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Book Theatre and Stage craft in Nigeria

Download or read book Theatre and Stage craft in Nigeria written by Iyorwuese Harry Hagher and published by . This book was released on 2000 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Theatre in Nigeria

    Book Details:
  • Author : Foluke Ogunleye
  • Publisher : Integritas Services
  • Release : 2007
  • ISBN : 9789783626676
  • Pages : 116 pages

Download or read book Theatre in Nigeria written by Foluke Ogunleye and published by Integritas Services. This book was released on 2007 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building on earlier works on the African video film movement this book discusses: The Dynamics of Finance in the Nigerian Traveling Theatre; Christian Morality Plays in Nigeria; Television Docudrama as Alternative Records of History; Nigerian Tele-Drama and Propaganda; Money and Mercantilism in Nigerian Historical Plays; History of the Ori Olokun Theatre; and The Socio-Economic Construct of the Nigerian Home Video Film.

Book Play Production Processes

Download or read book Play Production Processes written by Effiong Johnson and published by Xlibris Corporation. This book was released on 2011-02-16 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Cross Cultural Perspectives on Stage Management  A Comparative Analysis of Theatrical Practices in Nigerian and American Universities

Download or read book Cross Cultural Perspectives on Stage Management A Comparative Analysis of Theatrical Practices in Nigerian and American Universities written by Gbenga Adeboye and published by GRIN Verlag. This book was released on 2023-12-06 with total page 91 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bachelor Thesis from the year 2023 in the subject Theater Studies, Dance, grade: 5.0, Obafemi Awolowo University (Arts), course: Dramatic Arts, language: English, abstract: This research delves into the diverse stage management styles and practices within two distinct cultural and geographical contexts: Nigeria and the United States. Focusing on the theatrical landscapes of Obafemi Awolowo University (OAU) in Nigeria and Villanova University in the United States, the study employs Qualitative Comparative Analysis to explore the techniques employed by stage managers and their reflection of broader theatrical norms in each country. Through in-depth interviews, observations, and surveys with experienced stage managers, directors, and practitioners, the research unveils the similarities and differences in stage management practices, considering factors such as cultural influences, educational systems, funding resources, and technology integration. The study also examines the impact of globalization on stage management, highlighting how international collaborations and exchange programs shape theatrical production methods in both nations. As a valuable contribution to theatre studies, this research offers insights for practitioners, educators, and scholars navigating the dynamic interplay between tradition and innovation in stage management practices. Ultimately, the study seeks to foster a cultural exchange between Nigerian and American theatre communities, promoting mutual appreciation and encouraging the adoption of effective stage management techniques to elevate the quality of theatrical productions and cultivate a more interconnected global theatre community.

Book Shakespeare and Brecht in Nigeria

Download or read book Shakespeare and Brecht in Nigeria written by F. N. Ibemesi and published by Lincom. This book was released on 2007 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Committed Theatre in Nigeria

Download or read book Committed Theatre in Nigeria written by Segun Oyeleke Oyewo and published by Rowman & Littlefield. This book was released on 2020-06-01 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an overview of the full range of the teaching and practice of Committed Theatre and theatre of commitment in Nigeria for scholars in the arts and cultural studies. It is divided into four sections; Chapter 1: Theatre in Development Discourse, which is comprised of four papers that explore the theories of practice of theatre of commitment. Chapter 2 : Nigerian Theatre in Perspective discusses the trends, ethos of revolution, theatrical elements and communalistic/individualistic tendencies and the taboos theatre, drama and traditional theatre in Nigeria. In Chapter 3, the social, cultural and historical implications of Nigeria theatre, is examined in papers that focus on politics, theatre, and echoes of separatism in Nigeria and including an analysis of Aesthetagement of the Calabar Carnival in Nigeria. Chapter 4 performs a critical analysis of committed theatre practices from a global perspective. Interviews were conducted with committed artistes from Nigeria, Canada, Ethiopia, and Indonesia. Committed Theatre Perspectives in Teaching and Practice in Nigeria has the potential to impact the philosophy, teaching, and practice of theatre. The ideas contained in the book provide an excellent framework for understanding the importance and more importantly, the impact of theatre on society.

