writings of Giorgio Agamben, Alain Badiou and Martin Heidegger, alongside the dramas of Beckett, Genet and Shakespeare, and the theatre of the Kantor, Foreman, Socíetas Raffaello Sanzio and the Wooster Group, the book positions theatre and performance in technoculture and articulates the processes of aesthetics, metaphysics and politics. This wide-ranging study reflects on how the theatre and performance have been challenged and extended within these new cultural phenomena.
Download or read book Computers as Theatre written by Brenda Laurel and published by Pearson Education. This book was released on 2014 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brenda Laurel's Computers as Theatre revolutionized the field of human-computer interaction, offering ideas that inspired generations of interface and interaction designers-and continue to inspire them. Laurel's insight was that effective interface design, like effective drama, must engage the user directly in an experience involving both thought and emotion. Her practical conclusion was that a user's enjoyment must be a paramount design consideration, and this demands a deep awareness of dramatic theory and technique, both ancient and modern. Now, two decades later, Laurel has revised and revamped her influential work, reflecting back on enormous change and personal experience and forward toward emerging technologies and ideas that will transform human-computer interaction yet again. Beginning with a clear analysis of classical drama theory, Laurel explores new territory through the lens of dramatic structure and purpose. Computers as Theatre, Second Edition, is directed to a far wider audience, is written more simply and elegantly, is packed with new examples, and is replete with exciting and important new ideas. This book Draws lessons from massively multiplayer online games and systems, social networks, and mobile devices with embedded sensors Integrates values-driven design as a key principle Integrates key ideas about virtual reality Covers new frontiers, including augmented reality, distributed and participatory sensing, interactive public installations and venues, and design for emergence Once more, Brenda Laurel will help you see the connection between humans and computers as you never have before-and help you build interfaces and interactions that are pleasurably, joyously right!
Download or read book Virtual Family written by Christian Kiley and published by Theatrefolk. This book was released on 2009 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Left to Our Own Devices written by Margaret E. Morris and published by MIT Press. This book was released on 2018-12-25 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unexpected ways that individuals adapt technology to reclaim what matters to them, from working through conflict with smart lights to celebrating gender transition with selfies. We have been warned about the psychological perils of technology: distraction, difficulty empathizing, and loss of the ability (or desire) to carry on a conversation. But our devices and data are woven into our lives. We can't simply reject them. Instead, Margaret Morris argues, we need to adapt technology creatively to our needs and values. In Left to Our Own Devices, Morris offers examples of individuals applying technologies in unexpected ways—uses that go beyond those intended by developers and designers. Morris examines these kinds of personalized life hacks, chronicling the ways that people have adapted technology to strengthen social connection, enhance well-being, and affirm identity. Morris, a clinical psychologist and app creator, shows how people really use technology, drawing on interviews she has conducted as well as computer science and psychology research. She describes how a couple used smart lights to work through conflict; how a woman persuaded herself to eat healthier foods when her photographs of salads garnered “likes” on social media; how a trans woman celebrated her transition with selfies; and how, through augmented reality, a woman changed the way she saw her cancer and herself. These and the many other “off-label” adaptations described by Morris cast technology not just as a temptation that we struggle to resist but as a potential ally as we try to take care of ourselves and others. The stories Morris tells invite us to be more intentional and creative when left to our own devices.
Download or read book Theatre and Performance in Digital Culture written by Matthew Causey and published by Routledge. This book was released on 2007-01-24 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems. The book examines the two Iraq wars, 9/11 and the War on Terror through the lens of performance studies, and, drawing on the writings of Giorgio Agamben, Alain Badiou and Martin Heidegger, alongside the dramas of Beckett, Genet and Shakespeare, and the theatre of the Kantor, Foreman, Socíetas Raffaello Sanzio and the Wooster Group, the book positions theatre and performance in technoculture and articulates the processes of aesthetics, metaphysics and politics. This wide-ranging study reflects on how the theatre and performance have been challenged and extended within these new cultural phenomena.
Download or read book Theatre and the Virtual written by Zornitsa Dimitrova and published by Routledge. This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre and the Virtual lays out a set of conceptual instruments for the articulation and engendering of the forces of theatrical potentiality. Creating a passage towards a reconstitution of the given, a theatre of the virtual opens bodies in motion to a region of an ongoing genesis of forces. The outcome: regimes of constraint are abandoned through a radical practice of ecological attunement. Violence is eschewed through an onto-ecology of touch. Closed systems are repotentialised to become co-constitutive of their environments. A logic of spectrality settles in--not so much entities as atmospheres, not so much a being as a style of being, not so much a body as multitudinous milieus of response. This is the task of a theatre of the virtual--to safeguard the possibility of the extra-epistemological and uphold one's right to offer accounts of oneself from outside of being, all the while creating a fractured record of the wondrous mutations of a moving, gesturing body. This book will be of great interest to students and scholars in theatre, philosophy, new materialisms, environmental humanities, gesture, and the ontology of response.
Download or read book The Nether written by Jennifer Haley and published by Northwestern University Press. This book was released on 2014-11-30 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Nether, a daring examination of moral responsibility in virtual worlds, opens with a familiar interrogation scene given a technological twist. As Detective Morris, an online investigator, questions Mr. Sims about his activities in a role-playing realm so realistic it could be life, she finds herself on slippery ethical ground. Sims argues for the freedom to explore even the most deviant corners of our imagination. Morris holds that we cannot flesh out our malign fantasies without consequence. Their clash of wills leads to a consequence neither could have imagined. Suspenseful, ingeniously constructed, and fiercely intelligent, Haley’s play forces us to confront deeply disturbing questions about the boundaries of reality.
Download or read book Literary Worlds and Deleuze written by Zornitsa Dimitrova and published by Lexington Books. This book was released on 2016-12-20 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literary Worlds and Deleuze contributes to debates on mimesis by offering an ‘expressionist’ take on the matter of the generation of literary worlds in drama. In examining postdramatic plays by Sarah Kane, Martin Crimp, Caryl Churchill, and Laura Wade, the book outlines a dynamic ontology of mimesis. Rather than pertaining to a static ontology of ‘being’, expressionist mimesis is generative and renews itself constantly without arriving at an entelechial end. In exploring the fluxional field of forces and relations that underlie the order of representation, expressionist mimesis is well suited to account for the ontologically uncertain realities of postdramatic theatre. The concepts of ‘expression’ and ‘the event of sense’ (Gilles Deleuze) become part of a generative model that incorporates pre-linguistic and supra-conceptual constituents within the genesis of representation.
Download or read book Virtual Reality Narratives written by Kath Dooley and published by Springer Nature. This book was released on 2024 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Who Wet My Pants written by Bob Shea and published by Little, Brown Books for Young Readers. This book was released on 2019-09-17 with total page 41 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this hilarious tale of blame, compassion, and forgiveness, a very embarrassed bear is reminded that accidents can happen--but with the support of good friends, life goes on. Reuben the bear's got donuts for everyone in his scout troop, but his friends are all staring at something else: there's a wet spot on Reuben's pants, and it's in a specific area. "WHO WET MY PANTS?" he shouts, and a blame game starts. His buddies try to reassure him there was no crime. Just an accident. It could happen to anyone! But as all the clues begin to point in Reuben's own direction as the culprit, Reuben must come to terms with the truth. Who Wet My Pants? isn't a potty-training book. It's a witty and wise story about embarrassment and anger, empathy and acceptance, and ultimately...forgiveness.
Download or read book Digital Theatre written by Nadja Masura and published by Springer Nature. This book was released on 2020-10-21 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder’s Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.
Download or read book Form and the Art of Theatre written by Paul Newell Campbell and published by Popular Press. This book was released on 1984 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an argument for a particular point of view toward theatre, not a summary or survey of dramatic theory and criticism. The argument centers on the concept of form, a concept that is the rock on which all theoretical and critical works are built, or against which they shatter.
Download or read book Theatre Histories written by Bruce McConachie and published by Routledge. This book was released on 2016-02-26 with total page 657 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoroughly revised and updated third edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers a critical overview of global theatre and drama, spanning a broad wealth of world cultures and periods. Bringing together a group of scholars from a diverse range of backgrounds to add fresh perspectives on the history of global theatre, the book illustrates historiographical theories with case studies demonstrating various methods and interpretive approaches. Subtly restructured sections place the chapters within new thematic contexts to offer a clear overview of each period, while a revised chapter structure offers accessibility for students and instructors. Further new features and key updates to this third edition include: A dedicated chapter on historiography New, up to date, case studies Enhanced and reworked historical, cultural and political timelines, helping students to place each chapter within the historical context of the section Pronunciation guidance, both in the text and as an online audio guide, to aid the reader in accessing and internalizing unfamiliar terminology A new and updated companion website with further insights, activities and resources to enable students to further their knowledge and understanding of the theatre.