Book Creolisations in Nigerian Theatre

Download or read book Creolisations in Nigerian Theatre written by Victor Samson Dugga and published by Spotlight Poets. This book was released on 2002 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Dap    Adelugba on Theatre Practice in Nigeria

Download or read book Dap Adelugba on Theatre Practice in Nigeria written by Dapọ Adelugba and published by . This book was released on 2003 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book African Theatre in Development

Download or read book African Theatre in Development written by Martin Banham and published by Indiana University Press. This book was released on 1999 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A truly worthwhile resource in a growing field of research--the theater and drama of Africa--this volume collects ten essays about theater practice, publications, and productions; in-depth reviews of 17 books; and a new play." --Choice "... a 'must-have' for anybody interested in issues relating to theatre and development in Africa.... a pioneering effort... " --H-Net Reviews Art as a tool, weapon, or shield? This compelling issue and others are explored in this diverse collection of intriguing perspectives on African theatre in development. Also here: strategies in staging, propaganda, and mass education, and a discussion of the playwright Alemseged Tesfai's career in service to Eritrean liberation.

Book Theatre Arts Studies

Download or read book Theatre Arts Studies written by Dapọ Adelugba and published by . This book was released on 2001 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Senegalese Stagecraft

    Book Details:
  • Author : Brian Valente-Quinn
  • Publisher : Northwestern University Press
  • Release : 2021-07-15
  • ISBN : 0810143674
  • Pages : 272 pages

Download or read book Senegalese Stagecraft written by Brian Valente-Quinn and published by Northwestern University Press. This book was released on 2021-07-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country’s colonial heritage, as well as through their innovations on the craft of theater‐making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country’s theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society. Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan‐Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente‐Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies.

Book Alore

    Book Details:
  • Author :
  • Publisher :
  • Release : 2005
  • ISBN :
  • Pages : 852 pages

Download or read book Alore written by and published by . This book was released on 2005 with total page 852 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Nigeria Magazine

Download or read book Nigeria Magazine written by and published by . This book was released on 1984 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Theatre and Democracy in Nigeria

Download or read book Theatre and Democracy in Nigeria written by Ahmed Yerima and published by . This book was released on 2002 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Arts Administration in Contemporary Nigeria

Download or read book Arts Administration in Contemporary Nigeria written by Remi Ademola Adedokun and published by . This book was released on 2001 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Routledge Handbook of African Theatre and Performance

Download or read book Routledge Handbook of African Theatre and Performance written by Kene Igweonu and published by Taylor & Francis. This book was released on 2024-06-10 with total page 811 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association.

Book Theatre and Postcolonial Desires

Download or read book Theatre and Postcolonial Desires written by Awam Amkpa and published by Routledge. This book was released on 2004-06 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre. The struggles it describes unfolded in two cultural settings separated by geography, but bound by history in a common web of colonial relations spun by the imperatives of European modernity. In post-imperial England, as in its former colony Nigeria, the colonial experience not only hybridized the process of national self-definition, but also provided dramatists with the language, imagery and frame of reference to narrate the dynamics of internal wars over culture and national destiny happening within their own societies. The author examines the works of prominent twentieth-century Nigerian and English dramatists such as Wole Soyinka, Femi Osofisan, Davd Edgar and Caryl Churchill to argue that dramaturgies of resistance in the contexts of both Nigerian as well as its imperial inventor England, shared a common allegiance to what he describes as postcolonial desires. That is, the aspiration to overcome the legacies of colonialism by imagining alternative universes anchored in democratic cultural pluralism. The plays and their histories serve as filters through which Ampka illustrates the operation of what he calls 'overlapping modernities' and reconfigures the notions of power and representation, citizenship and subjectivity, colonial and anticolonial nationalisms and postcoloniality. The dramatic works studied in this book embodied a version of postcolonial aspirations that the author conceptualises as transcending temporal locations to encompass varied moments of consciousness for progressive change, whether they happened during the hey day of English imperialism in early twentieth-century Nigeria, or in response to the exclusionary politics of the Conservative Party in Thatcherite England. Theatre and Postcolonial Desires will be essential reading for students and researchers in the areas of drama, postcolonial and cultural studies.